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Timurtaş Onan
Timurtaş Onan
Timurtaş Onan

Timurtaş Onan

Country: Turkey

Timurtaş Onan was born and brought up in Istanbul. He became involved in photography in 1980 and from that time to the present day he has participated in a wide range of photographic activities both organizing and participating in them. This has included taking part in and holding solo exhibitions of his work at home in Turkey and abroad and also acting as a jury member for national and international photographic competitions.

His many activities in the field of photography have involved him in international photographic projects and the creation of documentary films particularly those on socially relevant issues. He is particularly recognized and appreciated for his distinctive photographic projects about Istanbul.

His work is to be found in very many public and private collections in Turkey and abroad and at the present time he is holding photographic workshops; curating various exhibitions and working on new photographic projects.

Istanbul: A City of Strange and Curious Moments
 

Timurtaş Onan's Video

Selected Books

Inspiring Portfolios

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More Great Photographers To Discover

Filip Gierlinski
United Kingdom
My uncle is a very accomplished craftsman and very keen and skilled amateur photographer. I always loved to see him draw, paint, design and gave me my fist Minolta x370 35mm manual camera when I was about 8, so it started there. At school and Uni I studied art subjects. I graduated in Graphic Design, worked for a year as a junior designer, but all the time thought I wanted to be the guy who came into our office with a contact sheet of commissioned photography, and not the guy sitting at a screen and designing the layouts for his photos. A friend was working in a Commercial Photo studio and needed some summer intern cover, and I jumped at the chance. 3 months tuned into nearly 4 years at the studio, and I learnt the skills, techniques, discipline, equipment and it opened my eyes to the industry and business of commercial photography. I have always had a passion for travel and I was eager to get outside, into the sun, and shoot people and places...we worked on products, catalogues and room sets at the studio which was an amazing experience and training, but not what I most desired to be shooting. I was fortunate enough to learn my trade in the days of film, and came to professional photography just as digital was breaking in and the industry was opening up and shifting. This gave me the technical skills of shooting on film for many years, and the ability to by my first semi-pro digital slr and advertise online for freelance jobs - so I had the best of (understanding) both worlds. After some travel and teaching TEFL with my wife, we came back to the UK and I started to freelance, shooting mostly art projects, working for the Arts Council and delivering educational programmes, and all the time slowly building up my freelance business. So since about 2003 I have worked as a commercial and corporate photographer, covering a wide range of subjects and industries and have had the opportunity to work with some amazing and diverse clients. The work as a tutor gives me the opportunity to travel and practice my craft and I bring that inspiration back to my business. Part of my early freelance work was shooting business portraits, and so I started to advertise specifically for Corporate Headshots and Portraits as a separate arm of my work, and this has become the main source of my income and commissions over the past few years. I have shot for huge companies with 1000's employees, as well as small businesses, professionals and entrepreneurs. I try to bring a sense of style and creativity, and an editorial feel to the ‘Corporate Headshot' and think that defines me with a distinctive look and product. I enjoy bringing a bit of creativity and style into the corporate world in my own little way, and years of shooting 1000s of people means I can read with my sitters quickly, make them feel at ease and connect with them which is something that shows through in my portraits. The skill is to do that within the 4 or 5 minutes I have with each person, sometimes up to 60-100 times a day! Most recently I shot a campaign for a bowling alley company, working with a sports marketing agency, and so in between my corporate work and travels, I work with agencies for hospitality, sports and automotive industries. Working on set with director Shane Meadows was a great experience, as well as shooting the bands I loved since I was a kid from the press pit and back stage at rock festivals - a real pinch yourself moment. As I often photograph a lot of faces and people in my daily work, it is always nice to get a luxury hotel commission where it's all about the rooms and design, architecture and details and make for a pleasurable change of pace. I was born in Poland in 1977, at 2 months packed into basket and flown to Tunis as my father was a civil engineer and contracted out there for a few years. We then lived in Poland and France and then moved to the UK when I was a child and so travel is in my blood. Since then I have been lucky to visit so many amazing countries. I have never really had money to just go travel, but always seeked out jobs where I could see the world. I have spent time as a tour guide in South America, teaching English in Nepal and India, and more recently working as a tutor has taken me all over the world. I have been lucky enough to be able to balance seeing the world, with a family life and earning here in the UK. I don't shoot travel stock or go with any intent to produce a commercial library, but more to see the people, to document their lives, to capture a story, as I feel my travel images are much more personal stories and of a more editorial feel than commercial. This may all change as i shoot new projects and seek to follow my vision. It is still my dream to find a way to move more towards travel and editorial commissions but I am lucky to be able to make ends meet through a job that I love every day.
