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Melissa Lazuka
Melissa Lazuka
Melissa Lazuka

Melissa Lazuka

Country: United States
Birth: 1977

I am an artist and mother living in rural Ohio with my three teenage sons, 8 year old daughter, and husband. I always thought I would be a writer and studied English Literature at Ohio State University, but at the age of 30 I discovered the art of photography when my husband gifted me a camera. My earliest inspiration came from literature and my work has been described as "emotional, full of stories, and feminine." I am also inspired by the simple beauty of nature which is woven into my images. I am acutely aware of how time is passing and my children are growing up and from that awareness stems much of my work. I use techniques such as free lensing and multiple exposures to give my work a dreamlike, layered feeling, much the way the years passing in our lives feels. My series "Fly Away" and "Song of the Cicadas" have been exhibited nationally and I am now making handmade artist books of this work.

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More Great Photographers To Discover

Max Waldman
Max Waldman
United States
1919 | † 1981
Max Waldman was a well-known American photographer who made significant contributions to the field of performing arts photography. Waldman, who was born in 1919 in Brooklyn, New York, developed an early interest in photography. He became well-known for capturing the energy, emotion, and theatricality of the performing arts. In the 1940s, Waldman's career took off when he began photographing Broadway shows, ballet performances, and opera productions. His photographs provided a one-of-a-kind visual documentation of the performing arts, immortalizing iconic performances and highlighting the talents of renowned actors, dancers, and musicians. Waldman's photographs captured the essence of live performances, providing viewers with a glimpse into the stage's magic. He had an extraordinary ability to anticipate and freeze moments that encapsulated the performers' emotion and energy. His images captured the theatrical lighting, expressive gestures, and dynamic movement that defined each performance, conveying a sense of drama. Aside from the stage, Waldman documented the world of the performing arts behind the scenes. His photographs provided an up-close look at rehearsals, costume fittings, and the camaraderie between performers. He revealed the human side of the performers through his lens, emphasizing their dedication, passion, and vulnerability. Waldman's work was widely exhibited in galleries and museums throughout his career, and his photographs graced the pages of prestigious publications. He rose to prominence as one of the most sought-after performing arts photographers of his generation, working with well-known artists and institutions. Waldman experimented with other genres besides performing arts photography, such as portraiture and street photography. His diverse body of work demonstrated his photographic versatility and ability to capture the essence of his subjects, whether on stage or in everyday life. Waldman's influence went beyond his photographs. As a teacher, he also shared his knowledge and expertise, inspiring aspiring photographers through workshops and lectures. He wrote several books about photography, offering insights and advice to other photographers. Max Waldman's photographs continue to captivate audiences because they capture the ephemeral nature of live performances as well as the timeless beauty of the performing arts. His photographs bear witness to the power of the stage and the talents of those who bring it to life. Waldman has left an indelible mark on the world of performing arts photography with his exceptional skill and artistic vision, preserving the magic and emotion of the stage for future generations.
Bruce Weber
Bruce Weber
United States
1946
Bruce Weber (born March 29, 1946) is an American fashion photographer and occasional filmmaker. He is most widely known for his ad campaigns for Calvin Klein, Ralph Lauren, Pirelli, Abercrombie & Fitch, Revlon, and Gianni Versace, as well as his work for Vogue, GQ, Vanity Fair, Elle, Life, Interview, and Rolling Stone magazines. Weber was born in Greensburg, Pennsylvania, to a Jewish family. His fashion photography first appeared in the late 1970s in GQ magazine, where he had frequent cover photos. Nan Bush, his longtime companion and agent, was able to secure a contract with Federated Department Stores to shoot the 1978 Bloomingdales mail catalog. He came to the attention of the general public in the late 1980s and early 1990s with his advertising images for Calvin Klein, and his portrait of the then young actor Richard Gere. His straightforward black-and-white shots, featuring an unclothed heterosexual couple on a swing facing each other, two clothed men in bed, and model Marcus Schenkenberg barely holding jeans in front of himself in a shower, catapulted him into the national spotlight. His photograph for Calvin Klein of Olympic athlete Tom Hintnaus in white briefs is an iconic image. He photographed the winter 2006 Ralph Lauren Collection. Some of Weber's other earliest fashion photography appeared in the SoHo Weekly News and featured a spread of men wearing only their underwear. The photos became the center of controversy and Weber