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Savas Onur Sen
Savas Onur Sen
Savas Onur Sen

Savas Onur Sen

Country: Turkey
Birth: 1978

Savaş Onur Şen is a Turkish photographer based in Van. He has graduated from Ankara University Faculty of Communication, Department of Journalism. He has taken his master's degree in photography and a Ph.D. degree in photojournalism. Now he is working at Van Yuzuncu Yil University as an Assistant Professor. Savaş Onur Şen is trying to use photography to tell stories. These days he focused on the stories of the animals who live in the urban lifestyle.

Precarious
If certain lives do not qualify as lives or are,
from the start, not conceivable as lives within
certain epistemological frames,
then these lives are never lived nor lost
in the full sense.

Judith Butler

Current laws and regulations do not adequately protect the animals in Turkey. Violence, especially against stray animals, is increasing due to the lack of an animal rights law demanded by animal lovers and sensible groups. It is possible to see the traces of the rising vio-lence in mainstream and social media. Almost every day, we come across news of rape, torture, violence, and abuse, especially against stray animals. This situation also causes conflicts between people who are sensitive to the issue and are against feeding stray animals.

It is said that there are over 20 thousand stray dogs in the city where I live. Although I don't have the chance to reach all of them, I have been feeding several stray dogs for many years and trying to find solutions to their problems. While doing this, I have also been taking photos of them for the last two years.

"Precarious" is the first significant part of my work on stray dogs. This work aims to present an epistemological framework for the lives of stray dogs.
 

