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Iness Rychlik
Iness Rychlik
Iness Rychlik

Iness Rychlik

Country: Poland

Iness Rychlik is a Polish-born photographer and filmmaker with a particular interest in historical drama. Despite her severe myopia, she has been dedicated to visual storytelling for over a decade.

Iness graduated with First Class Honours in Film from Screen Academy Scotland. Set in Victorian London, her final-year film ‘The Dark Box' follows an unhappily married woman, who pursues photography to escape from her oppressive relationship. ‘The Dark Box' premiered at Camerimage, where Iness received a Golden Tadpole nomination for her cinematography.

Rychlik is recognised for her dark feminine erotica. She is fascinated by the idea of conveying sexuality and cruelty in a subtle evocative way. Her conceptual self-portraits aim to provoke the viewer's imagination, rather than satisfy it.

ARTIST STATEMENT
Although greatly influenced by historical drama, my work is deeply personal and symbolic in nature. I suffer from a hyper-sensitive skin condition. As a teenager, I would often attempt to cover it up; I resented being asked if I had accidentally burnt myself. Throughout the years, I have learnt to see my skin as a canvas of expression, rather than an ugly inconvenience that should be kept hidden. I use my very own body to explore the themes of solitude and objectification, often employing antique garments or props to depict the parallels between my experiences and the inferior female position in Victorian Britain. I honour the concept of transforming hidden pain into art – exposed, disturbing and beautiful.

Websites

inessrychlik.com

@inessrychlik

 

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More Great Photographers To Discover

