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Famous Photographers / R

John Rankin
United Kingdom
1966
Synonymous with compelling portraiture, Rankin's lens captures, creates and unveils icons. Rankin made his name in publishing, founding the seminal monthly magazine Dazed & Confused with Jefferson Hack in 1992. It provided a platform for innovation for emerging stylists, designers, photographers and writers. The magazine went on to forge a distinctive mark in the arts and publishing spheres, and developed a cult status forming and moulding trends, and bringing some of the brightest lights in fashion to the foreground. Rankin has created landmark editorial and advertising campaigns. His body of work features some of the most celebrated publications, biggest brands and pioneering charities, including Nike, Swatch, Dove, Pantene, Diageo, Women's Aid, and Breakthrough Breast Cancer. He has shot covers for Elle, German Vogue, Harpers Bazaar, Esquire, GQ, Rolling Stone and Wonderland. His work has always endeavoured to question social norms and ideas of beauty and, in late 2000, Rankin published the heteroclite quarterly Rank, an experimental anti-fashion magazine celebrating the unconventional. In 2001, Jefferson and Rankin launched AnOther Magazine. With a focus on fashion, originality, and distinction. In response to the expanding menswear market, in 2005 AnOther Man was introduced, combining intelligent editorial with groundbreaking design and style. More recently, the Dazed Group has established itself as an online authority, via AnOthermag.com, Dazeddigital.com and Dazedtv.com. Rankin celebrated Dazed & Confused's 20th anniversary, shooting 20 front covers of Dazed favourites and 20 inside covers of the next generation of talent, for the December 2011 issue. Tapping into the consciousness of the 90s and 00s with his intimate approach and playful sense of humour, Rankin became known for his portraiture of bands, artists, supermodels and politicians. Having photographed everyone from the Queen of England to the Queen of Pop, Rankin is often seen as a celebrity photographer. However, his plethora of campaigns and projects featuring 'real women' marked him out as a genuinely passionate portrait photographer, no matter who the subject. Always pursuing personal projects which push his limits, high impact charity projects, and groundbreaking commercial campaigns, Rankin has stood out for his creative fearlessness. His first major worldwide and award-winning campaign - Dove's 'Real Women' - epitomised his approach: to reveal the honesty of the connection and collaborative process between photographer and subject. Personal or commercial, Rankin's images have become part of contemporary iconography, evidence of his frankness and passion for all aspects of modern culture, and its representation in the photographed image. Rankin has published over 30 books, is regularly exhibited in galleries around the world, as well as his own London gallery. His museum-scale exhibition 'Show Off' opened at NRW Dusseldorf in September 2012, pulling in over 30,000 visitors in 3 months. In the last few years, he has frequently turned his hand to studies of photography through TV presenting. Working with the BBC, he has featured in a number of seminal documentaries - 'The Seven Photographs that Changed Fashion', 'South Africa in Pictures', 'Shooting the Stars', 'The Life Magazine Photographers' and most recently, an in-depth documentary into the modern approach to death in, 'Alive: In the Face of Death'. His affiliation with charities has seen Rankin travel the world, creating powerful campaigns both as a photographer and a director. With Oxfam, he visited the Democratic Republic of the Congo and Kenya, and in 2011 hosted an Oxglam exhibition, featuring work from some of the world's most talented emerging young photographers, and raising money for the charity. 2013 sees a planned trip to Jordan and Lebanon with Oxfam. In 2009, Rankin undertook the biggest project of his career - Rankin Live, a mammoth, interactive spectacle and exhibition. Always interested in the democratisation of the image, and also a keen advocate of the amazing digital advances of the photographic industry, Rankin Live was the culmination of the accessibility and speed of modern photography. Rankin proved that everyone can look like a magazine cover star as, for 7 straight weeks, he photographed people off the street, one every 15 minutes - retouching, printing and hanging the image within half an hour of the shutter being fired. Rankin photographed over 1600 Londoners, before then taking Rankin Live on tour in Mexico and New York. In 2011, Rankin Film Productions was born. Rankin developed a taste for film directing music videos, commercials, and short films with co-director Chris Cottam between 2002 and 2009, including their debut feature film, The Lives of Saints. Written by Toni Grisoni (Fear and Loathing in Las Vegas), it won the grand jury prize at the Salento International Film Festival. Since 2009, Rankin has continued to direct independently on both commercial and personal projects. Taking on the new role of Executive Producer, Rankin recently founded Collabor8te, in association with The Bureau and Dazed TV. Collabor8te calls on scriptwriters and directors to submit their ideas for narrative film, promising to turn a selection of these dreams into a reality, producing them, featuring them on Dazed TV, and running them on the international film festival circuit. In November 2011, Rankin returned to magazine publishing with a fresh offering - The Hunger. A biannual fashion, culture and lifestyle magazine, The Hunger and its associated Hunger TV website - a video-based digital platform featuring in-depth interviews, fashion films, blogs, updates, and previews - marked Rankin's return to the fashion world with an understanding that the future is not only printed but digital too. Rankin lives in London with his wife, Tuuli, and son, Lyle.
