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Win a Solo Exhibition this February. Juror: Harvey Stein
Win a Solo Exhibition this February. Juror: Harvey Stein
Pierre Faure
Pierre Faure
Pierre Faure

Pierre Faure

Country: France
Birth: 1972

Pierre Faure was born in 1972 in Nice and lives in Paris. He studied economics. He produces at first a work in which abstraction and organic evocations occupy a central place (series Rhizomes, Plis, Palimpsests); series which question the look of the spectator and play with the notions of scales and perspective. He also approaches the social question by realizing a work of dumping within a community Roma of Ile-de-France (2011-2012). In 2013 he is interested in the life of people in big precariousness welcomed in emergency reception center and tries to seize in this everyday life the figures of a wounded humanity. In parallel in these works he pursues since 2010 a series on the urban trees, questioning the place of the vegetable in urban zones.
 

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Esther Bubley
United States
1921 | † 1998
Esther Bubley was an American photographer who specialized in expressive photos of ordinary people in their everyday life. She worked for several agencies of the American government and her work was also featured in multiple news and photographic magazines. Bubley was born in Phillips, Wisconsin, the fourth of five children of Russian Jewish immigrants Louis and Ida Bubley. In 1936, while Esther was a senior at Central High School in Superior, Wisconsin, the photo magazine Life first hit the newsstands. Inspired by the magazine, and particularly by the pictures of the Great Depression produced by the Farm Security Administration, she developed a passion for photojournalism and documentary photography. As editor-in-chief of the yearbook, she sought to emulate the style of Life. After high school, Bubley spent two years at Superior State Teachers College (now the University of Wisconsin–Superior) before enrolling in the one-year photography program at the Minneapolis School of Art (now the Minneapolis College of Art and Design). After college in 1941, Bubley moved to Washington, D.C. seeking work as a photographer. Failing to find a job in Washington, Bubley moved to New York City. During the 1941 Christmas season, she landed a position at Vogue in New York, but she didn't like the work. Early in 1942, she returned to Washington when she was offered a job as a microfilmer for the National Archives and Records Administration. In the fall of 1942, Roy Stryker hired her as a darkroom assistant at the Office of War Information (OWI), where his photographic unit had recently been transferred from the Farm Security Administration. With the encouragement of Stryker, and some of the more senior photographers, she moved to take pictures for the OWI historical section, documenting life on the home front during the war. Her most challenging assignment was a noted series on the bus system in the Midwest and South. In late 1943, when Stryker left the OWI to work on a public relations project for the Standard Oil Company (New Jersey), she accompanied him, along with other photographers, including Gordon Parks and John Vachon. The Bus Story series she produced for Standard Oil, a reprise of her earlier Bus Story for the OWI, earned the award for Best Picture Sequence in the Encyclopædia Britannica/University of Missouri School of Journalism "News Pictures of the Year" in 1948. During this period, she was briefly married to Edwin Locke, Stryker's administrative chief, but they soon divorced. By 1947, Bubley was expanding her horizons beyond Stryker and Standard Oil. She began working for the Children's Bureau, a federal child welfare agency. Over the next several years, she contributed thousands of images to their files, and her work appeared on more than thirty covers of their journal The Child. In 1949, Bubley's photo essay on mental illness for the Ladies' Home Journal was given the first place award for a feature in the Encyclopædia Britannica/University of Missouri School of Journalism contest, winning Bubley a second set of the Encyclopedia. She continued working for the Ladies' Home Journal, producing a dozen photo stories for their celebrated series "How America Lives," which ran intermittently between 1948 and 1960. In 1951, Bubley began to freelance for Life, eventually contributing 40 photo stories, including two cover stories. Bubley was one of the first women to successfully support herself by working as a freelance photographer for major magazines. In 1951, she also produced a series on the Pittsburgh Children's Hospital for Stryker, who was then establishing the Pittsburgh Photographic Library. Edward Steichen, Directory of Photography at the Museum of Modern Art (MoMA), used 13 prints from this series in the 1952 exhibition Diogenese with a Camera. He also mounted and displayed her contact sheets to show how she used every frame. This series led to medical themes becoming a major part of her portfolio. In 1953, she was hired by UNICEF and the French government to travel to Morocco to photograph a program to treat trachoma, an infectious disease that causes blindness. Bubley entered a photo from this assignment in the international division of a contest sponsored by Photography magazine in 1954. She became the first woman to win first place, and she received a trophy depicting a male photographer. In 1955, Steichen included her work in his monumental The Family of Man exhibition. A year later, Pepsi-Cola International hired Bubley to cover Latin America for their company magazine Panorama. In the mid-1960s, Pan American World Airways sent her around the world twice to make images for their corporate photographic library. In the late 1960s, Bubley reduced her workload as sales of photographic magazines declined, and she wearied off the grueling travel schedule. She spent more time at home in New York City where she pursued projects of personal interest, producing two children's books about animals and a book featuring macro photography of plants. A devoted animal lover, she spent her mornings in Central Park walking her dog, taking photographs, and making notes that she hoped to turn into a book about the park. In 1991 the Minneapolis College of Art and Design awarded Bubley an honorary doctorate. She died in New York City, of cancer, on March 16, 1998. In 2001 a retrospective exhibition of Bubley's work appeared at the UBS Art Gallery in New York City. In 2005 Aperture Foundation published a monograph about Bubley, Esther Bubley: On Assignment by photographic historian Bonnie Yochelson with Tracy A. Schmid, archivist for the Bubley Estate. In 2010, the Library of Congress published the monograph Fields of Vision: The Photographs of Esther Bubley.Source: Wikipedia
Barry Salzman
United States
1963
Barry Salzman is an award-winning contemporary artist who currently works in photography, video and mixed media and whose projects have been shown widely around the world. He lives and works between New York City and Cape Town, South Africa. His photographic work in particular, began with a fascination for the practice as a teenager, during a time when it served as a way for him to grapple with the racial segregation in apartheid South Africa. Today, his work continues to explore challenging themes around social, political and economic narratives, often coming down to the core concept of identity. Acutely relevant and brave in its willingness to confront, Salzman's photography garnered the 2018 International Photographer of the Year Award in the Deeper Perspective category at the International Photography Awards for his project, The Day I Became Another Genocide Victim, which endeavors to humaize victims of the Rwandan genocide. For the last six years, Salzman has worked on ongoing projects that attempt to challenge the universal fatigue around the genocide narrative. Mostly, he applies visual tools of abstraction to landscape images shot at precise locations around the world where acts of genocide were perpetrated as a means of reminding us that 'that place' can be 'any place'. In writing about his ongoing genocide landscape work Salzman says, "The landscape witnesses all. It sheds its leaves in cover-up and complicity. But through its rebirth, so it rejuvenates. It carries with it the traces of the past and promises of the future. It triumphs over trauma. It is inextricably intertwined with our darkest moments and brightest days." The following images were made in Ukraine, Poland and Rwanda at precise locations where acts of genocide were perpetrated. For additional information, please see: www.barrysalzman.net
Larry Louie
Canada
1961
International award winning documentary photographer Larry Louie leads a dual career. In his optometry clinic, he is Dr. Larry Louie, working to enhance the vision of people from all walks of life in the urban core of a North American city. On his travels, he is a humanitarian documentary photographer, exploring the lives of remote indigenous people, and documenting social issues around the world. As an optometrist, Larry adjusts people’s visual perception. As a photographer, he seeks to adjust people’s view of the world. Either way, he is interested in things that exist outside the regular field of vision. Larry’s photographs have often been described as realism at its best. There is a story waiting to be told in every image. Sarah Cho, competition director of the IPA/Lucie Awards describes Larry’s photographs as “captivating and sincere and reflect his passion for the medium,” adding, “Larry Louie has a very distinctive style, straddling the fine line of a photo journalist and documentarian. His images are as rich and evocative as the subjects (on) which he focuses.” His photographs show the strength and perseverance that mark people the world over, revealing the light sometimes found in dark places. Larry' s work to document the lives of people around the world has resulted in a vast archive of images. His work has received international recognition and awards including the IPA Lucie Award; National Geographic Photo Essay Award; and Humanitarian Documentary Grant with the World Photography. As an optometrist and photographer, Larry is avid supporter of Seva Canada, an international non-profit organization who is a part of VISION 2020, the global initiative for the elimination of preventable and avoidable blindness in the world by year 2020. Source: www.larrylouie.com Interview with Larry Louie All About Photo: When did you realize you wanted to be a photographer? Larry Louie: I knew when I was about 16 when I received my first real camera and I was experimenting exposures. AAP: Where did you study photography? LL: Self taught. AAP: Do you have a mentor