Photography Art Books - Letter A  

Changing New York
Publisher: The New Press
Year: 2008 - Pages: 399
The highly acclaimed, definitive collection of Abbott's popular New York photographs. Berenice Abbott (1898-1991) was one of this century's greatest photographers, and her New York City images have come to define 1930's New York. The response to The New Press's landmark hardcover publication of Berenice Abbott: Changing New York was extraordinary. In addition to receiving rave reviews, it was chosen a best book of the year by the Wall Street Journal, Business Week, and New York Newsday, and was featured in Vanity Fair, Newsweek, and the New York Daily News. A midwesterner who came to New York in 1918, Abbott moved to Paris in 1921 and worked as Man Ray's photographic assistant. Inspired by French photographer Atget, Abbott returned to America in 1929 to photograph New York City. With the financial support of the Works Progress Administration's Federal Art Project from 1935 to 1939, she was able to realize her ambition to document a "changing New York," a project that remains the centerpiece of her career.
 
New York in the Thirties
Publisher: Dover Publications
Year: 1973 - Pages: 102
Nearly 100 classic images by noted photographer: Rockefeller Center on the rise, Bowery restaurants, dramatic views of the City's bridges, Washington Square, old movie houses, rows of old tenements laced with laundry, Wall Street, Flatiron Building, waterfront, and many other landmarks.
 
The Epilogue
Author: Laia Abril
Publisher: Dewi Lewis Publishing
Year: 2014 - Pages: 172
Working closely with the family of a bulimia sufferer, Laia Abril shows us the dilemmas and struggles confronted by many young girls; the problems families face in dealing with their sense of guilt and the grieving process; the frustration of close friends and the dark ghosts of this deadliest of illnesses; all blended together in the bittersweet act of remembering a loved one.
 
Portraits in Africa, 1948-1953
Publisher: University of Washington Press
Year: 2004 - Pages: 73
Photographing with the box camera his father had given him, Hector Acebes noticed as a teenager in the 1930s that his pictures of friends and family were consistently sharper and more carefully composed than those taken by his schoolmates. This innate talent, combined with solid training in engineering and an attraction to adventure, eventually grew into a long and productive career as a documentary and industrial filmmaker. It is Acebes' still photographs from his travels in the late 1940s and early 1950s throughout Africa and South American, however, that may become his most important legacy. With the respect they command for the individuals who appeared before his lens, these recently rediscovered images attest to Acebes' photographic gift. They offer a valuable resource for scholars and students of local societies and cultures in Africa and South America, yet their importance reverberates far beyond the classroom.
 
End Time City
Author: Christian Caujolle
Publisher: Scalo Publishers
Year: 1999 - Pages: 144
All photographs in this book were taken in Benares between 1993 and 1997, apart from those on pages 77-87 which were taken during the "Ardh Kumb Mela" in Allahabad near Benares in January 1995.
 
Fiction
Publisher: Delpire
Year: 2001 - Pages: 0
With 91 photographs by Ackerman. Illustrated throughout except for an interview with Ackerman and biography by Christan Caujolle und Gilou Gruiec. The text is in French.
 
Half Life
Publisher: Lewis, Dewi Publishing
Year: 2011 - Pages: 168
According to Denis Kambouchner's introduction, Half Life is a haunted book. It is certainly disturbing; in Michael Ackerman's world, something is disintegrating. The landscapes are harsh and unwelcoming, but it is the anguish of individuals that stirs us most deeply—their expressions of distress and confusion, their unfinished gestures, the sense of damage. These are people who appear to live in the ruins of a drama. It is as if their whole bodies were given over to a scream.
 
400 Photographs
Artist: Ansel Adams
Author: Ansel Adams, Andrea G Stillman
Publisher: Little, Brown & Company
Year: 2007 - Pages: 440
Ansel Adams: 400 Photographs presents the full spectrum of Adams' work in a single volume for the first time, offering the largest available compilation from his legendary photographic career. The photographs are arranged chronologically into five major periods, from his first photographs made in Yosemite and the High Sierra in 1916 to his work in the National Parks in the 1940s up to his last important photographs from the 1960s. An introduction and brief essays on selected images provide information aboutAdams' life, document the evolution of his technique, and give voice to his artistic vision.
 