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Carrie Mae Weems
United States
1953
Carrie Mae Weems (born 1953) is an American photographer and artist. Her award-winning photographs, films, and videos have been displayed in over 50 exhibitions in the United States and abroad and focus on serious issues that face African Americans today, such as racism, gender relations, politics, and personal identity. She has said, "Let me say that my primary concern in art, as in politics, is with the status and place of Afro-Americans in our country." Weems was born in Portland, Oregon in 1953, the second of seven children to Myrlie and Carrie Weems. She moved out of her parents' home at the age of sixteen, and she soon relocated to San Francisco to study modern dance with Anna Halprin. She decided to continue her arts schooling and attended the California Institute of the Arts, Valencia. She graduated at the age of twenty-eight with her BA. She received her MFA from the University of California, San Diego. Weems also participated in the graduate program in folklore at the University of California, Berkeley. While in her early twenties, Carrie Mae Weems was politically active in the labor movement as a union organizer. Her first camera, which she received as a birthday gift from her then boyfriend,[4] was used for politics rather than for artistic purposes. She was inspired to pursue photography only after she came across The Black Photography Annual, a book of images by African-American photographers. This book contained the work of photographers Shawn Walker, Beuford Smith, Anthony Barboza, Ming Smith, Adger Cowans, and Roy DeCarava, which Weems found inspiring. This led her to New York, and the Studio Museum in Harlem, where she began to meet a number of artists and other photographers such as Frank Stewart and Coreen Simpson, and they began to form a community. In 1976 Weems took a photography class at the Museum taught by Dawoud Bey. 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Gender issues were the next focal point for Carrie Mae Weems. It was the topic of one of her most well known collections called The Kitchen Table series which was completed in 1990. About "Kitchen Table" and "Family Pictures and Stories", Weems has said, "I use my own constructed image as a vehicle for questioning ideas about the role of tradition, the nature of family, monogamy, polygamy, relationships between men and women, between women and their children, and between women and other women—underscoring the critical problems and the possible resolves." She has expressed disbelief and concern about the exclusion of images of the black community, particularly black women, from the popular media, and aims to represent these excluded subjects and speak to their experience through her work. Weems has also reflected on the themes and inspirations of her work as a whole, saying, "...from the very beginning, I've been interested in the idea of power and the consequences of power; relationships are made and articulated through power. Another thing that's interesting about the early work is that even though I've been engaged in the idea of autobiography, other ideas have been more important: the role of narrative, the social levels of humor, the deconstruction of documentary, the construction of history, the use of text, storytelling, performance, and the role of memory have all been more central to my thinking than autobiography." Other series created by Weems include: the Sea Island Series (1991-92), the Africa Series (1993), From Here I Saw What Happened and I Cried (1995-96), Who What When Where (1998), Ritual & Revolution (1998), the Louisiana Project (2003), Roaming (2006), and the Museum Series, which she began in 2007. In her almost thirty year career, Carrie Mae Weems has won numerous awards. She was named Photographer of the Year by the Friends of Photography. In 2005, she was awarded the Distinguished Photographer's Award in recognition of her significant contributions to the world of photography. Her talents have also been recognized by numerous colleges, including Harvard University and Wellesley College, with fellowships, artist-in-residence and visiting professor positions. The first comprehensive retrospective of her work opened in September 2012 at the Frist Center for the Visual Arts in Nashville, TN. Weems lives in Brooklyn, NY and Syracuse, NY, with her husband Jeffrey Hoone.(Source: en.wikipedia.org)
Stephen Wicks
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Stephen Wicks' attraction to photography began during his childhood. He says he was inspired by the photo essays in LIFE Magazine. Each week when a new issue arrived it seemed like the world beyond his home was in his hands and he had feelings for and wanted to meet the people who appeared in the pictures and visit the places he saw on the pages in the magazine. Wicks has always had a deep interest in all forms of communication. He says his attraction to the visual world and belief in the power of images triggered his imagination, cultivated his intuition, awakened within him a natural curiosity and an instinct to questioning everything. These qualities have been the inspiration for Wicks to follow parallel careers as an imagemaker and visual educator. As an artist Stephen Wicks has been using photography, videography, monologues and soundscapes to tell stories about the things he see's, questions and values. His motivation has been to create picture stories, in print and now also on the screen, to share with others what he has experienced, discovered and captured. During his early career Wicks created traditional B&W photo essays with up close and personal photographs made, often while living with his subjects over a long period of time, and returning many years later to see and capture changes in their lives. More recently, Wicks has been making digital color photographs of landscapes, places and objects found in spaces shared by the natural landscape and built environment. Although these photographs are void of people, he believes a human trace is visible in each picture and, with this in mind, he see's his Nature/Culture images as social landscapes. It is precisely the absence of people along with a sense of their presence, as seen in the marks and artifacts left in the environment, he now finds most fascinating. Stephen Wicks is currently developing two presentation/performance/storytelling projects: PICTURE STORIES: a series of live presentations based on thematic video vignettes, photographs and monologues about American people, places, experiences and events; including a dialogue with the audience (in development / launch: September 2019) BEING THERE: his YouTube Channel - a video magazine about American Culture - including picture stories, video journals and commentary on education, art, communication, politics, economy, media (in development / launch: October 2019)
Fausto Podavini
