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Win a Solo Exhibition in July 2026 + An Exclusive Interview!
Win a Solo Exhibition in July 2026 + An Exclusive Interview!
Sabiha Çimen
Sabiha Çimen

Sabiha Çimen

Country: Turkey
Birth: 1986

Sabiha Çimen was born in Istanbul, Turkey in 1986. She is a self-taught photographer, focusing on Islamic culture, portraiture and still life.

Çimen graduated from Istanbul Bilgi University with a Bachelor's Degree in International Trade and Finance, and a Masters Degree in Cultural Studies. Her Master's​ thesis on subaltern studies, which includes her photo story titled ‘Turkey as a simulated country’, was published by Cambridge Scholars Publishing in 2019.

Çimen has worked on her project entitled Hafız: Guardians of the Quran Çimen since 2017, traveling​ to five cities in Turkey to produce ninety-nine portraits on medium format film. With this project,​ she participated in the World Press Photo Foundation’s Joop Swart Masterclass in 2018 and was awarded 3rd prize in PH Museum's​ Women Photographers Grant.

Çimen became a Magnum Nominee member in 2020.

Source: World Press Photo



About her project: Hafız: Guardians of the Quran
Sabiha Çimen’s project, Hafız: The Guardians of Quran, is an ongoing series of medium format portraits shot in conservative Quran boarding schools for young girls in five cities in Turkey. It shows the daily lives of the girls and their hidden emotions as they try to memorize the sacred texts while still retaining the humble dreams of any young woman their age.

“I attended Quran school with my twin sister when I was twelve years old, and with that experience I am now able to reveal a world unknown till now,” Çimen wrote in her submission to the Smith Grant. “This story is a rarely seen glimpse into this world, normally hidden and forbidden to most others. My project is about these young women, about me and my twin, the memory of the Quran, and an investigation and portrayal of the hidden power within them acting out with small forms of resistance to find their individuality.”

The W. Eugene Smith Grant is presented annually to photographers whose work is judged by a panel of experts to be in the best tradition of the documentary photographic practice exhibited by W. Eugene Smith during his 45-year career in photojournalism. This year, the grant was presented to five recipients with each receiving $10,000 to continue their projects. Smith Fund board member Daniella Zalcman was this year’s lead juror for the Smith Grant, along with judges Teju Cole, a photographer, critic, curator, author, and former photography critic at The New York Times Magazine; and Yukiko Yamagata, the curatorial and deputy director of Culture and Art for the Open Society Foundation.

Source: W. Eugene Smith Memorial Fund


 

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More Great Photographers To Discover

