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Win a Solo Exhibition in June 2026 + An Exclusive Interview!
Win a Solo Exhibition in June 2026 + An Exclusive Interview!
Laura Aguilar
Laura Aguilar

Laura Aguilar

Country: Mexico/United States
Birth: 1959 | Death: 2018

Laura Aguilar, a pioneering photographer, used her lens as a powerful tool for social empowerment and representation. Born with a keen eye and a deep sense of empathy, Aguilar sought to challenge the traditional narratives of art history by capturing the beauty and dignity of marginalized communities often overlooked by mainstream society.

Aguilar's work defied convention, focusing on subjects that had long been excluded from the artistic canon. From lesbians and Latinas to individuals with disabilities and those whose bodies did not conform to societal norms, Aguilar fearlessly confronted stereotypes and celebrated the diversity of human experience. Her photographs were a testament to the strength, resilience, and inherent worth of each individual, regardless of their background or identity.


I wouldn't know what to do with the perfect body. Can we get comfortable with the imperfections?

– Laura Aguilar



What set Aguilar apart as an artist was not only her choice of subjects but also her meticulous attention to the formal aspects of photography. Drawing inspiration from both modernist and Social Documentary traditions, Aguilar infused her work with a unique perspective informed by her own lived experience as a lesbian Latina. Through her lens, she sought to capture the essence of her subjects in a way that transcended superficial appearances, inviting viewers to connect with the humanity and complexity of each individual.

Above all, Aguilar viewed art as a means of giving voice to those who had been silenced or marginalized. Her photographs served as a powerful form of advocacy, challenging viewers to confront their own biases and preconceptions while fostering empathy and understanding. Through her art, Aguilar sought to create a more inclusive and compassionate society, one where all individuals were valued and respected for who they are.


I know some people see me as very childlike, naïve. Maybe so. I am. But I will be damned if I let this part of me die!

– Laura Aguilar



Despite facing obstacles and adversity throughout her life, Aguilar remained steadfast in her commitment to social justice and equality. Her work continues to inspire and provoke, reminding us of the importance of representation and the transformative power of art. Laura Aguilar's legacy lives on through her photographs, which serve as a testament to the enduring strength of the human spirit and the possibility of positive change.
 

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More Great Photographers To Discover