Man Ray
United States
1890 | † 1976
Born in Philadelphia, Emmanuel Radnitsky grew up in New Jersey and became a commercial artist in New York in the 1910s. He began to sign his name Man Ray in 1912, although his family did not change its surname to Ray until the 1920s. He initially taught himself photography in order to reproduce his own works of art, which included paintings and mixed media. In 1921 he moved to Paris and set up a photography studio to support himself. There he began to make photograms, which he called "Rayographs." In the 1920s, he also began making moving pictures. Man Ray's four completed films--Return to Reason, Emak Bakia, Starfish, and Mystery of the Chateau--were all highly creative, non-narrative explorations of the possibilities of the medium. Shortly before World War II, Man Ray returned to the United States and settled in Los Angeles from 1940 until 1951. He was disappointed that he was recognized only for his photography in America and not for the filmmaking, painting, sculpture, and other media in which he worked. In 1951 Man Ray returned to Paris. He concentrated primarily on painting until his death in 1976. Man Ray (born Emmanuel Radnitzky, August 27, 1890 – November 18, 1976) was an American modernist artist who spent most of his career in Paris, France. He was a significant contributor to the Dada and Surrealist movements, although his ties to each were informal. He produced major works in a variety of media but considered himself a painter above all. He was best known in the art world for his avant-garde photography, and he was a renowned fashion and portrait photographer. Ray is also noted for his work with photograms, which he called "rayographs" in reference to himself. Source: Wikipedia “I have finally freed myself from the sticky medium of paint, and am working directly with light itself.” So enthused Man Ray in 1922, shortly after his first experiments with camera-less photography. He remains well known for these images, commonly called photograms but which he dubbed "rayographs" in a punning combination of his own name and the word “photograph.” Man Ray’s artistic beginnings came some years earlier, in the Dada movement. Shaped by the trauma of World War I and the emergence of a modern media culture—epitomized by advancements in communication technologies like radio and cinema—Dada artists shared a profound disillusionment with traditional modes of art making and often turned instead to experimentations with chance and spontaneity. In The Rope Dancer Accompanies Herself with Her Shadows, Man Ray based the large, color-block composition on the random arrangement of scraps of colored paper scattered on the floor. The painting evinces a number of interests that the artist would carry into his photographic work: negative space and shadows; the partial surrender of compositional decisions to accident; and, in its precise, hard-edged application of unmodulated color, the removal of traces of the artist’s hand. In 1922, six months after he arrived in Paris from New York, Man Ray made his first rayographs. To make them, he placed objects, materials, and sometimes parts of his own or a model's body onto a sheet of photosensitized paper and exposed them to light, creating negative images. This process was not new—camera-less photographic images had been produced since the 1830s—and his experimentation with it roughly coincided with similar trials by Lázló Moholy-Nagy. But in his photograms, Man Ray embraced the possibilities for irrational combinations and chance arrangements of objects, emphasizing the abstraction of images made in this way. He published a selection of these rayographs—including one centered around a comb, another containing a spiral of cut paper, and a third with an architect’s French curve template on its side—in a portfolio titled Champs délicieux in December 1922, with an introduction written by the Dada leader Tristan Tzara. In 1923, with his film Le Retour à la raison (Return to Reason), he extended the rayograph technique to moving images. Around the same time, Man Ray’s experiments with photography carried him to the center of the emergent Surrealist movement in Paris. Led by André Breton, Surrealism sought to reveal the uncanny coursing beneath familiar appearances in daily life. Man Ray proved well suited to this in works like Anatomies, in which, through framing and angled light, he transformed a woman’s neck into an unfamiliar, phallic form. He contributed photographs to the three major Surrealist journals throughout the 1920s and 1930s, and also constructed Surrealist objects like Gift, in which he altered a domestic tool (an iron) into an instrument of potential violence, and Indestructible Object (or Object to Be Destroyed), a metronome with a photograph of an eye affixed to its swinging arm, which was destroyed and remade several times. Source: The Museum of Modern Art