Adams in the National Parks: Photographs from America
Artist: Ansel Adams
Publisher: Little, Brown and Company
Year: 2010 - Pages: 344
With more than two hundred photographs - many rarely seen and some never before published - this is the most comprehensive collection of Ansel Adams' photographs of America's national parks and wilderness areas. For many people, Yosemite, Yellowstone, Glacier National Park, and other iconic American wildlands exist in the mind's eye as Ansel Adams photographs. The legendary photographer explored more than forty national parks in his lifetime, producing some of the most indelible images of the natural world ever made. One of the twentieth century's most ardent champions of the park and wilderness systems, Adams also helped preserve additional natural areas and protect existing ones through his photographs, essays, and letter-writing campaigns.
 
The Camera (The Ansel Adams Photography Series 1)
Artist: Ansel Adams
Publisher: Little Brown
Year: 1995 - Pages: 224
This is an atrractively priced photography classic made accessible to a wider, new audience. It covers everything from "seeing" the finished photo in advance, to lens choices. It is illustrated with many of Ansel Adams most famous images.
 
The Negative
Artist: Ansel Adams
Publisher: Ansel Adams
Year: 1995 - Pages: 288
The early chapters are devoted to a discussion of light, film and exposure. What follows is a detailed discussion of the zone system, chapters on natural and artificial light and at the end is an extensive chapter on the darkroom and its equipment. A master-class kind of guide from an undisputed master. PUBLISHERS WEEKLY Adams is a clear-thinking writer whose concepts cannot but help the serious photographer. NEW YORK TIMES
 
Yosemite and the High Sierra
Artist: Ansel Adams
Publisher: Ansel Adams
Year: 1994 - Pages: 136
Yosemite National Park and the High Sierra were the places closest to Ansel Adams' heart, and this magnificent new collection presents the finest selction of his photographs and writings yet published on this "vast edifice of stone and space." Inspired by their grandeur, their wildness, and their primeval mystery, Adams' photos came to represent America's National Parks. During his lifetime Adams published seven books of images from this region; this new book brings the best of these early volumes together into a single work. His writings - alive with anecdote and insight - provide a backdrop for these stirring images, and an introduction by John Szarkowski, the most distinguished photography critic and curator of his time, provides testimony to the enduring impact of Adams' Yosemite vision. Yosemite and the High Sierra represents Adams' legacy at its most distilled and timeless.
 
American Women
Artist: Bryan Adams
Publisher: powerHouse Books
Year: 2005 - Pages: 128
In November 2003, musician and photographer Bryan Adams began photographing a cross section of influential American women dressed in Calvin Klein. Shot mainly in New York and Los Angeles throughout 2004, American Women is a tribute to the beauty, strength, and character of American women. Actors, journalists, musicians, artists, businesswomen, athletes, and philanthropists are included-the binding theme being that they are all American women known for excelling in their field. Proceeds from American Women will support breast cancer research programs at Memorial Sloan-Kettering Cancer Center through The Society of MSKCC. Hillary Rodham Clinton, Katie Couric, Jennifer Aniston, Gwyneth Paltrow, Scarlett Johansson, Hilary Swank, Serena Williams, Venus Williams, Lindsay Lohan, Christie Brinkley, Sarah Jessica Parker, Eartha Kitt, Aerin Lauder Zinterhofer, Nan Kempner, Paula Zahn, Cindy Crawford, Alice Sebold, Amber Valletta, Katie Holmes, Eve Ensler, and Lauren Hutton are just a few of the women Adams selected from among America's most notable women, all lovingly and glamorously captured by the camera of a rising star in the field. Produced in close collaboration with Calvin Klein, Inc., American Women is Adams' third book presenting portraits of important women.
 
Exposed
Artist: Bryan Adams
Publisher: Steidl
Year: 2012 - Pages: 204
In the late nineties Bryan Adams became curious about making photographic self-portraits for his album covers, and so chose to pick up the camera himself. That serendipitous decision was the beginning of a successful photographic, parallel to Adams' impressive achievements as a singer, songwriter and producer. Exposed is a retrospective of Adams' photography and features portraits of friends and colleagues in the entertainment, fashion and art industries, including Morrissey, Ben Kingsley, Amy Winehouse, Michael Jackson, Louise Bourgeois, Lindsay Lohan and Judi Dench. This book, Adams' first comprehensive monograph, "exposes" not only unknown facets of his subjects but also the depth of Adams' photographic faculty.
 