was told by some that he would never find work as a fashion photographer again. This reputation stuck with him, as he says: "I don't really work editorially in a large number of magazines because a lot of magazines don't want my kind of photographs. It's too risky for them". After doing photo shoots for and of famous people (many of whom were featured in Andy Warhol's Interview magazine), Weber made short films of teenage boxers (Broken Noses), his beloved pet dogs, and later, a longer film entitled Chop Suey. He directed Let's Get Lost, a 1988 documentary about jazz trumpeter Chet Baker. Weber's photographs are occasionally in color; however, most are in black and white or toned shades. They are gathered in limited edition books, including A House is Not a Home and Bear Pond, an early work that shows Eric Nies from MTV's The Real World series, among other models. Weber began collaborating with crooner Chris Isaak in the mid-1980s, photographing Isaak in 1986 for his second album, Chris Isaak. In 1988, Weber photographed a shirtless Isaak in bed for a fashion spread in Rolling Stone. Isaak appeared in Let's Get Lost and Weber has directed a music video for Isaak. Weber photographed Harry Connick, Jr. for his 1991 album Blue Light, Red Light. In 1993, Weber photographed singer-songwriter Jackson Browne for his 1993 album I'm Alive.Source: Wikipedia
Bill Gekas
Bill Gekas
Australia
Australia-based photographer Bill Gekas has a real knack for portraiture, particularly the kind that results in an homage to many Old Masters of classic paintings, including artists like Vemeer and Rembrandt. Using his five-year-old daughter as the model, Gekas recreates many mid-18th century settings that are inspired by portraits of adults from famous paintings. He styles the environment and his daughter to fit the time period, and uses strobe lights to maintain the appearance of soft, natural lighting. The self-taught photographer learned on 35mm and has since turned to digital techniques. He uses post-processing to put the final touches on each of his photographs. Through hard work, experimentation, and a grand vision, the talented artist has successfully produced an extensive collection—a tribute to both the well-known artists as well as to his young daughter. As Gekas has evolved as a photographer, so has his unique style. He says "Don’t be scared of taking certain elements from different works and molding them into something to call your own. You might like the lighting from a photo you saw somewhere, a prop from another photo, colors from another. The key is not to limit yourself with the excuse, ‘It’s all been done before.’ Yes, many things have been done before, but with some careful thought you can adjust a concept to give it your signature. Experiment!”From www.billgekas.comMy name is Bill Gekas and I was born and live in Melbourne, Australia. A self taught photographer that learnt the technicals of photography using a 35mm film slr camera from the mid 90's and switched to digital in 2005, practicing the art of photography and constantly refining my style. Source: My Modern Met
John Divola
John Divola
United States
1949
John Divola is an American contemporary visual artist born in 1949 in Los Angeles, CA. He received a B.A. from California State University, Northridge in 1971 and later received an M.F.A. from the University of California, Los Angeles in 1974. He has held residencies at many institutions including the California Institute of the Arts. He has held the position of Professor in the art department at the University of California Riverside since 1988. His work has been featured in many solo exhibitions across the United States, Europe, Japan, and Australia. He participated in 1978, 1989, and 2000 Museum of Modern Art group exhibitions and in the 1981 Whitney Biennial. Divola received awards as Individual Artist Fellowship from the National Endowment for the Arts in 1973, 1976, 1979, 1990 and a Guggenheim Fellowship in 1986. He published four books: Continuity, Isolated Houses, Dogs Chasing My Car In The Desert, and Three Acts. In Zuma project, he has described being interested in the relationship between real artworks and representations of them, and the issues of the natural and the artificial. Divola said "I attempted ... to develop a practice in which there could be no distinction between the document and the original." In his series of photographs from 1977, he used deserted houses on Zuma Beach and covered their walls in graffiti. He photographed the ocean from the house's interior through windows and cracks. Divola states: "On initially arriving I would move through the house looking for areas or situations to photograph. If nothing seemed to interest me I would move things around or do some spray painting. The painting was done in much the same way that one might doodle on a piece of paper. At that point, I would return to the camera and explore whatever new potentials existed." These cyclical images skillfully juxtapose romantic skies and sunsets with a seaside structure that, frame by frame, deteriorates into ruin as it is vandalized by the artist and others who eventually set it on fire. Divola's works trace a schematic desire for escape, movement, and transcendence. "My acts, my painting, my photographing, my considering, are part of, not separate from, this process of evolution and