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Neal Menschel
Neal Menschel

Neal Menschel

Country: United States

Neal Menschel has been a photographer for over 25 years. He has photographed five presidents and traveled the world covering third world politics and development, and environmental issues. He began his career as a photographer for the Anchorage Daily News in Anchorage, Alaska.  

As a freelance photographer, Neal’s clients have included The New York Times, Newsweek, MIT, Tufts, Wellesley College, People, Geo, Front Line, Yankee, as well as other publications and numerous corporate clients.

Neal also worked as an associate producer and sound recordist on a series of award-winning documentary films for WGBH-Boston, and WBZ-TV, Boston, additionally teaching photography/documentary photography at Boston University. Neal was the Director of Photography and Senior Photographer for the Christian Science Monitor. He has traveled extensively, both nationally and worldwide, specializing in third world politics and development, environmental issues, domestic politics, humanitarian, social, and cultural issues, always with a focus on people and matters of the "human heart."

Neal was the Director of Photography for the Salt Institute for Documentary Studies, a graduate and undergraduate training program in photography, radio, and writing, in Portland, Maine. Neal led their photography program for nine years before moving to the San Francisco Bay Area. Many of the students Neal has taught, mentored, and shared his passion for photography and visual storytelling are now successfully carrying on careers in photojournalism and fine art photography. Neal is currently working on a book about West Virginia culture.  He teaches in Stanford University's Continuing Studies Program while he continues his work as a photographer, journalist, teacher, and workshop instructor/leader.

Source: nealmenschel.photoshelter.com

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More Great Photographers To Discover

Achille Quinet
Achille Quinet
France
1831 | † 1900
Born in 1831, Achille Quinet was a successful photographer who operated a studio at 320 rue St Honoré, Paris from about 1869 to 1879. Although Quinet made photographs of the moments and architecture of Paris as well as a series of views of Italy, he is best known for his landscape, animals and figure studies, many of which were made in or around the town of Barbizon and the forest of Fontainebleau. These photographs, which were likely intended as aids to painters, are generally albumen prints mounted on blue card stock, with the stamp “Étude d’Après Nature’ as well as a red rubber stamp of his name. Some images are mounted on white stock with the blind stamp “A le. Quinet fils.” A member of the Sociéte Française de Photographie from 1876 to 1894, Quinet exhibited his work at the universal exhibition of 1878. Most of Quinet’s work is housed at the Bibliothèque Nationale, Paris, where he deposited his Etudes at the Depôt Légal in 1868, 1875, and 1877. Quinet’s work is occasionally confused with that of his contemporary, Constant-Alexandre Famin. While the pair made photographs with similar subject matter, general stylistic differences distinguish the two. It is possible that Quinet, acting as a publisher or dis- tributor, placed his own stamp on works made by Famin. After 1879, Quinet moved to Cély, near the Forest of Fontainebleau, where he died in 1900
Marcus Bleasdale
Marcus Bleasdale
United Kingdom
1968
Marcus Bleasdale is a British photojournalist, born in the UK to an Irish family. He spent over twelve years covering the conflict within the borders of the Democratic Republic of Congo and the work was published in his book One Hundred Years of Darkness, his second book The Rape of a Nation addressed the issues of the conflct being fuelled by natural resource exploration and was awarded the best photojournalism books of the year in 2009 by POYi in the USA. His work on human rights and conflict has been shown at the United States Senate, US House of Representatives, The United Nations and the Houses of Parliament in the UK. He works regularly with Human Rights Watch, Medecins Sans Frontieres and other NGOs to highlight health and human rights issues in several countries. He works to cover issues which are underreported by mainstream media. In 2007, Human Rights Watch and the Open Society Institute awarded Bleasdale a grant to continue his work on justice and accountability in the DRC. Bleasdale is currently based in Oslo, Norway with his wife Karin Beate and is an owner and member of VII Photo. Source Wikipedia
Robert Capa
Robert Capa
United States
1913 | † 1954
Robert Capa (born Endre Friedmann; October 22, 1913 – May 25, 1954) was a Hungarian war photographer and photojournalist as well as the companion and professional partner of photographer Gerda Taro. He is considered by some to be the greatest combat and adventure photographer in history. Capa fled political repression in Hungary when he was a teenager, moving to Berlin, where he enrolled in college. He witnessed the rise of Hitler, which led him to move to Paris, where he met and began to work with Gerta Pohorylle. Together they worked under the alias Robert Capa and became photojournalists. Though she contributed to much of the early work, she quickly created her own alias 'Gerda Taro' and they began to publish their work separately. He subsequently covered five wars: the Spanish Civil War, the Second Sino-Japanese War, World War II across Europe, the 1948 Arab–Israeli War, and the First Indochina War, with his photos published in major magazines and newspapers. During his career he risked his life numerous times, most dramatically as the only civilian photographer landing on Omaha Beach on D-Day. He documented the course of World War II in London, North Africa, Italy, and the liberation of Paris. His friends and colleagues included Ernest Hemingway, Irwin Shaw, John Steinbeck and director John Huston. In 1947, for his work recording World War II in pictures, U.S. general Dwight D. Eisenhower awarded Capa the Medal of Freedom. That same year, Capa co-founded Magnum Photos in Paris. The organization was the first cooperative agency for worldwide freelance photographers. Hungary has issued a stamp and a gold coin in his honor. Source: Wikipedia On 3 December 1938 Picture Post introduced 'The Greatest War Photographer in the World: Robert Capa' with a spread of 26 photographs taken during the Spanish Civil War. But the 'greatest war photographer' hated war. Born Andre Friedmann to Jewish parents in Budapest in 1913, he studied political science at the Deutsche Hochschule für Politik in Berlin. Driven out of the country by the threat of a Nazi regime, he settled in Paris in 1933. He was represented by Alliance Photo and met the journalist and photographer Gerda Taro. Together, they invented the 'famous' American photographer Robert Capa and began to sell his prints under that name. He met Pablo Picasso and Ernest Hemingway, and formed friendships with fellow photographers David 'Chim' Seymour and Henri Cartier-Bresson. From 1936 onwards, Capa's coverage of the Spanish Civil War appeared regularly. His picture of a Loyalist soldier who had just been fatally wounded earned him his international reputation and became a powerful symbol of war. After his companion, Gerda Taro, was killed in Spain, Capa travelled to China in 1938 and emigrated to New York a year later. As a correspondent in Europe, he photographed the Second World War, covering the landing of American troops on Omaha beach on D-Day, the liberation of Paris and the Battle of the Bulge. In 1947 Capa founded Magnum Photos with Henri Cartier-Bresson, David Seymour, George Rodger and William Vandivert. On 25 May 1954 he was photographing for Life in Thai-Binh, Indochina, when he stepped on a landmine and was killed. The French army awarded him the Croix de Guerre with Palm post-humously. The Robert Capa Gold Medal Award was established in 1955 to reward exceptional professional merit. Source: Magnum Photos
Edward S. Curtis
Edward S. Curtis
United States
1868 | † 1952
Born in 1868 near Whitewater, Wisconsin, Edward Sheriff Curtis became one of America's finest photographers and ethnologists. When the Curtis family moved to Port Orchard, Washington in 1887, Edward's gift for photography led him to an investigation of the Indians living on the Seattle waterfront. His portrait of Chief Seattle's daughter, Princess Angeline, won Curtis the highest award in a photographic contest. Having become well-known for his work-with the Indians, Curtis participated in the 1899 Harriman expedition to Alaska as one of two official photographers. He then accompanied George Bird Grinell, editor of Forest and Stream, on a trip to northern Montana. There they witnessed the deeply sacred Sundance of the Piegan and Blackfoot tribes. Travelling on horseback, with their pack horses trailing behind, they emerged from the mountains to view the valley floor massed with over a thousand teepees - an awesome sight to Curtis and one that transformed his life. Everything fell into place at that moment: it was clear to him that he was to record, with pen and camera, the life of the North American Indian. Edward S. Curtis devoted the next 30 years photographing and documenting over eighty tribes west of the Mississippi, from the Mexican border to northern Alaska. His project won support from such prominent and powerful figures as President Theodore Roosevelt and J. Pierpont Morgan. From 1911-1914 Curtis also produced and directed a silent film based on the mythology of the Rawakiutl Indians of the Pacific Northwest. Upon its completion in 1930, the work, entitled The North American Indian, consisted of 20 volumes, each containing 75 hand--pressed photogravures and 300 pages of text. Each volume was accompanied by a corresponding portfolio containing at least 36 photogravures.Source: www.edwardscurtis.com Edward S. Curtis was born near Whitewater, Wisconsin. His father, a Civil War veteran and minister, moved the family to Minnesota, where Edward became interested in photography. In 1892, Curtis purchased an interest in a photographic studio in Seattle. He married and the couple had four children. He later settled in Los Angeles, where he operated photographic studios at various times on La Cienega Boulevard and in the Biltmore Hotel. As a friend of Hollywood producer Cecil B. DeMille, Curtis was commissioned to make film stills of some of DeMille's films, including the epic, The Ten Commandments. In 1899, he became the official photographer for the Edward Harriman expedition to Alaska and developed an interest Native American culture. Curtis is best known for his documentation of Native American cultures published as The North American Indian. From about 1900 to 1930, he surveyed more than 100 tribes ranging from the Inuits to the Hopi, making more than 40,000 photographs. He made portraits of important and well-known figures of the time, including Geronimo, Chief Joseph, Red Cloud, and Medicine Crow. Source: Etherton Gallery
Maryam Ashrafi
Maryam Ashrafi
Iran
Maryam Ashrafi is a Paris-based Iranian photographer. Born in Tehran during the Iran and Iraq war, Maryam is passionate about sociology which led her to focus her interest on social and political issues. For several years, she worked on different subjects in Paris: from the mobilisation of the Kurdish and Iranian diasporas to riots following various social and political issues. Above all, as an independent freelance photographer who believes in long-term projects, she has covered the aftermath of wars from Kobani in Northern Syria to Sinjar in Iraqi Kurdistan from 2012 to 2018. Her work on Kurdish resistance movements has been the subject of several exhibitions and publications. Her first book “Rising among ruins, Dancing amid bullets” , which has won the PrixHip and Lucie Photo Book prize documents the consequences of war and the lives of civilians returning to their homes in Northern Syria and the autonomous Kurdistan region of Northern Iraq. Articles Rising among ruins, Dancing amid bullets AAP Magazine 40 Portrait
Mahmud Hams
Mahmud Hams
Palestine
1980
Mahmud Hams. I studied media and graduated in 2001. I have worked for the French Press Agency as a photojournalist since 2003. I covered many events for the agency in the Gaza Strip and neighboring countries, including sports. I won many international awards in the field of photojournalism and war coverage. I covered five wars on Gaza and all the stories. I study photojournalism at several universities.
Lisa Elmaleh
Lisa Elmaleh
United States
1984
Lisa Elmaleh is a landscape photographer who uses an 8 x 10" camera and the collodion on glass process. This process from the mid 1800's requires an on-site darkroom, which is built into the back of her truck. She attended the School of Visual Arts in New York, and became inspired by the historical landscape photographers of the American West such as Carleton Watkins and William Henry Jackson. By documenting the Everglades in Florida, an ecosystem that has lost most of the land to urban and agricultural use, Elmaleh hopes to preserve an essence of the Everglades. The freshwater flowing into the national park is engineered, making it an ecosystem on life support, "alive but diminished". The following images come from the series Everglades, Lonesome Valley, and American Folk.
Peter Ydeen
Peter Ydeen
United States
1957
Peter Ydeen is a photographer and artist currently living in Easton, Pennsylvania, working in New York City, and frequently traveling abroad. He works within the now-established tenet of Urban Landscape Photography, celebrating the complexity and beauty of the mundane world. Although his work draws inspiration from New Topographics, his photographs depart from its stoic aesthetic, embracing the ethereal layering typical of a romantic. His work is introspective and pictorial in nature, and has found inspiration in the poetics of George Tice, the playful lyricism of Paul Klee, the readymades of Marcel Duchamp, and the eccentric energy of Charles Burchfield—elements that seem to bring the work together as if in the setting of an E.T.A. Hoffmann tale. The thrust of Ydeen’s work has been the night series Easton Nights; however, he has also created several other series, including Waiting for Palms, shot in Egypt and Morocco; Commuter Motions, a motion study of his commute from Easton to New York City; Black White and Gray, a more traditional monochrome series also shot along the Interstate 78 corridor from Easton to New York; Valley Days and its subset Valley Days Rondels, a series of daylight shots in the Lehigh Valley; and finally, the ongoing series Away, which studies urban landscapes Ydeen encounters on his travels. All of these works have found their way into many books and publications, as well as into numerous creative exhibitions. Ydeen received his BA in painting and sculpture at Virginia Tech under Ray Kass, and his MFA in painting and sculpture at Brooklyn College (Fellowship) under Robert Henry, Phillip Pearlstein, and Alan D’Arcangelo, followed by a scholarship to the Skowhegan School of Painting and a fellowship to the Sculpture Center in NYC. Following his education, he made his way as a technician in a number of fields, including technical illustration, industrial set construction, display, architectural drafting, and model making. He was the Director of Joseph Zelvin Models, where he built finished models for many architects, including Philip Johnson, Michael Graves, and Robert Stern, and for several years ran the model shop for the visionary architect Emilio Ambasz, with many of Ydeen’s models being published and exhibited. This period of exacting craftsmanship later became an important foundation for his immersive three-dimensional photography installations and hand-built framing techniques applied to his many exhibits. After meeting his wife, the art dealer Mei Li Dong, and with the help of African art dealer and scholar Marc Leo Felix, they opened the gallery Arts du Monde Inc. in New York City, selling African, Chinese, and Tibetan art and presenting a number of important