Eli Reed
United States
1946
Eli Reed was born in the US and studied pictorial illustration at the Newark School of Fine and Industrial Arts, graduating in 1969. In 1982 he was a Nieman Fellow at Harvard University. At Harvard's Kennedy School of Government, he studied political science, urban affairs, and the prospects for peace in Central America. Reed began photographing as a freelancer in 1970. His work from El Salvador, Guatemala and other Central American countries attracted the attention of Magnum in 1982. He was nominated to the agency the following summer, and became a full member in 1988. In the same year Reed photographed the effects of poverty on America's children for a film documentary called Poorest in the Land of Plenty, narrated by Maya Angelou. He went on to work as a stills and specials photographer for major motion pictures. His video documentary Getting Out was shown at the New York Film Festival in 1993 and honored by the 1996 Black Film-makers Hall of Fame International Film and Video Competition in the documentary category. Reed's special reports include a long-term study on Beirut (1983-87), which became his first, highly acclaimed book Beirut, City of Regrets, the ousting of Baby Doc Duvalier in Haiti (1986), US military action in Panama (1989), the Walled City in Hong Kong and, perhaps most notably, his documentation of African-American experience over more than twenty years. Spanning the 1970s through the end of the 1990s, his book Black in America includes images from the Crown Heights riots and the Million Man March. Reed has lectured and taught at the International Center of Photography, Columbia University, New York University, and Harvard University. He currently works as Clinical Professor of Photojournalism at the University of Texas in Austin.(Source: en.wikipedia.org)
 Reza
Iran/France
1952
A philanthropist, idealist, humanist, Reza's career began with studies in architecture. He has gone on to become a renowned photojournalist who, for the last three decades, has worked all over the world, notably for National Geographic. His assignments have taken him to over a hundred countries as a witness to humanity's conflicts and catastrophes. His work is featured in the international media (National Geographic, Time Magazine, Stern, Newsweek, El País, Paris Match, Geo...), as well as a series of books, exhibitions and documentaries made for the National Geographic Channel. Along with his work as a photographer, since 1983 Reza has been a volunteer committed to the training of youths and women from conflict-ridden societies in the language of images, to help them strive for a better world. In 2001, he founded Ainaworld in Afghanistan, a new generation NGO which trains populations in information and communications through the development of educational tools and adapted media. While pursuing his reportages for international media outlets, Reza has continued to conduct workshops on the language of images in a variety through his association Reza Visual Academy. He works with refugees, urban youths in Europe and others from disadvantaged backgrounds. After his work, Mémoires d'Exil ("Memories of Exile") shown at the Louvre Carrousel in 1998, he has shared his humanitarian vision through a series of monumental installations: Crossing Destinies, shown on the grilles of the Luxembourg Gardens in Paris, One World, One Tribe in Washington DC, and the Parc de la Villette in Paris, War + Peace at the Caen Memorial and on the banks of the Garonne in Toulouse, Hope in Doha (Qatar), Windows of the Soul in Corsica, Soul of Coffee, 250 photographic exhibitions throughout the world, including major installations on the banks of the Seine, or at Kew Gardens in London, Land of Tolerance at the UN Headquarters in New York, the European Parliament in Brussels, as well as UNESCO in Paris. In 2014, Azerbaijan: the Elegance of Fire, presented at the Petit Palais revealed a little-known people with an ancestral culture, turned towards modernity. Finally, the giant panorama A Dream of Humanity was featured along the banks of the Seine during the summer of 2015, showing portraits of refugees around the world taken by Reza and photographs taken by refugee children in Iraqi Kurdestan who were trained as "camp reporters" at the workshops organized by Reza Visual Academy. Author of thirty books, and a recipient of many awards over the course of his career, Reza is a Fellow and Explorer of the National Geographic Society, and a Senior Fellow of the Ashoka Foundation. His work has been recognized by World Press Photo; he has also received the Infinity Award from the International Center of Photography, the Lucy Award, an honorary medal from the University of Missouri and the honorary degree of Doctor Honoris Causa from the American University of Paris. France has also appointed him a Chevalier of the National Order of Merit.
