Photo Book

An expanded chronology charting Todd Hido's career, with ten years of new work.

Well known for his photography of landscapes and suburban housing, and for his use of detail and luminous color, acclaimed American photographer Todd Hido casts a distinctly cinematic eye across all that he photographs, digging deep into his memory and imagination for inspiration. Newly revised and expanded, Intimate Distance: Over Thirty Years of Photographs, A Chronological Album includes ten years of new work since the book's first publication, including breathtaking new images from his travels to Iceland, Norway, and Japan, where he brings both a familiar eye and an expansive new vision.

Though Hido has published many smaller monographs of individual bodies of work, this gathers his most iconic images, along with many unpublished works to provide the most complete and comprehensive monograph charting his career. The book is organized chronologically, showing how his series overlap in exciting ways. David Campany introduces the work and looks at the kind of cinematic spectatorship the work demands. And Katya Tylevich muses on the making of each of Hido's major monographs, "The photographs lead as far as human-made roads go. They reach the periphery of utility wires, footprints, and paths already taken." From exterior to interior, surface observations to subconscious investigations, from landscapes to nudes, from America and beyond, this midcareer collection reveals how his unique focus has developed and shifted over time, yet the tension between distance and intimacy remains.

The fourth chapter of the celebrated series The Day May Break by the renowned photographer Nick Brandt, featuring Syrian refugee families, displaced by climate change in water-scarce Jordan

This is the fourth chapter of The Day May Break, photographer Nick Brandt's global series portraying people and animals impacted by climate change and environmental degradation. The series was photographed in Jordan, one of the most water-scarce countries in the world. It features rural Syrian refugee families currently living there, whose lives have been seriously impacted by droughts intensified by climate change. Living lives of continuous displacement, they are forced to move their homes up to several times a year, moving to where there is available agricultural work, to wherever there has been sufficient rainfall to enable crops to grow. The photographs show the families' connection and strength in the face of adversity, that when all else is lost you still have each other. The boxes on which the families gather aim skyward, pedestals for those in our society that are typically unseen and unheard.

Photographer Ed Kashi’s passion is long-term documentary projects that immerse him in issues that need attention or people’s lives whose struggles warrant concern. He has had a lengthy and varied career with National Geographic and other major magazines, traveling around the world to tell visual stories.

Kashi’s archive, now housed at the Briscoe Center for American History at the University of Texas at Austin, houses many of his personal memories and the experiences attached to the creation of those images. More than a simple repository of images, the archive is a growing, thriving, and continually evolving organism, a living library with immense value.

Through his photography, Kashi has had an intimate, front-row seat to witness and record major events in history. His work has been a passport to worlds unseen, unveiling issues that need illumination, documenting history in the making, and capturing the human experience and the many awe-inspiring places in our fragile world. A Period in Time is a testimony to some of Kashi’s most memorable stories—people he has been privileged to observe and learn from and the places and narratives that have shaped his life, all captured one moment at a time.

An unflinching exploration of aging from one of the twentieth century’s most influential photographers

For more than half a century, Richard Avedon sought to represent advancing age in the faces of the people he photographed. From his earliest years at Harper’s Bazaar and Vogue through to the twenty-first century, Avedon routinely and audaciously broke the rule of flattering public personalities in his portraits. Instead, he chose to highlight the onslaught of what he called the “avalanche of age,” dramatizing the universal experience of getting older.

Accompanying a groundbreaking exhibition at The Image Centre at Toronto Metropolitan University and The Montreal Museum of Fine Arts, Immortal is the first book to delve into Avedon’s unflinching representation of aging throughout his career.

This elegant hardcover volume features nearly 100 portraits of cultural luminaries, each printed in striking tritone, such as Michelangelo Antonioni, Truman Capote, Marcel Duchamp, Duke Ellington, Toni Morrison, Patti Smith, and Stephen Sondheim, as well as one of Avedon’s last self-portraits. Texts by a star-studded cohort of authors, including Vince Aletti, Adam Gopnik, Paul Roth, and Gaëlle Morel, shed new light on an under-represented element of Avedon’s practice.

Thoughtfully edited and beautifully produced, Immortal testifies emphatically to the determination with which people confront the relentless advance of mortality.