Light Balances / On Any Given Day in Spring
Artist: Robert Adams
Publisher: Matthew Marks Gallery/Fraenkel Gallery
Year: 2013 - Pages: 82
With Light Balances, Robert Adams (born 1937) delves into the endless permutations of rhythm and contrast that take place between sunlight and trees. Photographing in a protected forest around the Columbia River estuary near the town of Astoria, Oregon, where he has lived since 1997, Adams undertook a study of the area that is Cézanne-like in its single-minded attention to nature's minute shifts and variations. These 59 black-and-white photographs, made between 2005 and 2011, revel in the interplay of sunlight and leaves, branches, trunks, grass and the dirt of the forest floor, attaining a rich variety of texture and pattern that is at once filled with specificities and diffusely abstract. Published concurrently with Adams' international touring retrospective, this beautifully produced volume shows a master photographer eliciting marvelous subtleties from the landscape of the Northwest.
 
Prairie (Denver Art Museum)
Artist: Robert Adams
Publisher: Other Distribution
Year: 2011 - Pages: 62
Since the 1970s, photographer Robert Adams (b. 1937) has chronicled the changing landscape of the American West, from the growth of cities like Denver to the seemingly unconquerable openness of the Great Plains-the subject of Adams's Prairie. The first edition of Prairie, published in 1978, is now a sought'after collector's item; this expanded volume will include all of those original images, along with new photographs selected and sequenced by Adams himself, many of which are being published for the first time.
 
Road Through Shore Pine
Artist: Robert Adams
Publisher: Fraenkel Gallery
Year: 2014 - Pages: 42
A Road Through Shore Pine focuses on a series of 18 never-before-seen photographs by Robert Adams (born 1937), taken in Nehalem Bay State Park, Oregon, in the fall of 2013. Adams documents a contemplative journey, made first by automobile, then by foot, along an isolated, tree-bordered road to the sea. As presented through Adams' 11 x 14-inch prints, the passage takes on the quality of metaphor, suggestive of life's most meaningful journeys, especially its final ones. For this group of photographs, all of which were printed by Adams himself, the artist returned to the use of a medium-format camera, allowing the depiction of an intense amount of detail. Through experience gathered over more than four decades, Adams' trees, especially the tips of their leaves, are etched with singular sensitivity to the subtleties and meanings of light. Adams writes of these photographs: "The road is one that my family traveled often and fondly. Many of its members are gone now, and Kerstin and I visit the road for the example of the trees." Adams had stored this work in an archival print box on which he inscribed in pencil a line from the journal of the Greek poet George Seferis: "A marvelous road, enough to make you weep; pine trees, pine trees ."
 
Skogen
Artist: Robert Adams
Publisher: Yale University Art Gallery
Year: 2012 - Pages: 48
Skogen is the Swedish word for forest, and while the dense woods featured in Robert Adams's most recent series of photographs grow near his home in Oregon, the pictures evoke a wild utopia, and convey a hushed, primeval awe. In this volume, the latest to document Adams's ongoing quest to find form amid the chaos of nature, shadows predominate, tempered by an ambiguous light that is unique to the Pacific Northwest. Skogen features forty-six previously unpublished images, a body of work that is among the most pictorially complex of Adams's distinguished career. Also included are an introduction by the artist and a poem by the acclaimed poet Denise Levertov. This pairing is meaningful; as Michael Fried wrote in Bookforum, "Adams's artistic ideal...has much in common with that of a certain sort of lyric poem, one that similarly has not the slightest room for carelessness of any sort."
 
Tenancy
Artist: Robert Adams
Publisher: Fraenkel Gallery
Year: 2017 - Pages: 112
A major new work, Tenancy is comprised of 42 photographs by Robert Adams (born 1937) made in Nehalem Bay State Park, Oregon, between 2013 and 2015, with short texts by the artist. The book’s theme of tenancy expresses the idea of “temporary possession of what belongs to another”―specifically, the natural environment. Adams’ recent photographs of the landscape reference the current and imminent threats of clearcutting, environmental degradation and natural disasters along the Northwestern coast of the US. The black-and-white photographs include poignant images of massive tree stumps on the beach―a product of the cutting of first and early second growth―as well as shimmering stretches of coastline protected for endangered birds previously thought to have abandoned northern Oregon.
 
The New West
Artist: Robert Adams
Publisher: Aperture
Year: 2008 - Pages: 136
Originally published in 1974, Robert Adams' The New West signaled a paradigm shift in the photographic representation of American landscapes. Foregoing photography's traditional role of romanticizing the Western landscape, Adams focused instead on the construction of tract and mobile homes, subdivisions, shopping centers and urban sprawl in the suburbs of Colorado Springs and the Denver area. Adams transmuted these zones with his minimalist vision of their austerity; as he has noted, "no place is boring, if you've had a good night's sleep and have a pocket full of unexposed film." Objective and direct, Adams' photographs, rendered in his signature middle-gray scale, unsentimentally depict a despoiled landscape washed in the intense Colorado sunlight. Today The New West stands alongside Walker Evans' American Photographs, Robert Frank's The Americans and Stephen Shore's Uncommon Places in the pantheon of landmark projects on American culture and society. This second reissue of the classic publication has been recreated from Adams' original prints, and will be released ahead of a major traveling exhibition that will launch in 2010. Foreword by John Szarkowski.
 