Bettina Rheims
France
1952
Bettina Rheims is a French artist and photographer. She is the daughter of Maurice Rheims, of the French Academy. After having been a model, a journalist, and opening an art gallery, she began to be a photographer in 1978 at the age of 26. Initially she did many commissioned works such as albums covers for Jean-Jacques Goldman and photos of various stars. From 1980 she devoted herself solely to photography. She made a series of photographs of strip-tease artists and acrobats, which were shown 1981 in two personal exhibitions, at the Centre Pompidou and at the Galerie Texbraun in Paris. Encouraged by this success, she worked on a series of stuffed animal portraits, which were exhibited in Paris and New York. At the same time she took portrait images for worldwide magazines and advertising campaigns (Well and Chanel), created her first fashion series, worked on cover sleeves, and film posters, and in 1986 directed her first advertising campaign. In 1989 her portraits of women were published in a monograph, Female Trouble, and were exhibited in Germany and Japan. In the following year she made a series of portraits of androgynous teenagers, Modern Lovers, which were shown in France, Great Britain and the United States as well as being issued in book-form. Her series Chambre Close, which was realized between 1990 and 1992 in collaboration with Serge Bramly, had an immense success not only in Europe but all over the world. The book is a collection of photographs of nude young women in various postures. It became a bestseller and is regularly reprinted. In the following years her fame began to become worldwide and she is renowned as a one of the most important photographers not only in Europe, but also in the United States, Japan, Korea, Australia and Moscow.(Source: en.wikipedia.org)
Marc Riboud
France
1923
Marc Riboud is born in 1923 in Lyon. At the Great Exhibition of Paris in 1937 he takes his first pictures with the small Vest-Pocket camera his father offered him. During the war, he took part in the Vercors fights. From 1945 to 1948 he studies engineering and works in a factory. After a week of holiday, during which he covers the cultural festival of Lyon, he drops his engineering job for photography.In 1953, he publishes his famous « Eiffel Tower’s painter » photograph in Life magazine and joins Magnum agency after meeting Henri Cartier-Bresson and Robert Capa. Robert Capa later sends him to London to see girls and learn English. He doesn’t learn that much English but photographs intensely.In 1955, he crosses Middle-East and Afghanistan to reach India, where he remains one year. He then heads toward China for a first stay in 1957. After three months in USSR in 1960, he follows the independances movement in Algeria and Western Africa.Between 1968 and 1969 he’s one of the few photographers allowed to travel in South and North Vietnam. In 1976 he becomes president of Magnum and resigns three years later ; since the 1980’s he keeps travelling at his own tempo. Marc Riboud published many books, among which the most famous are « The three banners of China », ed. Robert Laffont, « Journal », ed. Denoël, « Huang Shan, Capital of Heaven », ed. Arthaud / Doubleday, « Angkor, the serenity of Buddhism », ed. Imprimerie Nationale / Thames & Hudson, « Marc Riboud in China », ed. Nathan / Harry N. Abrams…In 2004 his retrospective is exhibited at the Maison Européenne de la Photographie in Paris and visited by 100 000 people. Numerous museums trough Europe, as well as United States, China and Japan regularly show his work. He received many awards, among which two Overseas Press Club, the Time-Life Achievement, the Lucie Award and the ICP Infinity Award.