Morteza Nikoubazl
I was born in Tehran, Iran in 1974 and studied art and photography there. I started work as a freelance photographer for Iranian daily and weekly newspapers. I began working with the Reuters team as Freelance photographer since 1999 till 2013. After Reuters I worked with the New York Times International magazine, Polaris Images, Zuma Press and SIPA PRESS photo agencies and now I am working with the NurPhoto press photo agency. I am also UNHCR trusted photographer in Iran. Sense of death amid the COVID-19 outbreak in Iran Today is about one year after Government announced officially the COVID-19 cases in Iran and death still is everywhere. I could see patients who were infected by the new coronavirus in COVID-19 wards of hospitals who were breathing and after two hours they were died. In fact, life seems gone, time were stoped and people were looking for an empty hospital bed for their relatives. Sense of death is covered the daily life of people who have to fight with a new invisible enemy, and it will be getting worse when a country is under International sanctions. I was in the city of Bam for covering the earthquake in 2002-2003 and could see a U.S. Military cargo airplane landed after about 25 years since the Victory of the Islamic Revolution in Iran and I could see how the humanity could pass over the politic, but today I am witness how politic cover the humanity, sanctions still work and it pushed Iran to the end of the line of vaccine. People die left and right also medical personnel, But they hear about barriers to the import of the COVID-19 vaccines from western countries. When it comes to people's health, politics should be the last priority of countries, but it seems the politic is the first priority for the U.S., Iran and the European countries. On the other hand, Iranians cannot trust the China- Made, or Russian-Made vaccine and prefer the Iranian one, but they must wait until next year and try to be alive.
Kerry Mansfield
United States
Kerry Mansfield is a San Francisco based photographer whose work explores time and how it affects our perceptions of what we see and the world it envelops. Born in New Jersey in 1974, Kerry graduated with a Bachelor’s Degree in Photography from UC Berkeley and did further studies at CCA (California College of the Arts). Her work has been exhibited globally and garnered numerous honors including LensCulture’s Single Image Award, multiple PX3, World Photography Organization and IPA Awards, and as a Critical Mass Finalist for three years. A host of press and publications, ranging from Time Magazine's Lightbox to the New York Times LensBlog, have featured several bodies of her work. Kerry’s Expired series monograph was released in spring 2017 receiving high praise from The Guardian UK, Architectural Digest, BuzzFeed News, Hyperallergic and and winning the PX3 Bronze Book Award. She's now currently creating a new body of work focused on tidal shifts as a metaphor for how time alters memories. Aftermath As a photographer, I've spent most of my career looking deeply into the spaces we inhabit. The idea of Home - what it meant and how it felt, preoccupied my thinking. Almost all my pictures were of the spaces we live in or the things we live with. But at the age of 31, a diagnosis of breast cancer forced me to redefine my ideas of home. Needless to say it came as quite a shock. I had exercised and eaten correctly, and like many of my age, I felt indestructible, never thinking the most basic of dwellings could be lost. Faced with the nihilistic process of radical chemotherapy and surgery, my ideas of "where" I exist turned inward. As the doctors, with their knives and chemistry broke down the physical structure in which I lived, the relationship between the cellular self and the metaphysical self became glaringly clear. My body may not be me, but without it, I am something else entirely. I knew that my long held image of myself would be shattered. What would emerge would be a mystery. It was in that spirit of unknown endings, that I picked up my camera to self document the catharsis of my own cancer treatment. No one was there when these pictures were made, just my dissolving ideas of self and a camera. And what began as a story that could have ended in many ways, this chapter, like my treatment, has now run its course. While I can't say everything is fine now, I will say, "These are the images of my Home - as it was then", and with a little luck, there will be no more to come. AAP Competitions: All About Photo Awards 2019 Article: The Tidal Block
Giacomo Brunelli
Giacomo Brunelli (b. Perugia, Italy, 1977) graduated with a degree in International Communications in 2002. His work has been exhibited at The Photographers’Gallery (Uk), The New Art Gallery Walsall (Uk), The Barbican Centre (Uk), BlueSky Gallery, Portland (Usa), Format Festival, Derby (Uk), Triennial of Photography Hamburg (Germany), Nordic Light Festival (Norway), Noorderlicht Photofestival (The Netherlands), StreetLevel Glasgow (Uk), Photofusion, London (Uk), Delhi PhotoFestival (India), Fotofestiwal Lodz (Poland), Athens Photo Festival (Greece), Daegu PhotoBiennal (South Korea), Angkor PhotoFestival (Cambodia), Tabernacle (London, Uk), Griffin Museum (Boston, Usa) and at commercial galleries such as Peter Fetterman Gallery (Santa Monica, Usa), Robert Morat Galerie (Berlin, Germany), Galerie Camera Obscura, (Paris, France), Arden & Anstruther (Petworth, Uk), Galleria Belvedere (Milan, Italy). He has won the Sony World Photography Award, the Gran Prix Lodz, Poland and the Magenta Foundation “Flash Forward 2009”. He has also been featured widely in the art and photography press