The ’80s photographs of Boston School veteran Jack Pierson are at once melancholy and joyous, erotic and slyly witty.
The Hungry Years collects the early photographs of Jack Pierson, taken throughout the 1980s photographs that have increasingly captured the attention of the art world since they were first editioned in 1990.
Informed in part by his artistic emergence in the era of AIDS, Pierson’s work is moored by melancholy and introspection, yet his images are often buoyed by a celebratory aura of homoeroticism, seduction and glamour. Sometimes infused with a sly sense of humor, Pierson’s work is inherently autobiographical; often using his friends as his models and referencing traditional Americana motifs, his bright yet distanced imagery reveals the undercurrents of the uncanny in the quotidian.
Fueled by the poignancy of emotional experience and by the sensations of memory, obsession and absence, Pierson’s subject is ultimately, as he states, “hope.”
For more than two decades, New York-based artist Jack Pierson (born 1960) has been using the visual languages of photography, painting, sculpture and drawing to examine intimate and emotional aspects of everyday life. Gaining recognition alongside a group of photographers known as the Boston School, Pierson explores the cultural construction of identity, including how we see and how others see us. Pierson has had numerous recent solo exhibitions and his work is in the collections of the Metropolitan Museum of Art, the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, the Museum of Contemporary Art, Los Angeles, and the San Francisco Museum of Modern Art, among other museums worldwide.
Diana Markosian’s Father is an intimate and engrossing diaristic portrayal of estrangement and reconnection, recounted through documentary photographs, family snapshots, text, and visual ephemera.
Diana Markosian: Father presents the photographer’s journey to another place and another time, where Markosian attempts to piece together an image of a familiar stranger—her long-lost father. The book explores her father’s absence, her reconciliation with him, and the shared emptiness of their prolonged estrangement. The images, made over the course of a decade, take place in her father’s home in Armenia. In Markosian’s first monograph, Santa Barbara (Aperture, 2020), the photographer recreates the story of her family’s journey from post–Soviet Russia to the US in the 1990s. Father uses both documentary photographs and archives of objects, letters, and vernacular images to probe the fifteen years of absence and separation from the photographer’s childhood. In this voyage of self-discovery, Markosian touchingly renders her longing for connection to a man she barely remembers and who asks her, when she finds him, “Why did it take you so long?”
The first title in Aperture’s Vision & Justice Book Series—featuring a collection of award-winning short essays by Maurice Berger that explore the intersections of photography, race, and visual culture. Created and coedited by Drs. Sarah Lewis, Leigh Raiford, and Deborah Willis, the series reexamines and redresses historical narratives of photography, race, and justice.
Race Stories: Essays on the Power of Images examines the transformational role photography plays in shaping ideas and attitudes about race and how photographic images have been instrumental in both perpetuating and combatting racial stereotypes. Written between 2012 and 2019 and first presented as a monthly feature on the New York Times Lens blog, Berger’s incisive essays help readers see a bigger picture about race through storytelling. By directing attention to the most revealing aspects of images, Berger makes complex issues comprehensible, vivid, and engaging. The essays illuminate a range of images, issues, and events: the modern civil rights movement; African American–, Latinx–, Asian American–, and Native American photography; and pivotal moments in the nineteenth and twentieth centuries when race, photography, and visual culture intersected. They also examine the full spectrum of photographic imaging: from amateur to professional pictures, from snapshots to fine art, from mugshots to celebrated icons of photojournalism.
Race Stories collects together Berger’s reader-friendly essays in their breadth and brilliance to encourage a broad range of readers to look at and think about photographs in order to better understand themselves and the diverse world around them.
Find out how to transform the ordinary into something extraordinary with this guide to minimalist photography.
With advice on composition, balance, shape and texture, this book takes inspiration from the masters of minimalism to demonstrate how stripping a subject down to its very essence can help you craft beautifully bold and unique images.
Illustrated with the finest examples of the style from the likes of Fan Ho, Imogen Cunningham, Michael Kenna, Berenice Abbott, William Eggleston and Horst P. Horst, this book guides you through the key techniques that define minimalism and provides easy-to-follow advice for how to create your own minimalist images that are visually striking in their simplicity.
In his coffee table book Metropolis, Alan Schaller presents city life in his own individual way, setting standards in modern street photography. For all lovers of spectacular black-and-white photography, the coffee table book Metropolis is a must-have, because there is hardly anything comparable on the market. In a unique way, Alan Schaller depicts urban contrasts that big cities like New York, London, Paris, Tokyo or Istanbul hold in store in their architecture and everyday life.
