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FINAL CALL TO ENTER AAP MAGAZINE PORTRAIT: PUBLICATION AND $1,000 CASH PRIZES
FINAL CALL TO ENTER AAP MAGAZINE PORTRAIT: PUBLICATION AND $1,000 CASH PRIZES
Mark Tuschman
Mark Tuschman

Mark Tuschman

Country: United States

Over the years I have become more motivated to use my photography to communicate in a more socially conscious way—in a way that exposes people to both the degree of human suffering that exists in today’s world and to the courage and fortitude that people manifest to overcome it. In my travels I can easily imagine that I could have been born into completely different circumstances and my worldview would have been radically different, having been influenced by a completely, radically dissimilar environment and culture. Indeed, I know I have been privileged and fortunate to have been born into an affluent culture with tremendous opportunities. I believe that it is especially important for people in our society to understand other cultures and the enormous difficulties that people in other countries face daily in order to simply survive. The human condition is wrought with great uncertainty and suffering, and yet the human spirit and the hope for a better life can grow stronger in the face of adversity. I am constantly inspired by the profound fortitude of people living in difficult conditions and the empathy and commitment of the many who give counsel and aid to those less fortunate. I believe it as my moral obligation to use whatever talents I have as a photographer to transcend our limited worldviews and to help bridge the gap between cultures of affluence and poverty. Photography is a universal language and it is my hope that my images will move viewers to respond not only with empathy, but also with action. It is my intention to photograph people with compassion and dignity in the hope of communicating our interrelatedness. In the words of Sebastiao Salgado whose work I greatly admire, “If you take a picture of a human that does not make him noble, there is no reason to take this picture. That is my way of seeing things.”
 

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More Great Photographers To Discover

