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Robert and Shana ParkeHarrison
Robert and Shana ParkeHarrison

Robert and Shana ParkeHarrison

Country: United States

Robert ParkeHarrison (born 1968) is a photographer, best known for his work (with wife Shana ParkeHarrison) in the area of fine art photography. The photographs of Robert and Shana ParkeHarrison have been displayed in 18 solo exhibitions and over 30 group shows worldwide. Their work can also be found in over 20 collections, including the National Museum of American Art at the Smithsonian Institution and the George Eastman House. Their book, The Architect’s Brother was named as one of 'the Ten Best Photography Books of the Year' of 2000 by the New York Times.

"My photographs tell stories of loss, human struggle, and personal exploration within landscapes scarred by technology and over-use…. strive to metaphorically and poetically link laborious actions, idiosyncratic rituals and strangely crude machines into tales about our modern experience."
-- Robert ParkeHarrison

Source: Wikipedia

Artist Statement:
We create works in response to the ever-bleakening relationship linking humans, technology, and nature. These works feature an ambiguous narrative that offers insight into the dilemma posed by science and technology's failed promise to fix our problems, provide explanations, and furnish certainty pertaining to the human condition. Strange scenes of hybridizing forces, swarming elements, and bleeding overabundance portray Nature unleashed by technology and the human hand.

Rich colors and surrealistic imagery merge to reveal the poetic roots of the works on display. The use of color is intentional but abstract; proportion and space are compositional rather than natural; movement is blurred; objects and people juxtaposed as if by chance in a visual improvisation that unfolds choreographically. At once formally arresting and immeasurably loaded with sensations—this work attempts to provide powerful impact both visually and viscerally.

Source: parkeharrison.com

 

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Abelardo Morell
Abelardo (Abe) Morell (born 1948 in Havana, Cuba) is a Boston-based photographer. Morell and his family fled Cuba in 1962, moving to New York City. Morell earned a Bachelor of Arts from Bowdoin College in 1977, and a Master of Fine Arts from Yale University School of Art in 1981. He received an honorary Doctor of Fine Arts degree from Bowdoin in 1997. Morell is well known in the photographic community for creating camera obscura images in various places around the world and photographing these. Morell was awarded the Cintas Foundation fellowship in 1992 and the John Simon Guggenheim Memorial Foundation Fellowship in 1993. Morell is currently a professor of photography at the Massachusetts College of Art. He is represented by Bonni Benrubi Gallery, NYC. A documentary on elements of Morell's life and work, Shadow of the House, was released in 2007. (Source: Wikipedia) He has received a num­ber of awards and grants, which include a Cin­tas grant in 1992 a Guggen­heim fel­low­ship in 1994 a Rap­pa­port Prize in 2006 and an Alturas Foun­da­tion grant in 2009 to pho­to­graph the land­scape of West Texas. He was the recip­i­ent of the Inter­na­tional Cen­ter of Pho­tog­ra­phy 2011 Infin­ity award in Art. His work has been col­lected and shown in many gal­leries, insti­tu­tions and muse­ums, includ­ing the Museum of Mod­ern Art, The Whit­ney Museum of Amer­i­can Art, the Met­ro­pol­i­tan Art Museum in New York, The Chicago Art Insti­tute, The San Fran­cisco Museum of Mod­ern Art, The Hous­ton Museum of Art, The Boston Museum of Fine Art, The Vic­to­ria & Albert Museum and over sev­enty other muse­ums in the United States and abroad. A ret­ro­spec­tive of his work orga­nized jointly by the Art Insti­tute of Chicago, The Getty and The High Museum in Atlanta will be on view start­ing in the sum­mer of 2013. His pub­li­ca­tions include a pho­to­graphic illus­tra­tion of Alice’s Adven­tures in Won­der­land (1998) by Dut­ton Children’s Books, A Cam­era in a Room (1995) by Smith­son­ian Press, A Book of Books (2002) and Cam­era Obscura (2004) by Bulfinch Press and Abelardo Morell (2005), pub­lished by Phaidon Press. Recent pub­li­ca­tions include a lim­ited edi­tion book by The Museum of Mod­ern Art in New York of his Cliché Verre images with a text by Oliver Sacks. He lives with his wife, Lisa McE­laney, a film­maker, and his chil­dren Brady and Laura in Brook­line, Massachusetts. Film­maker Allie Humenuk has made a film enti­tled Shadow of the House, an in-depth doc­u­men­tary about Morell’s work and expe­ri­ence as an artist. (Source: www.abelardomorell.net)
Wiktor Franko
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1983
Wiktor Franko, born in Kielce in 1983. He completed Polish Language Studies at the Swietokrzyska Academy, then got involved in photography and he has ever since been preoccupied with it. He deals with both fine art and commercial photography. His photographs have been published in a number of professional magazines, such as Prism Magazine, Camerapixo, Pokochaj Fotografie, Fabrikon Magazine, Musli Magazine, Confashion and a Chinese Prime Magazine. He exhibited his works at a few collective and individual exhibitions, and his photographs were awarded in a variety of photo contests - he was twice awarded in a prestigious Viva Photo Awards and two local contests Zycie Jest Piekne and Kielce Inaczej (he was a jury member with Pawel Pierscinski in the last two editions of Kielce Inaczej contest). Wiktor Franko was a collaborator of Charaktery magazine, and a number of his images were placed on the cover of that magazine. His photographs can also be found on book covers. On two occasions, he took photographs of famous people from the world of business, culture and politics, including a portrait photo depicting Malgorzata Tusk, Prime Minister's wife for Philanthropist's Calendar, a publication that is of importance for the region. Wiktor Franco is the author of three posters for The Off Fashion, a European contest for fashion designers that is held in Kielce. Initially, Wiktor's development as a photographer ran parallel to his stay in London, where he shot photos of jazz and rock music stars, including Marillion, King Crimson, Porcupine Tree, Archive, Chic Corea, Jan Garbarek. Currently, Wiktor is engaged in making music albums covers of Polish artists, including Strefa Ciszy, Lebowski. In his photographs, Wiktor Franko frequently uses literary motifs and allusions (a cycle devoted to Milan Kundera's novels). His works, strongly influenced by surrealism, are often defined as painterly. As he himself says, what is most important for him in photography is the atmosphere, a particular mood and surprise.Source: Galeria Winda
Szymon Brodziak
What you see, is who you are - says Szymon Brodziak, the master of black and white photography. The youngest aritist exhibited at the Museum of Photography - Helmut Newton Foundation in Berlin (2015). The best black & white campaign photographer of the world, acclaimed by the jury of FashionTV Photographers Awards, during 2013 Cannes Film Festival. In 2019, Brodziak confrmed his mastery by winning 1st Place in World's Top 10 Black & White Photographers contest curated by OneEyeland. He loves to photograph women. He's inspired mainly by locations, where he brings to life his monochromatic visions. Brodziak received Johnnie Walker Keep Walking Award for constant fulflment of dreams and passion for setting new paths in the search of beauty. In Europe, Brodziak received numerous medals and honourable mentions in various editions of the renowed Prix de la Photographie Paris, both for commercial and personal projects, including the title of Advertising Photographer of the Year (2016). In the USA, he won frst place in Fashion category in two photo competitions: International Photography Awards (2016) and Black and White Spider Awards (2016), which rewards the best monochromatic images from all over the word. His frst photo album ONE had its ofcial premiere in Rome (2014). It presents the frst 10 years of his professional activity. The publication starts with a personal dedication from June Newton, wife to the legendary photographer Helmut Newton. Szymon's new photographic book entitled WHAT YOU SEE IS WHO YOU ARE won a Gold Medal (Book: Cover) and 2 Bronze Medals (Book: Fine Art & Other) at Prix de la Photographie Paris 2019 and also Honorable Mention at 2019 International Photography Awards (USA). The artist's work can be seen and ordered in his own galleries of photography located in Poland and are also available worldwide at Online Shop www.szymonbrodziak.com as well as www.saatchiart.com/brodziak.
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Wenxin Zhang lives and works in San Francisco. She received her MFA at California College of the Arts.Zhang creates non-linear photographic novels. In her writings and photography, she describes her experiences of growing up in China, her current life in San Francisco, and her personal relationships. Zhang's work has exhibited widely in United States and China. Zhang was selected as a finalist in 2014 Three Shadows Photography Award, Leica Oskar Barnack Newcomer Award, and Photographic Museum of Humanity New Generation Award. Also, Zhang was selected as an artist in residence by Rayko Photo Center and The Center for Photography at Woodstock. Zhang's first monograph will be published in early 2015 by Jiazazhi Press.Statement:Five Nights, Aquarium is a non-linear narration weaved by photographs and five short written works.I try to reconstruct my inner journey from trips I’ve made between my home country China and San Francisco during these two years in a truthful way, but the overloaded feelings of estrangement and desolation created by the journey have transformed my memories into illusions of confinement. Due to this confinement, my journey story became a space-time, which resembles an aquarium. In this aquarium, cityscapes are fish tank decorations, people are fish, and writings are tank labels.I chose five nights in the whole reconstructed journey story, using five semi-fictional short stories as clue, to portray the imaginary aquarium. The stories are cold yet intimate, sensual yet intangible. The narration of journey moves from real to imagined spaces, exploring the boundaries between autobiography and fiction.
