When Susan Worsham was just eighteen her brother took his own life after severing his spinal cord in a motorcycle accident. As a young girl, she had already lost her father to a heart attack, and finally, in 2004, she lost her mother as well. In the words of Worsham, "Shortly after my mother passed I came across a set of antique veterinary slides. They were some of the most interesting things that I had ever seen. I framed ninety of them in a long wooden frame resembling the shape of the slide itself. It was the first piece of art that I made after my mother died. I called the piece a watercolor because of the collection of pastel colors, but it was also a sort of poem when you got close and read the titles ... Rabbit's Lung, Fowl's Spleen, and even Human Umbilical Cord. They seemed to hold beauty and death at the same time."
Worsham went on to photograph her old childhood home as well as her oldest neighbor, Margaret Daniel. Margaret is one of the last remaining threads from Worsham's childhood and was the last person to see her brother alive. She made him her homemade bread, and he finished the whole loaf before he shot himself. The story came full circle one day when Margaret brought out her dissection kit and microscope slides. She had been a biology teacher and was holding on to the same sort of slides that fascinated Worsham. Margaret's microscope and slides have since become a metaphor for Worsham's desire to look deeper into the landscape of her childhood-from the flora and fauna to the feelings, Margaret calls it "blood work.' All together, the photographs and accompaniments in Bittersweet/Bloodwork speak of the poetry of childhood, nature, discovery, love, and loss. "I can remember one particular time when I visited Margaret," says Worsham. "I looked out of her large picture window and saw what looked like a nest or hammock of small red berries draped between the winter trees. I asked Margaret what it was. She answered, 'Why, that's bittersweet. Bittersweet on Bostwick Lane.'"
This catalog includes an essay by Shane Lavalette.
Empty storefronts dot the downtown, while massive brick tobacco warehouses stretch the length of city blocks—abandoned and awaiting creative reuse. Wilson, North Carolina, feels frozen in the 1970s. Invited by the Eye on Main Street festival, photographer Cedric Roux made several trips to this enigmatic town. For a photographer used to capturing the vibrant energy of New York City streets—his first book, My Wonderland (now sold out), vividly chronicled the bustling metropolis—his initial encounter with Wilson was a profound shock.
Expecting a town in the midst of a vibrant renaissance, Roux wandered Wilson daily, exploring its diverse areas: downtown, affluent suburbs, and struggling neighborhoods. On either side of the railroad tracks that symbolically and socially divide the city, he sought a light that might suggest an emerging revival..
In his latest book, Before Rebirth, Roux captures this sense of disconnection, using his lens to explore a promise not yet realized. With a population of just 47,000, Wilson is a far cry from Manhattan’s 1.5 million. Used to the dense human energy that fuels his photographic style, Roux found himself reimagining his approach. His work took on a more stripped-down, documentary aesthetic, yet it remains deeply rooted in place and retains the distinctive palette and framing that define his vision..
In collaboration with artistic director Jean-Matthieu Gautier, Roux drew from his imagination and visual archives to craft a narrative that stays true to his photographic roots while stepping far beyond his usual realm.
From the publisher: San Fernando Valley is where John Divola was born and raised, and it served as both backdrop and subject for his earliest, serious photographic explorations, made during the early 1970s. This previously unpublished body of work shows “the Valley” through the eyes of a young photographer who would soon become an internationally-recognized artist with the exhibition and publication of his much more conceptual “Zuma” series. The black and white photographs in “San Fernando Valley” comprise a series of subject groupings which, pulled together, show early manifestations of the deadpan humor and the ability to capture everyday scenes wrapped in loneliness, for which Divola is now well-known. The book is also, and not incidentally, a fascinating record of a quintessentially 1970s Los Angeles culture. John Divola’s work is the subject of numerous books and catalogues. Widely exhibited and collected throughout the United States, Europe, Japan and Australia, Divola’s photographs are included in the permanent collections of many public and private institutions, including those of The Museum of Modern Art, New York; Metropolitan Museum of Art, New York; Getty Museum, Los Angeles; and the San Francisco Museum of Modern Art.
Following her celebrated monograph Blue Violet (Monacelli, 2021), photographer Cig Harvey continues her personal study of sensory experience, focusing on the ephemeral nature of light, pigment, and vision. Her latest photographs are lush tableaux of her signature subjects – flora, cakes, domestic interiors, and the human figure in landscape – accompanied by prose vignettes on the science and art of color, written in her vibrant, intimate style. Featuring an afterword by award-winning novelist and poet Ocean Vuong, Emerald Drifters is a catalogue of pleasures and heartbreaks, and ‘an urgent call to live.’
Born in Berlin in 1920, Helmut Newton trained as a teenager with legendary photographer Yva, following her lead into the enticing pastures of fashion, portraiture and nudes. Forced to flee the Nazis aged only 18, Newton never left Berlin behind. After his career exploded in Paris in the 1960s, he returned regularly to shoot for magazines like Constanze, Adam, Vogue, Condé Nast's Traveler, ZEITmagazin, Männer Vogue, Max and the Süddeutsche Zeitung Magazin as well as his own magazine Helmut Newton’s Illustrated.
