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Terry Evans: Stories of the American Prairies

From November 27, 2020 to July 04, 2021
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Terry Evans: Stories of the American Prairies
3259 Hull Road
Gainesville, FL 32611
Terry Evans: Stories of the American Prairies features thirty-three photographs by acclaimed Chicago-based photographer, Terry Evans. The exhibition is a love letter to America's Heartland documenting the ecological transformations of the mid-west from Texas to Canada. Evans's micro-to-macro perspectives examine the land from the ground and from the air (the latter not by drone). Her art comes out of a knowledge of the history of landscape photography, art history, the history of her region, and America's industrial development. And her vision is distinctly humanist, at once grassroots and universal. Evans's art and message (equal parts fable, history, and autobiography) are relevant to Gainesville, also a prairie land with rapid development. Her photographs speak to our collective health and well-being, fitting for our time.
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South East North West: New Works from the Collection
San Jose, CA
From October 30, 2020 to September 19, 2021
In the last five years, the San José Museum of Art has experienced tremendous growth and its permanent collection has evolved into one of increasingly greater inclusivity and relevancy. Propelled by the generosity of artists, gallerists, collectors, Museum patrons, and members of the Museum's Acquisitions Committee and Council of 100, SJMA now boasts many artworks by the most innovative artists working today. As the only collecting art institution and the only museum in the City dedicated exclusively to acquiring the art of our times, its permanent collection of more than 2,600 artworks serve as a valuable resource and public legacy for the community. South East North West celebrates SJMA's 50th anniversary with a dynamic presentation of paintings, sculptures, photographs, works on paper, and new media recently acquired by the Museum. Reflecting the rich cultural diversity and innovative spirit that define San José and Silicon Valley, the exhibition showcases the work of internationally acclaimed artists, including those working in California and the Bay Area, and emerging artists garnering critical recognition. A number of artists in the exhibition-including Diana Al-Hadid, Rina Banerjee, Victor Cartagena, Dinh Q. Lê, Louise Nevelson, and The Propeller Group (Matt Lucero, Tuan Andrew Nguyen, and Phunam)-will be familiar to SJMA's audiences, as they have recently been featured in solo exhibitions at the Museum. Many artists in the exhibition offer provocative and poetic responses to often-polarizing cultural, political, and social issues. Mona Hatoum evokes the agony of exile in her work Drowning Sorrows (2001-02), which is composed of severed clear glass bottles arranged in a circular formation on the floor. Andrea Bowers, Chitra Ganesh, and Lara Schnitger address ongoing struggles for gender equality and women's rights to imagine a more just world. In his painting Trauma Eve with Virus Bombs (2001), David Huffman reimagines African American stereotypes in order to reclaim them from prevailing narratives of the black experience. In our twenty-first century digital age, artists such as Petra Cortright, Hayal Pozanti, and Margo Wolowiec push the boundaries of representation and contemporary image making using new media technologies. In contrast, artists such as Tacita Dean and Tony Feher show us that the simplest elements-whether images of clouds for Dean or blue painter's tape for Feher-can prove to be profoundly pleasurable to the senses. Other artists featured in the exhibition include Firelei Báez, Tony Berlant, Alexander Calder, Tiffany Chung, Russell Crotty, Jay DeFeo, Genevieve Gaignard, Kojo Griffin, Robert Hudson, Yojiro Imasaka, Jitish Kallat, Hung Liu, Frank Lobdell, Vanessa Marsh, Annu Palakunnathu Matthew, Robert Minervini, Richard Misrach, Ruben Ochoa, Nathan Oliveira, Josephine Taylor, William T. Wiley, and Imin Yeh. Adopting the title of a monumental, two-panel mixed-media work by Diana Al-Hadid to symbolize the breadth and depth of the collection, South East North West testifies to SJMA's adventurousness and ambition of becoming a borderless museum for the future.
Matthew Rolston, Art People: The Pageant Portraits
Laguna Beach, CA
From June 27, 2021 to September 19, 2021
Laguna Art Museum will present the first institutional solo exhibition by acclaimed photographer Matthew Rolston on the West Coast, Matthew Rolston, Art People: The Pageant Portraits, from June 27 to September 19, 2021, curated by Dr. Malcolm Warner, former executive director of Laguna Art Museum. The exhibition, which consists of 18 monumental, high-resolution photographic works, some presented as multi-panel installations, takes as its subject the participants of an annual arts event in Laguna Beach, California-the Pageant of the Masters-known for its elaborate tableau vivant presentations. This context connects two of the most beloved cultural institutions of Laguna Beach, a city originally founded as an arts colony in the early 20th century, while celebrating the broader history of art and photography that defines the cultural heritage of California. "How fortunate for us that a photographer of Matthew's stature found a perfect subject for his art in Laguna Beach," said Dr. Warner. "We're proud to be showcasing his genius and celebrating the fabulous ‘art people' of the Pageant of the Masters." In Rolston's brilliant, richly hued portraits, the artist offers not only a deeply poignant and personal account of the Pageant of the Masters and its participants, but also underscores the uncanny ways in which these works bring out fundamental aspirations of the human spirit and its underlying impulse towards art creation. Accompanying the exhibition is a lavishly illustrated museum catalogue with essays by cultural critic and journalist Christina Binkley, the Pageant of the Masters scriptwriter Dan Duling, and respected scholar Nigel Spivey, Senior Lecturer in Classical Art and Archaeology at the University of Cambridge, alongside carefully selected images from art history that contextualize the work in the exhibition. The catalogue will be offered in two versions, a luxurious trade edition as well as a deluxe limited collector's edition featuring a signed print by the artist.
Charles Mason: Denali through Collodion
Anchorage, AL
From April 30, 2021 to September 26, 2021
Denali has long captivated photographers, including explorer Bradford Washburn (1911-2007), who pioneered aerial photography while surveying the mountain in the 1930s, and renowned landscape photographer Ansel Adams (1902-1984), who snapped one of the most iconic images of the mountain in 1948. Contemporary Alaska photographer Charles Mason captures present-day Denali National Park through images made with a 19th-century photographic technique called the collodion process. Using his Westfalia van as a traveling darkroom, Mason prepares and develops images in the field on glass plates (also known as wet plate photography). He values the technique for its unpredictability - how anomalies in exposure and development often create unexpected dramatic and compelling visual images. The large-scale images he produced for this exhibition offer a new way to see this iconic landscape. This exhibition is presented as part of the Patricia B. Wolf Solo Exhibition Series with support from the Alaska State Council on the Arts and the National Endowment for the Arts.
From Margins to Mainstays
St. Petersburg, FL
From April 24, 2021 to September 26, 2021
This exhibition will feature masterworks from the photography collection that were made by artists whose careers and personal lives were sidelined, ignored, or impacted by their gender, race, sexuality, or nationality. From Margins to Mainstays will illustrate how the canon of photography has changed since the medium first began being shown in museums in the 1940s, with particular emphasis on rectifying the small percentage of women and artists of color historically acquired by and displayed in public collections. The exhibition will include works by Berenice Abbott, Lotte Jacobi, Carrie Mae Weems, Lee Miller, Cornelius Marion Battey, James Van Der Zee, and Manuel Álvarez Bravo.
Jeff Whetstone:  Batture Ritual
Tampa, FL
From January 01, 2021 to September 30, 2021
Jeff Whetstone's photographs and videos explore the micro- and macro-economies and ecologies along the Mississippi River's batture near New Orleans, Louisiana. "Batture" is the French-creole term for the thin strip of weeds, trees, and mud between the water's edge of the Mississippi River and the tall, hardened levees that contain its floods.
Bremner Benedict: Hidden Waters, Desert Springs, Uncertain Future
Tampa, FL
From January 01, 2021 to September 30, 2021
Bremner Benedict's project is an artistic investigation, part art, part research, into the springs of the Sonoran, Chihuahaun, Mojave, Great Basin deserts and the Colorado Plateau. The critical importance of these waters and their ecologies in the face of climate change and population pressures is under-recognized making their survival precarious. By visually interpreting the science her intent is to raise public awareness to the potential of water scarcity.
The New Woman Behind the Camera at the MET
New York, NY
From July 02, 2021 to October 03, 2021
The New Woman of the 1920s was a powerful expression of modernity, a global phenomenon that embodied an ideal of female empowerment based on real women making revolutionary changes in life and art. Featuring more than 120 photographers from over 20 countries, this groundbreaking exhibition explores the work of the diverse "new" women who embraced photography as a mode of professional and artistic expression from the 1920s through the 1950s. During this tumultuous period shaped by two world wars, women stood at the forefront of experimentation with the camera, and produced invaluable visual testimony that reflects both their personal experiences and the extraordinary social and political transformations of the era. The exhibition is the first to take an international approach to the subject, highlighting female photographers' innovative work in studio portraiture, fashion and advertising, artistic experimentation, street photography, ethnography, and photojournalism. Among the photographers featured are Berenice Abbott, Ilse Bing, Lola Álvarez Bravo, Florestine Perrault Collins, Imogen Cunningham, Madame d'Ora, Florence Henri, Elizaveta Ignatovich, Consuelo Kanaga, Germaine Krull, Dorothea Lange, Dora Maar, Tina Modotti, Niu Weiyu, Tsuneko Sasamoto, Gerda Taro, and Homai Vyarawalla. Inspired by the global phenomenon of the New Woman, the exhibition seeks to reevaluate the history of photography and advance new and more inclusive conversations on the contributions of female photographers.
An American Project: Dawoud Bey
New York, NY
From April 27, 2021 to October 03, 2021
Since the mid-1970s, Dawoud Bey (b. 1953) has worked to expand upon what photography can and should be. Insisting that it is an ethical practice requiring collaboration with his subjects, he creates poignant meditations on visibility, power, and race. Bey chronicles communities and histories that have been largely underrepresented or even unseen, and his work lends renewed urgency to an enduring conversation about what it means to represent America with a camera. Spanning from his earliest street portraits in Harlem to his most recent series imagining an escape from slavery on the Underground Railroad, Dawoud Bey: An American Project attests to the artist's profound engagement with the Black subject. He is deeply committed to the craft of photography, drawing on the medium's specific tools, processes, and materials to amplify the formal, aesthetic, and conceptual goals of each body of work. Bey views photography not only as a form of personal expression but as an act of political responsibility, emphasizing the necessary and ongoing work of artists and institutions to break down obstacles to access, convene communities, and open dialogues. Dawoud Bey: An American Project is co-organized by the Whitney Museum of American Art and the San Francisco Museum of Modern Art. The exhibition is co-curated by Elisabeth Sherman, assistant curator at the Whitney, and Corey Keller, curator of photography at SFMOMA.
Golden Hour
Asheville, NC
From July 09, 2021 to October 04, 2021
The Asheville Art Museum is organizing a group of three exhibitions drawn from the Musem's Collection in conjunction with the 2021 Summer Olympics in Tokyo. They will be on view in the Explore Asheville Exhibition Hall from July 9 through October 4, 2021. "With these three exhibitions, the Asheville Art Museum is looking froward to bringing the Olympics to Asheville," says Whitney Richardson, associate curator. "Athletes, sports fanatics, and those who enjoy art that captures the human athletic form will, I hope, all find something valuable in visiting these exhibitions. Some of the artworks are by renowned artists and some depict world-famous athletes, but it all speaks to the importance of the Olympics-and sports in general-in our lives and how we honor our athletes." Golden Hour: Olympians Photographed by Walter Iooss Jr. highlights dozens of photographer Walter Iooss Jr.'s images from the Museum's Collection. Over his 60-year career, Iooss (Temple, TX 1943-Present NY) has captured portraits of hundreds of celebrated American athletes in action, and a select few as they prepared for the 1984 Summer Olympics in Los Angeles. He began his career shooting for Sports Illustrated and has contributed to the magazine for more than 50 years. Artistic Tribute: Representation of the Athlete pays homage to the historic Olympic tradition of including the arts as a competition. Until 1948, the modern Olympics included artistic representations of the athletes in painting and sculpture, among other media, as the ancient Olympics had done. This exhibition features artworks from the Museum's Collection that follow this custom by artists including Robert Rauschenberg (Port Arthur, TX 1925-2008 Captiva, FL), Dox Thrash (Griffin, GA 1893-1965 Philadelphia, PA), Gerald van de Wiele (Detroit, MI 1932-Present New York, NY), Ward H. Nichols (Welch, WV 1930-Present NC), Marvin Lipofsky (Elgin, IL 1938-2016 Berkeley, CA), David Levinthal (San Francisco, CA 1949-Present New York, NY), and more. Precious Medals: Gold, Silver & Bronze highlights works from the Museum's Collection including glass, ceramic, fashion, and sculpture that use the same metals that are given to the top three placing athletes in an Olympic competition. The precious nature of these three metals is examined in relation to the artworks shown. Artists featured in this exhibition include Virginia Scotchie (Portsmouth, VA 1955-Present Columbia, SC), Mark Stanitz (1949-Present Northern California), William Waldo Dodge Jr. (Washington, D.C. 1895-1971 Asheville, NC), Richard Ritter (Detroit, MI 1940-Present Bakersville, NC), Jan Williams (Bucks County, PA-Present Bakersville, NC), and more. These three exhibitions are organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator.
Miles Aldridge: Virgin Mary. Supermarkets. Popcorn. Photographs 1999 to 2020
New York, NY
From May 07, 2021 to October 07, 2021
Fotografiska New York is proud to present Virgin Mary. Supermarkets. Popcorn. Photographs 1999 to 2020, a photographic exhibition by British artist and photographer Miles Aldridge. Opening on Friday, May 7th at Fotografiska New York, the exhibition will be Aldridge's first museum retrospective in the US, comprising 64 works spanning the artist's career. The show draws on Aldridge's highly composed and cinematically inspired tableaus, including his 2015 project (after Cattelan) in which the artist Maurizio Cattelan invited Aldridge to respond to his sculptures over the course of one night together in a Paris museum. Aldridge's unique style is also applied to portraiture and his subjects include Marina Abramović, Gilbert and George, Sophie Turner, Viola Davis, Michael Fassbender, Donatella Versace and David Lynch. An exhilarating ride through Aldridge's universe, the show reflects on three strands of his colorful cosmos. Virgin Mary references the religious paintings by artists such as Caravaggio, who like Aldridge represent experiences in an artificial, almost cinematic manner through their use of dramatic lighting, costuming and staging. Supermarkets are a metaphor the consumer society; the hope of self-improvement through retail therapy. Lastly, Popcorn is a nod to the influence of cinema in Aldridge's work and the many auteur directors such as Hitchcock, Lynch and Fellini, who serve as a source of inspiration for his style and approach. With so many diverse influences coming from the history of cinema, when everything was still shot on analogue film, Aldridge likewise prefers to shoot on film rather than digital. Every print in the exhibition was captured on Kodak Colour Negative. A recurring theme throughout Aldridge's oeuvre is the false promise of luxury. Psychedelic interiors are furnished with the trappings of mid-century suburban comfort: gleaming kitchen appliances, candy colored telephones, and well-groomed pets denote success. The images of domesticity are often undercut with a bittersweet edge; a personal reflection of Aldridge's childhood memories of his mother after a shattering divorce. Aldridge's work conflates historic and modern motifs and makes subtle reference to the art historical canon. Only rarely does he allow the real world to encroach upon the imagined realm. Through his lens, even reality appears artificial. Virgin Mary. Supermarkets. Popcorn. Photographs 1999 to 2020 is curated by Nadine Barth, barthouse Berlin, in collaboration with Johan Vikner, Director of Global Exhibitions at Fotografiska International. This installment marks the second iteration of the show which debuted at Fotografiska Stockholm in September 2020 and ran till March 2021. The exhibition has been made in close collaboration with the artist and his galleries; Fahey Klein Gallery, Los Angeles, Lyndsey Ingram Gallery, London, Christophe Guye Gallerie, Zurich, Reflex Gallery, Amsterdam, and Casterline Goodman Gallery, Aspen.
CPA’s 8 x 10 Fundraising Exhibition and Auction
Carmel, CA
From September 16, 2021 to October 07, 2021
Our gallery will be filled with a wide-ranging selection of small framed works of art generously donated by our talented community of photographers. We have works by over 100 established and emerging artists, both legendary photographers and rising stars, from California and beyond! Once again, our 8×10 Fundraiser will be an online auction this year instead of a raffle because of this moment in history. Do stop by to see the exhibition on view as we will have special raffle prizes and photographs just for visitors to the gallery. Save this link to see all the amazing images and bid on your favorites.
Jessica Wynne: Do Not Erase
New York, NY
From September 02, 2021 to October 09, 2021
Edwynn Houk Gallery is pleased to announce our inaugural exhibition of artworks by Jessica Wynne (American, b. 1972), on view from 2 September – 9 October 2021. The show includes medium- and large-scale photographs from the artist's newest body of work, images of mathematicians' chalkboards and the formulas scribbled and erased on them. Do Not Erase contemplates the meaning, emotion, and energy of symbols. Her photographs- which can easily be mistaken for three-dimensional chalkboards- illuminate the narrative, linguistic, and visionary elements of these representations, providing timeless meditation on the abstraction and intimacy of visual expression. Wynne studied at the San Francisco Art Institute and Yale University before moving to New York City in 1999. She was first introduced to the beauty of chalkboards through her neighbors Amie Wilkinson and Benson Farb, mathematics professors from the University of Chicago. Intrigued by the imagery she saw on these boards, Wynne directed her focus on capturing-rather than deciphering-the meaning and beauty of these symbols. Reminiscent of Cy Twombly's "blackboard" paintings and Brice Marden's serpentine Letters canvases, Wynne's blackboards illuminate the power of the whirling web of shapes, numbers, and calculations scribbled in the heat of discovery. For Wynne, the poetic and the rational are not mutually exclusive. While the formulas on each board are communicated in highly specialized languages from abstruse subfields such as knot theory, combinatorics, and ergodic theory, Wynne's work embraces the visual sensuality and intuitive impression of these complex calculations, linking them to the timeless lineage of artistry and writing: cave paintings, hieroglyphics, and graffiti. Mathematicians "see images first, not words. They see pictures before meaning," Wynne observes. This relationship between image and thought is one of the primary areas of investigation for her work. It is striking that mathematicians, unlike many scientists, continue to work on chalkboards rather than computers, and Wynne's art explores the aspects of their communication that visual artists have shared throughout time: primal, intimate, and transcendent exchange. Each mystery unravels itself through unique formal qualities. In some of the chalkboards Wynne represents, the black expanse is riddled with Greek letters, punctuation notations, and sinuous scrawls and loops, evocative of a patterned tapestry or calligraphic scroll. Others meditate on a single, pared down shape or orderly sequence of lines. Foggy mists left behind by an eraser provide a recurrent theme throughout the series, the puffs of opaque powder testifying to the rhythmic bursts of thought and explosions of clarity. Despite the formal and intellectual diversity Wynne's work showcases, each of her chalkboards is united through an exploration of the relationship between form and expression. In the spring of 2021, Princeton Press published the artist's first monograph, Do Not Erase, the name of her series inspired by notes that mathematicians often leave on their blackboards. Her work has appeared in The New York Times and National Geographic, amongst other publications, and prints are in the permanent collections of the San Francisco Museum of Modern Art and the Morgan Library in New York City. Wynne is a professor of photography at the Fashion Institute of Technology. Do Not Erase is the artist's inaugural exhibition at Edwynn Houk Gallery. Jessica Wynne lives in New York.
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