including BBC (Uk), The Guardian (Uk), The Telegraph (Uk), Eyemazing (Holland), European Photography (Germany), B&W Magazine (Usa), Creative Review (Uk), Foto+Video (Russia). His work is in the collection of the Museum of Fine Arts Houston (Usa), The New Art Gallery Walsall, Uk Kiyosato Museum of Photographic Arts (Japan) and Portland Art Museum (Usa). Brunelli has published “The Animals” (2008) and “Eternal London” (2014) by Dewi Lewis Publishing, “Self Portraits” (2017) and "Hamburg" (2021) by Editions Bessard, “New York” (2020) by Skinnerboox and "Venice" has been self-published by TantoPress in 2022. In 2012, he was commissioned by The Photographers’Gallery to do the “Eternal London” series and in 2015 by the Deichtorhallen to produce “Hamburg". Interview with Giacomo Brunelli: All About Photo: When did you realize you wanted to be a photographer? I remember when more that 10 years ago, I found my father's camera in a drawer and immediately wanted to be able to use it. Did't know exactly to do what but since then I have been using it to shoot my ideas." Where did you study photography? "I graduated in Communications in 2002 and attended a six month course in photojournalism in Rome." Do you remember your first shot? What was it? "I don't remember my first shot but I started shooting people, lanscapes and animals since the beginning. I have been soon fascinated by the idea of being outside taking pictures of what you like." What or who inspires you? I take inspiration from exhibitions, books, walks, stories and music." How could you describe your style? Street Photography." What kind of gear do you use? Camera, lens, digital, film? "Since the very beginning, I have been using a Miranda Sensomat 35mm, a japanese film camera from the '60. Although I have tried the 28mm and 135mm when I started, I use the 50mm lens only and 1.8 1/500 as combination diaphragm/shutter speed. For a recent commission I got from The Photographers'Gallery two years ago on London, I started using 1/1000 also. Regarding the film, I like Kodak Tri-x 400 and I print the images myself in my darkroom on Agfa Fiber Based paper." Do you spend a lot of time editing your images? For what purpose? "Editing is crucial and I love spending time looking at my images as a body of work and select the ones I feel are the strongest to communicate my vision." AFavorite(s) photographer(s)? "I grew up looking at the great masters such as Lartigue, Muybridge, Giacomelli, Frank, Klein and Winogrand so I think I have been deeply influenced by the way they managed to express their own ideas through photography." What advice would you give a young photographer? "Developing a coherent body of work takes time and energy; I would say just be prepared to work hard." What mistake should a young photographer avoid? "Not to be patient." Your best memory as a photographer? Publishing "The Animals" (Dewi Lewis Publishing, 2008) has been great, seeing your pictures taking the form of a book is fantastic." Your worst souvenir as a photographer? "In 2005 I left my camera and my own things in a taxi in Bratislava."
Alejandra Nowiczewski
Italy/Argentina
1966
Born in Buenos Aires and based in Madrid since 2022, Alejandra Nowiczewski is a sworn translator and a photographer specializing in philosophical, social and environmental issues. She obtained a Master’s Degree in Photographic Projects from PhotoESPAÑA and completed several photography workshops and mentorship programs in Argentina and Madrid. She has recently exhibited in Madrid Penumbra, a conceptual photobook dummy based on a book she wrote on the translation of legal metaphor and its social dimension. Addressing metaphor and symbol, she presents her photographic series as a visual and metaphorical reinterpretation of processes, concepts or essential texts. Within the framework of contemporary photography, she seeks to explore the ability of the photographic document to suggest something more than itself, to serve as a conduit to visualize social, philosophical or environmental topics. Her works were featured in Artdoc Magazine and in its online exhibition. She was also a nominee in the reFocus Awards 2022, Black & White Photo Contest, Minimalism, and was selected for PhotoESPAÑA’s Descubrimientos PHE25 portfolio review. She has exhibited her photographic work in Buenos Aires (Rolf Art, Ingõt Arte, Pinta BAphoto 2024 and 2022, and BAphoto 2021) and Madrid (PhotoESPAÑA, Centro de Arte Alcobendas, Museo Zapadores Ciudad del Arte and PhotoESPAÑA, Galería Nueva Las Letras). Her works are also in private collections in Argentina. Statement: I intend that my work, in its form of expression, should have the potential to add meaning and raise awareness. In line with my training in translation and its social dimension, I am interested in creating visual metaphors from linguistic metaphors, with the aim of bringing the cognitive into the visual universe and thus broadening its understanding. My work also explores a variety of themes, ranging from philosophical to climate change, biodiversity and sustainability issues. In the first case, I try to awaken intuition regarding the symbolic; in the second, I compose my images in such a way that, beyond their aesthetic component, they raise awareness about these critical global issues, which I consider priority for human and natural systems. I also accompany my projects with documentary archives that support the research on these topics.
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AAP Magazine #58 B&W
Win a Solo Exhibition in June
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Latest Interviews

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