In the photo book Metropolis, Alan Schaller elevates city views to an art form, playing with light and perspective and creates a world in black and white that captivates the viewer. This is what fans of Schaller love about his work. The photo artist manages to capture moments for eternity.
Accompany Alan Schaller in his coffee table book Metropolis on 240 pages through the most famous metropolises on earth. Look forward to impressive black-and-white photographs, with extraordinary city views in which people and architecture merge in an intimate moment.
Jaume Llorens, born in Porqueres, near Girona, has been passionate about photography since his teenage years. Though he began exhibiting his work later in life, his artistic journey has quickly gained recognition on the international stage. His work is characterized by a deep, contemplative connection with nature, where silence and observation shape his artistic vision.
His poetic project Gaia, inspired by this reflective approach, earned him the December 2023 Solo Exhibition.
We asked him a few questions about his life and work.
Asiya Al Sharabi is a Yemeni-American visual artist whose work has been recognized both nationally and internationally. She began her career as a journalist and photographer before shifting her focus to artistic photography, using her lens to explore the complexities of identity, culture, and migration. Now based in the U.S., her work is deeply rooted in the experiences of Middle Eastern women, young adults, and immigrants—themes that continue to shape her creative vision.
Círculo Collective is a photography group dedicated to fostering unity and shared humanity during these challenging times. This exclusive collective brings together photographers from five countries: India, Tanzania, Iran, Brazil, and Poland.
In a world increasingly defined by division and conflict, the mission of Círculo Collective holds profound significance. Through their work, they seek to remind us of the connections that bind us and the power of community in overcoming adversity.
We reached out to them with a few questions to gain deeper insights into their project.
Manuela Federl is a journalist and documentary filmmaker with over 15 years of experience. She studied languages, economics, and cultural studies, focusing on the Mapuche people in Chile, which became the subject of her published thesis. In 2016, she founded her company, bergjournalisten, and has since created award-winning documentaries like 100 Hours of Lesbos and THE GAME. Gambling Between Life and Death. For the past two years, she has traveled extensively, documenting social issues through photography and storytelling. Her series The Roma Princesses earned her the January 2024 Solo Exhibition.
Black Box, a memoir by award-winning American photographer Dona Ann McAdams, combines fifty years of black and white photography with the photographer’s own short lyric texts she calls “ditties.” The book brings together McAdams’ striking historical images with personal reflections that read like prose-poems. Her photographs, taken between 1974 and 2024, document astonishing moments and people across decades of American life.
Grace Weston’s staged photography transforms miniature vignettes into powerful narratives that explore psychological themes with a playful yet profound touch. Her meticulously crafted scenes invite viewers to delve into stories of power, identity, and human complexity. Weston’s innovative work has earned international recognition, including winning the November 2023 Solo Exhibition. We asked her a few questions about her life and work.
Tebani Slade is a fine art, street, and documentary photographer whose work bridges continents, blending the raw authenticity of her Australian roots with the vibrant energy of her second home in Barcelona. Known for her thoughtful approach to storytelling, Tebani immerses herself in unfamiliar settings, capturing unscripted moments that reveal profound truths about the world around her.
Mital Patel is an internationally recognized nature and wildlife photographer who focuses on capturing beauty in all its forms—whether natural or manmade. From architecture and landscapes to the creatures of the wild, Patel has a distinct passion for capturing the most remarkable elements of life through his visual representation of movement, emotion and mood. From behind the lens, he strives to bring viewers his very unique view of nature, telling a story without words and conveying a feeling in the abstract. He challenges his audience to let their imaginations run free, taking the journey with him on his travels and opening their minds beyond the confines of static photography.
In each of his pieces, Patel hopes to offer his audience a way to view the world around them a bit differently – to appreciate the beauty of moments and places that are often overlooked. An intrepid traveler and lover of adventure, Patel’s passion for creative and imaginative photography is a great asset to his exploration of the world, which spans six out of the seven continents. His work is admired worldwide for its unique and artistic perspective.
Steff Gruber, is a renowned Swiss photographer and filmmaker whose career spans decades of impactful storytelling. Having started as a press photographer for Keystone Press, Gruber was one of the pioneers of the docudrama genre, making his mark with the internationally acclaimed documentary LOCATION AFRICA. This film, which followed the intense dynamic between Werner Herzog and Klaus Kinski during the making of COBRA VERDE, earned him international recognition and set the tone for his distinct filmmaking style.
Gruber's passion for human interest stories has taken him to various countries, where he has documented diverse subjects through his compelling photo stories, often returning multiple times to deepen his understanding of the people and places he captures. His work is celebrated for its striking visual language and his bold approach to narrative, which continues to push boundaries in both photography and film.
We asked him a few questions about his life and work.
