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Photographer: Danny Lyon
Publisher: Damiani
Publication date: May 2025
Print length: 120 pages
Language: English
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Danny Lyon: Junk offers a stark yet deeply poetic journey through America’s forgotten landscapes, where once-proud automobiles rest in silence beneath open skies. In this new volume, Danny Lyon turns his lens toward the discarded machines of the mid-20th century—vehicles that once carried families, dreams and miles of stories—now weathered into relics scattered across the western states.

Known for his uncompromising documentary style, Lyon approaches these junkyards with the same empathy and curiosity that shaped his earlier landmarks, from The Bikeriders to The Destruction of Lower Manhattan. Here, however, the protagonists are not people but the ghosts of American mobility: ’53 Oldsmobiles, faded Chevrolets, sun-cracked Buicks. Their chrome has dulled, their paint has peeled, yet their presence remains unexpectedly grand. Lyon’s photographs evoke the quiet dignity of ruins—objects transformed by time into monuments of use, memory and loss.

The project draws on a personal thread. Lyon’s first real encounter with the power of the automobile came with the Oldsmobile passed down from his father, a car that carried him through the American South during the civil rights movement. Speeding along Georgia backroads, he understood both the freedom and fragility of life behind the wheel. That early awakening echoes in these images, where the vitality of movement lingers even in stillness.

Shot across Nebraska, Texas, New Mexico, Arizona and Oklahoma, the series reveals surprising regional variations: cars half-buried in prairie grasses, desert sun bleached shells, rusted fenders glowing under vast plains light. Lyon sees beauty not in nostalgia but in the transformation itself—the way decay enhances line and form, the way history settles into metal.

Junk ultimately stands as a meditation on impermanence and the artifacts we leave behind. These abandoned vehicles become symbols of a nation in motion, now paused, inviting viewers to contemplate the passage of time and the unexpected grace found in what has been left to weather and fade.

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