Eugene Richards
United States
1944
Eugene Richards is a noted American documentary photographer. During the 1960s, Richards was a civil rights activist and VISTA volunteer. After receiving a BA in English from Northeastern University, his graduate studies at the Massachusetts Institute of Technology were supervised by photographer Minor White. Richards' published photographs are mostly intended as a means of raising social awareness, have been characterized as "highly personal" and are both exhibited and published in a series of books. The first book was Few Comforts or Surprises (1973), a depiction of rural poverty in Arkansas; but it was his second book, the self-published Dorchester Days (1978), a "homecoming" to Dorchester, Massachusetts, where Richards had grown up, that won most attention. It is "an angry, bitter book", both political and personal. Gerry Badger writes that "[Richards's] involvement with the people he is photographing is total, and he is one of the best of photojournalists in getting that across, often helped by his own prose". Richards has been a member of Magnum Photos and of VII. He lives in New York. Source: Wikipedia Eugene Richards, photographer, writer, and filmmaker, was born in Dorchester, Massachusetts in 1944. After graduating from Northeastern University with a degree in English, he studied photography with Minor White. In 1968, he joined VISTA, Volunteers in Service to America, a government program established as an arm of the so-called” War on Poverty.” Following a year and a half in eastern Arkansas, Richards helped found a social service organization and a community newspaper, Many Voices, which reported on black political action as well as the Ku Klux Klan. Photographs he made during these four years were published in his first monograph, Few Comforts or Surprises: The Arkansas Delta. Upon returning to Dorchester, Richards began to document the changing, racially diverse neighborhood where he was born. After being invited to join Magnum Photos in 1978, he worked increasingly as a freelance magazine photographer, undertaking assignments on such diverse topics as the American family, drug addiction, emergency medicine, pediatric AIDS, aging and death in America. In 1992, he directed and shot Cocaine True, Cocaine Blue, the first of seven short films he would eventually make. Richards has published seventeen books. Exploding Into Life, which chronicles his first wife Dorothea Lynch’s struggle with breast cancer, received Nikon's Book of the Year award. For Below The Line: Living Poor in America, his documentation of urban and rural poverty, Richards received an Infinity Award from the International Center of Photography. The Knife & Gun Club: Scenes from an Emergency Room received an Award of Excellence from the American College of Emergency Physicians. Cocaine True, Cocaine Blue, an extensive reportorial on the effects of hardcore drug usage, received the Kraszna-Krausz Award for Photographic Innovation in Books. That same year, Americans We was the recipient of the International Center of Photography's Infinity Award for Best Photographic Book. In 2005, Pictures of the Year International chose The Fat Baby, an anthology of fifteen photographic essays, Best Book of the year. Richards’s most recent books include The Blue Room, a study of abandoned houses in rural America; War Is Personal, an assessment in words and pictures of the human consequences of the Iraq war; and Red Ball of a Sun Slipping Down, a remembrance of life on the Arkansas Delta. Source: eugenerichards.com
Aleksander Rodchenko
Russia
1891 | † 1956
Born in St Petersburg on November 23rd, 1891, Aleksander Rodtchenko was one of the most eclectic artists to emerge from the Russian Revolution. Sculptor, painter, photographer and graphic designer, he is the founder of the "Russian Constructivist" movement and was also very influential in Photography and Russian Design. In 1907, after his father's death, his family moved to Kazan. In 1910, he began studies at the Kazan Art School, where he met his future wife Varvara Stepanova. In 1914, he moved to Moscow where he pursued briefly his artistic studies at the Stroganov Institute. In 1915, using a compass and a ruler, he created his first geometric black and white drawings. In 1916, introduced to Tatline by architect Viktor Vesnine, Aleksander Rodtchenko will exhibit his drawings at the "The Store" exhibition alongside painters Lioubov Popova, Alexander Exter and Ivan Klioune. Alexander Rodtchenko's work was influenced by innovative Cubist and Futuristic artists. In 1917, he applied his Futurism research on everyday life