Laia Abril
Spain
1986
Laia Abril s a Spanish photographer and multiplatform storyteller whose work relates to femininity. Abril was born in 1986 in Barcelona, Spain. She gained a degree in journalism in Barcelona. She moved to New York City to study photography at the International Center of Photography. In 2009 she enrolled at Fabrica research centre, the artist residency of Benetton in Italy, where she worked as a staff photographer and consultant photo editor at Colors magazine for a number of years. Since 2010, Abril has been working on various projects exploring the subject of eating disorders: A Bad Day, a short film about a young girl struggling with bulimia; Thinspiration (2012), which explores the use of photography in pro-ana websites; and The Epilogue (2014), documenting the indirect victims of eating disorders, through the story of the Robinson family and the aftermath of the death of Cammy Robinson to bulimia. Critic Sean O'Hagan, wrote in The Guardian that The Epilogue "... is a sombre and affecting photobook ... dense and rewarding ... At times, it makes for a painful read. From time to time, I had to put it down, take a breather. But I kept going back." Her extended study of misogyny thus far includes A History of Misogyny: Chapter One: On Abortion, about the repercussions of abortion controls in many different cultures. Work is ongoing to produce A History Of Misogyny, Chapter 2: On Rape. Her other projects include Femme Love, on a young lesbian community in Brooklyn; Last Cabaret on a sex club in Barcelona; and the Asexuals Project, a documentary film about asexuality. Abril's books include The Epilogue (2014), which documents the indirect victims of eating disorders, and A History of Misogyny: Chapter One: On Abortion (2018), about the repercussions of abortion controls in many different cultures. On Abortion won Photobook of the Year award at the Paris Photo–Aperture Foundation PhotoBook Awards. In 2018 she was awarded the Tim Hetherington Trust's Visionary Award to work on A History Of Misogyny, Chapter 2: On Rape Culture. For the long-term project A History Of Misogyny, in 2019 she was awarded the Royal Photographic Society's Hood Medal and in 2020 she was awarded the Paul Huf Award from Foam Fotografiemuseum Amsterdam.Source: Wikipedia
Rodney Smith
United States
1947 | † 2016
Rodney Smith was a New York-based fashion and portrait photographer. Smith primarily photographed with a 35mm Leica M4 before he transitioned to a 120/6x6 (medium format) Hasselblad with an 80mm lens. He preferred natural light to illuminate his subjects, but occasionally used continuous lighting. Smith shot predominantly in black and white, until 2002, when he first began to experiment with color film. His work is commonly referred to as classic, minimalistic, and whimsical. Rodney Smith was born December 24, 1947 in Manhattan, New York. His father, Sanford Smith, was president of fashion industry giant. Smith recalls, "A sense of style, a sense of proportion and a sense of beauty and a sense of grace – all of those things were very important in my upbringing." After he studied English Literature and Religious Studies at University of Virginia in 1970, Smith went for his graduate degree in Theology at Yale University in 1973. Smith said in an interview with Kodak, "I absolutely knew I wanted to be a photographer, but I didn't feel that studying in an art school or a photography department full time was the way to address the issues that were interesting to me – so I sort of entwined the two." While at Yale, he also studied under photographer, Walker Evans. In 1976 Mr. Smith spent 100 days photographing the people of the Holy Land, in Jerusalem. From the 88 Rolls of film shot, Smith ended up compiling two portfolios, which later became his first book: In the Land of the Light: Israel, a Portrait of Its People (1983). Published by Houghton Mifflin Company in Israel. After returning from Jerusalem, Smith spent a short time as an adjunct professor of photography at Yale University. As Smith continued his career into the nineties he slowly shifted from corporate executives to fashion photography. "My feelings about photography are exactly the same today as when I was 20. That is, I have a love/hate relationship with making pictures." Looking at pictures is one thing, he qualifies, "But making pictures – making pictures for me is hard, hard work." Rodney Smith's work has been featured in The Wall Street Journal to Martha Stewart, from Time to Bloomingdales. In addition to his work as a photographer, Smith lectured and gave workshops. Rodney Smith lived and worked in New York City, with his wife, Leslie Smolan, and daughter, Savannah, and son Jonah Smith. His wife, Leslie, is co-founder of graphic design and branding firm, Carbone Smolan Agency. He is currently represented by a number of galleries both in the US and internationally; acte2galerie of Paris, France, The PhotoGallery AB of Halmstad, Sweden, FOST Gallery of Singapore, Fahey Klein Gallery of Los Angeles, California, Galerie Greenwich of Greenwich, Connecticut, Galerie Sono of Norwalk, Connecticut, Gilman Contemporary of Ketchum, Idaho, and Staley-Wise Gallery of New York, New York. In the past 25 years, Smith received 50+ awards including First Prize for his book The End from International Photography Awards (IPA). He has also received several Communication Arts and Photo District News (PDN) awards. Smith died in his sleep on December 5, 2016 at the age of 68.Source: Wikipedia
