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Darin  Back
Darin  Back
Darin  Back

Darin Back

Country: United States

Darin Back is mostly known by his stark black and white portraits he's been shooting since 1992. He started his career in the early 1990's after a small photography trade school, he left early to work as an assistant. He spent two years assisting in Minneapolis, a modeling season (1991-1992) in Miami assisting photographers for German Vogue, Italian Vogue. Eventually he went west to Los Angeles (1993-1995) to assist with Greg Gorman, Dewey Nicks for a few years. After working on his first advertising commercial he met Lori Goldstein, the stylist for photographer Annie Leibovitz. After a few assignments with Annie, he headed back to Minnesota for 12 years (2001-2013). During that time he was represented by Redux Pictures from 2009-2014. Darin headed east and north to Maine (2013-14), lived in a train caboose for a year, trying to find some much needed rest and inspiration. He finally made his way back home to Florida where he continues to shoot portraits, live on the beach and travel.

He won 2nd place in the "Single Series Image" published April 1, 2020 in Lensculture
 

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More Great Photographers To Discover

Rafał Michalak
Poland
1971
Lives and works in Wroclaw, Poland. He studied political science and public relations. Graduate of Academy of Art and Design in Wroclaw with a Master of Arts (Media Art Department). A member of The Association of Polish Art Photographers (ZPAF). He has been associated with the advertising industry and commercial photography for years. In his everyday work he deals with brand communication issues as well as visual identity development for companies and corporations. At the same time, he is actively engaged in creating his own original photography, thereafter presented in exhibitions and published in trade magazines. Winner of many photographic praises and commendations. Human being as individuality and its place in the so fast altering world are the key factors of Michalak’s photographic research. In his photography he is mostly consumed with transgression understood as a conscious and intentional exceeding of bounds and limits that we impose on ourselves or encounter. At the same time, it provides a way to learn more about the hidden depths and makes it possible to experience reality from different points of view. Transgressive approach has characterised Michalak’s personal style of representation, regardless of used technique and medium, ever since he knowingly engaged in fine-art photography. Transgression determines his personal choices in terms of subjects he approaches, and even more so, the message, i.e. the idea behind a photograph, which he believes to be essential.
Beth Galton
United States
Beth Galton is a photo-based artist, with an educational background in the natural sciences and three decades of experience as a professional photographer in the editorial and commercial arena. These elements of her history are the lens through which she explores the world. Her work has been recognized by organizations including Graphis, Communication Arts, the Tokyo International Foto Awards, Julia Margaret Cameron Award, IPA Awards, AAP, and the PDN Taste Awards. The Cut Food series was exhibited in Montpellier Contemporain, Aperture, and Beth Urdang Gallery. It was part of ‘The Fence’, a 7-city, traveling outdoor exhibition, it was published in the Washington Post, and covered by NPR. Both Lenscratch and Rfotofolio picked up the Memory of Absence series. Additionally, A Vita Plantae, and Memory of Absence have been exhibited at Wave Hill, Soho Photographic Gallery, The Center for Fine Art Photography (CO), The Center for Photographic Art (CA), The Florida Museum of Photographic Arts, Griffin Museum of Photography, Praxis Gallery, and SE Center for Photography. The Washington Post recently published Beth’s work from her series Covid Diary, a document of her time in confinement. About Cut Food "What started as a ubiquitous burrito shot, turned into an exploration of iconic food through a fresh perspective. We chose subjects which we felt were symbols within our Western food culture, and sought to move past the normal “appetite appeal” to look deeply and with curiosity into them. My intention was to give the ordinary a sense of magic show quality. Real, but also astonishing." About A Vita Plantae "This collection explores the relationship between art and science in a three-part series of organic images: Roots, Potato Love, and Time Preserved. These images seek to reveal some of the long-hidden truths of plants: their movement and grace, the nature of time, and the almost unbearable fragility of life. " About Memory of Absence "In 2017, my mother and father—who had not lived together for 50 years, died within 3 days of each other. In this series, I sought to convey a sense of memory and loss through the composition of found ephemera and botanical matter. The volatile botanicals represent the ever-changing nature of memory —an unstable and profoundly unreliable process."
Kelly O’Leary
United States
Sebastián Machado
Deba Prasad Roy
I was born in the year 1952 and clicked my first photograph in the year 1968 with an Agfa CLICK III camera. Then I used Agfa ISOLI 2 for some years. In 1992 I bought Pentax K 1000. & NIKON film cameras till 2008. I was a member of “Photographic Association of Bengal” since September 2003 to March 2012. I acquired a bit of proficiency in photography following the senior photographers of the club (not in age), who are entitled to write distinctions approved by The International Federation of Photographic Art (FIAP), & The Photographic Society of America (PSA). In this period I have participated hundreds of FIAP & PSA approved Salons and other photographic competitions. After my official retirement from Banking Service, I engage myself as a Freelance Documentary & Travel photographer to pass my retirement holidays and as a passionate and serious photographer ”Participated and still participating in photography competitions throughout the world and try to win prizes and recognition.. I am a professional photographer from my heart (Not as those who sell their photographs for their livelihood or those who are working as an employee in any organization.). I never sold a single photograph in my livelihood i.e. for money. So the meaning of a professional photographer is different to me. A NOBLE MISSION A NOBLE MISSION is partially a story of economic exploitation by the employers worldwide in underdeveloped and developing countries and simultaneously deliberate callousness and negligence of the Government and its agencies make this labor force vulnerable in the hands of the entrepreneurs. The other side of the story is the dedication of the two women teachers; their voluntary service to provide a minimum education to those historically illiterate students, no one in the previous generations of them including their parent got any elementary education in any school. We should also keep in mind the economic sacrifice of the teachers, in these days time is money, if they teach any other students in the society they are definitely eligible for remuneration and may get a chance to uplift their own economic status. That is the point which impressed me a lot. PLASTIC RECYCLING AND ENVIRONMENT Plastic pollution is a major global phenomenon that has crept up on us over the decades, and it really requires a global and comprehensive solution that includes systemic rethinks about usage and production. While carbon emissions and water use are pretty firmly embedded in the consciousness of most organizations, the use of plastic generally is not. But campaigners and scientists are increasingly sounding the alarm over the amount of plastic that is used wastefully (think of single-use drink bottles and packaging materials), which ends up as trash in rivers and oceans. Many say that plastic pollution has swelled into a major threat for the world’s oceans and for the global environment as a whole. Here is why: About 300 million tons of plastic is produced globally each year. Only about 10 percent of that is recycled. In other words, because plastic is inexpensive, lightweight and durable, virtually every industry — be it retailing, manufacturing or logistics — loves it. Because it is light and cheap, and because it is so durable, it does not “go away.” Plastic accumulated over half a century is now out there. That could mean reducing wasteful use; collecting, reusing or recycling plastic trash; stepping up the use of recycled plastic or of more easily biodegradable materials; and modifying product designs to minimize plastic use. There by we could leave our world as habitable for our future generations.
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