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AAP Magazine 51 COLORS: $1,000 Cash Prizes + Publication - FINAL DAYS
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Thomas Hofmann
Thomas Hofmann
Thomas Hofmann

Thomas Hofmann

Country: Germany
Birth: 1974

I was born in 1974 in East Germany and studied tax law. For job-related reasons, I live in Berlin, Germany, and Brussels, Belgium. Photography attracted me at an early age. When I was a child, I made my first photographic steps with the camera of my parents. Later, photography became more than just a pastime as it helps me to release all of my creativity, from which I also benefit in my main job. Architectural photography finally became my passion as I found out for myself that in this field you can create little works of art that people can remember. I still find it incredibly exciting to explore that one point of view from which shapes, lines and structures join together to create something truly extraordinary.

Statement:
Just go out and capture the unexpected!

Websites

www.photofineartist.com

@photofineartist

 

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More Great Photographers To Discover

Alessandro Deluigi
Alessandro Deluigi
Italy
1975
I was born in Rimini, Italy, where I live. I have always been a silent observer of life and people with a strong passion for the visual arts. I worked for years as an advertising graphic designer and now, for the last 10 years or so, I have been working in healthcare. At the age of 25, I attended a photography course at the European Institute of Design in Turin. As an amateur photographer I have experimented with several photographic genres and since 2018 I have approached street photography, a genre I prefer: I find it stimulating and at the same time I have a lot of fun. I like capturing those moments of everyday life, hidden from distracted eyes, sometimes surreal and poetic, sometimes funny and grotesque, always with an eye on composition. In short, I think I have found my way on the road. Since 2023 I have been a member of Collettivo.21, an Italian collective of street photographers. Some of my works have been selected by magazines and competitions in Italy and abroad, winning awards including third place at Moment Street Photo Awards 2022, best author at City of Follonica Trophy, second place at Kaaf Photography Contest (street category), Special Mention “photo of the year” at Paris Street Photo Awards in 2023, first place at Dublin Street Photography Festival 2024.
Stavros Ntagiouklas
Stavros Ntagiouklas
Greece
1975
Stavros Ntagiouklas was born in 1975 in Thessaloniki, Greece, where he still lives. He is involved with photography since 1999. He is a self taught photographer and he participated in many photography exhibitions mainly in Greece . The most important of these exhibitions was his participation to the Greek Photobiennale in Thessaloniki in 2009.He likes finding beauty in every setting, even very strange ones.
Stuart Franklin
Stuart Franklin
United Kingdom
1956
Stuart Franklin is a British photographer. He is a member of Magnum Photos and was its President from 2006 to 2009. Franklin was born on June 16 1956 at Guys Hospital in London. He studied drawing under Leonard McComb in Oxford and Whitechapel, London, and from 1976 to 1979 photography at West Surrey College of Art and Design, where he graduated with a BA. Moreover, between 1995 and 1997, he studied geography at the University of Oxford, first receiving a BA and the Gibbs Prize for geography. He received a doctorate in Geography from the University of Oxford in 2000. Stuart Franklin was awarded a professorship in documentary photography in 2016. He teaches photography and visual storytelling at Volda University College, Norway. From 1980 until 1985, Franklin worked with Sygma in Paris. During that time he photographed the civil war in Lebanon, unemployment in Britain, famine in Sudan and the Heysel Stadium disaster. Joining Magnum Photos in 1985, he became a full member in 1989. In the same year, Franklin photographed the uprising in Tiananmen Square and shot one of the Tank Man photographs, first published in TIME Magazine, as well as widely documenting the uprising in Beijing earning him a World Press Photo Award. In 1989 Franklin traveled with Greenpeace to Antarctica. He worked on about twenty stories for National Geographic between 1991 and 2009, subjects including Inca conqueror Francisco Pizarro and the hydro-struggle in Quebec and places such as Buenos Aires and Malaysia. In addition, he worked on book and cultural projects. In October 2008, his book Footprint: Our Landscape in Flux was published by Thames & Hudson. An ominous photographic document of Europe’s changing landscape, it highlights Franklin's ecological concern. During 2009 Franklin curated an exhibition on Gaza - Point of No Return for the Noorderlicht Photo Festival. Since 2009 he has focused on a long-term landscape project in Norway published as Narcissus in 2013. More recently he has worked on documentary projects on doctors working in Syria, and immigration in Calais. Franklin's most recent book, The Documentary Impulse was published by Phaidon in April 2016. It investigates the nature of truth in reporting and the drive towards self-representation beginning 50,000 years ago with cave art through to the various iterations and impulses that have guided documentary photography along its differing tracks for nearly 200 years. Franklin was the general chair of the World Press Photo jury 2017.Source: Wikipedia How Stuart Franklin took his Tank Man photograph In our book, The Documentary Impulse, the acclaimed photographer Stuart Franklin explores the human drive behind documentary photography, whether it's the passion to record