change. These photographs are not so much about this process as they are remnants from it. My participation was not so much one of intellectual consideration as one of visceral involvement." Dogs Chasing My Car In The Desert are images of dogs in the desert captured in the midst of running wildly after the car. Emphasizing the grain of the image, these black and white photographs capture a haunting moment in which there is a duality between a sense of absence and presence. The behavior of the dogs suggests a lack of previous stimuli, and loneliness at the same time as an all-consuming reaction to the now, a presence. "It could be viewed as a visceral and kinetic dance. Here we have two vectors and velocities, that of a dog and that of a car and, seeing that a camera will never capture reality and that a dog will never catch a car, evidence of devotion to a hopeless enterprise". In the Dark Star series, dark circles have been painted on the walls of an abandoned house. Creation and destruction are held in a delicate equilibrium, the white rooms of the house, are tattered and derelict. The domestic ruins suggest social collapse, secret renditions of something darkly sinister illuminating our conflicted recent history, updating Zuma and Vandalism for our age of foreclosure. In the As Far As I Can Get project, he made photographs by pushing the self-timer button on his camera. An exposure is made in 10 seconds. John Divola currently lives and works in Riverside, CA. Divola works in photography, describing himself as exploring the landscape by looking for the edge between the abstract and the specific.Source: Wikipedia
Ragnar B. Varga
Ragnar B. Varga
Norway
1974
Ragnar B. Varga is a Hungarian-born Norwegian photographer with a passion for emotive storytelling through his photography. He spent several years discovering the world, living in Hungary, England, Spain as a freelance photographer and even sailing around the globe as a cruise ship photo manager before returning to Norway. The energy and character of all these places have profoundly influenced his art. His passion for photography revolves around contemplating human connection through metaphors found in natural spaces. The photographs are a contemplation of the world around us. They slow time just enough to capture the narratives and anecdotes that can be found in a moment of stillness amidst an otherwise chaotic world. Ragnar currently lives in Bergen, Norway.
Lisa McCord
Lisa McCord
United States
1957
Lisa McCord is a fine art and documentary photographer from the Arkansas Delta who lives and works in Los Angeles and Arkansas. Focusing on her experiences on her family's cotton farm, her creative practice explores concepts of storytelling, memory, and the passage of time. McCord received her BFA from San Francisco Art Institute and earned an MFA from California Institute of the Arts. She also attended New York University, Le Contrejour, Paris, and The Visual Studies Workshop, Rochester, NY. She taught photography at several high schools and universities in the LA area including Pepperdine University. She has exhibited her work in galleries and museums internationally, including SoHo Photo Gallery and Carrie Able Gallery in New York; Center for Fine Art Photography in Fort Collins; Bruce Lurie Gallery, Building Bridges Art Exchange, Classic Photographs Los Angeles, and the Annenberg Space for Photography Museum in Los Angeles; FotoFever in Paris, and the Museum of Nature of Cantabria. McCord's work has been shown in in solo exhibitions at Fabrik Projects, Gallery 825, the Memphis Cotton Museum, Slow Exposures, and Leica Gallery LA in 2023. Her work has been featured in numerous publications including Black & White Photography (UK edition), Float Magazine, and Feature Shoot. She was a Critical Mass Finalist in 2015, 2016, and 2021. McCord's work is in the permanent collections of the Arkansas Museum of Fine Arts and the Memphis Brooks Museum of Art. ROTAN SWITCH 1978 - Present I began documenting life on my grandparents' cotton farm in 1978 when I was twenty-one. After forty years, I have come to realize all my photographs taken here are explorations of home, an idea that remains firmly rooted in the Arkansas land and people. I've also come to realize that the place I call home is not perfect. Rotan Switch takes its name from the community's central landmark - the railroad switch where farmers loaded their cotton bales onto trains headed out of the Delta. Although it hasn't been used in years, it remains a potent symbol of the complex intersections of industry and agriculture, of race and injustice. I realize the photographs are complicated when seen in the context of the socioeconomic structures of the rural South. Although the subjects are family to me, as a white photographer and the granddaughter of a farm owner, my photographs of the Black community implicate my own role in reinforcing these power structures. Coupled with the images, my own memories, as well as reflections by the subjects and their families, tell the story of Rotan and the Arkansas Delta's culture through the lens of personal experience. This combination of image and storytelling seeks to paint a fuller picture of a place with a complicated history that cannot be left unacknowledged if the project hopes to create a genuine empathetic encounter between the viewer and the subjects.
