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Chris  Yan
Chris  Yan
Chris  Yan

Chris Yan

Country: China
Birth: 1981

Chris Yan, photographer, Creative Director, was born in Beijing, China in 1981. After graduating from Communication University of China with a degree in art and design, he began to work in international advertising agencies such as Dentsu, JWT, and Leo Burnett as art director and creative director. In 2013 he founded his own company, focusing on commercial design and art creation, and began photography. He mainly explores humanities and street photography. For the past ten years, he has been photographing in different countries and currently he lives and works in Beijing.

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More Great Photographers To Discover

Jimmy Nelson
United Kingdom
1967
Jimmy Nelson, born in 1967, embarked on a transformative journey across Tibet at age 17, captured by English National Geographic. He became a photojournalist, covering war zones and producing "Literary Portraits of China" for Shell Oil. Later, he celebrated global diversity with "Before they Pass Away" and "Homage to Humanity. " Through his lens, Nelson immortalized indigenous cultures, inspiring cultural preservation and appreciation worldwide. James Philip Nelson, born in 1967 in Sevenoaks, Kent, led a diverse childhood marked by travels across Africa, Asia, and South America alongside his father, a geologist for International Shell. At 16, he developed Alopecia totalis, triggered by stress and malaria medication. A year later, he embarked on a two-year trek across Tibet, capturing the journey with a small camera. Upon his return, his images were published by English National Geographic. Subsequently, Nelson ventured into photojournalism, documenting war zones and later commissioned by Shell Oil for Literary Portraits of China. Transitioning to commercial advertising in 1997, he continued to document remote cultures. In 2010, Nelson embarked on his second book, Before they Pass Away, a three-year endeavor photographing over 35 indigenous tribes worldwide. Using a 50-year-old 4x5in camera, Nelson drew inspiration from Edward S. Curtis, aiming to romantically portray his subjects. He emphasized that the project was not about factual accuracy but rather his artistic interpretation of diversity and beauty. Tribes photographed included the Huli and Kalam tribes of New Guinea, the Tsaatan of Mongolia, and the Mursi people of Ethiopia's Omo River valley. Financing came from Dutch billionaire Marcel Boekhoorn, resulting in a published book with photographs, texts, and limited editions. In September 2018, Nelson released his third book, Homage to Humanity, featuring over 400 photographs showcasing 30 indigenous cultures. The book includes interviews with tribal members, infographics about the depicted locations and cultures, and an application incorporating 360° film material linked to the images, along with behind-the-scenes videos and travel background information. Nelson collaborated with assistant Stephanie van der Wiel, whom he met at Leiden's National Museum of Ethnology. "Homage to Humanity" aims to be more inclusive than Nelson's previous work, addressing criticisms of his earlier book, "Before they Pass Away." Papuan chief Mundiya Kepanga emphasizes in the foreword the importance of preserving cultural values and identity for future generations.
Robert Hecht
United States
1941
For over fifty years, Robert Hecht has been a dedicated fine art photographer. He is largely self-taught, having learned his craft primarily by studying the prints and books of many of the medium's greats, and then by attempting to apply what he absorbed from them in the darkroom (and later in the digital darkroom). In addition, he studied briefly with photographer and teacher Ruth Bernhard in the 1970's, and considers that experience meaningful for giving him direct contact and exchange of ideas with a master. His work has been exhibited internationally, purchased for both private and public collections, and showcased in many of the leading photography periodicals. Professionally, he has worked primarily as a producer-director of educational film and video programs, first at Stanford University and then in his own video production business for the past several decades. He and his wife live in Portland, Oregon. Statement I consider photography a way, if you will, to bring my experience of the visual world into clearer focus. Practicing the art of photography, which I consider a way of life in and of itself, has heightened my awareness of how in our everyday lives we are constantly surrounded by interesting subject matter. In contrast, during my early years of doing this work, I looked mainly to the classic landscape for inspiration, often pursuing dramatic vistas with large-format cameras. However, over time I came to see that I do not necessarily have to "go out shooting" or travel to impressive locales to find subjects—rather, I merely have to keep my eyes open to what is right here around me in my immediate environment and, without actually searching for a picture, simply be prepared should a picture jump out of the random visual chaos and present itself to me. This shift in focus has led me to a more spontaneous approach to making images, often enabling me to find great beauty in the most mundane materials at hand.
Joel Meyerowitz
United States
1938
Joel Meyerowitz is an award-winning photographer whose work has appeared in over 350 exhibitions in museums and galleries around the world. He was born in New York in 1938. He began photographing in 1962. He is a “street photographer” in the tradition of Henri Cartier-Bresson and Robert Frank, although he works exclusively in color. As an early advocate of color photography (mid-60s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance. His first book, Cape Light, is considered a classic work of color photography and has sold more than 100,000 copies during its 30-year life. He is the author of 17 other books, including the newly released book by Aperture, Legacy: The Preservation of Wilderness in New York City Parks. In 1998 he produced and directed his first film, POP, an intimate diary of a three-week road trip he made with his son, Sasha, and his father, Hy. This odyssey has as its central character an unpredictable, street-wise and witty 87-year-old with a failing memory. It is both an open-eyed look at aging and a meditation on the significance of memory. Within a few days of the 9/11 attacks on the World Trade Center in New York, Meyerowitz began to create an archive of the destruction and recovery at Ground Zero and the immediate neighborhood. The World Trade Center Archive consists of over 8,000 images, and was created with the sponsorship of the Museum of the City of New York, to whom a set of digital files was donated for their archives and for exhibition. The Archive is an historic, photographic record of the immediate aftermath of the tragedy and the neighborhood as it evolved. The U.S. Department of State mounted 35 exhibitions of this work and they were shown around the globe from their inauguration by Colin Powell in Spring 2002 until 2005. Over 4 million people have seen these shows from Jerusalem to Islamabad, Rome, Paris, London, Kuwait, Moscow, Istanbul, and 200 other cities. Meyerowitz’s photographs from the World Trade Center Archives were also on view when he represented the United States at the 8th Venice Biennale for Architecture in 2002. Meyerowitz created a traveling exhibition of 117 vintage and modern prints entitled Out of the Ordinary 1970-1980, which premiered at the Jeu de paume in Paris, France. It has been exhibited at the Museum der Modern in Salzburg, Austria, and the Nederlands Fotomuseum in Rotterdam, the Netherlands, the Musee de la Photographie in Charleroi, Belgium and the Thessaloniki Museum of Photography in Thessaloniki, Greece Meyerowitz completed the ambitious project of documenting and creating an archive of New York City’s 29,000 acres of parkland. It is the first long-term visual documentation of NYC parks since the 1930’s when they were photographed as part of Franklin Roosevelt’s WPA program. Adrian Benepe, Commissioner of Parks and Recreation, has invited Meyerowitz to produce a comprehensive database for future use by the Parks department and to share these images of the parks with communities in all 5 boroughs. Legacy: The Preservation of Wilderness in New York City Parks was published by Aperture in the fall of 2009, accompanied by a large-scale exhibition of the same name at the Museum of the City of New York. Meyerowitz is a two-time Guggenheim fellow, a recipient of both the NEA and NEH awards, as well as a recipient of the Deutscher Fotobuchpreis. His work is in the collection of the Museum of Modern Art, the Boston Museum of Fine Arts and many others. Source: Wikipedia
Norman Seeff
South Africa
1939
Ex-medical doctor, Norman Seeff, emigrated from South Africa to the United States in 1968 to pursue a new career as a photographer, designer and filmmaker. After three-years in New York capturing stunning images of Robert Mapplethorpe, Patti Smith, Andy Warhol, Richard Bernstein, Johnny Winter, James Taylor and The Band, he relocated to Los Angeles as Art Director at United Artists Records. Two years later he established his own studio and focused on photographing and documenting artists and innovators in the act of creation in the context of his sessions. Seeff has worked with hundreds of renowned artists and innovators including Ray Charles, The Rolling Stones, Miles Davis, Ike & Tina Turner, Michael Jackson, Joni Mitchell, James Taylor, Martin Scorsese, John Huston, Billy Wilder, Sir Francis Crick, Steve Jobs, Will.i.am, Alicia Keys and many others; including Nobel Laureates, space scientists and engineers. The authenticity of his images reflects his skills as a communicator and his ability to create an environment for artists and innovators conducive to the revelation of how they function creatively. This has enabled him to capture the very essence of his subjects. Utilizing his vast archive of images and over 1000 hours of film and video documenting his sessions, Seeff’s work is currently focused on the exploration of the inner dynamics of creativity as it applies to personal and collective creative excellence.Source: Morrison Hotel Gallery South African photographer, Norman Seeff is known for his outstanding black and white photographs of celebrities such as Steve Jobs, Tina Turner, Joni Mitchell, Patti Smith, Andy Warhol, Miles Davis, and many more. His work focuses on the exploration of human creativity and the inner dynamics of the creative process. “My whole thing was, it’s not about photography- it’s about communication,” Seeff tells Rolling Stone. Norman Seeff was born in 1939 in Johannesburg, South Africa. Seeff qualified as a medical doctor in 1965 ad for three years he worked in emergency medicine at the Chris Hani Baragwanath Hospital in Soweto, focusing on the management of traumatic shock. In 1968 Seeff took a turn in his career and immigrated to the United States to pursue his creative passions and artistic abilities. Shortly after Seeff arrived in New York City, his photographs of the life he encountered on the streets of Manhattan were discovered by graphic designer, Bob Cato. Cato was the former Vice President of Creative Services at Columbia Records. Cato became an important mentor to Seeff and gave him his first major photographic assignment producing images for The Band’s Stage Fright album. Seeff’s iconic image of the group was reproduced as a poster inserted in the album, which when unfolded, became a popular collectors’ item. Seeff relocated to Los Angeles at the end of 1971 to become the creative director of United Artists Records. His innovative approach to collaborative art-direction resulted in multiple Grammy Award nominations for graphic design. In 1973 Seeff opened an independent studio on the strip on Sunset Boulevard. His photographic sessions became legendary. For Seeff, the session became the art-form itself, transforming into a multi-disciplinary process of photography, filmmaking and creative communication. Seeff’s first solo exhibition was at the Morrison Hotel Gallery in New York and featured photos and videos from these sessions.Source: Jackson Fine Art
Kamil Vojnar
Czech Republic
1962
Kamil Vojnar was born in the former Czechoslovakia in 1962. He studied at the School of Graphic Arts in Prague and began his career as a Graphic Designer. He left the country illegally (still Communist at the time) and moved to Vienna, and then eventually became a US citizen and finished his studies at the Art Institute of Philadelphia. He continued his career in Graphic Design which later led to illustration and imagery based on photography, working mostly for book and music publishing houses in New York City. At the same time, he continued to make his own imagery. After meeting his partner and having children, going back and forth between France and New York, they finally settled in St. Remy de Provence in South France where Vojnar has concentrated on his own work since 2005. He opened up an Atelier in St. Remy and then one in Paris in 2009, both of which carry his own work.His work consists of images digitally layered from many different photographs and textures. They are mixed-media archival prints on fine art paper or mounted on canvas. Some of his images are layered pictures printed on semitransparent Thai paper. These unique photomontages are then varnished with oil and wax, and on occasion painted with oil paints. Kamil, as a painter, points out, “In a painting, you can paint anything you want. In the photographic [medium], it must, on some level, exist first. That tension between what exists and what is made up is what interests me.” Thus, his images are often subject to very different interpretations (Source: Verve Gallery) About ElsewhereWell, … why … why "e l s e w h e r e"…?Because, … not really here, because not there or … over there, because … somewhere else, … "e l s e w h e r e"!!!In thousand years old small town in south France, I have little studio, tiny Gallery, up on the main street.People from all around the world come to this town. They walk it's ancient streets. Some see my place, some walk in and look around.And they ask … why, … the sky outside is blue, … the buildings ochre yellow, the olive trees pale green, … why are those pictures musty, sepia, dark. Why is their soul heavy? What happened? What has happened to me!And I say … I don't know, … they come to me that way. They are not really from here, they are not so much from there. They arrive from ..."elsewhere". I am just a pair of hands making them happen.I didn't look for them, I didn't choose them. They came to me, … they choose me!Artist? No. … Common' I am no Artist! I just make those little pictures. Just because they happen to me.And because … I cannot do anything else. I cannot do anything else, at least, until every last of them is out, … done.Just a pair of hands I am. Always struggling to let the image out. Always behind in my ability to execute on the paper what pours from ..."elsewhere", via my mind, my heart.It feels like, … really I have no personal connection to those pictures. I am not guilty.Don't ask me what they are, … what they mean. I don't know.Like orphaned kids, I collect them, feed them to grow.They have to be done. They have to get out there.If not me, … then who?Some are easy. Impatiently they bursting out into the openOthers play hide and seek. They leave a hint, they take me all over wrong paths, all around. They let me sweat, they let me freeze. They drag me through dry, dusty deserts, soak me in deepest seas. My shirt is bloody. My face is wet. Sometimes … sometimes I cry. Pure impossibility overwhelms me. Impossibility to make them happen as they appear to me. In their translucent light, through the tears, I see them, … I almost see them.No, I am no Artist. I just … I am just trying to do, … what I … almost … see.Yes, it's true! … I am making one picture over and over again.The same sofa, the same dress, the same image of Jesus on the wall in the background, as I have had throughout my childhood.Wings? … Yes, sometimes, there are wings. But those who carry them, they are no angels.They just want to be free. Pair of wings is like a passport to get away. To get to … elsewhere.E l s e w h e r e, … they say, it's not the destination, it's the journey, that counts.Therefore my little pictures are the humble documentation of that journey.They are the journey!Journey to … e l s e w h e r e!
Yelena Zhavoronkova
United States
1956
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