The Place We Live
Artist: Robert Adams
Publisher: Steidl
Year: 2014 - Pages: 640
The Place We Live traces Robert Adams' deep engagement with the geography of the American West, weaving together various aspects of over four decades of work into a cohesive, epic narrative of the American experience. Taken as a whole, this publication elucidates the photographer's civic goals: to consider the privilege of the place we were given and the obligations of citizenship. Printed with an unprecedented fidelity to the photographer's original prints, volumes one and two reflect Adams' exacting, compelling sequence of nearly 400 plates and bring together texts written by the photographer to accompany his photographic projects. Volume three offers a detailed chronology of Adams' life, an illustrated bibliography of his monographs, selections from his personal archive, and a series of critical essays on his work by Joshua Chuang, Tod Papageorge, Jock Reynolds and John Szarkowski.
 
What Can We Believe Where?
Artist: Robert Adams
Publisher: Yale University Art Gallery
Year: 2010 - Pages: 128
Since taking up photography in the mid-1960s, Robert Adams (born 1937) has quietly become one of the most influential chroniclers of the evolving American landscape. Carefully edited by Adams from a remarkable body of work that spans over four decades, What Can We Believe Where? Photographs of the American West, 1965-2005 presents a narrative sequence of more than 100 tritone images that reveals a steadfast concern for mankind's increasingly tragic relationship with the natural world. Adams's understated yet arresting pictures of the vast Colorado plains, the rapid suburbanization of the Denver and Colorado Springs areas, and the ecological devastation of the Pacific Northwest region of the United States register with subtle precision the complex and often fragile beauty of the scenes they depict. The most accessible collection of Adams's work to date, this compact and thought-provoking volume is an essential addition to the bookshelves of students, photographers, and anyone interested in the recent history of the American West and its wider implications.
 
False Bloom
Author: Stephen Albair
Publisher: Self Published
Year: 2017 - Pages: 108
"An original and compelling memoir: the images are not merely illustration, but participate in an expression greater than the sum of its parts. Kitsch figurines, meant to charm, are here like clowns gone to seed or Pygmalion figures raised above their station, staged in tableaux full of longing, love, desperation, fear, menace, and strange beauty - not just deepening the impact of the stories, but somehow indivisible from them." Stephen Woodhall, Collections Specialist, The Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco.
 
Manuel Alvarez Bravo: Masters of Photography Series
Publisher: Aperture
Year: 2005 - Pages: 96
Manuel Alvarez Bravo began photographing in 1924 during Mexico's thriving post-revolutionary artistic renaissance. While his early work embraced Mexico's urban realities, its peasants and workers, and its hauntingly beautiful landscape, Alvarez Bravo's ever-present acknowledgment of the macabre prompted André Breton, the leader of Surrealism in France, to claim him as an exponent of the movement. This volume offers a perfect introduction to his works.
 
Photopoetry
Publisher: Chronicle Books
Year: 2008 - Pages: 336
Manuel Alvarez Bravo was one of the foremost practitioners of visual arts in the twentieth century. Manuel Alvarez Bravo, the first major retrospective of his eighty-year career, showcases hundreds of iconic photographs and unveils more than twenty previously unpublished images. Featuring landscapes, still lifes, rural and urban scenes, religious and vernacular subjects, as well as portraits of luminaries such as Diego Rivera, Frida Kahlo, Carlos Fuentes, and Octavio Paz, the work is chronologically arranged and richly varied. Three illuminating essays reveal the poetry of Bravo's photographsfrom his use of light and form to his fascination with dreams and his preoccupation with death. This definitive monograph is a powerful tribute to Mexico's most distinguished photographer.
 
