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Win a Solo Exhibition this February. Juror: Harvey Stein
Win a Solo Exhibition this February. Juror: Harvey Stein
Aurelien Morissard
Aurelien Morissard
Aurelien Morissard

Aurelien Morissard

Country: France
Birth: 1982

Aurélien Morissard, born in 1982, is a self-taught photographer based in Paris. After studying graphic design and computer graphics, he dropped everything in 2013 to devote himself to his passion: photography. He then trained as an author photographer to confirm his years of personal practice. In parallel to his corporate commissions, he discovers a real attraction for photojournalism. In 2015, he joined the IP3 Press agency where he covers all types of news, from daily life to politics, from economy to social, from illustration to corporate. For 3 years, he has been working regularly with Xinhua agency on various news topics.
 

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All About Photo Awards 2026
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Graeme Williams
South Africa
1961
I grew up in the whites-only suburbs of Cape Town, South Africa during the apartheid era when South African law decreed that 92% of the population were regulated to the status of second-class citizens. My interest in photography began at the age of twelve, but I soon realized that a Kodak Instamatic was never going to produce the results that I wanted. I worked for three years in a bookshop and eventually bought myself a Fujica ST701. It was a real thing of beauty; a single reflex camera with a basic zoom lens, that provided me with the means to control how light formed itself onto the surface of the silver halide film. Sunsets and silhouettes held my attention for a few months, but I had already begun to explore the complex tradition of photographic expression. Life Magazine was for me, at that time, the Holy Grail. Over the years, my enthusiasm for exploring the photographic medium has never diminished. My photographic momentum was temporarily diverted after school by parental pressure to obtain a 'proper' qualification. In my final school year, I was both the Dux scholar as well as a first-team sportsman, which resulted in me being offered a De Beers bursary to study Geology and Statistics at the University of Cape Town. After graduating, I broke the news to my unnerved parents that I was giving up this career path and instead of becoming a property photographer at the local newspaper. In the hierarchy of photographic jobs, this is very close to the bottom. My immediate aim was to gain access to unlimited amounts of film and the time to work on my own projects. In 1987 I began photographing a conscientious objector and medical doctor, Ivan Toms, who refused to comply with the apartheid government's military service requirements. He was sentenced to 21 months in prison. The essay highlighted the absurdity of the political system. Renowned photographer, David Goldblatt, took an interest in this work and this interaction led to a three-decade relationship in which he became both a mentor and a friend. The rights to my essay on Ivan Toms were bought by Life magazine the following year. Much of my work during this period was motivated by the desire to expose the social inequalities and racial divisions within my country. I eventually joined the strongly anti-apartheid collective, Afrapix, and later became a founding member and manager of the documentary collective, South Photographs. In 1989, the beginning of the end of apartheid was evident. I was eager to situate myself in a position that would afford me the best opportunities to witness the transition to democracy. I joined Reuters News Agency as a permanent stringer and for the next five years, I became immersed in the events, both violent and momentous, that led up to the inauguration of Nelson Mandela as president in 1994. Many of my photographs from this period have taken on a life of their own. The image of Nelson Mandela walking out of prison with his wife, Winnie, has been exhibited and published worldwide. In 2008, as Barack Obama fought John McCain for the presidency, Newsweek magazine ran a story asking each candidate to choose an image that best personified their worldview. Obama's team chose an image that I photographed in Thokoza township in 1991. Last year the same photograph became central in a high-profile image-appropriation dispute between me and New York artist, Hank Willis Thomas. There was a massive groundswell of support from colleagues and media from around the world. An amicable settlement was reached. Since 1994 I have concentrated