All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Win a Solo Exhibition in June 2026 + An Exclusive Interview!
Win a Solo Exhibition in June 2026 + An Exclusive Interview!
Laura Aguilar
Laura Aguilar

Laura Aguilar

Country: Mexico/United States
Birth: 1959 | Death: 2018

Laura Aguilar, a pioneering photographer, used her lens as a powerful tool for social empowerment and representation. Born with a keen eye and a deep sense of empathy, Aguilar sought to challenge the traditional narratives of art history by capturing the beauty and dignity of marginalized communities often overlooked by mainstream society.

Aguilar's work defied convention, focusing on subjects that had long been excluded from the artistic canon. From lesbians and Latinas to individuals with disabilities and those whose bodies did not conform to societal norms, Aguilar fearlessly confronted stereotypes and celebrated the diversity of human experience. Her photographs were a testament to the strength, resilience, and inherent worth of each individual, regardless of their background or identity.


I wouldn't know what to do with the perfect body. Can we get comfortable with the imperfections?

– Laura Aguilar



What set Aguilar apart as an artist was not only her choice of subjects but also her meticulous attention to the formal aspects of photography. Drawing inspiration from both modernist and Social Documentary traditions, Aguilar infused her work with a unique perspective informed by her own lived experience as a lesbian Latina. Through her lens, she sought to capture the essence of her subjects in a way that transcended superficial appearances, inviting viewers to connect with the humanity and complexity of each individual.

Above all, Aguilar viewed art as a means of giving voice to those who had been silenced or marginalized. Her photographs served as a powerful form of advocacy, challenging viewers to confront their own biases and preconceptions while fostering empathy and understanding. Through her art, Aguilar sought to create a more inclusive and compassionate society, one where all individuals were valued and respected for who they are.


I know some people see me as very childlike, naïve. Maybe so. I am. But I will be damned if I let this part of me die!

– Laura Aguilar



Despite facing obstacles and adversity throughout her life, Aguilar remained steadfast in her commitment to social justice and equality. Her work continues to inspire and provoke, reminding us of the importance of representation and the transformative power of art. Laura Aguilar's legacy lives on through her photographs, which serve as a testament to the enduring strength of the human spirit and the possibility of positive change.
 

Laura Aguilar's Video

Selected Books

Inspiring Portfolios

Call for Entries
AAP Magazine #58 B&W
Publish your work in our printed magazine and win $1,000 cash prizes
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Joel Bernstein
United States
1952
Joel Bernstein is a photographer, guitarist, and record producer based in Oakland, California. His photographs have appeared as the album covers to, among others, After the Gold Rush, 4 Way Street, Rita Coolidge, Wind on the Water, Running on Empty, CSN, Bob Dylan at Budokan, Rust Never Sleeps, Shadows and Light, and Hard Promises. His photographs have been published in Time, The New York Times, and Rolling Stone, among other publications, and there have been retrospective exhibits of his work in New York City, San Francisco, Los Angeles, and London. As a guitarist, he is most noted for support work to his friends David Crosby and Graham Nash, both individually and on their Crosby & Nash records. He has acted as co-producer and archivist with Nash for Crosby, Stills, Nash & Young, and is responsible with Nash for the compilation and production of the box sets Voyage for Crosby, Reflections for Nash, Carry On for Stephen Stills, and CSNY 1974 for the band's tour of that year.Source: Wikipedia Joel Bernstein is an acclaimed rock photos photographer whose work, spanning four decades, chronicles the inner lives and public moments of some of the most important singer-songwriters, performers and musicians of our time. They include Joni Mitchell, Neil Young, Bob Dylan, Bruce Springsteen, David Crosby, Stephen Stills, Graham Nash, Prince, Jackson Browne, Laura Nyro, Tom Petty and many others. Bernstein also became a close friend and musical collaborator with many of his other subjects, playing and singing on their albums and concert tours. But his most important work remains his up-close-and-personal photographs of these singular artists. His preferred method has been to spend as much time as possible with his subjects until the right instant–the perfect moment of intimacy–reveals itself. Bernstein’s many album covers are commonly listed among the most influential in rock's visual history. His first, at age 18, was Neil Young's After the Gold Rush, often cited in Best Album Covers Of All Time lists. His work was featured in the album cover for Joni Mitchell's Hejira, nominated for a Grammy Award for Best Album Cover. Bernstein’s work was also the inspiration for the look of Cameron Crowe's well-received rock film Almost Famous, in which many scenes were precise re-creations of Bernstein's photographs. In 2018, Bernstein received a Distinguished Lifetime Achievement Award by the International Photography Hall of Fame.Source: Morrison Hotel Gallery Bernstein's work is well known within the world of music, and is included in the permanent collection of the Rock & Roll Hall of Fame and Museum. His work was a key inspiration for the look of Cameron Crowe's well-received rock film Almost Famous, in which many scenes were precise re-creations of Bernstein's photographs. His many album covers are commonly listed among the most influential in rock's visual history. He has been published in a wide spectrum of books on music, musicians, and the music business, as well as in Time, The New York Times and Rolling Stone. He was profiled in MOJO, the esteemed British music publication, which extensively featured his photos of Neil Young. Bernstein maintains that his unique perspective on these artists is the result of spending so much time with them that he was there to observe and capture those unique “perfect moments of intimacy” when they revealed themselves, not by some preconceived set-up. He is currently based in Oakland, California.Source: San Francisco Art Exchange
Nanda Hagenaars
Netherlands
''El Duende'' is a word used by the Spanish people to describe it is what moves you, what drives you. It comes from inside you. El duende is a bodily reaction to art or artistic perfomance such as Flamenco. It comes from the soles of the feet and flows free throughout the body till the top of your head. El duende is the spirit of evocation. An emotional and physical reaction. It can make you smile or cry or both. This mysterious power which everyone can sense and no philosopher can explain is in sum the spirith of the earth. It touches you in such a magical way that you are moved instantly. Nanda Hagenaars was born in the Netherlands in 1988 and is currently living in Amsterdam. She studied International Business and Languages in Sevilla. This is where she felt the spirit of el Duende in such a strong way that this place instantly became like a harbour for her. Back in the Netherlands, Nanda started working in the advertising industry and after nearly 4 years left her office job and crashed fully into photography and art. After studying languages, she discovered a new kind of language; through photography. Between 2007 and 2017, Nanda traveled frequently back to south Spain where she somehow always felt touched by culture and the simple vibe of the magnificent gypsy city. In 2016, Nanda made her first documentary photography project in Sevilla, where she won a price for New Dutch Photo talent 2017. Nanda’s captivating black and white style blends poetry and intuition, delving into the eternal essence of life. Through her lens, Nanda captures stories and forges a profound connection with the portrayed. At times, she surrenders to the unknown, creating intuïtively and spontaneously. Through her art she aims to touch others, offering solace and unity through shared emotions. So.. to Nanda, photography is a way to translate, meditate, and communicate. A universal language. AAP Magazine Magazine #31 Portrait Article Exclusive Interview