Lola Álvarez Bravo
Publisher: D.A.P./Distributed Art Publishers
Year: 2006 - Pages: 176
This first comprehensive monograph in English for Mexico's first major woman photographer tracks a career equally exceptional for its remarkable range and for its compelling quality. Lola Alvarez Bravo explored her calling through photojournalism, commercial work and professional portrait-making, even as she was creating intensely personal images of people, places and things throughout her native Mexico. In addition, she played a vital role in the Mexican cultural scene as an inspiring teacher, a friend of innumerable artists (many of whom she photographed), and as the owner of a prestigious gallery that presented the first solo show by her friend Frida Kahlo, the subject of some of Alvarez Bravo's most powerful portraits. Although some of her photographs reflect the influence of her husband, Manuel Alvarez Bravo--they shared the same cameras and often the same roll of film--Lola had achieved her own aesthetic by the 1940s and 50s, concentrating on two particularly vivid bodies of work, portraiture and street photography. In these two disciplines she found a way to reveal a lyricism in the world around her, producing quiet reveries on life lived in the moment. This first English-language book to encompass the full range of her work includes previously unpublished images and several of her little-known photomontages.
 
Lola Álvarez Bravo and the Photography of an Era
Publisher: RM/Museo Casa Estudio Diego Rivera y Frida Kahlo
Year: 2013 - Pages: 156
Lola Álvarez Bravo was a pioneer of photomontage and a leading figure--along with Frida Kahlo, Tina Modotti, Diego Rivera and others--in Mexico's post-revolution cultural renaissance. Lola Álvarez Bravo and the Photography of an Era accompanies a touring exhibition presented at the Museo Casa Estudio Diego Rivera y Frida Kahlo in Mexico City, the Museum of Latin American Art in Long Beach, California and the Center for Creative Photography at the University of Tucson in Arizona, home of Álvarez Bravo's archives. It gathers 100 photographs and includes her well-known portraits of Kahlo and Rivera as well as photographs only recently discovered in the González Rendón archive. The selection not only demonstrates the great richness of the material contained in the archive, but also throws new light on Álvarez Bravo's working methods and provides a deeper understanding of the complexity of her career. The photographs convey her uses of Surrealism and photomontage (many examples of which are published here for the first time), as well as her mastery of various genres, from portraits of famous intellectuals and close friends to documentary images of urban and rural poverty in Mexico.
 
Manuel Álvarez Bravo
Author: Gerardo Mosquera, Ivan de la Nue, Catherine David
Publisher: T.F. Editores, S.L.C
Year: 2012 - Pages: 240
With a career that spans nearly eighty years, Manuel Alvarez Bravo has long been recognized as one of the foremost figures in the history of photography and one of the great Mexican artists of the twentieth century. Manuel Álvarez Bravo, a pioneer of art photography in Mexico, is a cornerstone of Mexican culture and twentieth-century Latin-American photography. His work ranges from late 1920 to the 90s. Álvarez Bravo's artistic identity is inextricably linked to the history of his country and the creation of Mexican identity after the revolution of 1910. Thus, his work can be understood both as a reflection of the extraordinary variety of cultures in Mexico as an eccentric drift of surreal avante-garde.
 
Araki by Araki
Publisher: Taschen
Year: 2014 - Pages: 568
Decades’ worth of images have been distilled down to 568 pages of photographs in this ultimate retrospective collection of Nobuyoshi Araki's work, selected by the artist himself. First published as a limited edition and now available as a standard TASCHEN edition, the curation delves deep into Araki's best-known imagery: Tokyo street scenes; faces and foods; colorful, sensual flowers; female genitalia; and the Japanese art of kinbaku, or bondage. As girls lay bound but defiant and glistening petals assume suggestive shapes, Araki plays constantly with patterns of subjugation and emancipation, death and desire and with the slippage between serene image and shock. Describing his bondage photographs as a ‘a collaboration between the subject and the photographer’, Araki seeks to come closer to his female subjects through photography, emphasizing the role of spoken conversation between himself and the model. In his native Japan, he has attained cult status for many women who feel liberated by his readiness to photograph the expression of their desire.
 
Love and Death
Publisher: Silvana Editoriale
Year: 2011 - Pages: 400
Japan's most famous photographer, and one of photography's most prolific bookmakers, Nobuyoshi Araki is notorious for his erotic photographs of women in bondage. Japanese bondage, which differs from western bondage in its orchestration of knots and binding to arouse specific points upon the body, offers visual as well as erotic rewards that Araki has scrutinized with great zeal. Araki is able to bestow eroticism upon all manner of natural imagery, but is also celebrated for series such as Sentimental Journey and Winter Journey, which record his marriage and the death of his wife. Driven by an attraction to the uncensored facts of Eros and Thanatos, Araki has always made humanity the center of his concerns; but at several junctures in his career, the authorities have evinced indifference to such motives, removing his work from sale and arresting curators for exhibiting his work. Nonetheless, the craft of Araki's photography is not in doubt, and in recent years, his work has expanded to accommodate broader aspirations, inflected by age: "When I photograph unhappiness I only capture unhappiness," he told Nan Goldin in an interview, "but when I photograph happiness, life, death and everything else comes through." With over 300 photographs, this monumental survey provides a careful selection from his most important photographic cycles, from Satchin and Sentimental Journey to Winter Journey, Cityscapes Polart, Sensual Flowers, Bondage and others, to his most recent works.
 