Philippe Marchand
Philippe Marchand was born in 1961, self-taught photographer. He lives in Nantes in the West of France. He collaborates with numerous advertising and illustration agencies where his photographies contribute to the promotion of renowned brands. He is also developing a personal work on the link between man and the sea. We find in the pictures he brings back from his hikes all the Power and the magic of the places he goes through. Its aesthetic approach, the technical constraints it imposes on itself contribute to the creation of a singular photographic universe and resolutely personal. This award-winning work is regularly published in the international press. About The Man and the Sea "The sea is present in everyone's imagination, it means dream and adventure, but also mystery and fear. What I am trying to develop through the link that unites man with the sea concerns the emotions that the ocean can arouse in each of us, through evocative images. Not the translation of reality. In the manner of the pictorialists whose movement originated at the end of the 19th century and for whom the image must go beyond the reality photographed. I try to capture the atmosphere of the place, the poetry and the mystery that surrounds it. The shooting is the first part of a process that also includes a long work in "darkroom" to try to recreate the 'Feeling' of the moment". Philippe Marchand, photographer of seafarers. Black, white, shadow, light, what can be seen and what can be guessed, the ocean and those who are close to it. Philippe Marchand opens the world of the sea to us in its most intimate and human aspects. His approach is sensitive, full of nuances and modesty. Philippe Marchand's photos are like fragments of history. He highlights the relationship between the sea and people: how they look at it, how they approach it and the intimacy they share with it through their activities and passions. Man's imprint on the seascape and the ocean's imprint on the lives of men, even in their attitudes and faces. The secret communion between people and the sea. The artist has opted for the panoramic format and black and white. Facing the ocean, the format imposed itself. The immensity of the sea is exalted, the fragility of men is highlighted. With black and white, more timeless than colour, Philippe shows us the permanence of the places and gestures of the unchanging world of the sea. We have the feeling that time stands still. There is no rush, no run. Life has always had the rhythm of the ocean. Through a subtle play of contrasts, greys and light, a real "paw stroke" of the photographer, the images are linked together, inseparable, part of a whole, of a universe where Philippe invites us to share his emotions. The grain, very present, attenuates, coats the real and reinforces the poetic side of the images. The characters are most often from the back or almost from the back, partly hidden by the play of shadows. The gaze is discreet, never really, never completely encompassing them. There is like a mystery in the air, which Philippe lets us "glimpse"...
Piotr Skubisz
Poland
1978
Piotr Skubisz is an independent photographer with a keen interest in portrait photography, the human body, and the exploration of self-awareness and self-discovery. He studied at The Film School in Łódź and Polish Studies at the University of Warsaw, where he developed a strong interest in cultural anthropology, which influences his approach to capturing the human experience. For him, photography is an ongoing journey of experiencing and discovering, blending aesthetics with reflection. Recognized for his work, he has been awarded a Gold and Bronze medal at the PX3 2024 competition and received an official selection in the IPA. Piotr collaborates with individuals to create authentic, expressive portraits and fine art photography. His work often explores the nuances of human emotion and cultural identity, striving to capture the unique essence of each subject. Currently based in Warsaw, Piotr enjoys traveling and is always eager to explore new horizons. Commissions are available, including travel assignments. Statement "Photography, for me, is an ongoing journey of experiencing and discovering. My work explores the intricate layers of identity, self-discovery, and cultural identity through the intimate lens of portrait and body photography. Each image aims to blend aesthetics with introspection, inviting viewers to reflect on the diverse narratives that shape our world. Photography is an essential path for me in discovering and understanding otherness, which also redefines myself. I am always on a journey, even when I am in the same place. From my earliest years, I have been fascinated by otherness in its broadest sense. This fascination, born in the gray reality of communist Poland, led me to immerse myself in books about people from other cultures, from distant lands, seeking to understand different cultures, places, and people. Later, I became absorbed in science fiction literature, which offered another way of looking at the reality surrounding me, from different points of view. For example, Ursula K. Le Guin's "The Left Hand of Darkness," in which there is a species similar to humans known to us from Earth, but with the difference that the organism assumed a given gender only for the duration of the mating season. This described condition showed how many things, views, our perception of reality, cultural conditioning, often unconsciously determine our perception