David Katzenstein
United States
New York fine arts photographer David Katzenstein has traveled throughout the world on his lifelong artistic journey as a visual chronicler of humanity. Using subject, light, and composition to create visual dynamism, he sets the stage for the viewer to be in the moment with him. His goal is to allow viewers to experience a scene through his eyes-as if they were standing there beside him. Steeped in the tradition of documentary photography, Katzenstein imbues his work with immediacy, emotional engagement, and a deep respect for his subjects. Out of his fascination with ritual, over the years Katzenstein has photographed pilgrimage as practiced in different cultures. While visiting Memphis in the spring of 2017, he was inspired to expand on this theme by embarking on the project OUTSIDE THE LORRAINE MOTEL: Journey to a Sacred Place. The artist was introduced to the Mid-South region in the late 1980s while on assignment for Rolling Stone, documenting the roots of the blues in rural communities of Mississippi and Arkansas. An archive of online exhibitions and projects can be viewed at www.davidkatzenstein.com. In 2018 Katzenstein formed a nonprofit organization whose mission is to create and mount exhibitions of photographs depicting the human experience (www.thehumanexperienceproject.net). Outside the Lorraine: A Photographic Journey to a Sacred Place The National Civil Rights Museum presents the fine art photography exhibition, Outside the Lorraine: A Photographic Journey to a Sacred Place featuring the work of David Katzenstein. The yearlong exhibition highlights the museum as mecca for peacemakers, a place of memory and connection during the museum’s 30th anniversary. The collection of over 90 photos in Outside the Lorraine helps visitors identify with social issues by using fine art photography to connect to the historic place, Dr. King, movement makers, and one another. Viewers are invited to see the sparkle that lies within each print that shimmers, vibrates, and introduces people to a richer experience with fine art photography by making each piece relatable. The National Civil Rights Museum welcomes thousands of visitors a year each carrying an identity influenced by self and society. They bring their assumptions about the Civil Rights Movement. The courtyard is the first place where they confront those assumptions and begin to reconcile them with an alternate perspective of history. A picture tells a thousand words. As a sacred place, the plaza holds the weight of our shared mourning. As a portal, the plaza offers each visitor a pathway to greater self-knowledge and agency. Articles Ritual Distant Journeys Book: Distant Journeys Book: Brownie
Kourtney Roy
Canada
1981
Roy (b.1981) was born in the wilderness of Northern Ontario, Canada. She holds a degree in media studies specializing in photography from the Emily Carr University of Art and Design in Vancouver, Canada. Roy is currently based in Paris, France, where she has been exhibiting her work nationally and internationally for over 10 years at such events and venues as Le Bal, Paris, the Musée Elysée, Lausanne, The Head On Photo Festival in Sydney and the Moscow International Photo Biennale. Kourtney Roy's work is bound up in an ambiguous and cinematic image-making that borders the real and the fantastic. Her approach to photography provokes contemplation and reconfiguration of common place subjects via playful revelation of the bizarre and the uncanny. She is fascinated with exploring the boundaries of liminal spaces; whether spatial, temporal or psychological. By using herself as the principal subject in her work, the artist creates a compelling, intimate universe inhabited by a multitude of diverse characters that explore these enigmatic themes. She has been the recipient of numerous awards and grants, including the Prix Picto (2007), Emily Award (2012), Carte Blanche PMU (2013), The Prix Elysée Nomination (2014) and The Canadian Council for the Arts artist grant (2015). Several books have been published on her work, including Ils pensent déjà que je suis folle (Editions Filigranes, 2014), California (Editions Louis Vuitton, 2016) and The Tourist (Editions La Pionnière, 2020). Source: www.kourtneyroy.com Roy has produced several series which all share the artist’s bold and cinematic aesthetic. Staged in laundrettes, motels, supermarkets and various other banal locations Roy creates hyper-realistic images that resemble film stills. Throughout her work Roy plays with ideas of the bizarre and the uncanny, whether it be a lone female figure walking along a deserted road in a vast landscape or a woman photographed through the wing mirror of a car, Roy’s photographs are permeated with an unsettling air. In her work Roy creates familiar still images of stereotyped heroines, using herself as the model Roy invents numerous characters for herself. This is a crucial element to her work, Roy has stated “It’s usually the male gaze, and the woman is the object to be looked at. So the idea was becoming the person who objectifies, but also objectifying myself. I just thought it was interesting to play the dual role.” Source: Huxley-Parlour The Canadian photographer Kourtney Roy was born in Northern Ontario in 1981. Intrigued by the possibility of creating a tragic mythology of the self, she conjures an intimate universe pervaded by both wonder and mystery. Kourtney Roy's photographer’s eye is drawn to places and settings whose lyrical qualities underscore the sublime banality of everyday life. Roy’s studies in photography, at Emily Carr University of Art and Design in Vancouver and later at the Ecole Nationale Supérieure des Beaux-Arts in Paris, inspired her to develop her finicky aesthetic, which lends itself particularly well to both glossy paper and film. Roy works extensively as an independent photographer/filmmaker in the art world. Instilled with a dark sense of humor, taking their clues as much from the grotesque nature of seemingly placid settings as from the tensions simmering just under the surface, her photographs have garnered many prizes, including the Prix Picto in 2007, The Emily Award in Canada in 2012 and the Prix Carte Blanche PMU/Le Bal in 2013 and the Pernod Ricard Carte Blanche in 2018. In 2019 she won best experimental film at the Brest European Short Film Festival with her dark and dreamy piece, Morning, Vegas. Roy’s work has been exhibited widely in France, but also abroad. She has been seen at the Planche(s) Contact Festival in Deauville in 2012, The Portraits Festival in Vichy in 2015 and at Le Bal in 2014 and a solo show at Paris Photo in 2018, among other events and venues. Internationally Kourtney Roy’s photography has been featured at exhibitions in China, as well as Italy, Switzerland, The United States, Australia, the Moscow Photo Biennale in 2017 and at the Incadaqués International Photo Festival in Spain in 2019. Roy has also released several publications on her work including an accompanying artist book to Le Bal’s exhibition Ils pensent déjà que je suis folle and an artist’s book Enter as Fiction, both published by Filigrane Editions, as well as Northern Noir published by Editions La Pionnière. California is edited by Editions Louis Vuitton and was released in 2016 and her latest publication, The Tourist, is published by André Frère Editions and was released in November 2020.Source: Jackson Fine Art
Matt Wilson
United Kingdom
1969
Matt Wilson’s current body of work is part of an ongoing project, based upon a collection of transient observations, the landscapes of every day life and the people that call those landscapes home. It delves into the artist’s own history, his formative and current years within his home landscape and in the city he now resides and also, those of distant landscapes both literally and metaphorically he has traveled. A subtle, visually rich character study of what makes us who we are and the places we all inhabit and journey to, a chance to observe those looking outward whilst reflectively an opportunity to gaze inward.Source: Susan Inglett Gallery Matt Wilson photographed everywhere in Europe, starting with his native England, but also in France, with which it has its affinities, without omitting the Eastern countries where he still returns frequently between two stays Cuba. More recently, he ended his desire browse new territory: the United States where he lived for ten years. He could be afraid to touch this history, both American photographers are already loaded beautifully. But again, it gives us an amazing vision that reveals by snapshots of landscapes and men burnt by the sun that eventually, anyway, by lying down on this vast landscape to create ineffable moments that we may be fooling yourself and see it in watercolor. Then we could call this work “pictorial metaphor” even if the drift purely pictorial characters Matt Wilson were not so rooted in their time and in their daily lives, although sometimes needy. Because somewhere, if Matt Wilson gives us what he sees through a poetic prism, it is also a reporter and reflects our contemporary society by its subjects but often raw deals at tragic nor misery. His watchful eye is rather benevolent view borrowing a tragicomic light behind the full extent of a deeply humanistic thought.Source: mattwilsonphotography.com
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