Self Life Death
Publisher: Phaidon Press
Year: 2011 - Pages: 196
Nobuyoshi Araki is arguably Japan's greatest living photographer, and certainly its most controversial. The more than 300 books he has published over the last four decades attest to his inexhaustible creative energy, while his work, which often challenges social taboos surrounding sex and death, has drawn critical attention both at home and abroad. This new abridged edition of Phaidon's highly acclaimed Self, Life, Death, includes the finest and most iconic images from throughout Araki's career, all presented in a beautiful, expanded format that allows the pictures room to breathe. This accessible and affordable format will bring a new audience of students and photography enthusiasts to the work of this influential photographer.
 
Tokyo Lucky Hole
Publisher: Taschen
Year: 2012 - Pages: 704
It started in 1978 with an ordinary coffee shop near Kyoto. Word spread that the waitresses wore no panties under their miniskirts. Similar establishments popped up across the country. Men waited in line outside to pay three times the usual coffee price just to be served by a panty-free young woman. Within a few years, a new craze took hold: the no-panties "massage" parlor. Increasingly bizarre services followed, from fondling clients through holes in coffins to commuter-train fetishists. One particularly popular destination was a Tokyo club called "Lucky Hole"” where clients stood on one side of a plywood partition, a hostess on the other. In between them was a hole big enough for a certain part of the male anatomy. Taking the Lucky Hole as his title, Nobuyoshi Araki captures Japan's sex industry in full flower, documenting in more than 800 photos the pleasure-seekers and providers of Tokyo"s Shinjuku neighborhood before the February 1985 New Amusement Business Control and Improvement Act put a stop to many of the country's sex locales. Through mirrored walls, bed sheets, the bondage and the orgies, this is the last word on an age of bacchanalia, infused with moments of humor, precise poetry, and questioning interjections.
 
An Aperture Monograph: Fortieth-Anniversary Edition
Artist: Diane Arbus
Publisher: Aperture Foundation
Year: 2012 - Pages: 182
When Diane Arbus died in 1971 at the age of 48, she was already a significant influence--even something of a legend--for serious photographers, although only a relatively small number of her most important pictures were widely known at the time. The publication of Diane Arbus: An Aperture Monograph in 1972--along with a posthumous retrospective at The Museum of Modern Art--offered the general public its first encounter with the breadth and power of her achievements. The response was unprecedented. The monograph, composed of 80 photographs, was edited and designed by the painter Marvin Israel, Diane Arbus' friend and colleague, and by her daughter Doon Arbus. Their goal in producing the book was to remain as faithful as possible to the standards by which Arbus judged her own work and to the ways in which she hoped it would be seen. Universally acknowledged as a photobook classic, Diane Arbus: An Aperture Monograph is a timeless masterpiece with editions in five languages, and remains the foundation of her international reputation. Nearly half a century has done nothing to diminish the riveting impact of these pictures or the controversy they inspire. This is the first edition in which the image separations were created digitally; the files have been specially prepared by Robert J. Hennessy using prints by Neil Selkirk.
 
Arbus Friedlander Winogrand: New Documents, 1967
Artist: Diane Arbus
Author: Sarah Hermanson Meister and Max Kozloff
Publisher: The Museum of Modern Art
Year: 2017 - Pages: 160
In 1967, The Museum of Modern Art presented New Documents, a landmark exhibition organized by John Szarkowski that brought together a selection of works by three photographers whose individual achievements signaled the artistic potential for the medium in the 1960s and beyond: Diane Arbus, Lee Friedlander and Garry Winogrand. Though largely unknown at the time, these three photographers are now universally acknowledged as artists of singular talent within the history of photography. The exhibition articulated a profound shift in the landscape of 20th-century photography, and interest in the exhibition has only continued to expand. Yet, until now, there has been no publication that captures its content. Published in celebration of the 50th anniversary of the exhibition, Arbus Friedlander Winogrand features full-page reproductions of the 94 photographs included in the exhibition, along with Szarkowski’s original wall text, press release, installation views and an abundance of archival material. Essays by curator Sarah Hermanson Meister and critic Max Kozloff, who originally reviewed the exhibition for The Nation in 1967, critically situate the exhibition and its reception, and examine its lasting influence on the field of photography.
 