the moments we experience, or the need to bear witness to forces that we want to change. The second of those two drives spurred Franklin in the summer of 1989, when he shot Tank Man, the unnamed, and to-this-day still unknown pro-democracy protestor who stood in the way of the Chinese army’s tanks, as they tried to clear Tiananmen Square. Franklin's film was smuggled out of Beijing to Magnum's Paris office by a French student in a box of tea, and, following its development and distribution, his picture moved world leaders across the globe, including the then US president George H W Bush. Here’s how he got that photograph. “I remember lying prone on a balcony on the sixth floor of the Beijing Hotel with the Newsweek photographer Charlie Cole, photographing the event around noon on 4 June,” Franklin recalls. “Earlier that day Tiananmen Square had been cleared by the Chinese Army. However, a group of civilians lined up to face a double row of soldiers who themselves stood in firing positions in front of a column of tanks. These civilians were shot at repeatedly, leaving at least twenty casualties. As the bodies were carried away the standoff died down and a column of tanks broke through, moving slowly eastwards. Waiting for them a few hundred metres down the road was a man in a white shirt and dark trousers, carrying two shopping bags. Alone he blocked the path of the tanks, watched by groups of nervous bystanders and perhaps fifty journalists, camera crews and photographers on balconies on almost every floor of the hotel." Franklin captured the most widely distributed image of the event. Yet, after the taking the shot, he wasn’t convinced of the image’s power. “On the balcony after the event, which lasted less than three minutes, a conversation ensued with a writer for Vanity Fair, T.D. Allman. Allman insisted on the significance of the spectacle,” Franklin writes. “I recalled images from 1968 in Prague and Bratislava where protesters stood up bare-chested against Russian tanks, and similar accounts from China during the Japanese invasion. Tank man felt very distant by comparison." Thankfully, once his film was out of the country, the world looked favourably on the photograph. “My rolls of film were smuggled out of China the following day packed in a small box of tea and carried to Paris by a French student,” he recalls. “The transparencies were later processed, duplicated and distributed from Magnum’s office in Paris." “Images and reports of the tank man incident emerged slowly. The first the world saw of the tank man was on television on 5 June. Television drew the world’s attention to the incident. George Bush Senior referenced it after watching CNN. ‘I was very moved today’, Bush said at a news conference on the morning of 5 June, ‘by the bravery of that one young individual that stood alone in front of the tanks, rolling down the avenue there.’”Source: Phaidon
Jean-Christophe Béchet
Jean-Christophe Béchet
France
1964
Born in 1964 in Marseille, Jean-Christophe Béchet lives and works in Paris since 1990. Mixing B&W and color, silver and digital prints, 24x36 and medium format, polaroids and photographic 'accidents', Jean-Christophe Béchet seeks the "right tool" for each project, the one that will allow him to obtain a meaningful dialogue between an interpretation of reality and the photographic material. Inheritor of "street photography", whether it be American, French or Japanese, he likes to refer to his photographs as INHABITED LANDSCAPES. His glance on the world is constructed book by book, the area provided by the printed page being his "natural" field of expression. His photographs belong to several private and public collections and they have been showcased in more than sixty exhibitions since 1999, including at the Rencontres d'Arles in 2006 ("Urban Policies" series) and in 2012 ("Accidents" series) and the 'Mois de la Photo' (Month of Photography) in Paris, in 2006, 2008 and 2017. He is also the author of more than 20 books. FRENCHTOWN Project created for the Festival L'Oeil Urbain at Corbeil Essonnes Wedged between several highways and the National Road 7, the City of Corbeil-Essonnes is located 40 km south of Paris. It is the last city in the Paris' belt. As soon as you cross its limits, you are in the middle of nature. Too far from Paris to benefit from its proximity, it's neither in the provinces. This "in-between" gives rise to a feeling of strangeness and uneasiness. In this city, I felt I was in a typical and genuine French city and at the same time in a detective film. I had the impression of being a foreign visitor, an investigator, who was exploring a "French Town" to solve a minor incident. My photos are the result of a year of observation. I worked as a visual writer. Far from hot topics and for a long period of time, I captured the small details of everyday life and built an authentic story. Without forgetting that photography never shows reality, or truth, but an idea of reality. And it's already a lot... JCB
Barry Salzman
Barry Salzman
United States
1963
