Pilgrimage took Annie Leibovitz to places that she could explore with no agenda. She wasn’t on assignment. She chose the subjects simply because they meant something to her. The first place was Emily Dickinson’s house in Amherst, Massachusetts, which Leibovitz visited with a small digital camera. A few months later, she went with her three young children to Niagara Falls. “That’s when I started making lists,” she says. She added the houses of Virginia Woolf and Charles Darwin in the English countryside and Sigmund Freud’s final home, in London, but most of the places on the lists were American. The work became more ambitious as Leibovitz discovered that she wanted to photograph objects as well as rooms and landscapes. She began to use more sophisticated cameras and a tripod and to travel with an assistant, but the project remained personal.
The final list of subjects is perhaps a bit eccentric. Georgia O’Keeffe and Eleanor Roosevelt but also Elvis Presley and Annie Oakley, among others. Figurative imagery gives way to the abstractions of Old Faithful and Robert Smithson’s Spiral Jetty. Pilgrimage was a restorative project for Leibovitz, and the arc of the narrative is her own. “From the beginning, when I was watching my children stand mesmerized over Niagara Falls, it was an exercise in renewal,” she says. “It taught me to see again.”
Hear the World is a visually compelling and heartwarming collection of over 120 portraits by musician and photographer Bryan Adams, created in collaboration with the Hear the World Foundation. This beautifully curated book brings together some of the most recognizable faces from the worlds of film, music, fashion, and beyond—including Julianne Moore, Bruce Springsteen, The Weeknd, Priyanka Chopra, Jared Leto, Léa Seydoux, and Lenny Kravitz—all captured through Adams' distinctive lens. Each subject strikes the signature "Hear the World" pose, with a hand cupped behind one ear, symbolizing their support for hearing awareness.
The Hear the World Foundation, which focuses on supporting children with hearing loss in low- and middle-income countries, is grounded in the belief that every child deserves the opportunity to hear and live life to its fullest. Adams has been a passionate collaborator with the foundation since 2007, and Hear the World is the culmination of their shared vision to highlight the importance of conscious hearing and advocate for global accessibility to hearing care.
The portraits in Hear the World offer more than just familiar faces—they capture the humanity, individuality, and solidarity of renowned ambassadors uniting for a vital cause. Each image stands as a reminder of the preciousness of sound and the often-overlooked gift of hearing. Through this striking visual anthology, Adams not only showcases his skill behind the camera but also raises awareness of hearing loss and celebrates the foundation's mission.
This book is a testament to the power of art, philanthropy, and collaboration, making Hear the World a touching and meaningful contribution to both the world of photography and the cause of hearing health.
Playful yet haunting, Mary Ellen Mark’s photographs of Indian circus performers depict a world on the brink of disappearance. In 1969, Mark first traveled to India and photographed a circus, captivated by its "beauty and innocence." Two decades later, she returned for six months to document 18 circuses across the country, from bustling cities to remote villages.
Ranging from large troupes with hundreds of performers—both human and animal—to small, intimate acts, Mark's lens captures not the spectacle of the shows, but the quiet moments in between: scenes of practice, rest, and life beyond the spotlight. Her focus is on the human experience—marked by the contradictions of humor and sadness, beauty and hardship. By the time of Mark’s project, Indian circuses were already fading, holding onto an innocence long lost in the West, as they struggled against the pressures of the modern world.
This new edition of her 1993 book preserves the original text and images but reimagines the sequence and design, staying true to Mark’s poignant vision of a dying art form.
Peter Lindbergh photographed Dior’s most exceptional muses, Marion Cotillard and Charlize Theron among them, and signed campaigns for Lady Dior and J'Adore with his inimitable style. Throughout his career, the photographer was one of the house’s closest collaborators. This final book was an original cocreation that was close to the artist’s heart—and to ours.
Seventy years of Dior history projected against the effervescence of Times Square, New York: this was the concept behind Lindbergh’s project, extraordinary both in scope and dimension, for which Dior, in an unusual move, allowed an unprecedented number of priceless garments to be taken from its vaults in Paris and shipped across the Atlantic.
The result is electric. Amid the frenzy of Times Square, Alek Wek glows in the immaculate 1947 Bar suit, the storied ensemble that launched the House of Dior. In snatches of street scenes, models Saskia de Brauw, Karen Elson, and Amber Valletta flit through crowds and scaffolding, are reflected in building façades, and draped in haute couture, from pieces hand-sewn by Christian Dior to more recent designs by Maria Grazia Chiuri. Lindbergh’s trademark monochrome and color photographs masterfully highlight the intricacies, silhouettes, and textures of each garment.
Lindbergh himself is present in every aspect of this publication designed by his long-time collaborator and friend Juan Gatti. This volume features 165 never-before-published images from the shoot, including an introduction by Martin Harrison, and pays homage to Lindbergh’s profound relationship with the Parisian House by curating more than 100 of his photographs of Dior creations, from haute couture to ready-to-wear, men’s and women’s, originally published in some of the world’s most prestigious magazines such as Vogue and Harper’s Bazaar. A breathtaking tribute to two pillars of fashion and photography and their timeless collaborations.
