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Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Mark Tuschman
Mark Tuschman

Mark Tuschman

Country: United States

Over the years I have become more motivated to use my photography to communicate in a more socially conscious way—in a way that exposes people to both the degree of human suffering that exists in today’s world and to the courage and fortitude that people manifest to overcome it. In my travels I can easily imagine that I could have been born into completely different circumstances and my worldview would have been radically different, having been influenced by a completely, radically dissimilar environment and culture. Indeed, I know I have been privileged and fortunate to have been born into an affluent culture with tremendous opportunities. I believe that it is especially important for people in our society to understand other cultures and the enormous difficulties that people in other countries face daily in order to simply survive. The human condition is wrought with great uncertainty and suffering, and yet the human spirit and the hope for a better life can grow stronger in the face of adversity. I am constantly inspired by the profound fortitude of people living in difficult conditions and the empathy and commitment of the many who give counsel and aid to those less fortunate. I believe it as my moral obligation to use whatever talents I have as a photographer to transcend our limited worldviews and to help bridge the gap between cultures of affluence and poverty. Photography is a universal language and it is my hope that my images will move viewers to respond not only with empathy, but also with action. It is my intention to photograph people with compassion and dignity in the hope of communicating our interrelatedness. In the words of Sebastiao Salgado whose work I greatly admire, “If you take a picture of a human that does not make him noble, there is no reason to take this picture. That is my way of seeing things.”
 

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More Great Photographers To Discover

Manuela Thames
German
1975
Manuela Thames is a photographic artist based in Saint Paul, Minnesota where she lives with her husband and two children. Born and raised in Germany, she moved to the US in 2004 after marrying her American husband. Her background is in nursing and alternative health, but around 2008 she began to focus solely on photography after two life changing events happened within one year, the birth of her first son and the death of her brother. Manuela uses various photographic techniques to explore themes around loss and grief, her personal experience with generational trauma, as well as the notions of belonging, connection and what it means to be human. Within that she continues to explore human ways of coping, the strength that evolves out of suffering and our common desire for healing and journey towards wholeness. Much of her work consists of black and white, conceptual self-portraits. Manuela’s photography has been described as contemplative, evocative, and cinematic and has been widely exhibited nationally as well as internationally. Her “Trauma” series won 1st place conceptual series of the year in the Monovisions Award in 2019, and in the same year she won the 13th Julia Margaret Cameron Award in the Self-Portrait Category. In addition, her work has been published online and in print in such places as Black and White Magazine, Sun Magazine, Dohdo Magazine and Shots Magazine. She teaches workshops privately and through various places such as Santa Fe Workshops, LA Center of Photography, SE Center of Photography, and offers mentoring services as well.
Laurent Delhourme
Laurent Delhourme was born in Bordeaux (France) in 1968. After studying visual media, he became a self-taught photographer. He spent five years as an assistant at ELLE and Daylight studios, as well as for various fashion photographers, before embarking on a career as a portrait photographer in 1998. His work has since appeared in various magazines, corporate projects and advertising campaigns. At the same time, he moved into film in 2001 and made numerous documentaries for France TV / Canal+. He has covered various topics, including the Moudawana law in Morocco for the protection of women, the Madrid train bombings, abandoned street children in Budapest, the Women on Waves pro-choice organisation in Portugal, Carlos Ghosn in Japan and cotton farming in South Africa... He has also worked with the press agency CAPA on reports and corporate videos for Aigle, Total, Renault, Orange, Alcatel and EDF. For almost 20 years, Laurent has roamed the streets of Paris, Leica in hand. He tries to capture the emotions and poetic dimension of people who cross his path. All of his photos are linked to a story, a narrative, a unique moment. Laurent draws inspiration from the work of Elliott Erwitt, Garry Winogrand and Henri Cartier-Bresson, taking his place in a long line of humanist photographers. He photographs people in the street and observes them without bias or judgement. Laurent seeks to capture what is invisible