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Thomas Hackenberg
Thomas Hackenberg
Thomas Hackenberg

Thomas Hackenberg

Country: Germany
Birth: 1963

Thomas Hackenberg was born in 1963 and lives in the German city of Braunschweig. With first strong influences going back to the work of Henri Cartier-Bresson and German photojournalist Thomas Hoepker, he describes himself as a street photographer today.

In the language business by profession and design, in street photography with his heart, Hackenberg characterizes himself as a classical flaneur-with-a-camera – though sometimes definitely more of a long-distance-runner, as he states. For him, a good picture must have a thought-provoking note, some humorous or quirky details, some kind of storyline. He likes pictures that pose questions rather than provide answers, and all of his photos are taken candidly. "What I like so much about street photography is the fact that you step out of the door, and you're right in it: no clumsy gear, you don't have to travel anywhere, you're always there. That's why it is so magical for me, many have said this before: It's positively an obsession! The big theater of life is always open with no closing hours." He also mentions the documentary aspect of street photography: The two old grannies he captured in 1991 in San Gimignano, Italy, one with the Hanimex 110 pocket camera: a time document today. As all the millions of smartphones today will be at some point in the future… Else, he feels drawn to social photography and photojournalism and likes to take photos at demonstrations.

Thomas Hackenberg's work was featured by resources and hubs such as EYESHOT, Lensculture, Street Photographers Foundation, and Street Sweeper Magazine. He received Finalist awards in the 2017 edition of the Street Foto San Francisco Festival, Siena International Photo Awards 2020, London Street Photography Festival 2020, Miami Street Photography Festival 2020 and won 3rd Prize in the Fujifilm Moment Street Photo Awards 2020 organized by the Center for the Promotion of Culture in Częstochowa, Poland.

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Websites

www.hackenberg.info

@thomas_hackenberg_photo

 

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More Great Photographers To Discover