on producing personalized and contemporary bodies of work that reflect this complex country and the continent as a whole. These essays have been shown in solo exhibitions in New York, London, Paris, Cape Town, and Johannesburg as well as numerous photo festivals around the world. (Including China, Singapore, Brazil, Cambodia, France, and the USA). I have been privileged to have been included in major international exhibitions showcasing contemporary South African photography; including Figures and Fictions at London's Victoria and Albert Museum, Apartheid and After at Huis Marseille in Amsterdam, Earth Matters at the Smithsonian in New York, The Rise and Fall of Apartheid at the ICP in New York and Being There, at the Louis Vuitton Foundation in Paris. Awards include the CAP Prize for Contemporary African Photography (Basel) in 2013 and the Ernest Cole Award (South Africa) in the same year. I have continued working on commissioned assignments and traveling to over fifty countries. My photographs have appeared on the cover of Time magazine twice, and have been published in The New York Times Magazine, National Geographic, Newsweek, Stern, and many others. Whilst working on my long-term projects, I try to bear in mind how the work will be exhibited and published. So, therefore, during the planning and photographing stages, I attempt to create a broad context for my essays, that includes a general look and feel while creating the space for each image to convey its individual complexity. This need to develop a dual awareness in my personal work has benefitted me from a long-term interest in designing and producing photobooks. I have created over 20 publications, some of them winning awards and many being shortlisted in dummy book competitions. During the past five years, I have felt a need to shift my attention from South Africa to the American social, political, and physical landscape. Some of my motivations for this change in direction have been outlined within the 'Plan' document. In 2016 I was granted a residency in the US by the Ampersand Foundation, giving me an opportunity to develop a body of work that interrogated the social strata within the greater community of Harrisburg, Pennsylvania. I designed and produced a book called, Diverging Dreamlines that included, portraits, urban landscapes as well as multi-image, digital, illustrations. The publication was chosen as "best of the show" in the Annual Photobook Exhibition at the Griffin Museum of Photography in Winchester, Massachusetts. The work was also included in the Unmasked exhibition at Axis Gallery, New York in 2017. Earlier this year (2019) I co-presented a paper, Over Time, at the International Psychoanalytical Association (IPA) Congress held in London. Four of my personal essays were incorporated into the presentation, allowing a psychoanalytical exploration into the parallels between this photographic record and South Africa's dynamics and process of change. I have participated in various mentorship programs, supporting students from South African photographic institutions: Tierney Fellowship winners from the University of the Witwatersrand (2018/2019) and the Market Photo Workshop (2015/2016). As well as candidates from the Photographer incubator Program in 2016. Learn more about Graeme Williams on videos: Victoria and Albert Museum Photography and Democracy South African Studios Dwell in Possibility opening Check out Graeme Williams's interview about his latest project America Revisited
Philip Jones Griffiths
Wales
1936 | † 2008
Born in Rhuddlan, Wales, Philip Jones Griffiths studied pharmacy in Liverpool and worked in London while photographing part-time for the Manchester Guardian. In 1961 he became a full-time freelancer for the London-based Observer. He covered the Algerian War in 1962, then moved to Central Africa. From there he moved to Asia, photographing in Vietnam from 1966 to 1971. His book on the war, Vietnam Inc., crystallized public opinion and gave form to Western misgivings about American involvement in Vietnam. One of the most detailed surveys of any conflict, Vietnam Inc. is also an in-depth document of Vietnamese culture under attack. An associate member of Magnum since 1966, Griffiths became a member in 1971. In 1973 he covered the Yom Kippur War and then worked in Cambodia between 1973 and 1975. In 1977 he covered Asia from his base in Thailand. In 1980 Griffiths moved to New York to assume the presidency of Magnum, a post he held for a record five years. Griffiths' assignments, often self-engineered, took him to more than 120 countries. He continued to work for major publications