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Photographer: Keliy Anderson-Staley
Publisher: Light Work
Publication date: 2011
Print length: 48 pages
Language: English
Price Range:
The series "[hyphen] Americans" by photographer Keliy Anderson-Staley features stunning tintype portraits. The title speaks to the multicultural character of American identities (Irish-American, African-American, etc.). Although a person's heritage might be inferred by looking at their features and clothing, viewers of Anderson-Staley's work are encouraged to, according to the artist, "suspend the kind of thinking that would traditionally assist in decoding these images in the context of American identity politics." Anderson-Staley makes portraits with the nineteenth-century wet-plate collodion process. She uses wooden view cameras, nineteenth-century brass lenses and chemicals she hand-mixes according to the traditional formulas. In this series she focuses on just one plane in the face--usually just the eyes. The exposures are long, lasting anywhere from ten to sixty seconds, so the images capture a full moment of thought. Because of these characteristics of the process, there is an introspective quality to each portrait, as if each person has been caught looking at him or herself in a mirror. According to the artist, "There are so many technical variables in the process, and there can be flaws and defects that enter the image at every stage of the process, and in many ways this makes it a perfect vehicle for portraits - it is truer to the reality of human imperfection. My images are titled only with the first name of the individual, and I very deliberately try not to draw attention to differences like race, because I want to challenge photography's role in defining difference. At the same time, I want every person I photograph to stand out very sharply as an individual, to be defined as much as possible by the expression on their face." This catalogue includes essays by Jeffrey Hoone.
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