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Darin Back
Darin Back
Darin Back

Darin Back

Country: United States

Darin Back is mostly known by his stark black and white portraits he's been shooting since 1992. He started his career in the early 1990's after a small photography trade school, he left early to work as an assistant. He spent two years assisting in Minneapolis, a modeling season (1991-1992) in Miami assisting photographers for German Vogue, Italian Vogue. Eventually he went west to Los Angeles (1993-1995) to assist with Greg Gorman, Dewey Nicks for a few years. After working on his first advertising commercial he met Lori Goldstein, the stylist for photographer Annie Leibovitz. After a few assignments with Annie, he headed back to Minnesota for 12 years (2001-2013). During that time he was represented by Redux Pictures from 2009-2014. Darin headed east and north to Maine (2013-14), lived in a train caboose for a year, trying to find some much needed rest and inspiration. He finally made his way back home to Florida where he continues to shoot portraits, live on the beach and travel.

He won 2nd place in the "Single Series Image" published April 1, 2020 in Lensculture

Websites

www.darinbackphoto.com

www.instagram.com/dback

 

Inspiring Portfolios

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Jaejoon Ha
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Laurent Spadotto
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Peter Hujar
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Peter Hujar was an American photographer best known for his black and white portraits. He has been recognized posthumously as "one of the major American photographers of the late twentieth century" and "among the greatest American photographers." Hujar was born October 11, 1934, in Trenton, New Jersey, to Rose Murphy, a waitress abandoned by her husband during her pregnancy. He was raised by his Ukrainian grandparents on their farm, where he spoke only Ukrainian until he started school. He remained on the farm with his grandparents until his grandmother's death in 1946. He moved to New York City to live with his mother and her second husband. The household was abusive, and in 1950, when Hujar was 16, he left home and began to live independently. Hujar received his first camera in 1947 and in 1953 entered the School of Industrial Art where he expressed interest in being a photographer. He was fortunate to encounter an encouraging teacher, the poet Daisy Aldan (1923–2001), and following her advice, he became a commercial photography apprentice. Apart from classes in photography during high school, Hujar's photographic education and technical mastery were acquired in commercial photo studios. By 1957, when he was 23 years old, he was making photographs now considered to be of museum quality. Early in 1967, he was one of a select group of young photographers in a master class taught by Richard Avedon and Marvin Israel, where he met Alexey Brodovitch and Diane Arbus. In 1958, Hujar accompanied the artist Joseph Raffael on a Fulbright to Italy. In 1963, he secured his own Fulbright and returned to Italy with Paul Thek, where they explored and photographed the Capuchin Catacombs of Palermo, classic images featured in his 1975 book Portraits in Life and Death. 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Alexey Brodovitch
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United States
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Alexey Brodovitch was a Russian-born American designer and photographer, known for his time as the art director of Harper’s Bazaar from 1934 to 1958. Brodovitch was born in Ogolichi, Оголичи Aholičy, Russian Empire (now Belarus) to a wealthy Polish family in 1898. His father, Cheslau or Vyacheslav Brodovitch, was a respected physician, psychiatrist and huntsman. His mother was an amateur painter. During the Russo-Japanese War, his family moved to Moscow, where his father worked in a hospital for Japanese prisoners. Alexey was sent to study at the Prince Tenisheff School, a prestigious institution in Saint Petersburg, with the intentions of eventually enrolling in the Imperial Art Academy. He had no formal training in art through his childhood, but often sketched noble profiles in the audience at concerts in the city. At the start of World War I at the young age of 16, Brodovitch abandoned his dream of entering the Imperial Art Academy and ran away from home to join the Russian army. Not long after, his father had him brought home and hired a private tutor to help Alexey finish school. Upon graduating, Brodovitch ran away again on several occasions. During the Russian Civil War, Brodovitch served with the White Army. While fighting against the Bolsheviks in Odessa, he was badly wounded and was hospitalized for a time in Kislovodsk, in the Caucasus. In 1918, the town was surrounded by the Bolsheviks, forcing Brodovitch into exile. It was during this retreat to the south through Caucasus and Turkey that he met his future wife, Nina. By good fortune, Alexey's brother Nicolas turned out to be one of the soldiers guarding the refugees in Novorossiysk. Not long after, their father, who had been imprisoned in Saint Petersburg by the Bolsheviks, managed to flee to Novorossiysk in hopes of finding his family. The three were once again together, and arranged for Brodovitch's mother and other relations to join them in Constantinople. Finally reunited, the Brodovitchs made their way to France. In Paris, he lived in poverty amidst the vibrant avant-garde scene of the era, working as a backdrop painter for Serge Diaghilev’s Ballets Russes. Brodovitch embraced technical developments from the spheres of industrial design, photography, and contemporary painting. His broad curiosity began to assimilate the most interesting aspects of all these fields into his work, eventually making them his own. He later instilled this same curiosity in his students, encouraging them to use new techniques like the airbrush, industrial lacquers, flexible steel needles, and surgical knives. By the age of 32, Brodovitch had dabbled in producing posters, china, jewelry, textiles, advertisements, and paintings. Eventually specializing in advertising and graphic design, he had become one of the most respected designers of commercial art in Paris. By 1930, however, Paris had lost its luster for Brodovitch. The once-flourishing spirit of adventure and experimentation was fading away. Although he was offered many design positions, Brodovitch turned them down, presumably looking for new locales to advance his designs. Brodovitch moved to the United States, accepting a post as a professor of advertising in Philadelphia. Only four years later, he was hired as the art director of Harper's Bazaar. During his tenure there, he fundamentally changed the magazine’s aesthetic, hiring a number of unique photographers to provide editorial content, including Man Ray, Henri Cartier-Bresson, Lisette Model, and Robert Frank. Brodovitch left the magazine in 1958, but continued to teach design until his death on April 15, 1971 in Le Thor, France. Today, his works are held in the collections of the Art Institute of Chicago, Museum of Modern Art in New York, and the National Gallery of Art in Washington, D.C.Source: Wikipedia
Emilie Arfeuil
Emilie Arfeuil
France
1983
Emilie Arfeuil is a visual artist and photographer, with a background in cinema at Sorbonne University. She questions the complexity of representation of identities and their perception, the transformation of the gaze from the invisible to the visible, and the relationship between nature and unnatural. Her artworks are mainly presented in the form of photographs and installations, multimedia and sound creations or objects. She has won the Prix SAIF Les Femmes s'exposent 2022 and the 2nd Prize Gomma Grant 2021 with her project « Hylé ». Her work has been exhibited at the Promenades Photographiques, Boutographies, Map Toulouse, Quinzaine Nantaise, Fictions documentaires, Focus Festival in Bombay, as well as in galleries and institutions in France, Berlin, London, Phnom Penh and Brussels. His photographs have been published in Libération, Muze and Néon. The film "Scars of Cambodia" (co-written with Alexe Liebert) has received 8 awards and has been selected in about 20 international festivals. She lives in the south of France.
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Call for Entries
AAP Magazine #58 B&W
Publish your work in our printed magazine and win $1,000 cash prizes
© Christine Huebner
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