Barry Salzman is an award-winning contemporary artist who currently works in photography, video and mixed media and whose projects have been shown widely around the world. He lives and works between New York City and Cape Town, South Africa. His photographic work in particular, began with a fascination for the practice as a teenager, during a time when it served as a way for him to grapple with the racial segregation in apartheid South Africa. Today, his work continues to explore challenging themes around social, political and economic narratives, often coming down to the core concept of identity. Acutely relevant and brave in its willingness to confront, Salzman's photography garnered the 2018 International Photographer of the Year Award in the Deeper Perspective category at the International Photography Awards for his project, The Day I Became Another Genocide Victim, which endeavors to humaize victims of the Rwandan genocide. For the last six years, Salzman has worked on ongoing projects that attempt to challenge the universal fatigue around the genocide narrative. Mostly, he applies visual tools of abstraction to landscape images shot at precise locations around the world where acts of genocide were perpetrated as a means of reminding us that 'that place' can be 'any place'. In writing about his ongoing genocide landscape work Salzman says, "The landscape witnesses all. It sheds its leaves in cover-up and complicity. But through its rebirth, so it rejuvenates. It carries with it the traces of the past and promises of the future. It triumphs over trauma. It is inextricably intertwined with our darkest moments and brightest days." The following images were made in Ukraine, Poland and Rwanda at precise locations where acts of genocide were perpetrated. For additional information, please see: www.barrysalzman.net
Eugene Richards
Eugene Richards
United States
1944
Eugene Richards is a noted American documentary photographer. During the 1960s, Richards was a civil rights activist and VISTA volunteer. After receiving a BA in English from Northeastern University, his graduate studies at the Massachusetts Institute of Technology were supervised by photographer Minor White. Richards' published photographs are mostly intended as a means of raising social awareness, have been characterized as "highly personal" and are both exhibited and published in a series of books. The first book was Few Comforts or Surprises (1973), a depiction of rural poverty in Arkansas; but it was his second book, the self-published Dorchester Days (1978), a "homecoming" to Dorchester, Massachusetts, where Richards had grown up, that won most attention. It is "an angry, bitter book", both political and personal. Gerry Badger writes that "[Richards's] involvement with the people he is photographing is total, and he is one of the best of photojournalists in getting that across, often helped by his own prose". Richards has been a member of Magnum Photos and of VII Photo Agency. He lives in New York.Source: Wikipedia Eugene Richards, photographer, writer, and filmmaker, was born in Dorchester, Massachusetts in 1944. After graduating from Northeastern University with a degree in English, he studied photography with Minor White. In 1968, he joined VISTA, Volunteers in Service to America, a government program established as an arm of the so-called "War on Poverty". Following a year and a half in eastern Arkansas, Richards helped found a social service organization and a community newspaper, Many Voices, which reported on black political action as well as the Ku Klux Klan. Photographs he made during these four years were published in his first monograph, Few Comforts or Surprises: The Arkansas Delta. Upon returning to Dorchester, Richards began to document the changing, racially diverse neighborhood where he was born. After being invited to join Magnum Photos in 1978, he worked increasingly as a freelance magazine photographer, undertaking assignments on such diverse topics as the American family, drug addiction, emergency medicine, pediatric AIDS, aging and death in America. In 1992, he directed and shot Cocaine True, Cocaine Blue, the first of seven short films he would eventually make. Richards has published seventeen books. Exploding Into Life, which chronicles his first wife Dorothea Lynch’s struggle with breast cancer, received Nikon's Book of the Year award. For Below The Line: Living Poor in America, his documentation of urban and rural poverty, Richards received an Infinity Award from the International Center of Photography. The Knife & Gun Club: Scenes from an Emergency Room received an Award of Excellence from the American College of Emergency Physicians. Cocaine True, Cocaine Blue, an extensive reportorial on the effects of hardcore drug usage, received the Kraszna-Krausz Award for Photographic Innovation in Books. That same year, Americans We was the recipient of the International Center of Photography's Infinity Award for Best Photographic Book. In 2005, Pictures of the Year International chose The Fat Baby, an anthology of fifteen photographic essays, Best Book of the year. Richards’s most recent books include The Blue Room, a study of abandoned houses in rural America; War Is Personal, an assessment in words and pictures of the human consequences of the Iraq war; and Red Ball of a Sun Slipping Down, a remembrance of life on the Arkansas Delta.Source: eugenerichards.com
Erhan Coral
Erhan Coral
Turkey
I was born in Istanbul in 1966 and followed a career path that first led me into engineering and later into business. After studying electrical engineering, I earned an MBA in the United States and went on to spend nearly three decades in the financial sector—both as an executive and a business owner. Photography has been a lifelong passion, first sparked in my teenage years. About a decade ago, I decided to return to it with greater intention, and since then it has become a defining part of my life. I now work professionally, focusing on street, travel, and documentary photography—capturing authentic moments that reveal the soul of people and places. Over the years, my work has been recognized and awarded in numerous international photography competitions. These honors have been both humbling and motivating, pushing me to continue telling visual stories with honesty and depth. Through my lens, I seek out the quiet poetry of the everyday, and the subtle human narratives that often go unseen. Artist statement: I focus on street, travel, and documentary photography that reveals the quiet poetry of everyday life. My work is rooted in observation—capturing fleeting moments, subtle gestures, and the human presence within layered environments. I’m drawn to unscripted scenes that speak to shared experiences across cultures. Through a candid and respectful approach, I aim to create images that resonate with honesty, depth, and a sense of timelessness.