Eadweard Muybridge
Eadweard Muybridge
United Kingdom
1830 | † 1904
Eadweard James Muybridge was an English photographer important for his pioneering work in photographic studies of motion and in motion-picture projection. He adopted the name Eadweard Muybridge, believing it to be the original Anglo-Saxon form of his name. He immigrated to the United States as a young man but remained obscure until 1868, when his large photographs of Yosemite Valley, California, made him world famous. Muybridge is known for his pioneering work on animal locomotion in 1877 and 1878, which used multiple cameras to capture motion in stop-action photographs, and his zoopraxiscope, a device for projecting motion pictures that pre-dated the flexible perforated film strip used in cinematography. In his earlier years in San Francisco, Muybridge had become known for his landscape photography, particularly of the Yosemite Valley. He also photographed the Tlingit people in Alaska, and was commissioned by the United States Army to photograph the Modoc War in 1873. In 1874 he shot and killed Major Harry Larkyns, his wife's lover, and was acquitted in a jury trial on the grounds of justifiable homicide. He travelled for more than a year in Central America on a photographic expedition in 1875. In the 1880s, Muybridge entered a very productive period at the University of Pennsylvania in Philadelphia, producing over 100,000 images of animals and humans in motion, capturing what the human eye could not distinguish as separate movements. He spent much of his later years giving public lectures and demonstrations of his photography and early motion picture sequences. He also edited and published compilations of his work, which greatly influenced visual artists and the developing fields of scientific and industrial photography. Source: Wikipedia
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Eduardo Soler
United States
Eduardo started his career working for renown photographers in Los Angeles and San Francisco. Later he worked full time as a staff photographer for The Sharper Image catalog company in San Francisco. His most recent clients include Bayer HealthCare, Novartis, Intuit, Boehringer Ingelheim, among others. He's also an award-winning street photographer. Eduardo lives in Oakland, California with two fun cats, Sprinkler and Tiger.
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Giedo van der Zwan
The Netherlands
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Giedo van der Zwan (1967), born in Amsterdam, The Netherlands. Since the age of 11 Giedo has been active in photography and over the years has experimented with different genres such as wildlife-, macro-, portret-, abstract- and travel photography. Between 2008 and 2012 Giedo enjoyed a few publications from his wildlife portfolio online and in Dutch photography magazines like Focus, Columbus and National Geographic. Since early 2017 Giedo van der Zwan has become active in street photography (his day job is self-employed writer and publisher). Giedo started a long-term project 'Pier to Pier' in 2017 and in June 2018 he published a book and started his solo exhibition on the Pier of Scheveningen under the same title. He has been a finalist and won several photography prizes at national and international festivals and received international recognition for the project. Book: 'Pier to Pier' Giedo launched his self-published book Pier to Pier on June 10, 2018. The book is on sale in local bookstores and museum
Johan Gerrits
Johan Gerrits
Netherlands
1962
Though we travel the world over to find the beautiful, we must carry it with us or we find it not - Ralph Waldo Emerson I was born in the east of the Netherlands, a green countryside full of nature. My interest for nature was one of the reasons to start 25 years ago with photography. Since then subjects changed from nature, architecture, art into people. Especially the last one takes a big role in my travelphotography. Two of my great passions in life are photography and travelling. I believe that travel broadens one's view of the world, makes you more tolerant, and reflects on our way of living and thinking. Experiencing other cultures, rituals and customs, enrichen your knowledge and deeper understanding of the world around you. By documenting these unique cultures, in which some of them are vanishing very fast. I hope that my work has a merit in preserving their beautiful and cultural diversity. In my photography I try to reveal a person's character, his spirit, his way of showing himself to the world. In doing this I respect their culture, habits and religion as much as possible. I'm not a professional photographer, just an amateur who likes to photograph the beauty of mankind.
Domenico Iannantuono
Domenico Iannantuono
Italy
1971
Domenico Iannantuono is an Italian photographer based in Puglia. A whole series of interests such as art, music, literature and travel converge in his photography. He is particularly sensitive to issues related to the world of work, human rights and the environment. He fascinated by religious anthropology and socio-cultural changes. He makes reportage the most important point of his work.
Ralph Eugene Meatyard
Ralph Eugene Meatyard
United States
1925 | † 1972
Ralph Eugene Meatyard (May 15, 1925 – May 7, 1972) was an American photographer from Normal, Illinois, U.S. Meatyard was born in Normal, Illinois and raised in the nearby town of Bloomington. When he turned 18 during World War II, he joined the United States Navy, though he did not serve overseas before the war ended. After leaving the force he briefly studied pre-dentistry, before training to become an optician. He moved with his new wife Madelyn to Lexington, Kentucky to continue working as an optician for Tinder-Krausse-Tinder, a company which also sold photographic equipment. The owners of the company were active members of the Lexington Camera Club, for which the Art Department of the University of Kentucky provided exhibition space. Meatyard purchased his first camera in 1950 to photograph his newborn first child, and subsequently worked primarily with a Rolleiflex medium-format camera. He joined the Lexington Camera club and the Photographic Society of America in 1954. 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Some of his earliest camera work was made in the traditionally African-American neighborhood around Lexington's Old Georgetown Street. Meatyard was a close acquaintance of several well-known writers in the Kentucky literary renaissance of the 1960s and 1970s, including his neighbor Guy Davenport, who later helped compile a posthumous edition of his photos. In 1971, Meatyard co-authored a book on Kentucky's Red River Gorge, The Unforeseen Wilderness, with writer Wendell Berry. The two frequently traveled into the Appalachian foothills. Berry and Meatyard's book contributed to saving the gorge from destruction by a proposed Army Corps of Engineers dam. Meatyard's ashes were scattered in the gorge after his death. Meatyard was also a friend and correspondent of Catholic monk and writer Thomas Merton, who lived at the Abbey of Gethsemani, a Trappist monastery just west of Bardstown, Kentucky. 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His best-known photography featured dolls and masks, or family, friends and neighbors pictured in abandoned buildings or in ordinary suburban backyards.Source: Wikipedia Ralph Eugene Meatyard lived in Lexington, Kentucky, where he made his living as an optician while creating an impressive and enigmatic body of photographs. Meatyard’s creative circle included mystics and poets, such as Thomas Merton and Guy Davenport, as well as the photographers Cranston Ritchie and Van Deren Coke, who were mentors and fellow members of the Lexington Camera Club. Meatyard’s work spanned many genres and experimented with new means of expression, from dreamlike portraits—often set in abandoned places—to multiple exposures, motion-blur, and other methods of photographic abstraction. He also collaborated with his friend Wendell Berry on the 1971 book The Unforeseen Wilderness, for which Meatyard contributed photographs of Kentucky’s Red River Gorge. 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Darren Lewey
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Darren Lewey (b. 1968 in Hertfordshire, UK) is a photographer based in Morocco. Photography became his passion at school after which he graduated with a BA in Photographic Studies from Derby College in 1992. Drawn to Morocco as a student, he made careers in teaching and television directing before finally settling there in 2010. Working in projects, his photographs of landscapes and people show a readiness to look for shapes and structures in the former and a quietness of character through his portraits. Focusing on the less spectacular locations, closer to where he lives, Darren is intrigued by offering another photographic vision of the country. One that runs counter to the exotic imagery more usually associated with Morocco. He has been avidly developing personal projects since 2016 alongside running workshops for clients through his teaching site: Creative Camera. His first completed project, Salinity, takes a 'topographic' look at the landscapes of small scale salt production. It's due to be published in late 2021.
Li Zhensheng
Li Zhensheng
China
1940
Li Zhensheng (born September 22, 1940) is a Chinese photojournalist who captured some of the most telling images from the Great Proletarian Cultural Revolution, better known as the Chinese Cultural Revolution. His employment at the Heilongjiang Daily, which followed the party line, and his decision to wear a red arm band indicating an alliance with Chairman Mao Zedong, allowed him access to scenes otherwise only described in written and verbal accounts. His recent publication of the book, Red-Color News Soldier exhibits both the revolutionary ideals and, more notably, many of the atrocities that occurred during the Cultural Revolution. The Heilongjiang Daily newspaper had a strict policy in accordance with a government dictate that only "positive" images could be published, which consisted mostly of smiling revolutionaries offering praise for Chairman Mao. The "negative" images, which depicted the atrocities of the time, were hidden beneath a floorboard in his house before he brought them to light at a photo exhibit in 1988. Early life Li Zhensheng was born to a poor family in Dalian, which is located in the northeastern province of Liaoning, China. At the time of his birth this was Kwantung Leased Territory, where Japan maintained the puppet regime, Manchukuo. His mother died when he was three, and his older brother, who was a member of the People's Liberation Army was killed during the Chinese Civil War. Zhensheng helped his father, who was a cook on a steamship and later as a farmer, until Zhensheng was 10-years-old. Zhensheng quickly rose to the top of his class despite starting school late. He later earned a spot at the Changchun Film School, where he acquired much of his photographic knowledge. In 1963, he briefly achieved a job at the Heilongjiang Daily, however the Socialist Education Movement soon intervened and he ended up back in the countryside for nearly two years, living with peasants and studying the works of Chairman Mao. Cultural Revolution Zhensheng returned to Harbin just months before the outbreak of the Great Proletarian Cultural Revolution in the spring of 1966. A lack of photographic film, marauding Red Guards, and a political dictate against photographing the negative aspects of the revolution restricted what he was able to portray. He soon realized that only people wearing the red-colored arm band of the Red Guards could photograph without harassment. To achieve this, he founded his own small rebel group at the newspaper. Zhensheng then captured some of the most horrific acts of the Cultural Revolution. His collection includes photos depicting dehumanizing tactics used by the Red Guards to humiliate or degrade alleged counterrevolutionaries. Some of the images depict public displays of "denunciations," where the hair of prominent individuals is shaved. Other images show people bearing "dunce" hats; people with black paint spread over their faces; others wearing signs around their necks with writings that criticize their profession or names. Zhensheng also captured scenes of public executions of counterrevolutionaries who were never given a trial for their alleged crimes. At the height of the Cultural Revolution, Zhensheng was once more sent back to the countryside in September 1969. He was sent to the May 7th Cadre School in Liuhe, a labor camp where he and his wife, Zu Yingxia, spent two years performing hard labor. Zhensheng had taken meticulous care of the documented "negative" images he captured while at the newspaper, hiding them beneath a floorboard of his one-room apartment. The dry atmosphere and mild temperatures of Harbin aided the preservation of the photographic negatives. While he was sent away, Zhensheng entrusted a friend to care for the apartment, and instructed him to never reveal the secrets it contained. Zhensheng returned to the newspaper in 1972 as the head of the photography department, and later became a professor at Peking University in 1982. About Red-Color News Soldier Red-Color News Soldier is a literal translation of the Chinese characters written on the armband Li Zhensheng wore during the Chinese Cultural Revolution. Although, he says he never gave his alliance to Chairman Mao, wearing the arm band gave him unprecedented access to historic events, which have since shaped Chinese culture. The book covers the period from just before the Cultural Revolution in 1965 to just after in 1976. It is separated into five chronological sections: 1964-1966 titled "It is right to rebel"; 1966 titled "Bombard the Headquarters"; 1966-1968 titled "The Red Sun in our hearts"; 1968-1972 titled "Revolution is not a dinner party"; and 1972-1974 titled "Die Fighting." The veteran China analyst John Gittings was among the reviewers who welcomed Li's book. He noted that Li was a Red Guard as well as a photographer and did not deny that he also led "struggle sessions" against innocent victims; but his pictures reflect a deeper desire to record and understand. Li's book was "unique" for a simple reason: "Although the post-Mao Chinese government has labeled the cultural revolution '10 years of chaos,' it still tries to suppress any real inquiry into the countless human tragedies it caused..." The book, which has not been published in China, took many years to publish. Zhensheng's "negative" pictures (those that depicted the atrocities of the cultural revolution) were first revealed publicly in March 1988 at a Chinese Press Association's photography competition in Beijing. The show, entitled "Let History Tell the Future" consisted of twenty images from his collection, which were deemed "counterrevolutionary. " In December of that year, Zhensheng met Robert Pledge, an American who was director of Contact Press Images, an international photo agency, who had come to Beijing. They agreed to work together on a book of Zhensheng's photos, but to wait until the political climate was right. Seven months later, in June 1989, the brutal events of Tiananmen Square made worldwide headlines, and Zhensheng became determined to produce a book to show the world the images from the Cultural Revolution. Work on the book began in 1999. Since Pledge did not speak Chinese, and Zhensheng did not speak English, the two had to coordinate work through the use of translators — many of whom became integral parts of their relationship. Zhensheng sent over 30,000 brown envelopes to Pledge's office in New York City, each containing photographic negatives. A number of the images are self-portraits of Zhensheng. This was the result of always returning to the paper with one extra frame on the film roll; a photojournalism technique of always being prepared to cover a breaking news event at the last minute. Zhensheng would "burn off" the last image with a photo of himself shortly before developing the film. Often the poses were humorous and playful. One such image of Zhensheng exposing his bare chest was published in the book He said he was attempting to recreate the old expression of "baring one's chest in the face of adversity," or in his case, communism. During book tours Zhensheng makes a point to speak of his love for China. He says while he disagrees with the government, he still loves his country and hopes democracy will perhaps prevail in the long-term future. He does not believe his images or the book should be considered anti-Chinese, rather a reminder of the painful past many countries endure during their evolution.Source: Wikipedia
Antoine Buttafoghi
Antoine Buttafoghi
France
1959
Antoine Buttafoghi has been teaching image (and techniques related to photography) as a trainer, consultant and professor at the university for over 20 years. He worked for a long time with the magazine "Création Numérique" as a specialist journalist and won several awards in international competitions. He was twice finalist of the prestigious Hasselblad Master Competition (20012 and 2018). He seeks to convey his sense of graphics and aesthetics which help bring out the quintessence of a subject or a nature. He pays special attention to the tensions between the different visual masses and always seems to be looking for the perfect balance. His photographs have been exhibited in Brazil, Japan, Hungary, United Kingdom, India, Italy. He is currently preparing a personal exhibition in Russia.
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