such as Life and Geo on stories such as Buddhism in Cambodia, droughts in India, poverty in Texas, the re-greening of Vietnam, and the legacy of the Gulf War in Kuwait. His continued revisiting of Vietnam, examining the legacy of the war, lead to his two further books ‘Agent Orange’ and ‘Vietnam at Peace’. Griffiths' work reflects on the unequal relationship between technology and humanity, summed up in his book Dark Odyssey. Human foolishness always attracted Griffiths' eye, but, faithful to the ethics of the Magnum founders, he believed in human dignity and in the capacity for improvement. Philip Jones Griffiths died at home in West London on 19th March 2008From en.wikipedia.orgJones Griffiths was born in Rhuddlan, to Joseph Griffiths, who supervised the local trucking service of the London, Midland and Scottish Railway, and Catherine Jones, Rhuddlan's district nurse, who ran a small maternity clinic at home. He studied pharmacy in Liverpool and worked in London as the night manager at the Piccadilly branch of Boots, while also working as a part-time photographer for the Manchester Guardian. His first photograph was of a friend, taken with the family Brownie in a rowboat off Holyhead. Jones Griffiths never married, saying it was a "bourgeois" notion, but that he had had "significant" relationships. Survived by Fanella Ferrato and Katherine Holden, his daughters from long-term relationships with Donna Ferrato and Heather Holden. He died from cancer on March 19, 2008. Journalist John Pilger wrote in tribute to Griffiths soon after his death: "I never met a foreigner who cared as wisely for the Vietnamese, or about ordinary people everywhere under the heel of great power, as Philip Jones Griffiths. He was the greatest photographer and one of the finest journalists of my lifetime, and a humanitarian to match…. His photographs of ordinary people, from his beloved Wales to Vietnam and the shadows of Cambodia, make you realise who the true heroes are. He was one of them." Griffiths started work as a full-time freelance photographer in 1961 for the Observer, travelling to Algeria in 1962. He arrived in Vietnam in 1966, working for the Magnum agency. Magnum found his images difficult to sell to American magazines, as they concentrated on the suffering of the Vietnamese people and reflected his view of the war as an episode in the continuing decolonisation of former European possessions. However, he was eventually able to get a scoop that the American outlets liked: photographs of Jackie Kennedy vacationing with a male friend in Cambodia. The proceeds from these photos enabled him to continue his coverage of Vietnam and to publish Vietnam Inc. in 1971. Vietnam Inc. had a major influence on American perceptions of the war, and became a classic of photojournalism. The book was the result of Griffiths' three years work in the country and it stands as one of the most detailed surveys of any conflict, including descriptions of the horrors of the war as well as a study of Vietnamese rural life and views from serving American soldiers. Probably one of its most quoted passages is of a US army source discussing napalm: ‘We sure are pleased with those backroom boys at Dow. The original product wasn’t so hot - if the gooks were quick they could scrape it off. So the boys started adding polystyrene - now it sticks like shit to a blanket. But if the gooks jumped under water it stopped burning, so they started adding Willie Peter (white phosphorus) so’s to make it burn better. And just one drop is enough, it’ll keep on burning right down to the bone so they die anyway from phosphorus poisoning.’ The South Vietnamese president, Nguyen Van Thieu, criticized Griffiths' work, remarking "Let me tell you there are many people I don't want back in my country, but I can assure you Mr. Griffiths name is at the top of the list." In 1973, Griffiths covered the Yom Kippur War. He then worked in Cambodia from 1973 to 1975. In 1980, he became the president of Magnum, a position he then held for five years. In 2001 Vietnam Inc. was reprinted with a foreword by Noam Chomsky. Subsequent books have included Dark Odyssey, a collection of his best pictures, and Agent Orange, dealing with the impact of the US defoliant Agent Orange on postwar generations in Vietnam. After becoming aware of his terminal condition, Jones Griffiths launched a foundation to preserve his archives. His daughters helm the foundation, which as of July 2008 lacked a permanent home. Source: www.magnumphotos.com
Jean-Daniel Lorieux
