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AAP Magazine 51 COLORS: $1,000 Cash Prizes + Publication - FINAL DAYS
AAP Magazine 51 COLORS: $1,000 Cash Prizes + Publication - FINAL DAYS
Eric Davidove
Eric Davidove
Eric Davidove

Eric Davidove

Country: United States
Birth: 1958

Eric is a junkie, and his drug is street photography. Since 2014, he has been walking thousands of miles in urban centers, documenting how he sees the world. A strong influence on Eric’s photographic voice was his many years working as a street mime. He has been trained to anticipate and respond to human behavior in order to make people laugh. So it’s no big surprise that many of Eric’s street photos are quirky, funny, and satirical.

Statement
Eric sees many people walking around urban centers without paying too much attention to what’s happening around them. Most people are staring at their phones, making phone calls, or listening to music. They’re not present or living in the moment. Eric hopes his photos are a wake-up call. He would like people to look at his photos and think, “Maybe I should spend less time on my phone and more time observing life around me.”

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More Great Photographers To Discover

Lucas Barioulet
France
1996
Lucas Barioulet, born in Angers, France in 1996, is a french freelance photojournalist based in Paris, focusing on islamic republics. He graduate from Ecole de Journaliste de Tours and San Diego State University. The same yearn he began working in between the United States and Mexico in 2016 and 2017 as a correspondent for french newspaper, following the presidential elections and the migrant crisis. He then came in France and worked for the daily french newspaper Le Parisien as a staff photographer for one year. In march 2018, he began working as a stringer photographer for the world news agency Agence France Presse, covering the world cup, the yellow vests movements and daily news in France. During the Covid-19 crisis, he extensively covered the situation in France, from intensive care units to funerals parlors. He also contributes regularly to french newspaper Le Monde and magazine GEO. Since 2018, he works on a long term project on islamic republics, starting with Mauritania and then Pakistan exploring the different aspects and the young generations of these misunderstood countries. His last serie "The Long and Difficult Path of the Mauritanian National Women's Football" won the 2nd place in the "Sport" Category at the Sony World Photography Award 2020. "Camera is the best passport to my eyes. To not be a tourist, but a traveler. To not be only a photographer, but also a journalist. Trying to understand be fore judging, Watching and listening so that other can also see, go where the others cannot go for putting light on shadows areas. Take the time necessary to do photography, when the all industry is rushing. Build human connections that goes over the simple photographer - subject relationship. "
Gabriele Galimberti
Gabriele Galimberti, born in 1977, is an Italian photographer who frequently lives on airplanes, and occasionally in Val di Chiana (Tuscany), where he was born and raised. He has spent the last few years working on long-term documentary photography projects around the world, some of which have become books, such as Toy Stories, In Her Kitchen, My Couch Is Your Couch and The Heavens. Gabriele's job consists mainly of telling the stories, through portraits and short stories, of people around the world, recounting their peculiarities and differences, the things they are proud of and the belongings with which they surround themselves; social media, in all its forms, is a fundamental part of the research needed to get in touch, discover and produce those stories. Gabriele committed to documentary photography after starting out as a commercial photographer, and after joining the artistic collective Riverboom, best known for its work entitled Switzerland Versus The World, successfully exhibited in festivals, magazines and art shows around the world. Gabriele is currently traveling around the globe, working on both solo and shared projects, as well as on assignments for international magazines and newspapers such as National Geographic, The Sunday Times, Stern, Geo, Le Monde, La Repubblica and Marie Claire. His pictures have been exhibited in shows worldwide, such as the well known Festival Images in Vevey, Switzerland, Le Rencontres de la Photographie (Arles) and the renowned V&A museum in London; they have won the Fotoleggendo Festival award in Rome and the Best In Show prize at the New York Photography Festival. Gabriele recently became a National Geographic photographer and he regularly works for the magazine. Publications Gabriele Galimberti, Paolo Woods, "The Heavens", Delpire/Dewi Lewis, Paris-London 2015 Gabriele Galimberti, "My Couch Is Your Couch", Clarkson Potter, New York 2015 Gabriele Galimberti, "In Her Kitchen", Clarkson Potter, New York 2014 (also translated in French, Chinese and Korean) Gabriele Galimberti, "Toy Stories", Abrams Book, New York 2014 Gabriele Galimberti is the Second Place Winner of All About Photo Awards 2020 with his work The Ameriguns
Vee Speers
Australia