In 1979, the newly relaunched German Vogue commissioned him to retrace the footsteps of his youth to capture the fashion moment. The resulting portfolio, Berlin, Berlin!, inspired the title of the exhibition which celebrates 20 years of the Helmut Newton Foundation.
This collection includes Newton’s most iconic Berlin images, as well as many unknown shots from the 1930s to the 2000s: nightcrawlers in uber-cool clubs and restaurants, nude portraits in the boarding houses he knew from his youth, and the Berlin film scene, featuring Hanna Schygulla and Wim Wenders at the Berlin Wall, John Malkovich and David Bowie.
In October 2003, only months before his death, Newton moved large parts of his archive to his new foundation, housed in the Museum of Photography beside the Zoologischer Garten station―the very station from which he fled Berlin in the winter of 1938. This publication thus closes a circle in the story of his extraordinary life and work.
Manuela Federl is a journalist and documentary filmmaker with over 15 years of experience. She studied languages, economics, and cultural studies, focusing on the Mapuche people in Chile, which became the subject of her published thesis. In 2016, she founded her company, bergjournalisten, and has since created award-winning documentaries like 100 Hours of Lesbos and THE GAME. Gambling Between Life and Death. For the past two years, she has traveled extensively, documenting social issues through photography and storytelling. Her series The Roma Princesses earned her the January 2024 Solo Exhibition.
Black Box, a memoir by award-winning American photographer Dona Ann McAdams, combines fifty years of black and white photography with the photographer’s own short lyric texts she calls “ditties.” The book brings together McAdams’ striking historical images with personal reflections that read like prose-poems. Her photographs, taken between 1974 and 2024, document astonishing moments and people across decades of American life.
Grace Weston’s staged photography transforms miniature vignettes into powerful narratives that explore psychological themes with a playful yet profound touch. Her meticulously crafted scenes invite viewers to delve into stories of power, identity, and human complexity. Weston’s innovative work has earned international recognition, including winning the November 2023 Solo Exhibition. We asked her a few questions about her life and work.
Tebani Slade is a fine art, street, and documentary photographer whose work bridges continents, blending the raw authenticity of her Australian roots with the vibrant energy of her second home in Barcelona. Known for her thoughtful approach to storytelling, Tebani immerses herself in unfamiliar settings, capturing unscripted moments that reveal profound truths about the world around her.
Mital Patel is an internationally recognized nature and wildlife photographer who focuses on capturing beauty in all its forms—whether natural or manmade. From architecture and landscapes to the creatures of the wild, Patel has a distinct passion for capturing the most remarkable elements of life through his visual representation of movement, emotion and mood. From behind the lens, he strives to bring viewers his very unique view of nature, telling a story without words and conveying a feeling in the abstract. He challenges his audience to let their imaginations run free, taking the journey with him on his travels and opening their minds beyond the confines of static photography.
In each of his pieces, Patel hopes to offer his audience a way to view the world around them a bit differently – to appreciate the beauty of moments and places that are often overlooked. An intrepid traveler and lover of adventure, Patel’s passion for creative and imaginative photography is a great asset to his exploration of the world, which spans six out of the seven continents. His work is admired worldwide for its unique and artistic perspective.
Steff Gruber, is a renowned Swiss photographer and filmmaker whose career spans decades of impactful storytelling. Having started as a press photographer for Keystone Press, Gruber was one of the pioneers of the docudrama genre, making his mark with the internationally acclaimed documentary LOCATION AFRICA. This film, which followed the intense dynamic between Werner Herzog and Klaus Kinski during the making of COBRA VERDE, earned him international recognition and set the tone for his distinct filmmaking style.
Gruber's passion for human interest stories has taken him to various countries, where he has documented diverse subjects through his compelling photo stories, often returning multiple times to deepen his understanding of the people and places he captures. His work is celebrated for its striking visual language and his bold approach to narrative, which continues to push boundaries in both photography and film.
We asked him a few questions about his life and work.
Eric Kunsman is a renowned photographer and educator whose work explores the intersection of history, culture, and social commentary. Known for his thought-provoking series and meticulous attention to detail, Kunsman captures powerful narratives that challenge conventional perspectives. In this interview, we delve into his creative process, inspirations, and the stories behind his most compelling projects
Laurie Victor Kay is a versatile, multi-disciplinary artist whose practice seamlessly merges photography, painting, installation, and digital media. Her work explores themes of constructed imagination, idealization, and the surreal, creating thought-provoking visual narratives that challenge traditional boundaries between mediums. We asked her a few questions about her background and work.
Nanda Hagenaars approaches photography with a poetic and emotionally rich sensibility, creating images that reflect her intuitive connection to the world. Fascinated by the relationship between time and timelessness, she often works in black and white, a medium that aligns with her creative vision. We discovered her beautiful work through her submission to AAP Magazine Portrait, and we were captivated by her series Perspective. We asked her a few questions about her life and work.