Johnny Kerr
United States
1982
Johnny Kerr is a fine art photographer based in the West Valley of Arizona’s Phoenix Metropolitan Area. Johnny is self-taught in the craft of photography but entered into his study of the medium with many years of art education and design experience. In 2003 he earned a Bachelor’s degree in Media Arts from the Art Institute of Phoenix and went on to make his living as a graphic designer. Johnny began learning and experimenting with photography in 2011 and in 2013 decided to shift his focus, pursuing photography as his primary medium of expression. He cites his graphic design experience, along with his appreciation for minimalist design, as having the largest influence on his vision as a fine art photographer. After deciding to change careers Johnny went back to school, earning his Master of Arts in Education degree in 2010. Johnny currently makes his living as a photography teacher in the greater Phoenix area, where he lives with his wife and daughter. STATEMENT Growing up in Arizona has certainly given me an appreciation for the unique beauty of the desert. However, I have never found my desert surroundings to be particularly inspiring in my artistic endeavors. Lacking the inspiration to capture my natural surroundings in a representational manner, I have found freedom and gratification in abstraction. I found architecture to be an inspiring subject matter for its graphic qualities, but my photographs are not really about the buildings. Each photograph is a study of the rudimentary elements that catch my attention: shape, space, volume, line, rhythm, etc. Drawing heavily from my graphic design experience, each architecture photograph represents an exercise in isolating those basic elements and trying to present them in a harmonious design. Often I have incorporated long exposure techniques to create images that seem to exist outside of the reality our eyes perceive on a daily basis. My goal has not been to abstract the subject beyond recognition, but to simplify, to pull it out of its usual context, and try to see the ordinary surroundings of city life in a new way. The lessons I learned from my exercises in abstracting architecture have also carried through into other subject matter, including landscape and seascape, helping me to find solace and inspiration in unexpected places.
Laia Abril
Spain
1986
Laia Abril s a Spanish photographer and multiplatform storyteller whose work relates to femininity. Abril was born in 1986 in Barcelona, Spain. She gained a degree in journalism in Barcelona. She moved to New York City to study photography at the International Center of Photography. In 2009 she enrolled at Fabrica research centre, the artist residency of Benetton in Italy, where she worked as a staff photographer and consultant photo editor at Colors magazine for a number of years. Since 2010, Abril has been working on various projects exploring the subject of eating disorders: A Bad Day, a short film about a young girl struggling with bulimia; Thinspiration (2012), which explores the use of photography in pro-ana websites; and The Epilogue (2014), documenting the indirect victims of eating disorders, through the story of the Robinson family and the aftermath of the death of Cammy Robinson to bulimia. Critic Sean O'Hagan, wrote in The Guardian that The Epilogue "... is a sombre and affecting photobook ... dense and rewarding ... At times, it makes for a painful read. From time to time, I had to put it down, take a breather. But I kept going back." Her extended study of misogyny thus far includes A History of Misogyny: Chapter One: On Abortion, about the repercussions of abortion controls in many different cultures. Work is ongoing to produce A History Of Misogyny, Chapter 2: On Rape. Her other projects include Femme Love, on a young lesbian community in Brooklyn; Last Cabaret on a sex club in Barcelona; and the Asexuals Project, a documentary film about asexuality. Abril's books include The Epilogue (2014), which documents the indirect victims of eating disorders, and A History of Misogyny: Chapter One: On Abortion (2018), about the repercussions of abortion controls in many different cultures. On Abortion won Photobook of the Year award at the Paris Photo–Aperture Foundation PhotoBook Awards. In 2018 she was awarded the Tim Hetherington Trust's Visionary Award to work on A History Of Misogyny, Chapter 2: On Rape Culture. For the long-term project A History Of Misogyny, in 2019 she was awarded the Royal Photographic Society's Hood Medal and in 2020 she was awarded the Paul Huf Award from Foam Fotografiemuseum Amsterdam.Source: Wikipedia
Galuh Tunggadewi Sahid
Dimitris Lambridis
Dimitris Lambridis was born in Athens, Greece. He has studied photography at the NewYork Film Academy and Film Production at the University for The Creative Arts, in Farnham, UK. He works as a photographer and cinematographer between London and Athens, while creating personal projects in the medium of photography. These projects focus mostly on stories that involve themes such as loss, the margins, community and irreversibility. Red Willow: "Red Willow" is the name of the Native American tribe of Pueblo Indians residing in the Taos Pueblo, in the city of Taos, New Mexico. The Red Willow tribe operates as an independent sovereign state, with its own hospital, school system and governing body. The Taos Pueblo was probably built between 1000 and 1450, making it one of the oldest continuously inhabited communities in the United States. It is also said that the Red Willow tribe is one of the first forms of society in the US - prior to the arrival of the Spanish in 1598 and other colonizers who played a definitive role in the history of the country and the fate of all Native Americans. A really important establishment introduced to the Natives was Christianity, which fit within the already highly spiritual culture, without pushing their spiritual practices away. It fit, and was accepted as it functioned in a different layer. Faith plays a large role in Native American art and other forms of expression. The history of relations between the US government and the Native American Indians has been a difficult one. Increasingly, today's Native American groups are sovereign within their own territory but continue to have close connections with the US federal government. Access to higher education for Native Americans is limited as the opportunities afforded them are not broad. The people's attitude in conjunction with the endless desert, allowed for a clarity of mind, which was almost taking me by the hand and pointing the camera towards the things that really did matter. The earth, the mountain, and the deepest bond that will never be taken away from Red Willow - their connection to their land. Photographic approach As soon as I was granted access to photograph within the pueblo in Taos, New Mexico. I started thinking about the form in which the narrative would be best preserved. The magnitude of this culture in relation to the history that comes after they encountered the colonizers, is one to be deeply respected. Appropriately, I thought that the clean strong image of a medium format camera, will function also as an update to Ansel Adams' documentation of the tribe- made in the 1930's- yet with elements of our times, such as the colour film and the inevitably modern landscape within and around the Pueblo, such as cars, clothing and establishments. Approaching the Pueblo in relation to the outside environment of the town of Taos, was something that I wanted to establish after I witnessed a certain codependence, which might not be preferred by the tribal members, but seems necessary.
Julien Coomans
Julien Coomans is a Brussels based amateur photographer with a passion for photographing the natural world. He is a highly artistic individual which led him to pursue a career as an Architect. In his free time he loves to explore his artistic side through the medium of photography and has been commended for his images in several photographic publications. ​ Through experimenting with his camera settings and techniques, Julien seeks to capture scenes of tranquillity and minimalism in a bid to counter the hustle and bustle of his daily city life. ​ He travels widely in Europe, whether it be to the expansive northern beaches of Flanders or the rugged mountains of northern Italy, Julien is happiest when at one with nature. His camera is simply an excuse to get out there, discover beautiful places and capture stunning images. Fishing Huts, Fouras, France I traveled to Fouras on the west coast of France to photograph some unusual but picturesque fishing huts that are dotted along the coast line. Central to my vision was to take a series of long exposures in order to set a tranquil scene and emphasise the elegant wooden structures. The first day was miserable - windy and a lot of rain - yet despite this I was amazed by the beauty of the huts. Undeterred, I used my time to study the scene and find my compositions, ready to pounce when conditions were just right. The hardest part about finding the right compositions was avoiding stretches of land on the horizon as the bay curves quite dramatically. I had to find the perfect balance between fishing hut, weather conditions and the horizon line beyond. After finding my compositions my next challenge was to watch out for the tide times. I had to shoot as the tide was going out not only to physically be able to take the shot but to be sure I was safe. On the second day the conditions improved and I had my window between outgoing and incoming tides. The wind had died down making the water much calmer which was better as I could keep the exposure down to a few minutes to try and improve my chance of avoiding any tripod wobble. After shooting my pre-scouted compositions and checking the LCD screen for sharpness I packed up and went for a well earned beer!
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Call for Entries
AAP Magazine #57 Portrait
Publish your work in our printed magazine and win $1,000 cash prizes