or over two decades, Australian Paris-based artist Vee Speers has established herself in the art world with her unforgettable portraits. Her carefully choreographed images are painterly and ethereal, with a visual and metaphorical ambiguity which challenges established narratives. In her iconic series The Birthday Party, she eternalises the innocence of childhood with timeless portraits that are at once hauntingly beautiful and provocative. She dresses, styles and sometimes masks her characters, creating enigmatic stories to blur the line between reality and fiction and highlighting our need to escape into fantasy. Speers succeeds in choreographing characters that offer allegorical glimpses into life, triggering memories and emotions from our own childhood. From the legend of the Phoenix, Speers draws inspiration for her most recent work Phoenix, an evocative story about passion, love and loss and an homage to the anonymous women. In this series Phoenix, the battles are over and the flames and ashes disappear. Emerging is the emboldening force of liberation as these women of all ages are on the threshold of new beginnings. At once powerful and vulnerable, Speers' portraits are timeless symbols of transformation between life and loss and the renaissance of a new identity. Speers' work has been exhibited in museums, galleries, art fairs and festivals around the world, and published in features and on covers of more than 60 international magazines, with 3 sold-out monographs of her work. Her photographs have been acquired by Sir Elton John Collection, Michael Wilson Collection, Hoffman Collection U.S. , Carter Potash Collection, Morten Viskum Collection, Alan Siegel, Lawrence Schiller, DZ Bank, Museum of Fine Arts Houston, Museum 21C, Kentucky, George Eastman House, Beth Rudin Dewoody, Hudson Bay Company Art Fund, CB Collection, Tokyo. More about Vee Speers: AAP: When did you realize you wanted to be a photographer? Vee Speers: I’ve always thought photography was magical as my father had his own darkroom. When I went to art school, I realized that the instant way of capturing an image suited my impatient personality. Where did you study photography?QCA, Brisbane, Australia Do you have a mentor or role model?Not really. I don’t like to follow. What or who inspires you?The cinema is a constant source of inspiration. A story is told, and the way it is filmed can transport you to another time or place. Still images can be the same. How could you describe your style?Playful, beautiful, strange, melancholic, obvious and unexpected. Do you have a favorite photograph or series?The Birthday Party and Bulletproof This is two series photographed 6 years apart using the same children. What kind of gear do you use?Polaroid film and medium format cameras. Do you spend a lot of time editing your images? For what purpose?No, I know right away when I’ve taken a good shot. Or if I haven’t. What advice would you give a young photographer?Know what you want and don’t be distracted from your goal. Don’t listen to what anybody else says. What mistake should a young photographer avoid?Accepting to shoot anything that will compromise his or her personal journey. An idea, a sentence, a project you would like to share?Don’t be afraid.What are your projects?Portraits, portraits and more portraits. Your best memory as a photographer?There are so many. Every time I take a great image, I feel so excited, like everything has lined up perfectly. These are the best memories. The compliment that touched you most?A woman once told me that my work had changed her life. If you were someone else who would it be?Diane Arbus, with all those wonderful and strange people to photograph. Your favorite photo book?Lord of the Flies by William Golding.
 Mam’AT
France
1970
Born in 1970 in France, Mam'AT was initially a researcher in economics before leaving it all behind to settle in a tiny, remote village in the mountains of central France (Cantal) and dedicate herself to photography. She works on landscapes and their perception. These are not dreamy landscapes with majestic reliefs and/or flamboyant colors; on the contrary, the atmospheres are dull, gray, white, cold, and the landscapes are ordinary. A simple fence, a road, a tree, or a buron is enough to catch her photographic eye. Mam'AT is not a photographer who travels the world. She photographs close to home and always when the weather conditions are unfavorable: snow, fog, and rain transform the world, making it more poetic or dramatic. How can we achieve the "Sharawadji," that is, reveal an aesthetic within these chaotic atmospheric conditions? That is the question at the heart of her photographic work. With climate change, Mam'AT's photographs may serve as a record of the last snowfalls in Cantal, the mid-altitude mountain range in France where she lives. Statement In all of her work, Mam'At strives to bring out of (meteorological) chaos an order beyond the visible ; to reach “ Sharawadji “(the moment when beauty and plenitude are born from apparent disorder). The choice of color (series « colorité » or « last snow ») or black and white (series « on the road » or « Apology of the Clouds ») is decisive. It is not neutral and influences the perception of the landscape, making it poetic or dramatic, epic or prosaic. It is then up to the viewer to let themselves be carried beyond the visible. Awarded Photographer of the Week - Week 51
Argus Paul Estabrook
South Korea/United States
1977
I'm a biracial Korean-American photographer who works in both South Korea and the USA. Frequent travel between these two countries has provided me a unique perspective of Korean identity and its relationship to both global and regional communities. As an artist, I'm interested in creating work that gives voice to others and I often volunteer my efforts to marginalized communities. My work has been awarded by the Magnum Photography Awards, Sony World Photography Awards, LensCulture, IPA, MIFA, TIFA, as well as exhibited at the Aperture Summer Open: On Freedom. I've also been twice selected as a Critical Mass Top 50 artist by Photolucida and a three-time recipient of PDN's Annual Exposure Award. Additionally, I am an alumnus of the prestigious Eddie Adams Workshop and was named the 2017 Dorothy Liskey Wampler Eminent Professor in the School of Art, Design and Art History at James Madison University. Losing Face "Losing Face," documents the energy and emotions surrounding the impeachment protests of South Korean President Park Geun-hye. In October 2016, her relationship with a shadowy advisor from a shaman-esque cult was revealed to extend to acts of extortion. Protests were then held every weekend until Park was formally removed from office in early March 2017. This is what it looks like when the South Korean President loses face. This Is Not an Exit "This Is Not an Exit," bears witness to my father's unexpected struggle with Stage 4 pancreatic cancer as well as documents my mother's grief after his passing. Tying my photography to my mother's narration of events, we weave an intimate family record- one of vision and voice. Bound together through a personal process of grief, I hope "This Is Not an Exit" creates an emotional map, one that reveals our connectedness to each other while also furthering an understanding for all those navigating the loss of a loved one. More about Losing Face