Cao Luning
China
1990
Cao Luning is a street photographer who lives in Nanjing, Jiangsu Province, China, a city of 8 million people. He only started to do photography 3 years ago and all learnt by himself. For Cao Luning, photography is a means of getting to know and expressing himself. Just like the saying "You are what you read", he also believes "You are what you shoot". He's extremely crazy about Street, Travel and Documentary photography, and the uncertainty and infinite possibilities of them fascinate him. They are just similar to life, you never know what you are going to get tomorrow. You may capture some nice shots, or you might come back empty-handed. Street photographer is his identity. Cao Luning is a street wanderer and likes to watch people. He can linger on the streets all day long without feeling tired or fed up. When he shoots, he focuses on the serendipity of specific colors, light and shadows, gestures and the implied humor of scenes. Cao Luning reckons framing is crucial to a good photograph, and he's been greatly influenced by Henri Cartier-Bresson and his "The Decisive Moment Theory", which He thinks is something that every photographer should pay attention to. His mentors are Mangum Photographer Alex Webb and his wife Rebecca Norris Webb, and they both helped him a lot in developing his own vision. In his opinion, given different situations and scenarios, a good street photographer should swiftly apply different compositions that best suit the scenes, instead of using one or two methods for all situations, because that's not a creative process, it's just mechanical repetitions. Statement I'm a street photographer who started to do photography 3 years ago. For me, photography is a means of getting to know and expressing myself. Just like the saying "You are what you read", I also believe "You are what you shoot". I'm extremely crazy about Street, Travel and Documentary photography, and the uncertainty and infinite possibilities of them fascinate me. They are just similar to life, you never know what you are going to get tomorrow. You may capture many nice shots, or you might come back empty-handed. I'm a street wanderer and I like to watch people. I can linger on the streets all day long without feeling tired or fed up. When I shoot, I focus on the serendipity of specific colors, light and shadows, gestures and the implied humor of scenes. I reckon framing is crucial to a good photograph, and I've been greatly influenced by Henri Cartier-Bresson and his "The Decisive Moment Theory", which I think is something that every photographer should pay attention to. In my opinion, given different situations and scenarios, a good street photographer should swiftly apply different compositions that best suit the scenes, instead of using one or two methods for all situations, because that's not a creative process, it's just mechanical repetitions. Most of the works I submitted were shot during the pandemic in China.. On January 2020, The New Coronavirus Pneumonia (or COVID-19) outbroke in Wuhan, Hubei Province in China and soon spread all over the country. As a result, the Chinese government locked down the whole country, stopped all production activities, restricted intercity transportation, and people were advised not to go outside. I live in Nanjing, Jiangsu Province, a city of 8 million people, and when it was shut down, it was a bit like a ghost town in the beginning, not completely empty, but hard to find people on the streets. However, I found out by the Yangtze River and some parks, there are some citizens. People would go fishing, do sports, exercise or simply relax. So I often go to those places with my camera, trying to capture their life under the influence of Coronavirus. The virus has pressed the pause button for most of us, though it's not a good thing, objectively speaking, it gives us a good opportunity to look inside and review our living states. It offers us a window to slow down and appreciate all the good and beautiful things around us as well. In the meantime, we are also given the possibility to do the things that we always wanted to do. We should cherish it and live in the moment, despite how dreadful the epidemic situation might be, life has to go on. I hope you'll enjoy my works and get to know me better by them.
Adolphe Braun
France
1812 | † 1877
Jean Adolphe Braun was a French photographer, best known for his floral still lifes, Parisian street scenes, and grand Alpine landscapes. One of the most influential French photographers of the 19th century, Braun used contemporary innovations in photographic reproduction to market his photographs worldwide. In his later years, he used photographic techniques to reproduce famous works of art, which helped advance the field of art history. Braun was born in Besançon in 1812, the eldest child of Samuel Braun (1785–1877), a police officer, and Marie Antoinette Regard (born 1795). When he was about 10, his family relocated to Mulhouse, a textile manufacturing center in the Alsace region along the Franco-German border. He showed promise as a draftsman, and was sent to Paris in 1828 to study decorative design. In 1834, he