in their daily activities. Far from using a journalistic approach, he aims to document his times. In the press Observer and chronicler of modern life, Laurent Delhourme's approach is part of the lineage of 20th century humanist photography. Lovers of images of Erwitt, Frank, Davidson, Weiss, Franck, Cartier-Bresson, Mark, Ronis, Freed, Evans, Maltête, Winogrand, Meyerowitz ... His universe is inspired by the heritage of all those photographers who knew how to document their time. He photographs the daily life of his contemporaries, of these anonymous people whom he meets over time in the working-class districts of Paris, on the sidewalks of Fifth Avenue or among the effervescence of Piccadilly Circus, the emotion remains always intact, lively. by this tireless and visceral desire to freeze unique moments. Born in Bordeaux (France), he has lived in Paris for over 25 years. At the age of 18, he discovered photography through a friend and it was at the age of 21 that he understood that his passion would make it his profession. People are the key word in his work, recognized for his portraits, he is the author of numerous advertising campaigns, his photos have been published in various French and international magazines. When he's not in the studio he continues to develop his art on the streets. He seeks to capture the invisible in the daily lives of the people he meets. Each of his photos is connected to a story, a story, a unique moment. These photographs concentrate humor, burlesque situations and everyday incongruities. If the photographer takes care of his framing, by choice, he never conceives a staging. He is sure that the behaviors of passers-by are interesting enough to let them express themselves in their entirety. He captures his images on the fly. Immediacy is his motto. In his early days, a book changed his view of the world in a book by Elliott Erwitt (Photographs 1946/1988), I was young and had never seen anything like it. For me it was a revelation! I discovered through Erwitt's work a true philosophy of life that has always fascinated me Laurent confides. This book, which he consults regularly, is still his bible today. Unlike his work as a portrait painter which requires mastering all the parameters of the shooting, for Laurent street photography is a moment of freedom, he lets himself be carried away by the people he meets and the emotions he meets. He feels. He walks instinctively, feels, he likes to be surprised, he captures the mundane in his daily life as discreetly as possible with his Leica M or his Leica Q. Working mainly at 28 and 50 mm he makes sure never to disturb the scene he photographs "I try to make myself transparent so as not to interfere with my environment". Laurent Delhourme has exhibited on numerous occasions, notably at the Paris photo fair (Grand Palais in Paris) and at the art photography festival in Arles (France). He released his first book Macadam Paname in October 2020 at Editions Hemeria, a black and white book on Paris. He is currently in preparation for a second book.
Lúa Ribeira
Spain
1986
Lúa Ribeira (born 1986) is a Galician photographer, based in Bristol in the UK. She is a Nominee member of Magnum Photos and was a joint winner of the Jerwood/Photoworks Award in 2017. Her series Noises is about femininity and British dancehall culture. She studied documentary photography at the University of Wales, Newport, graduating in 2016. Ribeira's series Noises, about femininity and Jamaican dancehall culture in the UK, was published as Noises in the Blood in 2017.Source: Wikipedia Lúa Ribeira’s practice is characterized by its collaborative nature, extensive research and an immersive approach to her subject matter. She is interested in using the photographic medium as a means to create encounters that establish relationships and question structural separations between people. Ribeira was born in 1986, in Galicia, northern Spain. She graduated in Graphic Design at BAU School of Design, Barcelona in 2011, and earned a first-class honours in a BA in Documentary Photography from the University of South Wales in 2016. Since graduating, she has continued her academic engagement as a guest lecturer at various universities, including the University of Westminster, University of the West of England, and Complutense University of Madrid. Ribeira’s work has received several awards and honors, including the Firecracker Grant for Women in Photography, and the Jerwood/Photoworks award. Her work has been published in book form by Fishbar, London in 2017, features in the publication Firecrackers: Female Photographer Now published by Thames and Hudson in 2017, in and Raw View Magazine‘s, “Women looking at Women” in 2016. Her work has been exhibited internationally in both solo and group shows in venues including Impressions Gallery, Bradford, Ffotogallery Cardiff, Belfast Exposed gallery, Beijing International Photography Biennale, and many more. Other publications Ribeira’s work has been featured in include The British Journal of Photography, Paper Journal, Refinery 21, AnOther, and Tate magazine. Selected commercial clients include Chanel, Carla Lopez handbags, Birmingham Botanical Gardens, and Wire Magazine. She joined Magnum photos as a nominee in 2018.Source: Magnum Photos Since graduating from the documentary photography course at the University of South Wales last year, Lúa Ribeira has gone from strength to strength. In addition to the Firecracker Grant, which she was awarded in 2015 while still a student, her work was recently selected by Susan Meiselas to appear in Raw View magazine’s Women Looking at Women issue, which the Magnum photographer guest edited. She is also making a name for herself commercially, with commissions for the likes of handbag designer Carla Lopez and with editorial clients such as Wired. Her images have been shown at international festivals, including Photo España in 2014 and Gazebook Festival in 2015, and she has also been awarded a Jerwood Photoworks Grant for future projects in 2018. Thus far, Ribeira is perhaps best known for Noises in the Blood, an ongoing investigation into Jamaican dancehall culture, shown at London’s Fishbar Gallery earlier this year and published by its photobook wing. The series stems from the photographer’s love of the musical genre but also acknowledges her discomfort with its explicit, sexual lyrics. “That feeling bothered me,” says Ribeira. “I did not fully understand it.”Source: British Journal of Photography
Abhishek Basak
Abhishek Basak is a professional freelance photographer specializing in travel, people, and documentary photography. Based in India, he has been dedicated to capturing compelling images and sharing the art of photography for over seven years. His journey in this field has been one of continuous exploration, boundless learning, and an unwavering passion for storytelling through the lens. He has served as a photography teacher at a distinguished school in Kolkata and continues to mentor aspiring photographers in various aspects, including post-processing. He is also a co-mentor for AH Photography Expedition, where he organizes photography tours and workshops to inspire and guide budding talent. He has achieved prestigious distinctions such as EFIP (Excellence FIP) and EFIAP (Excellence FIAP). He has mentored two National Geographic photographers from Poland. He has judged many national and international photography competitions. His photographs have been exhibited in more than 130 countries worldwide. He has been honoured with the Best Photographer Award over 70 times in international competitions held in countries like France, Luxembourg, Serbia, Bulgaria, Belgium, Ukraine, South Africa, Slovenia, Italy, and more. In India, he has received this distinction over 100 times in national competitions, amassing a total of more than 3000 awards across national and international contests. Awards and Honors: · HIPA Finalist in both 2018 and 2023. · First Indian to win the One Eyeland Photography Award 2024. · Winner in 35 Awards 2022. · Winner in Agora Photography Competition. · Winner in Black & White Photo Award. · Winner in World Photography Club Competition. · Winner in FIP Monthly Photography Competition. · Winner in India Photography Summit 2024. · Winner in Photography Club of Assam photo contest. · Winner in NAP Photo contest, Dhanbad Camera Club. · First Indian to win an award from Taichung Photo Award. · Honourable Mention at the KAFF International Contest. · Finalist in the prestigious SIENA International Photo Awards. · Finalist in Urban Photo Awards & Vanguard Photo contest, and many more. · In 2022, he earned 2nd place nationally in the EISA International Photography Competition, a distinguished honour in the field of photography. Publications: · His photographs have been featured in globally acclaimed publications and platforms, including National Geographic, Getty Reportage, The Bangla Live, Chiiz, Asian Photography Magazine, Smart Photography Magazine, Travellers’ World, Viewfinder, The Guardian, and Uttarbanga Sangbad. His work has also been published in major Indian media outlets, including Anandabazar, Eisamay, Bartaman, Anandabahar, Uttarbanga Sangbad, and Outlook Traveller, among others. Kulasai Dussehra: Kulasai Dussehra, celebrated in Kulasekarapattinam, Tamil Nadu, is one of South India's most unique and vibrant festivals. Unlike the traditional Dussehra festivities across India, which often center on Lord Rama's victory over Ravana, Kulasai Dussehra is marked by grand processions and intense devotion to Goddess Mutharamman, who is believed to be an incarnation of Durga. Thousands of devotees dress in various forms of gods, goddesses, and mythical figures, bringing alive the region's deep-rooted cultural and religious traditions.This festival showcases one of the diverse ways Dussehra is celebrated. It represents the triumph of good over evil while highlighting local traditions, beliefs, and artistic expressions. My photos of this event, taken in a 24-hour cycle covering start to finish, capture the fervour, colours, and deep spirituality of the festival, making it a cultural experience that deserves wider recognition and appreciation. Understanding Kulasai Dussehra broadens our view of India's rich heritage.
Michael Anker
I entered the professional side of photography during my studies in graphic design. It was then that I discovered the rich tonality and depth of tones that can be found in analog black-and-white photos. My photography teacher at the time, Manfred Paul, provided the necessary inspiration. Nowadays, I execute the majority of my projects using analog methods once again. This approach allows me to alleviate the time pressure from the creative process. "The Dark River" from the cycle "Remember me?" For several years, I have been working on my photographic series "Remember Me," which explores traces of my cultural identity. At the same time, it serves as a long-term study of the relationship between people and landscapes. My focus is on two topographies that lie beyond media attention: the Oderbruch region on the northeastern border of Germany and Poland, and the former German-speaking enclave of Hirschenhof in present-day Latvia. Both areas, which have undergone significant changes, are also imbued with traces of the last great war. My family stories are rooted in these places. The first part of the series, "The Dark River," presented here, tells the story of my father's family's deep connection with nature. The subsequent second part, "The Dark Silence," will explore the migration and flight of my maternal family. Without explicitly stating it, the work invites reflection on the fact that economically or politically motivated migration has always existed. The anchor point of "The Dark River" is the Oder River, which today forms the border between Germany and Poland. Along the Oder, my father's family witnessed the two-and-a-half-century-long transformation of the once primeval river and swamp landscape into an agrarian cultural area, initiated by the Prussian King Frederick II. This region also saw one of the fiercest battles of World War II in 1945. It was here, after the war, that my father met my mother's family, who had reached the Oderbruch on a trek from the Wartheland/Poland. They later met while dancing at the "Schwarzer Adler" in Seelow. In "The Dark River," long-buried memories and dreams resurface. Calm and dark, the Oder flows, filled with memories of itself and the people along its banks. The sky reflects in it, even at night. Dark shallows remain hidden. Sluggish like the stream, life moves through the plains, carrying my own family history with it. Where the landscape is left undisturbed, it recalls its own fertility and the myths that once surrounded it. Scars in its terrain remind it of its vulnerability, keeping the pain alive, and these scars grow deceptively. The images are captured on 120 film, which I believe is the only suitable format for processing history and stories in an epic way.