By Alex Prager, Maurizio Cattelan, Pierpaolo Ferrari
Publisher : Damiani
2024 | 40 pages
A captivating fusion of the surreal worlds of Toilet Paper and the striking imagery of artist, director, and screenwriter Alex Prager, the latest issue of Toilet Paper magazine presents a visual dialogue between these creative forces. The issue showcases 12 of Prager’s evocative images alongside 12 conceived by the Toilet Paper team. Known for its vibrant aesthetics and playful visual twists, Toilet Paper enters into a dynamic exchange with Prager’s technicolor universe, where the line between reality and fiction is artfully blurred. Her signature use of archetypes, everyday objects, humor, and allegory creates a provocative and mysterious journey throughout the pages.
This collaboration follows in the footsteps of ToiletMartin PaperParr (2018), a special edition that celebrated the iconic work of internationally acclaimed photographer Martin Parr, along with the creative minds of Maurizio Cattelan and Pierpaolo Ferrari. Like its predecessor, this issue brings together distinctive visual worlds in a way that delights and intrigues.
Eric Kunsman is a renowned photographer and educator whose work explores the intersection of history, culture, and social commentary. Known for his thought-provoking series and meticulous attention to detail, Kunsman captures powerful narratives that challenge conventional perspectives. In this interview, we delve into his creative process, inspirations, and the stories behind his most compelling projects
Laurie Victor Kay is a versatile, multi-disciplinary artist whose practice seamlessly merges photography, painting, installation, and digital media. Her work explores themes of constructed imagination, idealization, and the surreal, creating thought-provoking visual narratives that challenge traditional boundaries between mediums. We asked her a few questions about her background and work.
Nanda Hagenaars approaches photography with a poetic and emotionally rich sensibility, creating images that reflect her intuitive connection to the world. Fascinated by the relationship between time and timelessness, she often works in black and white, a medium that aligns with her creative vision. We discovered her beautiful work through her submission to AAP Magazine Portrait, and we were captivated by her series Perspective. We asked her a few questions about her life and work.
Lisa McCord is a fine art and documentary photographer whose work deeply reflects her roots in the Arkansas Delta. Known for her evocative explorations of storytelling, memory, and time, McCord draws inspiration from her family’s cotton farm in her series Rotan Switch, which won a solo exhibition and has now been published as a book by Kehrer Verlag. We asked her a few questions about her life and wor
French photographer Laurent Baheux, follows the tradition of humanist photographers by capturing black-and-white images of nature and wildlife. His subjects are not confined to cages or enclosures; they are free individuals, captured in the moment, displaying the full strength of their freedom, the beauty of their personalities, and the tenderness of their communal lives. Celebrated for their aesthetic power and authenticity, Laurent's black-and-white photographs have been featured in books, publications, exhibitions, and conferences, and are displayed in galleries both in France and internationally.
Jon Enoch is a London-based freelance photographer, who works with celebrities, sports people, CEOs, as well as advertising agencies and brands. Jon regularly creates his own personal work, which have won numerous awards over the years. Jon’s recent project ‘The Candymen of Mumbai’ has won a Portrait of Humanity award and was the overall winner of the Pink Lady Food Photographer of the year 2023. His previous 2019 project called ‘Bikes of Hanoi’ also picked up multiple awards including the Paris Photo Prize - Gold in 2019, Portrait of Humanity Award 2020 and was the Smithsonian Grand Prize Winner in 2020. He was also shortlisted for the Sony World Photography Awards in 2020 and nominated for the Lens Culture Portrait Prize 2020. We asked him a few questions about his project 'Reflections'
George Byrne is an acclaimed Australian photographer known for his striking use of color and composition. Byrne's work often captures urban landscapes with a minimalist and abstract aesthetic, transforming ordinary cityscapes into vivid, painterly images. His distinctive style highlights the beauty in everyday scenes, emphasizing geometry, light, and shadow to create visually captivating pieces. Byrne has gained international recognition for his unique approach to photography, blending elements of fine art and documentary to offer a fresh perspective on the urban environment.
Cole is best known for her underwater photography, but her other studio practice during the cold months in Toronto is an ongoing series of wet collodion photographs. This heavily analog process from the 19th Century is a years-long endeavor of revitalization and experimentation, offering modern day viewers an understanding of what it took to develop photographs in the early days of its invention.
Cole has added her own unique take on the process by adding a layer of color in contrast to the usual sepia tones associated with the genre. The resulting wet plate photographs are tactile and dimensional dances between light and shadow, past and present, depicting women in timeless dreamscapes. We asked her a few questions about this specific project
I discovered Michael Joseph's work in 2016, thanks to Ann Jastrab. I was immediately captivated by the power of his beautiful black and white photographs from his series 'Lost and Found.' His haunting portraits of young Travelers have stayed with me ever since.