Joanne Rojcewicz
Joanne Rojcewicz
United States
1970
Joanne Rojcewicz grew up in Silver Spring, MD, and attended the University of Delaware (go Blue Hens!). After graduation she worked in a black & white darkroom, developing film and hand-printing photographs. After spending four years inhaling chemicals (and learning a lot about printing and photography), she started working as a photojournalist, spending five years shooting for newspapers in New Mexico, Maryland and Virginia. Joanne currently works in the creative department at Warner Bros Discovery where she manages marketing campaigns for HBO Max and Discovery Plus. She lives in Sterling, VA, with her husband and two sons. She enjoys vacationing in the Outer Banks and drinking good beer, preferably at the same time. Statement I often joke that I haven’t slept since 2007, when my first son was born. It feels like it’s true. Life with kids can be loud and chaotic. So when photographing my family, I am drawn to the quieter moments. In this series, I document the everyday activities of my two sons as they grow up. Through images of ordinary events, such as playing outside or taking a walk through the neighborhood, my goal is to capture their youth in a candid and unguarded way. As my kids get older, they are less enthusiastic about me taking photos of them, but I will keep trying!
Daniel Sackheim
Daniel Sackheim
United States
1962
Daniel Sackheim, born in 1962 in Los Angeles, California, is a photographer and film and television director and producer living and working in Los Angeles. As a director, Sackheim is best known for his work on multiple highly acclaimed television series. Some of his directorial credits include: Game of Thrones, True Detective, The Americans, The Walking Dead, Jack Ryan, Servant, Better Call Saul, The Leftovers, The Man in the High Castle, Ozark, and more recently Lovecraft Country. He has received multiple Emmy nominations, more recently in 2017 for directing the Ozark episode "Tonight We Improvise," which is a category he won in 1997 for an episode of NYPD Blue. In addition to his television work, Sackheim directed the Sony feature film, The Glass House, starring Leelee Sobieski, Diane Lane, and Stellan Skarsgard, and he produced the film, The X-Files: Fight the Future, for 20th Century Fox. Alongside fellow HBO alum Tony To, Sackheim is the co-founder of Bedrock Entertainment, which produces prestige content programming streamers and premium cable platforms. Sackheim's photographic practice translates the filmic league of his career into still photography that explores the nature of mystery, urban environments, and narrative ambiguity. His attraction to spaces dominated by shadows stems from his love of film noir and its predilection for heightened reality. A member of a number of photography centers, he is also a curator for www.streetfinder.site which is a growing community for street photography. Statement A camera is like a keyhole through which one can peer into dark spaces in search of a hidden narrative I've come to define as the unknown. Using photography, I am endeavoring to shine a light on that narrative, bringing it into sharper relief. My work occupies a space dominated by shadows. This attraction to the dark and ambiguous stems from my love of film noir and the heightened reality this filmic language personifies. Like noir, my photography aims to access the subconscious, exploring a world of omnipresent solitude and alienation. Article Exclusive Interview with Daniel Sackheim
Aurore Valade
Aurore Valade
France
1981
Aurore Valade is a French photographer born in 1981. She creates images that play with the iconic register of scenography. In these elaborate stagings, we are often confronted with clichés, meaningful reflections of a social, economic, or cultural situation in contemporary life. In 2008, she won the HSBC Prize for Photography for a series in which she photographs people who perform their own roles, in their interiors. From there, his work evolved into a political approach to the image. In 2015, she was an artist member of the Casa de Velázquez (Académie de France in Madrid), where she initiated research on indignation which gave rise to the Digo yo and Se manifester series, for which she obtained the Photo Folio Prize. Review of the Rencontres d'Arles1 Festival in 2017. Very elaborate, the staging of his photographs can be considered as "significant reflections of a social, economic or cultural situation of our time but also certain values ​​which question the limits of privacy."Source: Wikipedia It has been said that intimacy is connected to the art of talking about life. That art is precisely what Aurore Valade’s project summons. Her starting point is the art of conversation: con-verse means to go with another, to walk along the same road together, and that is what gives rise to the collaboration between the artist and those she photographs. Aurore Valade explores an “intimacy liberated” by the desire to share the voice and listen to other voices of those who recognize that every life is exceptional, for, each time, that life is always the only one that can be lived. Each of these photographs shows a shared space that concentrates and exudes that irreducible, excessive vitality. That is why Aurore Valade wanted to explore the specific space in which there is a constant tension between the intimate and the political, where its liberation is always transgressive and inhabits the very heart of revolt.Source: Arles - Les Rencontres de la Photographie