Revelations
Artist: Diane Arbus
Publisher: Random House
Year: 2003 - Pages: 352
Diane Arbus Revelations affords the first opportunity to explore the origins, scope, and aspirations of what is a wholly original force in photography. Arbus's frank treatment of her subjects and her faith in the intrinsic power of the medium have produced a body of work that is often shocking in its purity, in its steadfast celebration of things as they are. Presenting many of her lesser-known or previously unpublished photographs in the context of the iconic images reveals a subtle yet persistent view of the world. The book reproduces two hundred full-page duotones of Diane Arbus photographs spanning her entire career, many of them never before seen. It also includes an essay, "The Question of Belief," by Sandra S. Phillips, senior curator of photography at the San Francisco Museum of Modern Art, and "In the Darkroom," a discussion of Arbus's printing techniques by Neil Selkirk, the only person authorized to print her photographs since her death. A 104-page Chronology by Elisabeth Sussman, guest curator of the San Francisco Museum of Modern Art show, and Doon Arbus, the artist's eldest daughter, illustrated by more than three hundred additional images and composed mainly of previously unpublished excerpts from the artist's letters, notebooks, and other writings, amounts to a kind of autobiography. An Afterword by Doon Arbus precedes biographical entries on the photographer's friends and colleagues by Jeff L. Rosenheim, associate curator of photographs at The Metropolitan Museum of Art. These texts help illuminate the meaning of Diane Arbus's controversial and astonishing vision.
 
Untitled
Artist: Diane Arbus
Publisher: Aperture
Year: 2011 - Pages: 112
Untitled is the only volume of Diane Arbus' work devoted exclusively to a single project. The photographs were taken at residences for the mentally retarded between 1969 and 1971, in the last years of Arbus' life. Although she considered making a book on the subject, the vast majority of these pictures have remained unpublished until now. These photographs achieve a lyricism and an emotional purity that sets them apart from all her other accomplishments: "Finally what I've been searching for," she wrote at the time. The product of her consistently unflinching regard for reality as she found it, Untitled may well be Arbus' most transcendent, most romantic vision. It is a celebration of the singularity and connectedness of each and every one of us, and demands of us what it demanded of her: the courage to see things as they are and the grace to permit them to simply be. For Diane Arbus, this is what making pictures was all about. Untitled includes an afterword by Doon Arbus, the photographer's daughter, who writes that the intent of these works "wasn't about who or what she saw, but about the experience of seeing it and the power of her photographs to make that experience visible."
 
All About Eve
Artist: Eve Arnold
Publisher: TeNeues
Year: 2012 - Pages: 212
Eve Arnold didn't even consider photography until a boyfriend gave her a Rolleicord when she was 34. But her talent and daring brought her immediate recognition and she was picked up by Magnum Photos only 5 years later. Arnold may be best known for her black and white images of Marilyn Monroe, but she has chronicled figures as diverse as migrant potato workers and heads of state in addition to screen icons during her assignments, which involved everything from politics, social issues, travel, to current events and a little glamour. Guided by her own words, this volume features Arnold's now iconic photographs as well as many never-before published images.
 
Earth from Above
Publisher: Harry N. Abrams
Year: 2005 - Pages: 440
The result of a five-year airborne odyssey across five continents and 60 countries, Earth from Above is the most revealing and spectacular portrait of our world ever created. From a heart-shaped mangrove forest in New Caledonia to a flock of red ibises in Venezuela, from a caravan of camels in Mauritania to Mt. Everest and Mammoth Hot Springs, renowned aerial photographer Yann Arthus-Bertrand presents striking color images that put our home planet in a whole new perspective. Produced under the sponsorship of UNESCO, the book is also a documentary record of the state of the world's fragile environment.

This vibrant new edition of the internationally acclaimed original features an updated design and nearly 60 stunning new photographs. All new captions and the addition of authoritative new texts by experts in various environmental fields illuminate Arthus-Bertrand's monumental achievement.
 
Human, A Portrait of Our World
Publisher: Harry N. Abrams
Year: 2015 - Pages: 224
Over the past three years, Yann Arthus-Bertrand and the GoodPlanet Foundation have gathered more than 2,000 interviews in 70 countries, while capturing portraits and aerial photographs. Human explores fundamental themes-Justice, Tolerance, Poverty, War, Happiness, and more-and each chapter includes excerpts from interviews and essays written by eminent journalists and human rights activists. The book will launch simultaneously with the movie, which will be distributed worldwide for free, with screenings at the United Nations in New York as well as in major international cities. With its collection of inspiring, spectacular images, allied to the unforgettable testimonies of mankind-Human is a landmark achievement in documentary film and book publishing, a compelling portrait of humanity at the beginning of the 21st century.
 