objects and designed lamps for the "Pittoresque Café", newspaper stands, buildings etc... It is at that time that he founded the left wing "Painter Syndicat". Following the Russian Revolution, as most avant-gardist Russian artists, he will become a member of several official schools (Proletkoult, Vkhoutemas), where he will become a teacher. In 1919, he will present his "black on black" paintings to answer Malevitch's "White on White" series. It is also at that time that he started experimenting with collages and photomontages. In 1921, he took part in various exhibitions, one called "5x5=25", where he presented a Monochrome triptych. Each canvas presenting a primary color: Red, yellow and blue. At the end of the exhibition, he signed the "Productivist Manifest" to abandon easel painting to focus on everyday life objects. The same year, in March, the "Constructivist" movement was created within the Inkhouk Institute. Initiated by artists, critics and theoricians its aim was to conduct "concrete experiments in the real world". From 1922 onwards he started producing graphic designs for movie, books and political billboards. In 1923, he started collaborating with various editors and till 1925, he illustrated the cover of Constructivist magazine LEF. Influenced by German Dadaist photomontages, Rodtchenko began experimenting with photographs in 1923. His first photomontage illustrated Mayakovsky's poem "About this". From 1924 onwards, his focus was on photography. He started experimenting on new compositions and techniques. His work emphasized the subject's position and movement in space combined with a diagonal framing. He also produced many portraits. In 1925, he was responsible for the Soviet Pavilion at the "International Industrial and Modern Art fair" held in Paris. In 1933, he was commissioned by Russian magazine SSSR na Stroïké, to photograph the construction of the Baltic Sea Canal.From 1934 to 1939 Rodtchenko and Stepanova, produced several photo albums: "Fifteen years of Soviet Cinema, Soviet Aviation, Ten years of Ouzbekistan". During the second world war, as other artists, he fled Moscow and took refuge in the Perm region where he will produce patriotic billboards.
George Rodger
United Kingdom
1908 | † 1995
George Rodger was a British photojournalist noted for his work in Africa and for taking the first photographs of the death camps at Bergen-Belsen at the end of the Second World War. Born in Hale, Cheshire, of Scottish descent, Rodger went to school at St.Bees School in Cumberland then joined the British Merchant Navy and sailed around the world. While sailing, Rodger wrote accounts of his travels and taught himself photography to illustrate his travelogues. However, he was unable to get his travel writing published; after a short spell in America, where he failed to find work during the Depression, he returned to Britain in 1936. In London he was fortunate to find work as a photographer for the BBC's The Listener magazine, which was followed in 1938 by a brief stint working for the Black Star Agency. With the outbreak of the Second World War, Rodger had a strong urge to chronicle the war. His photographs of the Blitz gained him a job as a war correspondent for Life magazine. He covered the war in West Africa extensively and towards the end of the war followed the allied liberation of France, Belgium and Holland. He also covered the retreat of the British forces in Burma and was probably the only British war reporter/photographer to be allowed to drive along and write a story on the Burma Road by travelling on it into China, with special permission from the Chinese commanding generals. Most notably, Rodger was the first photographer to enter the concentration camp at Bergen-Belsen in 1945. His photographs of the few survivors and piles of corpses were published in Life and Time magazines and were highly influential in showing the reality of the death camps. Rodger later recalled how, after spending several hours at the camp, he was appalled to realise that he had spent most of the time looking for graphically pleasing compositions of the piles of bodies lying among the trees and buildings. One of the first photographs taken after liberation of Bergen-Belsen in 1945. This traumatic experience lead Rodger to conclude that he could not work as a war correspondent again. Leaving Life, he travelled throughout Africa and the Middle East, continuing to document these area's wildlife and people. In 1947, Rodger became a founder member of Magnum Photos and over the next thirty years worked as a freelance photographer, taking on many expeditions and assignments to photograph the people, landscape and nature of Africa. Much of Rodger's photojournalism in Africa was published in National Geographic as well as other magazines and newspapers. Source: Wikipedia