Kristina Lerner
Russia
1986
Kristina Lerner(b. 1986) was born and raised in Moscow, Russia. In 2008 she graduated from Russian New University, majoring in World Culture. A few years later she moved to St. Petersburg, where she still lives and works as a freelance photographer. She also leads photo workshops in St. Petersburg photography schools.Kristina grew up in a creative family. Father was a musician and her mother worked as a model. So she was in love with art since childhood. At age 10 she began studying painting, which eventually led her to photography. Now Kristina Lerner does not divide her work into genres. She photographed the streets, people, nature and expressing herself in art photography.That's what she says about her works: "The main thing for me - is to feel the point of coincidence of external and internal and to be able to catch it in time and bring in photography. Every moment has it's own feeling and it’s own sound. No matter what I photograph: a portrait or the city’s scene - the picture should be filled with emotion and atmosphere of this unique second."Kristina Lerner has been photographing since 2008. She had many of her work published in international photography magazines and books, including Eyemazing New Collectible Art Photography - that brought together a selection of the best work published in Eyemazing magazine over the last ten years. Kristina took part in numerous art exhibitions and festivals, and in 2011 she became a finalist of the international Vilnius Photo Circle photography festival.
Cedric Delsaux
France
1974
Cédric Delsaux was born in 1974. For almost 20 years, his oeuvre has sought to deconstruct our conventional view of the relationship between reality and photography. His aim is for the medium of photography to no longer directly express Reality, but rather the Fiction through which it is perceived. First known for his work as an advertising photographer, he has since made a name for himself through his personal long-term photo series. His first, Here To Stay/Nous resterons sur terre, was published in 2008 in France, and by Monacelli Press (Random House) in the US the following year. This series takes us on a subjective tour of symbolic places in our (post)modern world; these places are at once beautiful and ugly, conventional and crazy. His second, Dark Lens, was published in France in 2011 by Éditions Xavier Barral, distributed in the US by D.A.P., and translated into Japanese through publisher X-Knowledge. George Lucas wrote the foreword to the book. Dark Lens places characters from the Star Wars saga into real-world settings—like Dubai, Lille or the banlieue of Paris—and reveals the extent to which our perception of a city passes through the filter of fiction. In his next series, Échelle 1, he asked random passers-by to stand on a white wooden base, instantly transforming them into 1:1 scale figurines. For his 2014 book, Zone de repli, published by Éditions Xavier Barral, he spent three years reexploring an infamous news story, revisiting the haunts of a notorious imposter-murderer. The series he made with "France Territoire Liquide", a group co-founded with three other photographers, featured in an exhibition at the Bibliothèque nationale de France in 2017 (Paysages français: Une aventure photographique) and in a collected volume published by Éditions du Seuil ("Fiction&Cie" collection). Welcome to the Dark Corporation. It all began over 14 years ago with Dark Lens, Delsaux's initial series combining everyday places with the universe of Star Wars. Hailed an international success (...), it was honored by the Master himself, George Lucas.* After taking a break, Cédric Delsaux now reawakens the fantasy with this new opus, irreversibly breaking down the boundaries between Reality and Fiction... While the vehicles and characters of the famous Star Wars saga still haunt the real-world places he shoots—like Paris, Dubai, Marseilles, and Abu Dhabi—, this time Delsaux has worked with a full team (designer, 3D graphic artists, retouchers) to further tear back the veil between true and false, to the point that we begin to wonder if even the slightest frontier still remains. What was originally a simple confrontation between Reality and Science Fiction is finished; now the World and the "Dark Corporation" become one. It is as if the characters of the series have now permanently settled on Earth, bringing with them their ancient powers. These new residents have acquired their own vehicles, which are inspired by the Hollywood saga but recreated in the style of earthlings, borrowing design and techniques from the world that came before, the one that belonged to humankind... With this approach Cédric Delsaux combines two opposing states, reality and fantasy, as if to suggest that one can no longer be perceived without the other. The present of his photographs is no longer in the indicative, but is modified using some unknown conjugation to produce a sort of present of the conditional, distorting Roland Barthe's formula "this has been" into a puzzling "and if this was". Delsaux also uses his sets to suggest a looming, insidious threat. Each piece of land he captures depicts the latent conflict between human beings and the technology they have created... And he has an original way of exploiting the modern myth that is Star Wars to summon up all the anxieties and ambitions of a generation abandoned at the edge of the gaping chasm left by the disappearance of the Grand Narratives. Designer Vincent Gravière
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AAP Magazine #51: Colors
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