Atget
Author: John Szarkowski
Publisher: The Museum of Modern Art
Year: 2012 - Pages: 224
Eugène Atget (1857-1927) devoted more than 30 years of his life to a rigorous documentation of Paris, its environs and the French countryside, through more than 8,000 photographs. Atget died almost unknown in 1927, although groups of his prints were included in various Paris archives. In 1925 Berenice Abbott discovered his work, and after his death she arranged to buy his archives with the help of art dealer Julien Levy; in 1968 that collection was purchased by The Museum of Modern Art. Originally published in 2000 and long unavailable, this classic, superbly produced volume surveys the collection through 100 carefully selected photographs. John Szarkowski, head of MoMA's Department of Photography from 1962 to 1991, explores the unique sensibilities that made Atget one of the greatest artists of the twentieth century and a vital influence on the development of modern and contemporary photography. An introductory text and commentaries on Atget's photographs form an extended essay on the remarkable visual intelligence displayed in these subtle, sometimes enigmatic photographs.
 
Paris
Author: Eugene Atget, Hans Christian Adam
Publisher: Taschen
Year: 2008 - Pages: 252
Eugène Atget roamed the streets with his bulky large format camera, systematically cataloguing turn-of-the-century Old Paris down to the very smallest details. His skilled, wonderfully atmospheric photos of Paris' parks, buildings, streets, store windows, prostitutes, workers, and even door handles are a joy to behold.
 
Paris Changing: Revisiting Eugène Atget
Publisher: Princeton Architectural Press
Year: 2007 - Pages: 192
Between 1888 and 1927 Eugène Atget meticulously photographed Paris and its environments, capturing in thousands of photographs the city’s parks, streets, and buildings as well as its diverse inhabitants. Christopher Rauschenberg spent a year in the late 90s revisiting and re-photographing many of Atget’s locations. Paris Changing features seventy-four pairs of images beautifully reproduced in duotone. Each site is indicated on a map of the city, inviting readers to follow in the steps of Atget and Rauschenberg themselves. The book concludes with essays by Clark Worswick and Alison Nordstrom, an epilogue by Rosamond Bernier as well as a portfolio of other images of contemporary Paris by Rauschenberg.
 
Kings & Queens in Their Castles
Author: Tom Atwood
Publisher: Damiani
Year: 2017 - Pages: 144
Kings & Queens in Their Castles has been called the most ambitious LGBTQ photo series ever conducted in the US. Over 15 years, Atwood photographed more than 350 subjects at home nationwide (with over 160 in the book), including nearly 100 celebrities (with about 60 in the book). With individuals from 30 states, Atwood offers a window into the lives and homes of some of America's most intriguing and eccentric personalities.
 
Avedon Fashion 1944-2000
Author: Carol Squiers
Publisher: Abrams, Harry N., Inc.
Year: 2009 - Pages: 372
Avedon Fashion 1944-2000 encompasses seven decades of extraordinary images by Richard Avedon, the most influential fashion photographer of the 20th century. This comprehensive volume offers a definitive survey, from Avedon's groundbreaking early photographs for Harper's Bazaar through his constantly inventive contributions to Vogue, Egoiste, and The New Yorker. Each carefully selected image represents an artistic collaboration with significant models, stylists, and designers. Avedon Fashion accompanies the first major exhibition to survey this body of work, at the International Center of Photography in May 2009. With critical essays by Carol Squiers, curator at the ICP, and photography critic Vince Aletti, as well as an appreciation by photo-historian Philippe Garner, Avedon Fashion chronicles an astonishing record of photographic achievement.
 
In the American West
Author: Richard Avedon, Laura Wilson, John Rohrbach
Publisher: Abrams, Harry N., Inc.
Year: 2005 - Pages: 184
Avedon, who died in 2004, was the greatest American photographer of his generation. For In the American West, he traveled throughout five years, meeting and photographing the plain people of the West: ranch workers, roustabouts, bar girls, drifters, and gamblers. The resulting book includes 120 exquisitely printed black-and-white photographs, an essay by Avedon on his working methods and portrait philosophy, a journal of the project by Laura Wilson, and a new foreword by John Rohrbach. The reissuing of this legendary book, out of print for more than a decade, is a major event in the photography world.
 
All About Photo Awards 2018
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