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Artist and photographer Olivia Milani has been captivated by images and the power of visual language since she can remember. Olivia studied photography at Central Saint Martins in London, graduating with a Postgraduate degree in Photography. Through her curious, inquisitive and lyrical looking, she creates subtle, open narratives that usually develop into long term projects. Travel is an important source of inspiration for her work. As much as representing outer places or destinations, her dreamlike images conjure inner landscapes suggestive of internal states and the fluidity of emotions. Partly constructed, partly simply observed or gathered as they happen in the moment, her images are often situations encountered by chance which she then invests with symbolism, mythological and literary references. Her work has been exhibited internationally and she has enjoyed collaborations with many gifted artists. Growing up in the context of a multicultural background in the Italian speaking region of Switzerland, she lives and works in London, England and feels at home in the world. Olivia sees photography as a tool for outer and inner exploration and discovery. Approaching her work with serious playfulness, she likes to let its meaning unfold. Eastern Winds Eastern Winds is about a journey of tracing my roots and reconnecting the fragmented aspects of my family past. It all started when I opened an old suitcase filled with photographs and letters - the remnants of my grandmother Lydia's life in Russia. The photographs were mainly portraits from 19th and 20th century Russia. Their soulful and enigmatic quality captured me immediately and led me on a voyage, first inner and imaginary, and eventually outer - like following a river back to it's source, I decided to travel to Russia. Starting in Moscow, I crossed the country by land, from West to East, travelling along the Trans-Siberian railway route all the way to Siberia, that to me felt like the far northern edges of the world. As I was travelling through the immense vastness of the endless Russian plains, I was imagining the lives and destinies of my ancestors. A great stillness stretched around me and it felt as if the limitlessness of these landscapes was re-shaping my inner geography, linking me back to the continuum of my ancestral connections. My grandmother Lydia was born in Moscow to a Russian mother and Swiss father. All I know is that during the time of the political turmoil of the Russian Revolution her family got torn apart and she had to flee Russia over night. She was 20 and travelled to Switzerland on a cargo train with one sister. She never saw her family and homeland again. These images are a way of weaving back together the broken threads of my family history - a tapestry composed of lost and found family photographs, untold stories and memories half vanished through time. An act of remembrance and a way of reappropriating my family history and transnational heritage. Blending the pictures I took during the journey with the photographs of my ancestors is an attempt of linking past and present together, one family member to another, one generation to another. Reconnecting to the ancestors returns us to the river of life that flows from the past into the present moment to nourish us.
Lauren Semivan
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Lauren Semivan (b. 1981) was born in Detroit, Michigan. She received a BA in studio art from Lawrence University in Appleton, Wisconsin, and an MFA in photography from Cranbrook Academy of Art. Her work has been exhibited at the Nelson Atkins Museum of Art, Detroit Center for Contemporary Photography, The Griffin Museum of Photography, The Hunterdon Art Museum, Cranbrook Art Museum, Paris Photo, and The AIPAD Photography Show among others. She has taught photography at College for Creative Studies, The Ohio State University, Virginia Commonwealth University, and Wayne State University. Semivan has received numerous awards for her work including Photolucida Critical Mass Top 50, and The Griffin Museum of Photography’s Griffin Award. In 2014, she was a finalist for The John Gutmann Photography Fellowship, and SF Camerawork’s Baum Award for Emerging Photographers. Her work was recently published in Series of Dreams (Skeleton Key Press, 2018) and has appeared in The New Yorker, Artforum, Harper's Magazine, Interview Magazine, The Village Voice, and Photograph magazine. Semivan’s work is part of permanent collections at the Nelson Atkins Museum of Art, Cranbrook Art Museum, The Wriston Art Galleries at Lawrence University, and The Elton John Photography Collection. She lives in Appleton, WI and is represented by Benrubi Gallery in New York, and David Klein Gallery in Detroit, Michigan. Artist Statement "The staged photograph exists as a document of a pre-conceived, imagined event. It can be compared to a scientific apparatus, utilizing both control and the unknown. My ongoing body of work, Observatory, combines drawing, an archive of objects, and the human presence as a narrative tool. In scientific disciplines, a line is classified as an event. Something as primitive as a scrawl on a surface reveals an aggregate of events, intersecting and changing course. Drawings made on the seamless backdrop describe an emotional space. Science is inherently experiential, as is art making. Knowing and feeling are not separate, and the whole of the environment can be used as a pedagogic instrument. Observatory elegantly draws upon a tension that exists between irrational and physical worlds. Within each image, ghosts of previous drawings create a sense of time suspended, evoking gesture, atmosphere and memory. Photographs allow me to access the extraordinary, to keep a record of dreams, and to employ the unknown. My interest in photography is interdisciplinary and synergistic, informed by the written word, painting, drawing, sculpture, and the raw material of human experience. All images are made using an early 20th century 8x10" view camera. Large format negatives are scanned and printed without digital manipulation in editions of 5 (40"x50") and 10 (24"x30")."Source: www.laurensemivan.com Her ongoing body of work, Observatory, combines drawing, an archive of objects, and the human presence as a narrative tool. Within each image, ghosts of previous drawings create a sense of time suspended, evoking gesture, atmosphere and memory. "Photographs allow me to access the extraordinary, to keep a record of dreams, and to employ the unknown. Science is inherently experiential, as is art making. Knowing and feeling are not separate, and the whole of the environment can be used as a pedagogic instrument. Observatory elegantly draws upon a tension that exists between irrational and physical worlds". Semivan’s work resides in the collections of the Nelson Atkins Museum, Cranbrook Art Museum, and the Wriston Art Center at Lawrence University, and has been featured in Wall Street International Magazine, the New Yorker, Artforum, and Photograph magazine.Source: Benrubi Gallery
Michael Joseph
United States
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