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Latest Interviews

Exclusive Interview with Julie Wang
Interview
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
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Exclusive Interview with Ghawam Kouchaki
Interview
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
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Exclusive Interview with Tommi Viitala
Interview
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
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Exclusive Interview with Robert Mack
Interview
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
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Exclusive Interview with Alan Schaller About Irys
Interview
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
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Exclusive Interview with Guillaume Bonn
Interview
Exclusive Interview with Guillaume Bonn
With his latest book Paradise, Inc., celebrated documentary photographer Guillaume Bonn takes us deep into the heart of East Africa, where the promises and failures of wildlife conservation collide. Far from offering a romanticized vision of nature, Bonn’s work confronts us with urgent realities: the tensions between local communities and conservation policies, the sacrifices of rangers on the frontlines, and the long-lasting impact of human activity on fragile ecosystems. Spanning more than two decades of fieldwork, the project blends powerful imagery with investigative depth, raising difficult but necessary questions about transparency, accountability, and the Western-led models that dominate conservation. Enriched by the voices of those too often left out of the conversation—including a preface by Maasai leader Ezekiel Ole Katato and an introduction by journalist Jon Lee Anderson—Paradise, Inc. is both a stunning visual journey and a call to action. In the following interview, Guillaume Bonn reflects on the making of Paradise, Inc., the ethical dilemmas at the heart of his work, and the urgent need to rethink our approach to conservation in East Africa and beyond.
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Exclusive Interview with Sander Vos
Interview
Exclusive Interview with Sander Vos
Sander Vos is a fine art photographer based in London whose work seamlessly blends elements of Surrealism with portraiture. Drawing inspiration from his background in design, Vos embraces light and contrast to sculpt striking, graphic compositions. His photographs invite the viewer into a world where revelation and concealment coexist, leaving space for imagination and interpretation.
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Exclusive Interview with Tomasz Trzebiatowski Editor-in-chief FRAMES Magazine
Interview
Exclusive Interview with Tomasz Trzebiatowski Editor-in-chief FRAMES Magazine
Founded in 2020 by photographer, publisher, and classical pianist Tomasz Trzebiatowski, FRAMES Magazine has quickly established itself as a thoughtful space for photography lovers who believe that powerful images deserve to live on paper. Known for its beautifully printed quarterly issues and dynamic international community, FRAMES bridges the gap between tradition and innovation in the photographic world. As editor-in-chief, Trzebiatowski has created not only a publication but a platform that celebrates diverse genres, nurtures dialogue, and champions the tactile experience of print in a digital age. In this interview, he reflects on the journey from founding FRAMES to building a global membership, the challenges of independent publishing, and the future of photography in both print and digital forms.
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Exclusive Interview with Manuel Besse
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Exclusive Interview with Manuel Besse
French photographer Manuel Besse is known for his compelling black-and-white imagery, which blends portraiture, documentary, and poetic narrative into a singular visual voice. With a career spanning several decades and continents—from the gold mines of Serra Pelada to the Arctic Circle—his work reflects a deep commitment to authenticity, human connection, and the preservation of cultural and natural landscapes. His series Macadam, winner of AAP Magazine #41 B&W, offers a contemplative look at fleeting urban encounters, rendered in his signature monochrome style. We asked him a few questions about his life and work.
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AAP Magazine #54 Nature
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