Jamie Johnson
Jamie Johnson
United States
1968
Jamie Johnson is a Los Angeles photographer specializing in children and alternative processes. Winner of the Julia Margaret Cameron Portfolio Award and Spider Black and White Photography Award. Her work has been published in many photography magazines and is exhibiting in galleries worldwide. Jamie's work is in the permanent collection of the Hammer Museum in Los Angeles and Archaelogy Museum in Alabama and currently has a show at the Norton Museum of Fine Art in Palm Beach Florida. As a mother and fine art photographer whose bread and butter comes from photography, my passion for faces of the next generation has been a life long focus. I travel the world capturing images children and childhood around the globe. From Laos to Cuba, from the Amazon to India, I have found a universality in the world of children. I have always been particularly interested in observing how girls are raised, examining the morals, values, and education of the next generation of young women. My work has been exhibited Internationally in galleries and museums from New York thru London and Paris, and has been published in dozens of magazines. My Journey with the Irish Travellers I have spent my entire career photographing children all over the world. The last five years I have focused my eyes on the Irish Traveller that live in caravans on the side of the road or in open fields throughout Ireland. The Traveller community are an Irish nomadic indigenous ethnic minority. There is no recorded date as to when Travellers first came to Ireland. This is lost to history but Travellers have been recorded to exist in Ireland as far back as history is recorded. Even with their great history they live as outsiders to society and face unbelievable racism growing up. As a mother of two daughters I became so interested in the culture and traditions and lives of these children. The experience I had photographing the grit and beauty, that is the everyday life of a Traveller child, is one that inspires me everyday. Their deep respect for family and cultural values is refreshing, one that can be quite difficult to find in an age with the convince of social media. Not always immediately accepting of an outsider holding a large camera, I took my time getting to know and understand these faces that represent the new generation. My ever growing fascination with the children of today has lead my all over the world, capturing their innocence or in some cases loss of, in its most raw form. Unlike most children they are unable to refer to a history book to learn about their ancestors, a part of this journey was being able to document an era that is so different to any other I have shot. It is one that is and will always be rapidly changing, everytime I visit it is a whole different world yet with the relationships I have been lucky enough to make, it seems to feel like I never left. I am exponentially grateful the young people documented and that I have come in contact with over my years of visiting are able to call me their friend and I can happily say the same. It is with an honest heart I hope to show that these beautiful children who have great hopes and goals and work everyday to reach their dreams no matter how hard they have to fight racisms and stereotypes placed on them for centuries. A child is an innocent, happy, precious part of the world that should be loved and accepted and encouraged no matter where or how they live. More about The Irish Travellers Order the book
Michele Zousmer
Michele Zousmer
United States
Michele Zousmer is a humanitarian and fine art photographer. The camera is her tool to give voice to marginalized communities and witness the human experience. Michele's work celebrates each individual's strength and beauty, as well as their vulnerability and spirit, going beyond how one presents oneself to the world. They are infused with her almost overwhelming empathy. Michele believes a photograph can create a lasting impression of emotion, curiosity, love, and ultimately hope of mankind. It can help people heal, give them dignity, and feel empowered. Her photographs reveal insights into the lives of people we wouldn't otherwise meet. Through her world travels, Michele meets people from different walks of life, listening to their stories and sharing intimate moments with them. The permission they grant and openness they offer by inviting them into their world never ceases to move Michele. The soulfulness of her images comes from developing relationships with the people she engages with. Michele truly believes that even though we may have differences on the outside, inside we are all the same. The images are infused with her almost overwhelming empathy. Artist Statement "My mind, my eyes, and my heart have been opened by my experiences. My life has been forever changed. I hope my work inspires others to feel we all matter and to care more profoundly. Engaging in the world and becoming open to different cultures and traditions allows for more conversation on diversity and equality. Photographs hold the power to connect people and create understanding. This is why I do what I do." Article Mis(s)Understood
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Call for Entries
AAP Magazine #51: Colors
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