of other people, the world, what is considered obvious and absolute. And ourselves as well. Just as much of our perception of the external world is conditioned by our own body - the left side, the right side. Better vs. worse. The human being and the body in and through which we communicate and perceive the world - these are the topics that are a constant mystery to me, the main theme of my photography. Which, in turn, is a medium of contact with this mystery, a constant discovery of the Other, the Unknown. Through my lens, I strive to celebrate the beauty of diversity and the universal quest for understanding and connection." Recent Awards and Honors: 2024 PX3 (The Prix de la Photographie, Paris): Gold and Bronze Medal (Portrait) | 2024 IPA (The International Photography Awards): Official Selection (Fine Art-Portrait, People-Lifestyle, People-Traditions/Culture) | 2024 Brodziak Academy: TOP10 Masters of Creation | 2024 ReFocus The World Photo Annual Awards: Silver (Fine Art), Bronze (People), Bronze (Portrait), Honorable Mention (People) 4x Nominee (Fine Art, People, 2x Portrait) | 2024 Life Framer: Black & White Editors’ Pick | 2024 TIFA, Tokyo International Foto Awards: Bronze Winner People-Portrait, Honorable Mention 4x (2x Fine Art-Portrait, 2x People-Portrait) | 2024 Monochrome Awards: 3rd Place Portrait, Honorable Mention (1x Portrait, 1x Fine Art) | 2025 LensCulture New Visions 2025, Humanity: Editors' Pick. Awarded Photographer of the Week - Week 08
Joël Tettamanti
Switzerland
1977
Joël Tettamanti was born in 1977 in Efok, Cameroon, and grew up in Lesotho and Switzerland. He studied photography at ECAL, Lausanne, where his teachers were Pierre Fantys and Nicolas Faure. Following his studies, he worked as an assistant to the photographer Guido Mocafico in Paris. Tettamanti is established as a commercial and media photographer for clients such as Wallpaper*, Kvadrat, and international architects. His work has been featured in solo and group exhibitions in Europe, and has been the subject of several monographs, including Local Studies (2007) and Davos (2009). He lives in Lausanne. The Swiss photographer Tettamanti creates works that focus on the impact of human settlement on the landscape, from Asia to the Arctic Circle. The images are often without people, examining instead the contradiction of human frailty and resilience, and the relationships people form with the land. His work is a vast archive of the structures, villages, and cities people create, and of the landforms and climates that shape them. Like many photographers who have been drawn to archive the world, Tettamanti’s interest lies beyond collecting artifacts of the human imprint on the land. The questions he asks of a place – why things look the way they do, and how they came about – lead to profoundly social narratives about the people who are uplifted and sometimes defeated by the land they inhabit. Tettamanti gravitates toward inhospitable environments where these relationships play out in spectacle: the juxtaposition of sublime natural beauty and buildings of startling banality, or ingenuity, or of land seemingly without limit and the meager architecture put upon it. The story can be one of use and misuse, where urban sprawl or industrial incursions have degraded the land and corrupted its beauty, as well as one of human adaptability and resourcefulness. The land is shaped by people as much as it shapes them. His quest as an artist recalls the expeditionary photography of the American West in the nineteenth century, when territories previously unexplored by Americans were opened to visual imagination by the camera. Today, when technology and globalization make distant cultures accessible, there is still a sense of revelation in Tettamanti’s work. For this artist, much like the nineteenth-century pioneers of the medium, photography remains a means of understanding the world, and retains the power to astonish with images of places that exist beyond the imagination. Source: MIT Museum
Francis Meslet
France
1963
A graduate in Design from the Fine Art School of Nancy in 1986, early in his career Francis Meslet was a designer, but soon turned to advertising when he joined several agencies as an artistic director. After 30 years spent questioning the creative concept and studying images in all his compositions, he is now a creative director. Francis does not hesitate to roam the world in his spare time, searching for abandoned sites, sanctuaries where time seems to have stopped after humans have evacuated them. He thus brings back captivating and melancholic images of his travels to the other side of the world... Like time capsules, testifying to a parallel world and perfect for enabling the mind to wander and ponder, Francis Meslet’s melancholic images brave the passage of time, making way for silence after the memories left behind by human inhabitation. In these deserted places, no more than the rustling of the wind can be heard through a broken window or the sound of water dripping from a dilapidated ceiling. These silences nonetheless invite the spectator to slip into these well-guarded and mysterious places captured by the photographer and attempt to bring to life that which has been forgotten. In this power station orders were shouted in German, in this French Catholic school the cries of children resounded to the sound of the bell but who can imagine the sounds hidden behind the walls of this old psychiatric asylum in Italy or on the docks of this abandoned island off Japan? From these silences, everyone can imagine their own interpretations, ...reinterpretations.
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Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry