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Robert Bergman
© Robert Bergman
Robert Bergman
Robert Bergman

Robert Bergman

Country: United States
Birth: 1944

Over more than 50 years, largely outside the mainstream, Robert Bergman has pursued a vision of advancing psychological and philosophical depth in photography and of transcending the boundaries between painting and photography. In Toni Morrison's words in her introduction to his classic 1998 book A Kind of Rapture, his color portraits are "... a master template of the singularity, the community, and the unextinguishable sacredness of the human race."

In his Epilogue to that book, the pre-eminent art historian, Professor Meyer Schapiro, wrote, "... his recent color portraits ... have no forerunners in photography. ... he has introduced the processes of unification, as in painting, with the search for harmony, movement, variety and distinction within it, beyond what I have ever seen in a photograph.... His finest works bring to mind some of the greatest painted portraits. ... truly profound works of art."

Placing Bergman in the context of other, better known master American photographers, John Yau, poet, critic, and author of The United States of Jasper Johns, has said, "Diane Arbus, Robert Frank, Garry Winogrand, and William Eggleston. ...he is certainly in their league. ... One day Bergman will get credit for the richness of his photographs, the way they transcend image."

Robert Bergman is currently producing a limited edition KEY SET of new master prints of 150-200 photographs that, together with the 51 A Kind of Rapture prints, will reveal the organic unity, the arc, of his creative journey: black & white street work of people and cityscapes; black & white portraits in nursing homes; black & white abstracts; hundreds of color portraits on the streets of American cities; and most recently, large-scale color abstracts.

Bergman has had solo exhibitions at The National Gallery of Art in Washington, DC, MoMA/P.S.1 in New York, Minneapolis Institute of Arts, Yossi Milo Gallery in New York, and Michael Hoppen Contemporary in London. Group shows include the Amon Carter Museum of American Art, MoMA, the Ackland Art Museum in Chapel Hill, North Carolina, and the "Come Together: Surviving Sandy" exhibition in Brooklyn, NY.

In addition to the collections of the Hill Art Foundation and Agnes Gund, President Emerita, MoMA, and numerous other individual's collections, Robert Bergman's work is in the permanent collections of the Amon Carter Museum of American Art, which recently acquired a vintage set of the 51 A Kind of Rapture color portraits, the Cleveland Museum, the Houston Museum of Fine Arts, the Minneapolis Institute of Arts, The National Gallery of Art, the 21C Museum in Louisville, KY. His work has also been highlighted in books, magazines, and newspapers in the United States, Great Britain, France, and Germany as well as on National Public Radio and the Public Broadcasting System. He received the Pollock-Krasner Foundation Grant in 2017.
 

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More Great Photographers To Discover