Jacques Henri Lartigue
France
1894 | † 1986
Jacques Henri Lartigue is 69 years old in 1963 when he first presents a selection of his many photographs taken throughout his life in New York’s MoMa. That same year there is a photo spread of his work in the famous Life Magazine issue which commemorates the death of John Fitzgerald Kennedy, and which is publicized worldwide. To his great surprise, Lartigue becomes, overnight, one of the renowned photographers of the twentieth century. Jacques learns about photography from his father as early as the year 1900. Henri Lartigue rewards Jacques’s enthusiasm by buying him his first camera when he is 8 years old. Thus begins the endless coverage of his childhood, including automobile outings, family holidays and especially his older brother Maurice’s (nicknamed Zissou) inventions. Both brothers are fascinated by cars, aviation, and all sports with increasing popularity at the time. Jacques’s camera freezes each moment. As an adult he continues to attend sporting events and to take part in elite sports such as skiing, skating, tennis and golf. However, ever mindful of the passage of time, photography is not quite enough to capture his childhood memories. A snapshot cannot encompass all there is to say and to remember. He thus begins keeping a journal and will continue to do so his whole life. Furthermore, as if to engage in a more renowned activity, he takes up drawing and painting. In 1915 he briefly attends the Julian Academy and thus painting becomes and remains his main professional activity. From 1922 on he exhibits his work in shows in Paris and in the south of France. In the meantime, in 1919, Jacques marries Madeleine Messager, the daughter of the composer André Messager, and their son Dani is born in 1921. Jacques and Madeleine get a divorce in 1931. He revels in high society and luxury until the beginning of the 1930’s until the decline of the Lartigue fortune forces him to search for other sources of income. He refuses however to take on a steady job and thus lose his freedom, and so he scarcely gets by with his painting during the 30’s and 40’s. In the beginning of the 1950’s and not in accordance with the legend in which he is a complete unknown, his work as a photographer is noticed. He nevertheless continues to paint. He embarks on a cargo ship to Los Angeles in 1962 with his third wife Florette. In a roundabout way, they stop on the East Coast and meet Charles Rado of the Rapho Agency who in turn contacts John Szwarkoski, MoMa’s photography department young curator. There is all-around enthusiasm. The first retrospective of his work is held in Paris’ “Musée des Arts Décoratifs” in 1975. One year earlier, Lartigue was commissioned by the President of France Valéry Giscard d’Estaing to shoot an official portrait photograph. In 1979 the Donation Agreement is signed and Lartigue becomes the first living French photographer to donate his work to the nation. He authorizes the Association des Amis de Jacques Henri Lartigue to preserve and promote the fund. In 1980, his dream of having his own museum comes true with the Grand Palais’ exhibit “Bonjour Monsieur Lartigue”. He continued his work as a photographer, painter and writer until his death in Nice on September 12th 1986. He was 92 years old. He left us with more than 100 000 snapshots, 7 000 pages of diary, 1 500 paintings. Source: Jacques-Henri Lartigue Donation
Dean West
Australia
1983
Dean West “one of the world’s best emerging photographers” (AFTER CAPTURE MAGAZINE), has a highly conceptual and thought-provoking style of contemporary portraiture. His body of work has been featured in top photography magazines, art galleries, and received numerous international awards.Born in small-town rural Australia in 1983, Dean’s love for photography began in his high school’s darkroom- one of the largest darkrooms in the country at the time- and blossomed at the Queensland College of Art, Griffith University, Brisbane, Australia. After graduating in 2007 with a Bachelor of Photography with majors in visual culture and advertising, Dean formed a partnership, Berg+West, which won nationwide acclaim as a high-end photography and post-production studio. Through clients like the QLD Government and SONY, Dean quickly learned to transform stick figure sketches into intricate composited photographs with immense detail and clarity.In 2008, Dean was included in Saatchi & Saatchi’s collection of the world’s top 100 emerging photographers and went on to win Advertising Photographer of the Year at the International Aperture Awards. With success in advertising and a growing list of collectors- Dean decided to dedicate more of his time to the world of art. In the following years, his series ‘Fabricate’ received worldwide recognition from top photography competitions, including: the International Colour Awards, the Lucie Awards, the Loupe Awards, and in 2009, Dean was the winner of the IV International Arte Laguna Prize, Venice, Italy. This final award being the most prestigious for emerging artists with over 5,000 applicants gunning for the top prize in photography, sculpture and painting. Zoom Magazine quickly nominated Dean in the ‘New Talent’ issue of 2010 and the Magenta Foundation awarded Dean an emerging Photographer of Canada.
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AAP Magazine #54 Nature
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