Fausto Podavini was born in Rome, where he still lives and works. His passion for photography began when he was 18, first as assistant and studio photographer, then working on ethnological and social reportage. In 1992, he worked at MIFAV, the photography museum at Tor Vergata University in Rome and then studied at the John Kaverdash photography academy in Milan, taking a master’s degree in reportage. Podavini left studio photography to dedicate himself exclusively to reportage, and is nowadays a freelance photographer, collaborating with a number of NGOs. He has covered issues in Italy, Peru, Kenya, and Ethiopia, where he is currently developing personal photographic projects.Italian social reportage photographer Fausto Podavini is honoured this year as both third place winner in the 2013 Sony World Photography Awards Lifestyle category as well as first prize for the 2013 World Press Photo's 'Daily Life' category. His winning series, follows the relationship of Mirella and Luigi as Mirella cared for for husband at home in Rome. Married for over 40 years, Luigi began experiencing symptoms of Alzheimer's disease. For six years, Mirella tended to her husband's needs due to the progressive degenerative illness. After five years of living with Alzheimers, Luigi no longer recongised his wife; he died in May 2011 with her at his bedside. Podavini's intimate and delicate series follows Mirella for four years. WPO's Kaley Sweeney spoke to the photographer a bit more about his experiences developing the long term project. (Source: World Photography Organisation)
Tamas Dezso
Hungary
1978
Tamas Dezso (b.1978) is a documentary fine art photographer working on long-term projects focusing on the margins of society in Hungary, Romania, and other parts of Eastern Europe. His work has been exhibited worldwide, with solo exhibitions in 2011 in Poland, Bangladesh, Budapest, New Mexico, and at the Robert Koch Gallery in San Francisco, and recent exhibitions at the New York Photo Festival, Shanghai Museum of Contemporary Art, and FOAM Photo Museum in Amsterdam. He was twice Hungarian Press Photo’s Photographer of the Year (2005 and 2006), and has received awards from organizations such as World Press Photo, Pictures of the Year International, NPPA’s Best of Photojournalism, and PDN. His photographs have appeared in TIME magazine, The New York Times, National Geographic, GEO, Le Monde magazine, and many others. Dezso has recently been nominated for the 2012 Prix Pictet. Tamas Dezso's series 'Here, Anywhere' offers a desolate yet beautiful look at the people and places left behind during the post-communist transition in Hungary. Begun in 2009, the series explores the unique atmosphere of the country's now 20-year-long transition, and changing notions of Eastern European identity. With the introduction of democracy in the 1990s came euphoria and promise, but unrealized expectations of quickly catching up with the West have led to widespread disappointment and frustration, compounded by the current serious economic difficulties have fanned the popularity of far right politics, as well as an anachronistic nostalgia for the stability of communism. Presently Hungary has a right wing populist government and the strongest opposition party is the neo-Nazi party with nearly 1/8th of the eligible voters and gaining popularity. Dezso's layered images present unsettling moments of stillness that poetically allude to this gritty reality. Motivated by the isolation he sees his country facing, Dezso photographs the people and places of Hungary as symbols, where "a certain out-dated, awkward, longed-to-be-forgotten Eastern Europeanness still lingers." This award-winning series has garnered international attention, earning Dezso First Place at the 2011 CENTER Project Competition in Santa Fe, the Daylight Magazine & Center for Documentary Studies Project Prize, and Grand Prize at the Jeune Création Européenne Biennal 2011/2013 in Paris-Montrouge.Source: Robert Koch Gallery Interview with Tamas Dezso All About Photo: When did you realize you wanted to be a photographer? Tamas Dezso: Soon after I left the University of Technology in Budapest in 2000. AAP: Where did you study photography? TD: I am self-taught. AAP: How long have you been a photographer? TD: I started as a photojournalist with a political daily in 2000. AAP: What or who inspires you? TD: Music. Beethoven, Bach and Mozart. AAP: How could you describe your style? TD: Documentary. AAP: Do you have a favorite photograph or series? TD: Richard Avedon 'Italy #9', 'Boy and Tree, Sicily, July 15, 1947' AAP: What kind of gear do you use? Camera, lens, digital, film? TD: Phase One cameras with various Schneider Kreuznach lenses. AAP: Favorite(s) photographer(s)? TD: Richard Avedon and Irving Penn AAP: What advice would you give a young photographer? TD: "Follow the advice of others only in the rarest cases." -- Beethoven AAP: What are your projects? TD: I am interested in the transitional period, the period after the fall of communism in Eastern Europe. AAP: Your best memory as a photographer? TD: My first trip to Romania. AAP:If you were someone else who would it be? TD: A pianist. AAP: Your favorite photo book? TD: Walter Niedermayr's Civil Operations.
Eddy Verloes
Belgium
1959
As a visual storyteller, he creates a poetic and mysterious world in his mainly black and white photos that sometimes balance between realism and surrealism. He is always focused on the decisive moment and shoots with his soul, not with his camera. Some of his (street) photos are also spiced with a touch of humor and it's difficult to put him in a box. Eddy Verloes studied literature, philosophy and arts at the University of Louvain (Belgium) and the Albert-Ludwigs-Universität Freiburg i.B. (Germany), is a lecturer at the Royal Military Academy and General Manager of Verloes Languages & Training. As a photographer, he studied at CVO Louvain (Belgium). Between 2015 and 2021 he has published 4 photo books ("No time to Verloes", "Cuba libre", "Zeezuchten" and "Losing Our Minds/Buiten zinnen") and has exhibited in several galleries in the USA, the United Kingdom, France, Austria, Greece, Italy, Spain, Germany, The Netherlands and Belgium. He has been selected several times for national and international competitions (LensCulture, CEWE Photo Challenge, Fotonale Brugge). In 2020 he has already received more than 30 awards/ prizes including the jury prize of the 11th Photography Contest in France (Toulouse), he was the Belgian Winner of the EISA Maestro Photo Contest 2020, finalist at the PassePartout Photography Prize (Italy), Vienna International Photo Awards 2020, New York Center for Photographic Art, selected for PhotoPlace Gallery (Vermont), winner at the Open Call 2020 ("Fine Art") Lucie Foundation Los Angeles, Winner at the Antwerp International Photography Festival, selected as one of the 25 Winners at the All-About-Photo Contest B&W, selected as one of the best contemporary photographers worldwide by the American site All-About-Photo, accepted into A Smith Gallery's "light" exhibition (Texas), selected for the Atlanta Photography Group in the Tula Art Center, Winner at the 3. Fotowettbewerb des Museums Synagoge Gröbzig (Germany), Winner of the Life Framer Photo Contest 2020 ("Civilization") and selected for the Life Framer Collection, selected at the Duncan Miller Gallery (California), Travel Photographer of the Year 2020 (People of the World).
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