Michelle Frankfurter
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Born in Jerusalem, Israel Michelle Frankfurter is a documentary photographer, currently living in Takoma Park, Maryland. A graduate from Syracuse University with a bachelor’s degree in English, Michelle has been recognized, published and exhibited worldwide. Before settling in the Washington, DC area, Frankfurter spent three years living in Nicaragua, where she worked as a stringer for the British news agency, Reuters and with the human rights organization Witness For Peace documenting the effects of the contra war on civilians. In 1995, a long-term project on Haiti earned her two World Press Photo awards. Since 2000, Frankfurter has concentrated on the border region between the United States and Mexico and on themes of migration. She is a 2013 winner of the Aaron Siskind Foundation grant, a 2011 Top 50 Critical Mass winner, a finalist for the 2011 Aftermath Project and the 2012 Foto Evidence Book Award for her project Destino, documenting the journey of Central American migrants across Mexico. Her first book, Destino was published in September 2014 by Foto Evidence. About Destino Meaning both "destination" and "destiny" in Spanish, Destino portrays the perilous journey of undocumented Central American migrants along the network of freight trains lurching inexorably across Mexico, towards the hope of finding work in the United States. It is the odyssey of a generation of exiles across a landscape that is becoming increasingly dangerous, heading towards a precarious future as an option of last resorts. Unlike Mexican migration to the United States that dates back to the 1880's, the unprecedented wave of Central American migration began a full century later, the consequence of bloody civil wars, U.S. Cold War-era intervention in the region and crippling international trade policies. Those regional conflicts left a legacy of drug and gang related violence, a high incidence of domestic abuse, and unrelenting poverty. Migration as an issue is current; the story of migration is timeless. Having grown up on the adventure tales of Jack London and Mark Twain, and then later on Cormac McCarthy's border stories, there is no storyline more compelling to me than one involving a youthful odyssey across a hostile wilderness. With a singularity of purpose and a kind of brazen resilience, migrants traverse deadly terrain, relying mostly on their wits and the occasional kindness of strangers. In documenting a journey both concrete and figurative, I convey the experience of individuals who struggle to control their own destiny when confronted by extreme circumstances, much like the anti-hero protagonists of the adventure tales I grew up reading. About The Island I made five trips to Haiti between 1993 and 1995. During that time, a de facto government held the island nation captive, while an international trade embargo intended to oust the regime made life miserable for Haiti's poor. An American-led military intervention restored exiled president, Jean Bertrand Aristide to power. This series depicts the recycled repression, regional isolation, imprisonment, and liberation throughout Haiti's turbulent history.
Martin Parr
United Kingdom
1952
Martin Parr is one of the best-known documentary photographers of his generation. With over 100 books of his own published, and another 30 edited by Parr, his photographic legacy is already established. Parr also acts as a curator and editor. He has curated two photography festivals, Arles in 2004 and Brighton Biennial in 2010. More recently Parr curated the Barbican exhibition, Strange and Familiar. Parr has been a member of the Magnum agency since 1994 and was President from 2013 - 2017. In 2013 Parr was appointed the visiting professor of photography at the University of Ulster. Parr’s work has been collected by many of the major museums, from the Tate, the Pompidou and the Museum of Modern Art in New York. Martin Parr established the Martin Parr Foundation in 2017. Source: www.martinparr.com Martin Parr is a British documentary photographer, photojournalist and photobook collector. He is known for his photographic projects that take a critical look at aspects of modern life, in particular provincial and suburban life in England. He is a member of Magnum Photos. Born in Epsom, Surrey, Parr wanted to become a documentary photographer from the age of fourteen, and cites his grandfather, an amateur photographer, as an early influence. From 1970 to 1973, he studied photography at Manchester Polytechnic. He married Susan Mitchell in 1980, and they have one child, Ellen Parr (born 1986). He has lived in Bristol since 1987. Parr began work as a professional photographer and has subsequently taught photography intermittently from the mid-1970s. He was first recognized for his black-and-white photography in the north of England, Bad Weather (1982) and A Fair Day (1984), but switched to color photography in 1984. The resulting work, Last Resort: Photographs of New Brighton, was published in 1986. Since 1994, Parr has been a member of Magnum Photos. He has had almost 50 books published, and featured in around 80 exhibitions worldwide - including an exhibition at the Barbican Arts Centre, London. In 2007, his retrospective exhibition was selected to be the main show of Month of Photography Asia in Singapore. In 2008, he was made an Honorary Doctor of Arts at Manchester Metropolitan University (MMU) in recognition for his ongoing contribution to photography and to MMU's School of Art. Parr's approach to documentary photography is intimate, anthropological and satirical. Macro lenses, ring flash, high-saturation color film, and since it became an easier format to work in, digital photography, all allow him to put his subjects "under the microscope" in their own environment, giving them space to expose their lives and values in ways that often involve inadvertent humor. For example, to create his book Signs of the Times: A Portrait of the Nation's Tastes. (1992), Parr entered ordinary people's homes and took pictures of the mundane aspects of his hosts' lives, combining the images with quotes from his subjects to bring viewers uncomfortably close to them. The result of Parr's technique has been said to leave viewers with ambiguous emotional reactions, unsure whether to laugh or cry. Source: Wikipedia
R.J. Kern
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