Arthur Tress
Arthur Tress
United States
1940
Arthur Tress (born November 24, 1940) is an American photographer. He is known for his staged surrealism and exposition of the human body. Tress was born in Brooklyn, New York. The youngest of four children in a divorced family, Tress spent time in his early life with both his father, who remarried and lived in an upper-class neighborhood, and his mother, who remained single after the divorce and whose life was not nearly so luxurious. At age 12 he began to photograph circus freaks and dilapidated buildings around Coney Island in New York City, where he grew up. Tress studied at Abraham Lincoln High School in Coney Island, and gained a Bachelor of Fine Arts at Bard College in Annandale-on-Hudson, New York. After graduating from Bard College in 1962, Tress moved to Paris, France to attend film school. While living in France, he traveled to Japan, Africa, Mexico, and throughout Europe. He observed many secluded tribes and cultures and was fascinated by the roles played by the shaman of the different groups of people. The cultures to which he was introduced would play a role in his later work. Tress spent the spring and summer of 1964 in San Francisco, documenting the Republican Convention that nominated Barry Goldwater, civil rights demonstrations at segregated car dealerships on Van Ness Avenue, and the Beatles launching their 1964 tour. Tress took over 900 photographs that were put away and re-discovered in 2009, and featured in a show at San Francisco's deYoung Museum. He currently resides in San Francisco, California. Source: Wikipedia Arthur Tress began his first camera work as a teenager in the surreal neighborhood of Coney Island where he spent hours exploring the decaying amusement parks. Later, during five years of world travel, mostly in Asia and Africa, he developed an interest in ethnographical photography that eventually led him to his first professional assignment as a U.S. government photographer recording the endangered folk cultures of Appalachia. Seeing the destructive results of corporate resource extraction, Tress began to use his camera to raise environmental awareness about the economic and human costs of pollution. Focusing on New York City, he began to photograph the neglected fringes of the urban waterfront with a straight documentary approach. This gradually evolved into a more personal mode of “magic realism” combining improvised elements of actual life with stage fantasy that became his hallmark style of directorial fabrication. In the late 1960s Tress was inspired to do a series based upon children's dreams that combined his interests in ritual ceremony, Jungian archetypes, and social allegory. Later bodies of work dealing with the hidden dramas of adult relationships and the reenactments of male homosexual desire evolved from this primarily theatrical approach. Beginning in the early 1980s, Tress began shooting in color, creating room-sized painted sculptural installations out of found medical equipment in an abandoned hospital on New York's Welfare Island. This led to a smaller scale exploration of narrative still life within a children's toy theater and a portable nineteenth-century aquarium. Around 2002, Tress returned to gelatin silver, exploring more formalist themes in the style of mid- century modernism, often combining a spontaneous shooting style with a constructivist's sense of architectural composition and abstract shape. In addition to images of California skateboard parks, his recent work includes the round images of the series Planets and the diamond-shaped images of Pointers. Source: www.arthurtress.com
Elise Boularan
Elise Boularan
France
1984
Elise Boularan grew up in the South of France and has a Master's degree in Creation and Artistic Research from the University of Toulouse. She also studied photography at the Toulouse School of Photography. After finishing her academic research and studies, she moved to Paris. She currently lives between Paris and Toulouse, pursuing a career as a photographic artist.She develops a photographic work turned to the story, realizing images loaded with ellipses and silences. This work does not shy away from the world, but intends to build an interpretation, where something deaf, undefinable is very present. Her preoccupations concern the human reality of our time, trying to reveal what can be secret at the individual's.She has been published extensively and has exhibited in Europe and the USA, notably in Madrid, Denmark, and New York, as well as the French Institute of Ukraine, The Museum of New Art (Mona) and The Russell Industrial Center (Mona Detroit) in Detroit; the Instituto Cultural de México, San Antonio, Texas Hill Country, Usa. Her work is in several private collections.Elise Boularan works also for international & national press and collaborates with musicians and other artists, making the universe of songs match perfectly with her poetical vision.All about photo: When did you realize you wanted to be a photographer?I had already done specialized studies in photography, but I remember I really got caught by the photographer' syndrome when I was in Belgium.Do you spend a lot of time editing your images? For what purpose?After the shooting. there is a lot of work. I don't retouch a lot my images or give this impression... But I spend a great deal of time to select and to see which images work together. It's a difficult and very interesting work.The compliment that touched you most?Indeed, there is a compliment which particularly touched me some years ago in Paris. A compliment coming from one of my references photograph, a famous photographer who has a remarkable work. When we met us, she wanted to discover my work and it was unexpected for me to have compliments on my work from her. And the next day, she phoned me to thank me, because my work had motivated her to boost in her creations again. Is there another job you could have done?No, I don't think so. But it's a good question because we should make no mistake about it, the artistic crafts aren't easy so we can have this kind of questions. But my answer is no.
Chin Leong Teo
Chin Leong Teo
Singapore
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Chin Leong Teo is a Singapore citizen and an aviation professional. He pursued his college education in New York and California and spent a part of his working life resident in Jakarta, Shanghai, and Dammam (Saudi Arabia). The significant time he spent away from Singapore gave him a global perspective and the globetrotting desire to see the world. Currently he is residing in Fukuoka, Japan, where he holds the position of Chief Traffic Development Officer at Fukuoka Airport, the fourth largest airport by passenger traffic volume in Japan. Photography is Chin Leong's hobby and passion. He is interested in all photography genres, including street, travel, landscape, and nature photography. He is internationally published, and has been awarded some of the top accolades in the photography industry. These include being listed in the Photographic Society of America (PSA) 2018 Who's Who List as one of the world's top exhibitors, winning the prestigious Pangea Prize at Siena Awards 2019, and winning the inaugural ROAM Award for photography in the Discovery Category in 2019. In 2020, he won a Merit Award in All About Photos 2020 Awards, and a Honourable Mention Medal at the 80th International Photographic Salon of Japan. Chin Leong's photography philosophy is to capture "all things beautiful God created" and to continue to grow and evolve his photographic sense and acumen.
Damien Aubin
Damien Aubin
France
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A graduate of the École des Beaux-Arts, Damien Aubin develops a photographic language at the intersection of architectural study and sociological reflection. His process is rooted in rigorous technical standards, primarily utilizing the 4x5 large format camera and medium format digital systems. This choice of equipment dictates a specific relationship with time—a deliberate slowness that allows him to deconstruct the complexity of the structures he observes. By using a large format camera, he doesn’t merely capture an image; he constructs a perspective where geometric precision dialogues with the silence of space. His work questions the individual’s place. within monumental systems, seeking in every frame the fragile balance between built ambition and the inertia of the urban landscape.. Civilization is an ongoing body of work, conceived as an open and evolving series. Civilization This series explores environments shaped by human ambition, where structures operate at a scale that exceeds individual presence. Whether meticulously maintained, fully operational, or marked by abandonment, these spaces persist. I do not seek to document decay, but rather to observe how these architectural forms continue to impose their systemic logic, even when human activity has withdrawn. In these images, human presence recedes in favor of massive, organized structures. Within this apparent coherence, a subtle form of decoherence emerges — a misalignment between monumental scale and lived experience, between operational systems and the tangible reality of the body. I approach these environments from a distance, observing how structure prevails over function. The act of photographing becomes a way of remaining within this tension — of confronting what both attracts and unsettles me. What remains is not decay as an end, but inertia — a quiet persistence of civilization beyond its visible utility. Article Pyramiden
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David Octavius Hill
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David Octavius Hill was a Scottish painter, photographer and arts activist. He formed Hill & Adamson studio with the engineer and photographer Robert Adamson between 1843 and 1847 to pioneer many aspects of photography in Scotland. Hill was born in 1802 in Perth. His father, a bookseller and publisher, helped to re-establish Perth Academy and David was educated there as were his brothers. When his older brother Alexander joined the publishers Blackwood's in Edinburgh, Hill went there to study at the School of Design. He learned lithography and produced Sketches of Scenery in Perthshire which was published as an album of views. His landscape paintings were shown in the Institution for the Promotion of the Fine Arts in Scotland, and he was among the artists dissatisfied with the Institution who established a separate Scottish Academy in 1829 with the assistance of his close friend Henry Cockburn. A year later Hill took on unpaid secretarial duties. He sought commissions in book illustration, with four sketches being used to illustrate The Glasgow and Garnkirk Railway Prospectus in 1832, and went on to provide illustrations for editions of Walter Scott and Robert Burns. In the 1830s he is listed as living at 24 Queen Street, in Edinburgh's New Town. In 1836 the Royal Scottish Academy began to pay him a salary as secretary, and with this security he married his fiancée Ann Macdonald the following year. After the birth of their daughter, Charlotte Hill, Ann was invalided, and died on 5 October 1841, aged 36, and was buried with her family in Greyfriars Churchyard in Perth. Charlotte Hill went on to marry the author Walter Scott Dalgleish LLD and is buried in Grange Cemetery. During this period he lived at 28 Inverleith Row in Edinburgh's northern suburbs and he continued to produce illustrations and to paint landscapes on commission. Hill was present at the Disruption Assembly in 1843 when over 450 ministers walked out of the Church of Scotland assembly and down to another assembly hall to found the Free Church of Scotland. He decided to record the dramatic scene with the encouragement of his friend Lord Cockburn and another spectator, the physicist Sir David Brewster who suggested using the new invention, photography, to get likenesses of all the ministers present. Brewster was himself experimenting with this technology which only dated back to 1839, and he introduced Hill to another enthusiast, Robert Adamson. Hill and Adamson took a series of photographs of those who had been present and of the setting. The 5 feet (1.5 m) x 11.4 feet (3.5 m) painting was eventually completed in 1866. Hill moved to "Calton Hill Stairs" in 1850. Their collaboration, with Hill providing skill in composition and lighting, and Adamson considerable sensitivity and dexterity in handling the camera, proved extremely successful, and they soon broadened their subject matter. Adamson's studio, "Rock House", on Calton Hill in Edinburgh became the centre of their photographic experiments. Using the calotype process, they produced a wide range of portraits depicting well-known Scottish luminaries of the time, including Hugh Miller, both in the studio and outdoors, often amongst the elaborate tombs in Greyfriars Kirkyard. They photographed local and Fife landscapes and urban scenes, including images of the Scott Monument under construction in Edinburgh. As well as the great and the good, they photographed ordinary working folk, particularly the fishermen of Newhaven, and the fishwives who carried the fish in creels the 3 miles (5 km) uphill to the city of Edinburgh to sell them round the doors, with their cry of "Caller herrin" (fresh herring). They produced several groundbreaking "action" photographs of soldiers and - perhaps their most famous photograph - two priests walking side by side. Their partnership produced around 3,000 prints, but was cut short after only four years due to the ill health and death of Adamson in 1848. The calotypes faded under sunlight, so had to be kept in albums, and though Hill continued the studio for some months, he became less active and abandoned the studio, though he continued to sell prints of the photographs and to use them as an aid for composing paintings. In 1862 he remarried, to the sculptor Amelia Robertson Paton, 20 years his junior, and around that time took up photography again, but the results were more static and less successful than his collaboration with Adamson. He was badly affected by the death of his daughter and his work slowed. In 1866 he finished the Disruption picture which received wide acclaim, though many of the participants had died by then. The photographer F.C. Annan produced fine reduced facsimiles of the painting for sale throughout the Free Church, and a group of subscribers raised £1,200 to buy the painting for the church. In 1869 illness forced him to give up his post as secretary to the RSA, and he died in May 1870. Hill is buried in Dean Cemetery, Edinburgh - one of the finest Victorian cemeteries in Scotland. He is portrayed in a bust sculpted by his second wife, Amelia, who is buried alongside him.Source: Wikipedia
Tuan Nguyen Tan
Tuan Nguyen Tan
Vietnam
1983
My name is Nguyen Tan Tuan, born in 1983. I was born and raised in Central Vietnam. When I came to photography in 2015, I was fascinated with capturing the beautiful scenes of my homeland, especially the labor beauty of my people. The photographs of my homeland have brought me some success in international photo contests such as: SkyPixel Awards 2018 & 2019, 2 photo finalists of the 17th annual Smithsonian magazine photo contest, winner 35Awards (2016-2017-2018-2019-2020), Hero Sport Agora 2020, AAP Magazine #11 Travel , 3RD PLACE WINNER (PORTRAIT) MONOCHROME AWARDS 2020, The Pano Awards 2020...
Clark James Mishler
Clark James Mishler
United States
1948
I was introduced to photography while studying Advertising Design at the Los Angeles Art Center. My life as a photographer has was supplemented by book design and photo editing, including two years as a layout editor for the National Geographic Magazine in Washington D.C. My work has appeared in national and international publications including: Entrepreneur, GEO, National Geographic, National Geographic Traveler, National Geographic World, National Geographic Books, Newsweek, Smithsonian Air & Space, Sunset, Time, and U.S. News and World Report. I am now semi-retired and devoting my time to personal work with emphasis on black and white documentary projects. AAP Competitions All About Photo Awards 2025 AAP Magazine 55 Women Articles: Documenting The Alaska State Fair Traveling Circus American Christmas
Bernice Williams
Bernice Williams
United States
I was born in a small country town near Pittsburgh, PA, where I went to university and studied painting and sculpture. To be a painter was my dream! For several years I lived in Papua New Guinea and then moved to Sydney, Australia. In both places I worked with clay, mostly high-fired white earthenware, creating minimalist hand built forms. Eventually I returned to the U.S., first to New York City, and then to Chicago where I now live. I’ve come full circle and returned to my first love of painting, but now I paint with light! All About Photo Competitions AAP Magazine 39 Shadows AAP Magazine 56 Shadows
Nobuyoshi Araki
Nobuyoshi Araki
Japan
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Nobuyoshi Araki is a Japanese photographer and contemporary artist. He is also known by the nickname Arākī. He was born in Tokyo, studied photography during his college years and then went to work at the advertising agency Dentsu, where he met his future wife, the essayist Yōko Araki. After they were married, Araki published a book of pictures of his wife taken during their honeymoon titled Sentimental Journey. She died in 1990. Pictures taken during her last days were published in a book titled Winter Journey. Having published over 350 books by 2005, and still more every year, Araki is considered one of the most prolific artists alive or dead in Japan and around the world. Many of his photographs are erotic; some have been called pornographic. Among his photography books are Sentimental Journey (1971, but later reissued), Tokyo Lucky Hole (1985), and Shino. He also contributed photography to the Sunrise anime series Brain Powered. In 1981, Araki directed High School Girl Fake Diary a Roman Porno film for Nikkatsu studio. The film proved to be a disappointment both to Araki's fans, and to fans of the pink film genre. The Icelandic musician Björk is an admirer of Araki's work, and served as one of his models. At her request he photographed the cover and inner sleeve pages of her 1997 remix album, Telegram. More recently, he has photographed pop singer Lady Gaga. Araki's life and work were the subject of Travis Klose's 2005 documentary film Arakimentari. His works are held in numerous museum collections including the Tate and the San Francisco Museum of Modern Art.Source: Wikipedia Nobuyoshi Araki is a prolific photographer who has produced thousands of photographs over the course of his career. He became famous for Un Voyage Sentimental (1971), a series of photos depicting both banal and deeply intimate scenes of his wife during their honeymoon. A number of his works feature young women in sexualized situations: Kinbaku, a series from 1979, features 101 photographs of women in rope bondage. He typically works in black-and-white photography, and his hallmark style is deliberately casual. “Rather than shooting something that looks like a professional photograph, I want my work to feel intimate, like someone in the subject’s inner circle shot them,” he says. More recently, Araki has been working on a series titled Faces of Japan (2009-) in which the artist photographs 500 to 1,000 people in each of Japan’s prefectures.Source: Artsy Nobuyoshi Araki is a contemporary Japanese photographer known both for his prolific output and his erotic imagery. While sometimes focusing on quotidian subject matter, including flowers or street scenes, it is Araki’s sexual imagery that has elicited controversy and fascination. Similar to the work of Helmut Newton, Araki often addresses subversive themes—such as Japanese bondage kinbaku—in his provocative depictions of female nudes. “Women? Well, they are gods. They will always fascinate me. As for rope, I always have it with me. Even when I forget my film, the rope is always in my bag,” he said of his subject matter. “Since I can't tie their hearts up, I tie their bodies up instead.” Born on May 25, 1940 in Tokyo, Japan, he studied photography at Chiba University, before pursuing a career as a commercial photographer upon his graduation in 1963. In 1970, while working as a freelance photographer, he began to publish numerous photography books, including Sentimental Journey (1971), a visual narrative of the honeymoon with his wife Aoki Yoko. Araki currently resides in Tokyo, Japan, a city that has served as a constant source of inspiration throughout his career. Today, his works are held in the collections of the Institute of Design in Chicago, the Goetz Collection in Munich, and the San Francisco Museum of Modern Art, among others.Source: Artnet
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Call for Entries
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