French artist, Jean-Daniel Lorieux, is one of the masters of photography of his generation, earning much respect in the realm of fashion photography. Jean-Daniel Lorieux, was born on January 21st 1937 in the 16e arrondissement of Paris. He is the great-grandson of Théodore-Marie Lorieux, vice-president of the Conseil Général des Ponts et Chaussées and Jules Goüin. He studied engineering with the Jesuits at "L'école Arts et Métiers" in Paris and then went to the "Cours Simon". (Theatre) He did his military service in Algeria alongside the spahis as a photographer/filmmaker - in charge of photographing the corpses of rebels slaughtered for identification in the region of Mostaganem. For a while he worked for the Studio Harcourt as an industrial photographer and he remembers it as being a real "photographic factory" with a Stakhanovite like tempo. He has been working as a photographer for twenty years with fashion magazines like Vogue and L'Officiel. He also worked with Andy Warhol at the Factory (Andy Warhol's New York City Studio). He launched the modeling career of Cécilia Ciganer-Albéniz (Future wife of Nicolas Sarkozy), who then became his assistant. Friend of Bernadette and Claude Chirac, he directed the poster campaign of Jacques Chirac, then Prime Minister, for the legislative elections of 1988. Lorieux worked for the advertising campaigns of Dior, Lanvin, Rabanne, Ricci, Céline and Cardin, among others. He photographed many personalities like Jacques Chirac, Nelson Mandela, Mohamed V, Frank Sinatra, James Brown, Charles Aznavour, David Lynch, Isabelle Adjani, Claudia Cardinale, Carla Bruni, Karen Mulder, Claudia Schiffer, Linda Evangelista, Milla Jovovich... In 2008, he worked on an exhibition on the theme "The Master and Marguerite" at the request of Russian billionaire Yevgeny Iakovlev, with Isabelle Adjani as Marguerite. He has also released a series of books and a documentary film, retracing the atypical path of the artist and his creative pursuits. In addition to photographic creations, Jean-Daniel Lorieux produces films and paintings that parallel his distinctive style of photography, making use of sharp lines, bold colors, and his signature highly contrasted visual compositions. His work has been exhibited worldwide but mostly in the United States and in Europe. He is also a Knight of the Order of the Arts and Letters (1997), a knight of the Legion d'Honneur (2003) and decorated of the Maintien de l'ordre for spending two years in Algeria during the war.
Peikwen Cheng
China
1975
Peikwen Cheng studied product design at Stanford University, graduating in 1997. He is a self-taught photographer who has exhibited his work in Cambodia, Canada, China, Germany, Greece, Poland, Singapore, Sweden, Syria, United Kingdom and United States. Before turning his focus to art, he was a designer and was awarded with a United States Design Patent and an Industrial Design Excellence Award by the Industrial Design Society of America. Peikwen Cheng lives in Beijing. Peikwen Cheng is a Chinese-American artist based in New York and Shanghai. His work explores the process of change across cultures, time and place and seeks to discover magical moments in unexpected places. His art has been exhibited in Belgium, Cambodia, Canada, China, Luxembourg, Germany, Greece, Poland, Singapore, Sweden, Syria, United Kingdom and the United States; and his work has been featured by BBC, CNN, BBC, Financial Times, The Guardian, National Public Radio, The Sunday Times, and Vogue. He has been recognized by international awards including the Three Shadows Photography Award, National Geographic Award at the Eddie Adams Workshop, C/O Berlin Talents Award, Renaissance Photography Prize Category Winner, Flash Forward Selected Winner by the Magenta Foundation, Px3, and International Photography Awards. And as a designer, he was awarded with a United States Design Patent and an Industrial Design Excellence Award by the Industrial Design Society of America. He is a graduate of Stanford University, Tsinghua University and Insead. Source: Visura
Robert Bergman
United States
1944