Willy Ronis
France
1910 | † 2009
Willy Ronis was a French photographer, the best-known of whose work shows life in post-war Paris and Provence. Ronis was born in Paris; his father was a Jewish refugee from Odessa, and his mother was a refugee from Lithuania, both escaped from the pogroms. His father opened a photography studio in Montmartre, and his mother gave piano lessons. The boy's early interest was music and he hoped to become a composer. Returning from compulsory military service in 1932, his violin studies were put on hold because his father's cancer required Ronis to take over the family portrait business; Ronis' passion for music has been observed in his photographs. His father died in 1936, whereupon the business collapsed and Ronis went freelance, his first photographs being published in Regards. In 1937 he met David Szymin and Robert Capa, and did his first work for Plaisir de France; in 1938–39 he reported on a strike at Citroën and traveled in the Balkans. With Cartier-Bresson, Ronis belonged to Association des Écrivains et Artistes Révolutionnaires, and remained a man of the left. The work of photographers, Alfred Stieglitz and Ansel Adams inspired Ronis to begin exploring photography. After his father's death, in 1936, Ronis closed the studio and joined the photo agency Rapho, with Brassaï, Robert Doisneau and Ergy Landau. Ronis became the first French photographer to work for Life. In 1953, Edward Steichen included Ronis, Henri Cartier-Bresson, Robert Doisneau, Izis, and Brassaï in an exhibition at the Museum of Modern Art titled Five French Photographers. In 1955, Ronis was included in the Family of Man exhibition. The Venice Biennale awarded him its Gold Medal in 1957. Ronis began teaching in the 1950s, and taught at the School of Fine Arts in Avignon, Aix-en-Provence and Saint Charles, Marseilles. In 1979 he was awarded the Grand Prix des Arts et Lettres for Photography by the Minister for Culture. Ronis won the Prix Nadar in 1981 for his photobook, Sur le fil du hasard. (Source: en.wikipedia.org)
Paolo Roversi
Italy
1947
Paolo Roversi is an Italian-born fashion photographer who lives and works in Paris. Born in Ravenna in 1947, Paolo Roversi’s interest in photography was kindled as a teenager during a family vacation in Spain in 1964. Back home, he set up a darkroom in a convenient cellar with another keen amateur, the local postman Battista Minguzzi, and began developing and printing his own black & white work. The encounter with a local professional photographer Nevio Natali was very important: in Nevio’s studio Paolo spent many hours realising an important apprenticeship as well as a strong durable friendship. In 1970 he started collaborating with the Associated Press: on his first assignment, AP sent Paolo to cover Ezra Pound’s funeral in Venice. During the same year Paolo opened, with his friend Giancarlo Gramantieri his first portrait studio, located in Ravenna, via Cavour, 58, photographing local celebrities and their families. In 1971 he met by chance in Ravenna, Peter Knapp, the legendary Art Director of Elle magazine. At Knapp’s invitation, Paolo visited Paris in November 1973 and has never left. In Paris Paolo started working as a reporter for the Huppert Agency but little by little, through his friends, he began to approach fashion photography. The photographers who really interested him then were reporters. At that moment he didn’t know much about fashion or fashion photography. Only later he discovered the work of Avedon, Penn, Newton, Bourdin and many others. The British photographer Lawrence Sackmann took Paolo on as his assistant in 1974. "Sackmann was very difficult. Most assistants only lasted a week before running away. But he taught me everything I needed to know in order to become a professional photographer. Sackmann taught me creativity. He was always trying new things even if he did always use the same camera and flash set-up. He was almost military-like in his approach to preparation for a shoot. But he always used to say ‘your tripod and your camera must be well-fixed but your eyes and mind should be free’." Paolo endured Sackmann for nine months before starting on his own with small jobs here and there for magazines like Elle and Depeche Mode until Marie Claire published his first major fashion story. Exposed in 2008 at Rencontres d'Arles festival, France.(Source: en.wikipedia.org)
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