exhibitions. This experience furthered his knowledge of display, working with designers such as Joaquin Carter, as well as enabling him to handle a vast cross-section of art daily, providing a humbling lesson in the aesthetics and history of those traditions. Easton Nights Easton Nights is a story which grew from the unique and uncommon valley in which the city lies; and is told with the images of unpeopled landscapes taken at night. Here, in the small hours, the world we see as mundane, cascades into dream. Like a surreal scene from a Guillermo del Toro film, trash bins and Toyotas, stop signs and doorways; all become animated. They lean; they stretch, and emanate, all with umbrageous hues, which seem to exhale from the nights own personal color wheel. Scattered signs give the words, marking our place in time, while the geometries show our relentless effort to arrange our world in a box. These are our stages, with the houses our beehives, the machines our toys, and the doors our portals. Complete they are a mimesis of our daily life, as can only shown in the mystical emptiness of night. Then with the dawn comes the beginning, where we all wake, then act; all while these magical and romantic worlds return to sleep. WAITING FOR PALMS Waiting for Palms is a series of urban landscape photographs taken in two corners of North Africa—Morocco and Egypt—that reflect their contrasting peoples and places with a gestalt that is private and colorful, foreign yet familiar, and often fiercely guarded. The photographs capture a world brought inward only to reemerge through the landscapes' 'spirit of place,' where every corner is layered with an unusual elegance and underlying beauty—a waiting and wanting—all presented to us as if the seen world is built on top of a myriad of swallowed dreams. BLACK WHITE and GRAY Black White and Gray is a series of urban landscape photographs shot along the eighty mile I-78 corridor, beginning in Pennsylvania’s Lehigh Valley, traveling through a cross section of both desolate and urbanized New Jersey, and then landing in the core of New York City. These are Images living in the mid tones, which find their origins in the stoic tenets of New Topographics only to wander towards a more romantic embrace of the animism of our places; a quality so often unseen in our daily life. This is a Lewis Baltz industrial park with a Bertolucci perspective, or a Robert Adams trailer topped with a Fragonard Cloud. Here, geometry melds with movement, sometimes contorted. cluttered or even stretched like a rubber band, while still presenting a respect of the classic, formal and academic qualities of our built environment. There is an overlay of chimerical wonderment which reflects the dreams and concerns of the countless stream of unobservant passersby who traverse these spaces daily. Gray, both in tone and subject matter, this is a study built with tensions which then lay us down in an elegant romance, interacting with both the monumental shapes and structures which move from simplicity into the cacophony of our urban landscape. Commuter Motions Traveling from the industrial town of Easton, Pennsylvania, through sparsely populated western New Jersey, and into the cacophony of New York City, Commuter Motions is a photography series that develops from the experiential capture of an eighty-mile commute. By opposing the usual fixity of photography, the series attempts to capture the energy and movement of that commute using an almost Bergsonian approach, which, through time-lapse, builds images from segments of a continuous dynamic. These photographs are not about the specificity of a “decisive moment” but are more in line with the thoughts and theories of late 19th and early 20th-century artists, who were immersed in the concepts of perpetuity, fleeting moments, change, chance and dynamism. Time surfaces as a fourth verity, adding to Robert Adam’s three: geography, biography and metaphor. It is that fourth that which gives us not a moment in time, but instead, a cross-section of a continuum. The usually narrow focus of our memory is substituted with an accumulation of peripheral vision, which creates an image reflecting the gestalt of these movements, a gestalt we perceive and experience but do not visually remember. Through this unusual form of capture, Commuter Motions frames the labyrinth of oscillating movements of our highways, bridges, and cities into photographs that reflect the élan vital of our daily commute. Winner AAP Magazine 45 Travels
Zakaria Wakrim
Zakaria Wakrim
Morocco
1988
Zakaria Wakrim, born in 1988, lives and works between Spain and Morocco. His early photoworks were quite experimental, willing to explore perceptual human boundaries using all sort of experimental means. After being catalogued as one of the "Emerging Artists" in his homeland, he started applying his experimental means to create a deep reflexion around the concepts of Change and Identity. The result consists in layers of visual stories that have a narrative and a conceptual side. His visual research is constant; he believes that the photographic language is organic.His photo series are willing to occupy the narrative field, stories that give sense to local identity. The fast sense of change that is happening in North Africa blurs the frontiers between the old and the new. The intersection is hard to state as the old is easily forgotten and scavenged by the new. Documenting the sense of change, becomes a way to understand it better, in order to deal with identity as a starting point for culture.
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Latest Interviews

Exclusive Interview with Marijn Fidder
Interview
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Read the full interview
Exclusive Interview with Josh S. Rose
Interview
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
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Interview with Maureen Ruddy Burkhart
Interview
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
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Exclusive Interview with Peter Ydeen
Interview
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
Read the full interview
Exclusive Interview with Julie Wang
Interview
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
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Exclusive Interview with Ghawam Kouchaki
Interview
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
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Exclusive Interview with Tommi Viitala
Interview
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
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Exclusive Interview with Robert Mack
Interview
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
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Exclusive Interview with Alan Schaller About Irys
Interview
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
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Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry
© Fernando Morales Roca
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