Over more than 50 years, largely outside the mainstream, Robert Bergman has pursued a vision of advancing psychological and philosophical depth in photography and of transcending the boundaries between painting and photography. In Toni Morrison's words in her introduction to his classic 1998 book A Kind of Rapture, his color portraits are "... a master template of the singularity, the community, and the unextinguishable sacredness of the human race." In his Epilogue to that book, the pre-eminent art historian, Professor Meyer Schapiro, wrote, "... his recent color portraits ... have no forerunners in photography. ... he has introduced the processes of unification, as in painting, with the search for harmony, movement, variety and distinction within it, beyond what I have ever seen in a photograph.... His finest works bring to mind some of the greatest painted portraits. ... truly profound works of art." Placing Bergman in the context of other, better known master American photographers, John Yau, poet, critic, and author of The United States of Jasper Johns, has said, "Diane Arbus, Robert Frank, Garry Winogrand, and William Eggleston. ...he is certainly in their league. ... One day Bergman will get credit for the richness of his photographs, the way they transcend image." Robert Bergman is currently producing a limited edition KEY SET of new master prints of 150-200 photographs that, together with the 51 A Kind of Rapture prints, will reveal the organic unity, the arc, of his creative journey: black & white street work of people and cityscapes; black & white portraits in nursing homes; black & white abstracts; hundreds of color portraits on the streets of American cities; and most recently, large-scale color abstracts. Bergman has had solo exhibitions at The National Gallery of Art in Washington, DC, MoMA/P.S.1 in New York, Minneapolis Institute of Arts, Yossi Milo Gallery in New York, and Michael Hoppen Contemporary in London. Group shows include the Amon Carter Museum of American Art, MoMA, the Ackland Art Museum in Chapel Hill, North Carolina, and the "Come Together: Surviving Sandy" exhibition in Brooklyn, NY. In addition to the collections of the Hill Art Foundation and Agnes Gund, President Emerita, MoMA, and numerous other individual's collections, Robert Bergman's work is in the permanent collections of the Amon Carter Museum of American Art, which recently acquired a vintage set of the 51 A Kind of Rapture color portraits, the Cleveland Museum, the Houston Museum of Fine Arts, the Minneapolis Institute of Arts, The National Gallery of Art, the 21C Museum in Louisville, KY. His work has also been highlighted in books, magazines, and newspapers in the United States, Great Britain, France, and Germany as well as on National Public Radio and the Public Broadcasting System. He received the Pollock-Krasner Foundation Grant in 2017.
Julie-Anne Davies
Julie-Anne’s earliest memories consist of lying on the carpet of her childhood home scouring through the pages of her father’s prolific National Geographic collection. Her mind was shaped at a young age by visuals of exotic far off lands, cultures completely unlike her own and wild creatures her imagination barely yet had the capacity to comprehend. On her 10th birthday she received her first camera and recalls a distinct sense of ‘knowing’ from that moment that photography was going to play a central and defining role in her life. In love with her rural home in the mountains of Western Canada, but unable to suppress her nomad heart, Julie-Anne has spent the past several decades traveling the world, often with her two young children in tow. She leads cultural photography tours for UK based Wild Images and is an expedition photographer and ‘Adventure Specialist’ (yes, this is her real job title) for the world’s largest outdoor female adventure company, Wild Women Expeditions. Her heart is drawn to remote and challenging to access corners of the world and in particular to regions where lives are still intricately and intrinsically tied to the land on which they depend. The human condition and how it is shaped by its relationship to nature drives an endless curiosity in Julie-Anne and forms the backbone of her photography work. Fascinated by cultural, religious and ethnic diversity, she is often driven by a sense of urgency to document within these remote parts of our planet ‘what still is’ before it becomes ‘what was’. In doing so, she hopes to play her part in contributing to a visual archive of the beautiful but rapidly vanishing cultural diversity among humanity. She is a five time exhibitor in the prestigious Atlas of Humanity project, an ethnographic showcase of the world’s diverse cultures in Paris, Milan and New York and has been featured in many international publications. At home, her energy is spent, other than with family, in photographing the stunning Canadian landscape and most recently shifting towards documenting our changing natural environment through film and storytelling. Wild Images Photo Tours Wild Women Expeditions
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All About Photo Awards 2026
Win a Solo Exhibition in February
All About Photo Awards 2026

Latest Interviews

Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry