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LAST CALL: Win a Solo Exhibition in June 2026 + An Exclusive Interview!
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Lukas Holas
Lukas Holas
Lukas Holas

Lukas Holas

Country: Czech Republic

I am a small-town photographer and a graphic designer from the Czech Republic. I have occasionally been taking photos of everything that comes along - people, animals, macro and landscape ... for about 6 years. My dream is taking pictures of wild and exotic animals in their natural environment. So far, however, workload, a tight family budget and most of all being an active father of three children do not allow me to fulfill it.

I can only combine business with pleasure and therefore we often go with the whole family to zoos in our small country at least. And so it happens that instead of tracking wildlife I often seek and “tame” our wild offspring. Nevertheless, it sometimes comes about that Dad gets away for a few minutes and gets stuck in a willingly posing animal.

It may not seem so but shooting in a zoo might turn into a totally exciting matter. "Will the picture be good despite a smudged glass, strong steel bars, frequent apathy of animals or omnipresent crowds of tourists?" Sometimes it works out well!

I'm trying to take pictures of the animals against a naturally dark background, but the contrasting final form is given by the adjustments in Photoshop. The experience and the daily practice at my work (a graphic designer) come in handy.

My images have no specific message, but I believe that they leave some space for personal imagination and foreshadow a deeper story of animals portrayed. I also suppose that the black colour simply suits the animals and presents them in a more dignified environment than the stark walls of the enclosures do.

I was also pleased with the opportunity to cooperate with the Union of Czech and Slovakian Zoos (for which I have been designing the annual reports using my black&white photos for several years), or with some specific gardens in the Czech Republic. I hope that such cooperation will continue in future and that the animals in my images will delight and inspire people in other countries than the Czech Republic.
 

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More Great Photographers To Discover

Laia Abril
Spain
1986
Laia Abril s a Spanish photographer and multiplatform storyteller whose work relates to femininity. Abril was born in 1986 in Barcelona, Spain. She gained a degree in journalism in Barcelona. She moved to New York City to study photography at the International Center of Photography. In 2009 she enrolled at Fabrica research centre, the artist residency of Benetton in Italy, where she worked as a staff photographer and consultant photo editor at Colors magazine for a number of years. Since 2010, Abril has been working on various projects exploring the subject of eating disorders: A Bad Day, a short film about a young girl struggling with bulimia; Thinspiration (2012), which explores the use of photography in pro-ana websites; and The Epilogue (2014), documenting the indirect victims of eating disorders, through the story of the Robinson family and the aftermath of the death of Cammy Robinson to bulimia. Critic Sean O'Hagan, wrote in The Guardian that The Epilogue "... is a sombre and affecting photobook ... dense and rewarding ... At times, it makes for a painful read. From time to time, I had to put it down, take a breather. But I kept going back." Her extended study of misogyny thus far includes A History of Misogyny: Chapter One: On Abortion, about the repercussions of abortion controls in many different cultures. Work is ongoing to produce A History Of Misogyny, Chapter 2: On Rape. Her other projects include Femme Love, on a young lesbian community in Brooklyn; Last Cabaret on a sex club in Barcelona; and the Asexuals Project, a documentary film about asexuality. Abril's books include The Epilogue (2014), which documents the indirect victims of eating disorders, and A History of Misogyny: Chapter One: On Abortion (2018), about the repercussions of abortion controls in many different cultures. On Abortion won Photobook of the Year award at the Paris Photo–Aperture Foundation PhotoBook Awards. In 2018 she was awarded the Tim Hetherington Trust's Visionary Award to work on A History Of Misogyny, Chapter 2: On Rape Culture. For the long-term project A History Of Misogyny, in 2019 she was awarded the Royal Photographic Society's Hood Medal and in 2020 she was awarded the Paul Huf Award from Foam Fotografiemuseum Amsterdam.Source: Wikipedia
Danny Lyon
United States
1942
Brooklyn native Danny Lyon received a BA in history in 1963 from the University of Chicago, where he served as staff photographer for the Student Non-Violent Coordinating Committee. A self-taught photographer, he traveled with the Chicago Outlaws motorcycle club in 1965-1966 and published his pictures of the club members as The Bikeriders (1968). Since 1967 he has been an independent photographer and an associate at Magnum, and he has made films since 1969. Lyon has received Guggenheim Fellowships in photography and filmmaking, and his work has been included in many major exhibitions, including Toward a Social Landscape at the George Eastman House. His first solo exhibition was held at the Art Institute of Chicago. In addition to The Bikeriders, Lyon has published a number of photographic books based upon his experiences with a group of people or in a particular place, among them The Movement (1964), about the Civil Rights movement, and Conversations with the Dead (1971), a study of life in Texas prisons. Among the films he has produced are Social Services 127, Los Niños Abandonados, and Little Boy. Personal participation in the lives of his subjects is vital component to Danny Lyon's photography. His subjects often deviate from societal norms, yet he is dedicated to communicating their character and sensibility honestly, sympathetically, and nonjudgmentally; for him this requires firsthand knowledge of their experiences. Whereas in his earlier work he seemed to withhold his own personality from the images in order to emphasize that of his subjects, his recent work includes more of himself. Lyon has consistently produced effective, sincere documents of real people's lives that have inspired many photographers since the 1960s. Source: ICP
Chien-Chi Chang
Taiwan
1961
Chien-Chi Chang is a photographer and member of Magnum Photos. Chang was born in Taichung, Taiwan. He received an MS from Indiana University, Bloomington and a B. A. from Soochow University, Taipei. He joined Magnum Photos in 1995 and was elected as a full member in 2001. He lives in Taichung, Taiwan and Graz, Austria. Chang focuses on the abstract concepts of alienation and connection. The Chain, a collection of portraits made in a mental asylum in Taiwan, was shown at Venice Biennale (2001) and the São Paulo Art Biennial (2002). The nearly life-sized photographs of pairs of patients chained together resonate with Chang's look at the less visible bonds of marriage. At São Paulo Art Biennial he was involved in the Thomann controversy. Chang has treated marital ties in two books: I do I do I do (2001), a collection of images depicting alienated grooms and brides in Taiwan, and in Double Happiness (2005), a depiction of the business of selling brides in Vietnam. The ties of family and of culture are also the themes of a project begun in 1992. For 21 years, Chang has photographed and videoed the bifurcated lives of Chinese immigrants in New York's Chinatown, along with those of their wives and families back home in Fujian. Still a work in progress, China Town was hung at the National Museum of Singapore in 2008 as part of a mid-career survey and at Venice Biennale (2011) as well as at International Center of Photography, New York (2012). Chang's investigation of the ties that bind one person to another draws on his own divided immigrant experience in the United States.Source: Wikipedia Chien-Chi Chang has always been fascinated by the human conditions of alienation and connection. Both are in evidence in his signature work, The Chain, which is a collection of portraits made of inmates in a mental asylum in Taiwan. The subjects are people who have had their bonds to the rest of society – family, community – servered. And yet, as part of their treatment, they are chained to one another, physically linked in pairs throughout their days and only unlocked to sleep. These powerful photographs, nearly life size, have been exhibited at the Taipei Fine Arts Museum (2001), La Biennale di Venezia (2001), and the Bienal de Sao Paolo (2002). Less visible bonds were the subject of another project: A jaundiced look at the ceremony surrounding the union of two people. When his parents began pressuring him to marry, Chang responded by making pictures at weddings in Taiwan. The images are hardly festive, rather emphasizing alienated grooms and lonely brides. They have been collected in the book, I do I do I do. This meditation on the nature of the ties that bind a person to others and to society is a natural outgrowth of Chang's own experience of the divided life of an immigrant. The son of working people in central Taiwan, he received a Bachelor of Arts degree from Soochow University in Taiwan in 1984 and a Master of Science degree at Indiana University in 1990. He then became a staff photographer at The Seattle Times (1991-1993) and The Baltimore Sun (1994-1995). Over the past decade, he has worked in New York's Chinatown, documenting the lives of immigrants there. These pictures of illegal aliens stranded on an island within an island have appeared in National Geographic magazine, as well as The New Yorker, TIME Magazine and German Geo. The series earned Chang first place in the category "Daily Life Story" from World Press Photo in 1999. That same year, Chang won a grant from the W. Eugene Smith Memorial Fund for humanistic photography and was awarded the Visa d'Or in magazine photography in Perpignan. He was named the Missouri/NPPA 1999 Magazine Photographer of the Year.Source: artasiamerica Chien-Chi Chang’s photography and films explore the abstract concepts of alienation and connection. His investigation of the ties that bind one person to another draws on his own deeply divided immigrant experience, as he explores the contrasting themes of hope and darkness, restriction and freedom. Chang’s long term interest in the manifestation of restriction and freedom was explored in his project on North Korean defectors. From 2007 to 2009 , Chang travelled with North Korean defectors to document their incredibly harrowing journey escaping to China. Between 2008-2012, Chang worked on a project called Jet Lag, which explored the globalised disconnect of the “jet-setting” lifestyle, culminating in a book of the same name, published in 2015.Source: Magnum Photos
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Born in Lithuania and raised along the Amber Coast, Monika Maroziene’s work is a fusion of science and emotion, discipline and instinct. With a master’s degree in chemistry, her artistic journey began from a quiet yearning, what she calls “a void where art should be.” That longing gradually led her to photography, where she found the perfect medium to weave her scientific understanding with deep rooted personal stories and poetic vision. Her approach is experimental and tactile. By melting pine tree resin onto her black-and-white prints, Monika not only enhances the texture and warmth of her imagery but also introduces natural preservation qualities. This technique plays a central role in her latest series, Woman and The Sea (later called Amber Coast), a deeply personal project that pays homage to the Amber Coast of her childhood. The use of raw, unfossilised resin adds a subtle golden hue and evokes the scent and spirit of Baltic summers. In Monika’s work, art and chemistry converge into a quiet kind of alchemy. Her images are defined by a strong visual identity, at once melancholic and ironic, delicate yet resolute. Her subjects, often women, are portrayed as multifaceted beings: powerful, enigmatic, nurturing, dramatic, and elusive. She draws inspiration from the unique landscape of the Curonian Spit, with its ever changing dunes and untamed sea, and from the women who shaped her, especially her grandmother. “My photography is a form of freedom,” she says. “Solitude shaped me. The silence, the seagulls, the endless rhythm of waves, these moments now live in my images. I work in black and white because colour feels out of place in the world I capture. The touch of pine resin brings back the warmth of sunlit days and the memory of home.” Her evocative work has received international recognition: Fine Art Photographer of the Year – 1st Place, Monochrome Photography Awards 2024, 1st Place and Gold Winner, Fine Art/Portrait – Tokyo International Foto Awards 2024 (TIFA), Silver Winner – Prix de la Photographie Paris (PX3) 2024, Silver, Fine Art/Nudes – Budapest International Foto Awards (BIFA) 2024, Bronze and Honorable Mention – Exposure One Awards 2025, Bronze, Fine Art – One Eyeland Awards 2024, Honorable Mention – International Photography Awards (IPA) 2024 Her photographs have been exhibited at Trieste Photo Days and featured in renowned publications, including the URBAN Photo Awards catalogue and the Monochrome Photography Awards Annual Book 2024. She also held a solo exhibition at Petra Gut Contemporary Art Gallery in Switzerland and took part in a group show featured by Profifoto magazine during the opening of the 56th Rencontres d’Arles in 2025. AAP Magazine: AAP Magazine 49: B&W
F. Bessma Rhea
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Keliy Anderson-Staley
United States
1977
Keliy Anderson-Staley was raised off the grid in Maine, studied photography in New York City and currently lives and teaches photography at the University of Houston in Texas. She earned a BA from Hampshire College in Massachusetts and an MFA in photography from Hunter College in New York. Anderson-Staley’s tintype portrait work was awarded a New York Foundation for the Arts Fellowship and a Puffin Grant. She participated in the Bronx Museum AIM residency program in 2007, the Light Work residency and fellowship in 2010, and the Bakery Photo Collective in Westbrook Maine in 2012. She received a grant in Summer 2011 to prepare a solo exhibition of her series of tintype portraits [hyphen] Americans at Light Work in Syracuse, NY. Her color series about back-to-the-landers in Maine, Off the Grid, was one of five runners-up for the Aperture Portfolio Prize (2009). Off the Grid received the grand prize at the Joyce Elaine Grant exhibition in Denton, TX in 2009 and the Arthur Griffin Award from the Griffin Museum of Photography in 2010. The project was also a finalist for the Duke Center for Documentary Studies/Honickman First Book Prize in 2008. She also recently received funding for her project, Imagined Family Heirlooms via Kickstarter, a crowd-funding website in 2011. Her photographs are in the permanent collections of the Library of Congress, Akron Art Museum, Cedar Rapids Museum of Art, Portland Museum of Art (Maine), and Museum of Fine Arts, Houston. She was the recipient of a New York Foundation for the Arts Fellowship, a Puffin Grant, a fellowship from the Howard Foundation and the Carol Crow Fellowship from the Houston Center for Photography. Her work published in a solo issue of Light Work’s Contact Sheet and has been shown at the National Portrait Gallery of the Smithsonian, Portland Museum of Art, Akron Art Museum, Bronx Museum of Art, Southeast Museum of Photography and the California Museum of Photography, as well as at a number of galleries around the country. Anderson-Staley has been making wet plate collodion tintypes and ambrotypes for ten years. Her fine art and editorial work has appeared in a number of magazines, including Photo District News, New York Magazine, Art and Auction, Hemispheres Magazine, Camerawork, Contact Sheet, Conde Nast Traveler and Esquire Russia. Online, her work has been featured on Flak Photo, Conscientious, Fraction Magazine, PetaPixel, Ahorn Magazine and Daylight Magazine. Her series of tintype portraits was published in 2014 under the title On A Wet Bough by Waltz Books.Source: Catherine Edelman Gallery
Adolphe Braun
France
1812 | † 1877
Jean Adolphe Braun was a French photographer, best known for his floral still lifes, Parisian street scenes, and grand Alpine landscapes. One of the most influential French photographers of the 19th century, Braun used contemporary innovations in photographic reproduction to market his photographs worldwide. In his later years, he used photographic techniques to reproduce famous works of art, which helped advance the field of art history. Braun was born in Besançon in 1812, the eldest child of Samuel Braun (1785–1877), a police officer, and Marie Antoinette Regard (born 1795). When he was about 10, his family relocated to Mulhouse, a textile manufacturing center in the Alsace region along the Franco-German border. He showed promise as a draftsman, and was sent to Paris in 1828 to study decorative design. In 1834, he married Louis Marie Danet, who he had three children with: Marie, Henri, and Louise. That same year, Adolphe, alongside his brother Charles, opened the first of several unsuccessful design partnerships. After several unsuccessful design ventures in the 1830s, Adolphe Braun published a successful collection of floral designs in 1842. Upon the premature death of his wife 1843, Braun sold his Paris studio and moved back to Mulhouse, where he became chief designer in the studio of Dollfus-Ausset, which provided patterns for textiles. He remarried to Pauline Melanie Petronille Baumann (1816–1885) on 12 December 1843 and had two more children with her; son Paul Gaston and daughter Marguerite. In 1847, he opened his own studio in Dornach, a suburb of Mulhouse. In the early 1850s, Braun began photographing flowers to aid in the design of new floral patterns. Making use of the recently developed collodion process, which allowed for print reproduction of the glass plates, he published over 300 of his photographs in an album, Fleurs photographiées, in 1855. These photographs caught the attention of the Paris art community, and Braun produced a second set for display at the Paris Universal Exposition that same year. In 1857, Adolphe Braun formed a photography company, Braun et Cie, and with the help of his sons, Henri and Gaston, and several employees, set about taking photographs of the Alsatian countryside. These were published in 1859 in L’Alsace photographiée, and several were displayed at the 1859 Salon. By the 1860s, the Braun et Cie studio was operating in a factory-like manner, producing all of its own materials except paper. The studio created thousands of stereoscopic images of the Alpine regions of France, Germany, Switzerland, and Italy. Braun also produced a number of large-format panoramic images of the Alpine countryside, using the pantoscopic camera developed by English inventors John Johnson and John Harrison. Photography historian Naomi Rosenblum described Braun's work as representative of the relationship between art and commercialism in the mid-19th century. His self-sustaining Mulhouse studio helped elevate photography from a craft to a full-scale business enterprise, producing thousands of unique images which were reproduced and marketed throughout Europe and North America. Rosenblum also suggests that Braun's detailed reproductions of works of art in European museums brought these works to art students in North America, providing a major catalyst for the field of art history in the United States. Braun's early photographs were primarily of flowers, originally taken to complement his work as a pattern designer. Subsequent photographs focused on Alpine landscapes, especially lake scenes, and glacier scenes. Unlike many landscape photographers during this period, Braun liked to include people in his scenes. Photography historian Helmut Gernsheim suggested that Braun was one of the most skillful photographers of his era in rendering composition. While not known as a portraitist, he did take portraits of several notable individuals, including Pope Pius IX, Franz Liszt, and the Countess of Castiglione, mistress of Napoleon III. Braun's work has been exhibited at the Metropolitan Museum of Art, The J. Paul Getty Museum, the George Eastman House, and the Musée d'Orsay. His photographs of Parisian street scenes and Alpine landscapes are frequently reproduced in works on the history of photography.Source: Wikipedia Trained as a fabric designer, Adolphe Braun began his photography career in 1853. His photographs of flowers, for a catalog titled Fleurs photographiées, were to be transferred onto printing blocks for wallpaper and fabric designs. It was an extremely successful project for Braun; one album of the photographs was presented to Empress Eugénie of France, and it earned him a medal at the 1855 Paris Exposition Universelle. By the early 1860s, Braun's focus had shifted to the making of topographical views of scenes throughout Europe and, beginning in 1866, to reproductions of works of art. The reproduction of paintings, drawings, lithographs, engravings, and sculpture was an important endeavor in France, and photography provided an accurate record. Braun opened a photography studio that became one of the world's largest publishers of such images. In 1869 Braun's was one of only two photographic firms invited to photograph the opening of the Suez Canal in Egypt.Source: The J. Paul Getty Museum
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