or role model? LL: I do not have a mentor, but I have master photographers whose work I greatly admire and I study their amazing portfolio of works: Josef Koudelka, Sebastiao Salgado, James Natchwey. AAP: How long have you been a photographer? LL: I have been regularly photographing since 18 years of age but in regards to the documentary work, only for the last 8 years. AAP: Do you remember your first shot? What was it? LL: My first shot that I liked was the color image of 2 women taken in Jodphur, India. I call it the Blue City image because of the predominating blue color of the city. This image was placed second in a National Geographic Traveler magazine photo competition. AAP: What or who inspires you? LL: Great work that has passion in the subject. That is why I like the works of the above artists I mentioned. AAP: How could you describe your style? LL: I like B&W documentary work that evokes one's curiosity about mankind and his struggle with the surrounding environment. AAP: Do you have a favorite photograph or series? LL: I like 2 of my latest series: "A Working Day in Dhaka" and my latest series "Tondo, Manila" (will be up on the web within this month). AAP: What kind of gear do you use? Camera, lens, digital, film? LL: I use Canon 5D Mark3 bodies, 24mm f1.4 prime lens, 85mm f/1.2 prime lens, and 24-105mm f/4 zoom lens. AAP: Do you spend a lot of time editing your images? For what purpose? LL: I don't do too much editing. I do not crop my images and very minimal photoshop besides converting it into black and white and some burning and dodging. I do most of my editing the week after I return on a trip. The images are used for my website, to produce prints, calendars for fund raising purposes. AAP: What are your projects? LL: Please go to my website. My latest projects have been concentrated on the working poor and people who are stuck in the bonds of poverty, especially children born into poverty and child laborers. AAP: Favorite(s) photographer(s)? LL: Josef Koudelka, Sebastiao Salgado, James Natchwey. AAP: What advice would you give a young photographer? LL: Photograph what gives you passion. The best work will come through. Shoot, shoot, shoot. AAP: What mistake should a young photographer avoid? LL: Being cliché. One should be original. AAP: An idea, a sentence, a project you would like to share? LL: My wife and I are working presently with an organization named "Philippines Community Fund" whose goal is through education to enable a generation of children to escape from the cycle of poverty to which they are born into, and in doing so create a better and more sustainable life for them and their family. PCF today funs a four storey school in Tondo, Manila providing education, food, healthcare, and other support services for nearly 600 children from the nearby garbage dump and cemetery. AAP: Your best memory as a photographer? LL: To be able to help and raise funds and bring attention to issues that makes a significant difference in the lives of the people we photograph. AAP:The compliment that touched you most? LL: A thank you and a smile from the people who we touched during our visits and who in return touched us with their graciousness. AAP:If you were someone else who would it be? LL: I am happy with who I am and what I do. AAP: Your favorite photo book? LL: "The Sahel" by Sabastiao Salgado. AAP: Anything else you would like to share? LL: No, I would like to thank you for your interest in my photography.
James Peaslee
United States
1952
Claude Cahun
France
1894 | † 1954
Claude Cahun (25 October 1894 - 8 December 1954), born Lucy Renee Mathilde Schwob, was a French Surrealist photographer, sculptor and writer. Schwob adopted the pseudonym Claude Cahun in 1914 and is best known for their self-portraits, in which they assume a variety of personae. Cahun's work was both political and personal, and often undermined traditional concepts of static gender roles. In their autobiography, Disavowals, they explained their rejection of gender, "Masculine? Feminine? It depends on the situation. Neuter is the only gender that always suits me." This declaration is an important consideration when analysing Cahun's photography as they intentionally play with and subvert the viewers' understanding of gender. This quote, together with their unconventional appearance and their gender-ambiguous pseudonym, means that it is not infrequent to see the pronoun 'they' used nowadays in critical studies on Cahun. There is no evidence that they ever adopted 'they' as their preferred pronoun, but one should take into account the cultural and historical context behind this. Given that French pronouns were extremely binary and the use of gender neutral pronouns for nonbinary individuals wasn't common in the European interwar period, it isn't unreasonable to imagine Cahun would have used gender neutral pronouns had it not been for their environment. In any case, the use of the gender neutral pronouns in reference to Cahun is less of an attempt to apply contemporary norms to a historical figure, but rather a way for their gender to remain an open question in academia. During WWII, Cahun was also active as a resistance worker and propagandist. Source: Wikipedia
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All About Photo Awards 2026
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Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry