Monographs & Art Books / J

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800Spectacular images from one of the most celebrated wildlife photographers in a much-anticipated photo book. Jarque Krebs focuses his lens on this fragile natural world to draw attention to its precarious situation.

76"The emotion I felt the first time I saw the images of the Homeless project was something which one rarely experiences in front of photographs. This might be because these are only apparently photographs. Sure, the means used is a camera; certainly, on the other side of the lens there is a reality. On the bodies and faces portrayed the signs of devastation due to an existence without any warmth, apart from that given by alcohol or drugs; bodies torn to pieces by the violence of the streets on a daily basis. What is left of such a person? And yet, in these eyes rejected by the world there is a Light, an otherworldly Light, a Light with violent flashes, that apart from pain talks about elation, truth and wisdom, bitter and infinitely sweet like the taste of freedom. The Light, “this” Light with which Lee Jeffries portrays those without a home, without a land, without anything, is the same Light that emerged from the faces of sinners, saints, common men and women painted or sculpted in marble at the feet of the Divine, be it Christ or the Virgin Mary, by artists such as Caravaggio, Leonardo, Michelangelo, Bernini, and in the greatest art pieces of European Renaissance and Baroque. Rather than photography, this is Sacred Art, And this is what remains of Jeffries’ divine tragedy: the Sacred, the real meaning of being Human, too Human, in the descent towards the netherworld and return to Heaven."
-- Giovanni Cozzi

96Featuring the most prominent names in contemporary Chinese photography, these pocket-sized monographs explore the extraordinary diversity of the genre and showcase a creative, liberated, and unique artistic perspective. The collections present an obscure tableau of modern Chinese society, from magnificent landscapes and never-before-seen industrial compounds to the desires of China’s new youth and its growing sociopolitical challenges. The imagery from some of the most exciting artists working today—including “the invisible man” photos of Liu Bolin and the world-famous coal miner portraits of Song Chao—is prefaced with a concise essay that explains the background and inspiration of each featured photographer.

Chen Jiagang has taken the former industrial compounds built in central cities of China during the sixties (the Third Front) as the subject matter of his first bodies of work. Trying to capture the specters of industry that still reside there, his pictures tell the sad story of these cities, which in their time were the incarnation of the social ideal, the glory of the country but which have since become useless industrial cemeteries and endless wasteland Making use of an extremely large format camera, Chen Jiagang is fully engaged in a realist but narrative documentation of abandoned and desolate landscapes and the scars left by time and neglect on such regions.

96Capturing another side of China, a country currently experiencing one of the highest rates of development in the world, Chen Jiagang's sumptuous, large-scale color photographs of monumental industrial wastelands make us question the usefulness, or absurdity, of the mad development that humans so intrinsically pursue.

831Stockholm. It is impossible to evade your beauty, vulnerability and vanity. And your flaws. Your rottenness. I visit places where you bleed, I am there picking your scabs. Sometimes I grow tired of you and your easily broken promises. But I never give up on you. Your streets have always offered me direction. Walking here today, I stumble on old memories. - Simon Johansson

831The sound of the Öland Bridge expansion joints against the tyres. The first years, when the bridge was new, islanders would come out in droves along the road to look at the invasion of the mainlanders. They don’t anymore. Apart from that most things have kept the same, time runs slower here. I see friendship, happiness, love, a breakup and a sorrow. There is so much ugliness here. So much beauty. - Simon Johansson

713The US American photographer Jamie Johnson has been traveling around the world for twenty years and is best known for her touching portraits of children. When she came to Ireland for the first time in 2014, she immediately felt connected to the cosmos of the Irish Travellers and would visit and photograph them time and again for five years. The encounter with the children of this extremely poor and socially discriminated population group fascinated her and even changed her views as a mother. Fascinated by the resilience and optimism of the children, who are proud of the culture and traditions of the Irish Travellers, Johnson’s portraits aim to promote the perception and respect of children as such, far removed from the common prejudices of society.

1375Introductory text by Mark Haworth-Booth. An interesting collection of 81 tritone images by Colin Jones. Jones began his career as professional dancer but eventually transitioned to photography and with this collection he examines jobs that require hard labour like dancing, coal mining, and dock workers.

1147"The Earth is the cradle of humanity, but who wants to spend his life in a cradle?" Konstantin Tsiolkovsky

The Baikonur Cosmodrome in Kazakhstan was created by the Soviets in the 1950s. It was from Baikonur in 1988 that the first Soviet spaceplane, Buran, was launched, in response to the United States Space Shuttle.

