Call for Entries - AAP Magazine #8 / Shadows

Rania Matar

Lebanese/American Photographer
Rania Matar was born and raised in Lebanon and moved to the U.S. in 1984. As a Lebanese-born American woman and mother, her cross-cultural experience and personal narrative inform her photography.

Matar's work has been widely published and exhibited in museums worldwide, including the Museum of Fine Arts, Boston, the Carnegie Museum of Art, National Museum of Women in the Arts, and more. A mid-career retrospective of her work was recently on view at the Cleveland Museum of Art, and at the Amon Carter Museum of American Art, in a solo exhibition: In Her Image: Photographs by Rania Matar

She has received several grants and awards including a 2018 Guggenheim Fellowship, 2017 Mellon Foundation artist-in-residency grant at the Gund Gallery at Kenyon College, 2011 Legacy Award at the Griffin Museum of Photography, 2011 and 2007 Massachusetts Cultural Council artist fellowships. In 2008 she was a finalist for the Foster Award at the Institute of Contemporary Art/Boston, with an accompanying solo exhibition.

Her work is in the permanent collections of several museums, institutions and private collections worldwide.

She has published three books: L'Enfant-Femme, 2016; A Girl and Her Room, 2012; Ordinary Lives, 2009.

She is currently associate professor of photography at the Massachusetts College of Art and Design.

All about "SHE":

As a Lebanese-born American woman and mother, my background and cross-cultural experiences inform my art. I have dedicated my work to exploring issues of personal and collective identity through photographs of female adolescence and womanhood - both in the United States where I live and the Middle East where I am from - in an effort to focus on notions of identity and individuality, within the context of the underlying universality of these experiences.

In my continuous exploration of what it is like to be a girl and a woman today, in a world that poses endless questions on girls and women of all backgrounds, I am focusing in this project on young women in their late teens/early twenties. They are the ages of my daughters - they are leaving the cocoon of home, entering adulthood and facing a new reality they are often not prepared for, a humbling reality most often harder than they expected and less glamorous than what is portrayed on social media. Whereas in A Girl and Her Room, I photographed young women in relationship to the curated and controlled environment of their bedrooms, I am photographing them here in the larger environment they find themselves in after they leave home, the more global backdrop that now constitutes their lives in transitions.

I want to portray the raw beauty of their age, their individuality, their physicality, their mystery, and the organic relationship they create with their environment, being in the lush landscapes of rural Ohio, or the textured backdrops of Beirut. I want to photograph them, the way I, a woman and a mother, see them: beautiful, alive. I want to create a personal narrative with them. The process is about collaboration and empowerment, and the photo session always evolves organically as the women become active participants in the image-making process.

My work addresses the states of 'Becoming' - the beauty and the vulnerability of growing up - in the context of the visceral relationships to our physical environment and universal humanity. By collaborating with women in the United States and in the Middle East - and while still looking to reveal the individuality of each young woman - I focus on our essence, our physicality and the commonalities that make us human, ultimately highlighting how female subjectivity develops in parallel forms across cultural lines.
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Author: Rania Matar
Publisher: Damiani
Year: 2016 - Pages: 152
In today's world of endless photographing, tagging and posting images online, what is a pre-teen girl's relationship to the camera? Upending assumptions of contemporary digital image-making practices, photographer Rania Matar (born 1964) reframes these young women through her poignant portraits of them, revealing in L'Enfant-Femme how girls between the ages of 8 and 13 interact with the camera and in so doing depicts them in deeply personal and poetic ways. Addressing themes of representation, voyeurism and transgression, these images remind us of the fragility of youth while also gesturing toward its unbridled curiosity and joy. Photographing girls in the Middle East and the United States, Matar makes us examine our universality, a beauty that transcends place, background and religion. Candidly capturing her subjects at a critical juncture in the early stages of adolescence, Matar conveys the confluence of angst, sexuality and personhood that defines the progression from childhood into adulthood.
 
A Girl and Her Room
Author: Rania Matar
Publisher: Umbrage Editions
Year: 2012 - Pages: 128
winning photographer Rania Matar captures the interior lives of teenage girls and young women in intimate portraits taken within the personal spaces of her subjects' bedrooms. From Spartan cleanliness to chaotic disarray, stark and paint-chipped to clothing-cluttered and graffitied, each room offers an insider's peek into the mind of the girl who lives there, her values, her desires, and her fears. Photographing girls from both the United States and Lebanon, Matar has succeeded in an unbiased documentary that questions what it means to grow from girl to woman and how our identities spill over into our material worlds.
 
Ordinary Lives
Author: Rania Matar
Publisher: Quantuck Lane Press
Year: 2009 - Pages: 128
Lebanon is a country built on dichotomies. It is a blend of cultures, poised at the intersection between the Western and Arab worlds. Born in Beirut and living in the West, photographer Rania Matar is especially attuned to those dichotomies. Here she honors the lives of the women and children of Lebanon in evocative black-and-white photographs. They convey the many facets of life, acknowledging the undeniable presence of war and tragedy, yet celebrating the strength, dignity, and humanity of lives lived amid the rubble, in refugee camps, or behind the veil. These images are universal reminders of the tender bond between a mother and child, the cheerful camaraderie of friends, and the resilience of the human spirit. Accompanying these photographs are excerpts from the poetry of celebrated Palestinian-American author Lisa Majaj.
 
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