Laurence Miller Gallery

New York - 9 East 8th Street Box 119 - NY 10003

Since its founding in 1981, the Laurence Miller Gallery has been a respected name in the world of fine art photography, recognized for its discerning eye and commitment to excellence. Operating today as a private dealer with locations in both New York City and New Hope, Pennsylvania, the gallery welcomes clients by appointment, offering a personalized and focused experience to collectors, curators, and consultants alike.

Over the decades, Laurence Miller Gallery has mounted more than 300 exhibitions, showcasing a rich and diverse array of photographic talent. From iconic masters to innovative newcomers, the gallery has consistently explored the breadth and depth of photography as a medium. Its curatorial vision often ventures beyond the traditional, welcoming artists who challenge conventions and experiment with new visual languages.

True to its international outlook, the gallery has participated in major global art fairs, including ART BASEL, PARIS PHOTO, ARCO Madrid, and the Armory Show, among many others. These events have positioned the gallery as a dynamic player on the world stage, bringing its artists into dialogue with audiences from all corners of the art world.

Laurence Miller Gallery has long embraced the power of photography to move beyond documentation and enter the realm of emotional resonance and conceptual exploration. Whether presenting black-and-white prints that reflect timeless elegance or contemporary works that push the boundaries of digital expression, the gallery maintains a keen sensitivity to artistic integrity and historical context.

As a private dealer, the gallery continues to build meaningful, long-term relationships with institutions and individual collectors. Each engagement is an opportunity to share knowledge, discover new perspectives, and support the ever-evolving dialogue around photography. With a legacy of passion and precision, the Laurence Miller Gallery remains a trusted guide in the world of photographic art.

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All About Photo Magazine

Issue #49

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Outstanding represented artists or works available by:

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Call for Entries

AAP Magazine #52: Street

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Event

Mosquito Coast by Guillaume Bonn

“Mosquito Coast”, a new exhibition at the Cadaval Palace in the city of Evora-Portugal, showcases a series of thought-provoking photographs by Guillaume Bonn, carefully chosen from within his portfolio to delve into the very essence of East Africa’s architectural identity.

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Event

Brad Walls: PASSE

Brad Walls presents PASSÉ, an immersive new exhibition set within a monochromatic red environment in New York City, reimagining ballet from an aerial perspective. Known for his minimalist aerial photography and internationally published series, Walls invites viewers not just to observe, but to step inside the frame—onto the red carpet where the art was made, and into the lives and stories of the dancers themselves.

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All About Photo Presents ’Rural Life in the Hudson Valley’ by Susan Anthony

Event

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All About Photo Presents 'Rural Life in the Hudson Valley' by Susan Anthony

The photographs in this exhibition are part of a project about rural life in the Hudson Valley. For the past five years, I have been taking photographs of individuals and families in upstate New York. Having spent many years as a weekender and homeowner, most of the people I knew were other New Yorkers, and I never had the chance to meet people who grew up in this rural area. During the pandemic, I spent many hours outside with my camera, walking along the road and photographing local residents. Eventually, I decided to create a project about the people I met. Now, as some of these individuals have become friends, I continue to meet others whose families have lived in this area for many generations.

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Event

Matthew Arthur Williams: In Consideration of Our Times

Stills presents an exhibition of new photography by Matthew Arthur Williams. Williams is a Glasgow-based artist who has become known for a visual arts practice that explores themes of race, queerness, memory and history. A key concern that he addresses in his work is the absence of representation and how this can be perpetuated by formal histories and archives.

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Event

50X50: Side Fundraising Print Sale

The 50x50 fundraising print sale is now live, giving the public the chance to acquire affordable, high-quality photographic images while raising essential funds for the UK’s only arts organisation dedicated to documentary film and photography centred on working-class life, both in the North East and internationally.

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Event

37th International Festival of Photojournalism Visa pour l'Image

With the world in an even worse state than usual, Visa pour l’Image is more necessary today than it has ever been. Even more than 37 years ago, when we launched this project that nobody believed in.

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Event

Photography and the Black Arts Movement, 1955-1985

Photography and the Black Arts Movement brings together approximately 150 works spanning photography, video, collage, painting, installation, and other photo-based media, some of which have rarely or never been on view. Among the over 100 artists included in the exhibition are Billy Abernathy (Fundi), Romare Bearden, Dawoud Bey, Frank Bowling, Kwame Brathwaite, Roy DeCarava, Louis Draper, David C. Driskell, Charles Gaines, James E. Hinton, Danny Lyon, Gordon Parks, Adrian Piper, Nellie Mae Rowe, Betye Saar, Raymond Saunders, Jamel Shabazz, Lorna Simpson, and Carrie Mae Weems

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Event

What Have We Done? Unpacking 7 decades of World Press Photo

In 2025, World Press Photo marks its 70 year anniversary; a milestone which provides the opportunity not only to look back at the remarkable history of the organization, but also to examine how the images World Press Photo awarded and helped to give a global platform over the past seven decades have shaped the public’s understanding of the world.

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All About Photo Presents ’The Witching Hour’ by Anastasia Sierra

Event

Contest

All About Photo Presents 'The Witching Hour' by Anastasia Sierra

I become a mother and stop sleeping through the night. Years go by, the child sleeps soundly in his bed but I still wake at every noise. My father comes to live with us and all of a sudden I am a mother to everyone. As I drift off to sleep I can no longer tell my dreams from reality. In one nightmare my father tells me he’s only got two weeks left to live, in another I am late to pick up my son from school and never see him again. I am afraid of monsters, but instead of running, I move towards them: we circle each other until I realize that they are just as afraid of me as I am of them.

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Laurence Miller Gallery

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