The Buran programme would officially end in 1993 during the presidency of Boris Yeltsin, with only one Buran launch ever taking place - in 1988. Thereafter, parts of the Baikonur Cosmodrome fell into disuse, notably the sites connected with the launch of these Soviet craft. The two shuttles that were completed remain abandoned there, laid to rest in this atmospheric place.

This is the first time that photographs of these spectacular locations have been published in a book.

Jonk travelled 20km through the Kazakh desert under cover of night, entered the hangars clandestinely, and spent three nights there under the radar of military security to produce a truly incredible photographic reportage of what is considered today the world's most important urban exploration site.

1147Naturalia is a curated collection of images showcasing urban ruins reclaimed by nature. Ornate country mansions, luxury modernist designer homes, stone churches, farm holdings, factories, institutions, private homes, train stations, planes, cars, tanks, trains, palatial courtyards, plantation mansions, spaces of work and play, life and death, all in the vivid processes of reclamation. A wide range of architectural styles from classical to hyper-modern are pictured in the grip of wild, resurgent nature. - Jonathan Jimenez (jonk)

1147Spomeniks literally meaning 'Monuments' in Serbo-Croatian, look like spaceships conspicuously parked up in the middle of nowhere, alien to their surroundings, their bizarre beauty deriving from both their location and imaginative symbolism. Follow in the footsteps of French photographer Jonathan 'Jonk' Jimenez as he tries to track down these super-sized public structures. Once numbering in their thousands and attracting hundreds of thousands of visitors every year, in particular 'young pioneers' for their communist and patriotic education. Pushing architecture to its limits, Spomeniks are what happens when brutalism, symbolism, space age aesthetics and abstraction meet.

1147French edition

1267This text is a retrospective of Jean-Francois jonvelle's work about the world of women. It covers the 1983 - 1999 years, and contains famous portraits and nudes which made him a star in France, Germany and Japan.

1267Jean-François Jonvelle was born in the Provençal town of Cavaillon in 1943. After working as assistant to American photographer Richard Avedon, Jonvelle turned freelance. He always worked around women, admitting freely that his only subject was the women he loved. "When I photograph a woman," he used to say, "I want her to know that she is the most beautiful woman on earth, because a women who feels beautiful really is the most beautiful woman in the world." Collected here are 100 of Jonvelle’s best photographs of women, his ode to femininity.

772In a continuation of Dave Jordano's critically-acclaimed Detroit: Unbroken Down (powerHouse Books, 2015), which documented the lives of residents, Detroit Nocturne is an artist's book not of people this time, but instead the places within which they live and work: structures, dwellings, and storefronts. Made at night, these photographs speak to the quiet resolve of Detroit's neighborhoods and its stewards: independent shop proprietors and home owners who have survived the long and difficult path of living in a post-industrial city stripped of economic prosperity and opportunity.

In many rust-belt cities like Detroit, people's lives often hang in the balance as neighborhoods support and provide for each other through job creation, ad-hoc community involvement, moral and spiritual support, and a well-honed Do-It-Yourself attitude. With all the media attention about Detroit's rebirth and revival, it is important to note that many neighborhoods throughout the city have managed to survive against the odds for years, relying on local merchants and businesses that operate on a cash only basis who have stuck it out through decades of economic decline.

Determination and a strong sense of self-preservation: Detroit's citizens manage to survive by maintaining a healthy sense of connection without the fear of giving up. All of these places of business and residences, whether large or small, are in many ways symbols representing the ongoing story that is Detroit, and a testament to the tenacity of those who are trying desperately to hold on to what is left of the social and economic fabric of the city. These photographs speak to that truth without casting an overly sentimental gaze.

These nocturnal images offer a chance to view the locations in an unfamiliar light, and offer a moment of quiet and calm reflection.

772Dave Jordano returned to his hometown of Detroit to document the people who still live in what has become one of the country's most economically challenging cities. Against a backdrop of mass abandonment through years of white flight, unemployment hovering at almost three times the national average, city services cut to the bone, a real estate collapse of massive proportions, and ultimately filing the largest municipal bankruptcy in U.S. history, Jordano searches for the hope and perseverance of those who have had to endure the hardship of living in a post-industrial city that has fallen on the hardest of times.

From the lower Southeast Side where urban renewal and government programs slowly became the benchmark of civic failure, to the dwindling enclaves of neighborhoods like Delray and Poletown (once blue-collar neighborhoods that have all but vanished), Jordano seeks to dispel the popular myth perpetrated through the media that Detroit is an empty wasteland devoid of people. He encounters resolute individuals determined to make this city a place to live, from a homeless man who decided to build his own one-room structure on an abandoned industrial lot because he was tired of sleeping on public benches, to a group of squatters who repurposed long-abandoned houses on a street called Goldengate. Jordano discovers and rebroadcasts a message of hope and endurance to an otherwise greatly misunderstood and misrepresented city. Detroit: Unbroken Down is not a document solely about what's been destroyed, but even more critically, about all that has been left behind and those who remain to cope with it.

989No superhero is a series of work by the acclaimed Scandinavian artist, Ole Marius Jorgensen. The work features meticulously staged, cinematic photographs that depict seemingly ordinary situations which are then infused with a juxtaposed narrative. This unlocks an unexpected and unique world that feels both old and new.

258In French BUT it doesn't really matter because of the richness and quality of the book (only 5 pages of texts out of 220).

1289For over 50 years, Josephson has been using photography to explore ideas about how we view reality. Formally trained under Aaron Siskind and Harry Callahan, Josephson taught at the School of the Art Institute of Chicago from 1960 to 1997. During his career, he has produced an impressive array of work, ranging from stunning black-and-white prints to striking assemblages to humorous Polaroids and has been exhibited widely in America and internationally. This book serves as a retrospective of his many experiments and inquiries into the nature of photography, including several extensive series and other pieces being published for the first time. The photographs are framed by informative essays by curator Wolf and critic and author Andy Grundberg and a chronology and interview by Stephanie Lipscomb, a research assistant at the Art Institute. The result is not only an exciting explication of Josephson's endless curiosity but also an important discussion of photography as a modern, flexible, and fully expressive artistic medium. This book is warmly recommended for large public and academic libraries and would make an affordable addition to smaller local collections.

1289In 1973, renowned conceptual photographer Kenneth Josephson photographed a sliced loaf of bread from one end to the other to create The Bread Book. A deceptively simple object—photographs of the fronts and backs of ten slices of bread, sandwiched between the heels of the loaf with no accompanying text—this artist’s book raises fascinating questions about the nature of photography and its ability to transform an object into an idea or concept, while creating yet another object: the book itself. Reviewing The Bread Book in afterimage, Alex Sweetman proclaimed that “the result of this act of transformation is that the original loaf no longer functions as a loaf of bread, but as a self-contained book considering the ideas of sequence and illusion in relation to the photographic medium.” Originally published in an edition of 1,800 copies, The Bread Book has been out of print and greatly sought after for many years. This new edition is limited to 250 copies, each signed by Kenneth Josephson.

1289Kenneth Josephson is one of the foremost conceptual photographers in America. Since the early 1960s, when institutions such as MoMA privileged photography in the documentary mode, Josephson has championed the photograph as an object "made," not taken, by an artist pursuing an idea. Using innovative techniques such as placing images within images and including his own body in photographs, Josephson has created an outstanding body of work that is startlingly contemporary and full of ideas that stimulate the digital generation—ideas about the nature of seeing, of "reality," and of human aspirations, and about what it means to be a human observing the world.

Over the past two decades, French artist JR has massively expanded the impact of public art through his ambitious projects that give visibility and agency to people around the world. Showcasing the full scope of the artist's career, JR: Chronicles accompanies the first major exhibition in North America of works by the French-born artist. Working at the intersections of photography, social engagement and street art, JR collaborates with communities by taking individual portraits, reproducing them at a monumental scale and wheat pasting them―sometimes illegally―in nearby public spaces.
This superbly produced volume traces JR's career from his early documentation of graffiti artists as a teenager in Paris to his large-scale architectural interventions in cities worldwide, to his more recent digitally collaged murals that create collective portraits of diverse publics. The centerpiece of the accompanying exhibition is The Chronicles of New York City, a new epic mural of more than 1,000 New Yorkers. Also included are previously unseen murals set in Brooklyn; Face 2 Face, diptychs of Israelis and Palestinians in Palestinian and Israeli cities; Women Are Heroes, featuring images of the eyes of women gazing back at their communities in numerous countries; The Gun Chronicles: A Story of America, JR's complex work on guns in America; and other equally famous works.

Nausea- taken from the title of Sartre's 1938 existential novel-is a body of photographs that registers the interiors of public schools in Baton Rouge, Louisiana and Atlanta, Georgia from 1990-92 by American photographer Ron Jude. Departing from mere documentation, Jude lures us into peering through windows, doorways and crevices of walls into empty classrooms and corridors, as we become increasingly conscious of the perils of our own gaze and the uncertainty of looking. Nausea established the building blocks for the next twenty-five years of Jude’s photographic output, including Other Nature, Alpine Star, Lick Creek Line and Lago.