married Louis Marie Danet, who he had three children with: Marie, Henri, and Louise. That same year, Adolphe, alongside his brother Charles, opened the first of several unsuccessful design partnerships. After several unsuccessful design ventures in the 1830s, Adolphe Braun published a successful collection of floral designs in 1842. Upon the premature death of his wife 1843, Braun sold his Paris studio and moved back to Mulhouse, where he became chief designer in the studio of Dollfus-Ausset, which provided patterns for textiles. He remarried to Pauline Melanie Petronille Baumann (1816–1885) on 12 December 1843 and had two more children with her; son Paul Gaston and daughter Marguerite. In 1847, he opened his own studio in Dornach, a suburb of Mulhouse. In the early 1850s, Braun began photographing flowers to aid in the design of new floral patterns. Making use of the recently developed collodion process, which allowed for print reproduction of the glass plates, he published over 300 of his photographs in an album, Fleurs photographiées, in 1855. These photographs caught the attention of the Paris art community, and Braun produced a second set for display at the Paris Universal Exposition that same year. In 1857, Adolphe Braun formed a photography company, Braun et Cie, and with the help of his sons, Henri and Gaston, and several employees, set about taking photographs of the Alsatian countryside. These were published in 1859 in L’Alsace photographiée, and several were displayed at the 1859 Salon. By the 1860s, the Braun et Cie studio was operating in a factory-like manner, producing all of its own materials except paper. The studio created thousands of stereoscopic images of the Alpine regions of France, Germany, Switzerland, and Italy. Braun also produced a number of large-format panoramic images of the Alpine countryside, using the pantoscopic camera developed by English inventors John Johnson and John Harrison. Photography historian Naomi Rosenblum described Braun's work as representative of the relationship between art and commercialism in the mid-19th century. His self-sustaining Mulhouse studio helped elevate photography from a craft to a full-scale business enterprise, producing thousands of unique images which were reproduced and marketed throughout Europe and North America. Rosenblum also suggests that Braun's detailed reproductions of works of art in European museums brought these works to art students in North America, providing a major catalyst for the field of art history in the United States. Braun's early photographs were primarily of flowers, originally taken to complement his work as a pattern designer. Subsequent photographs focused on Alpine landscapes, especially lake scenes, and glacier scenes. Unlike many landscape photographers during this period, Braun liked to include people in his scenes. Photography historian Helmut Gernsheim suggested that Braun was one of the most skillful photographers of his era in rendering composition. While not known as a portraitist, he did take portraits of several notable individuals, including Pope Pius IX, Franz Liszt, and the Countess of Castiglione, mistress of Napoleon III. Braun's work has been exhibited at the Metropolitan Museum of Art, The J. Paul Getty Museum, the George Eastman House, and the Musée d'Orsay. His photographs of Parisian street scenes and Alpine landscapes are frequently reproduced in works on the history of photography.Source: Wikipedia Trained as a fabric designer, Adolphe Braun began his photography career in 1853. His photographs of flowers, for a catalog titled Fleurs photographiées, were to be transferred onto printing blocks for wallpaper and fabric designs. It was an extremely successful project for Braun; one album of the photographs was presented to Empress Eugénie of France, and it earned him a medal at the 1855 Paris Exposition Universelle. By the early 1860s, Braun's focus had shifted to the making of topographical views of scenes throughout Europe and, beginning in 1866, to reproductions of works of art. The reproduction of paintings, drawings, lithographs, engravings, and sculpture was an important endeavor in France, and photography provided an accurate record. Braun opened a photography studio that became one of the world's largest publishers of such images. In 1869 Braun's was one of only two photographic firms invited to photograph the opening of the Suez Canal in Egypt.Source: The J. Paul Getty Museum
Advertisement
AAP Magazine #58 B&W
Win a Solo Exhibition in June
AAP Magazine #58 B&W

Latest Interviews

Exclusive Interview with Carolyn Moore
American photographer Carolyn Moore explores the inner landscape of emotion, memory, and personal transformation through a deeply intuitive photographic practice. Her work unfolds as a quiet dialogue between artist and viewer, where images become a space for reflection, vulnerability, and connection.
Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
Exclusive Interview with Matthew Finley
American photographer Matthew Finley turns inward, using photography as a way to explore identity, memory, and emotional truth. Based in Los Angeles, his practice moves between performance, gesture, and found imagery, creating a visual language that is both intimate and deeply personal
Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
Call for Entries
Win A Solo Exhibition in June
Get International Exposure and Connect with Industry Insiders