Tips & Technique Books / T

Tango in the Big Mango photo book is a mixture of documentary/street and conceptual images. The series consists of four parts: documentary/street photography, and conceptual themes of greed, growth, and angst. Tango in the Big Mango captures the intensity of urban life and barrage of consumption, culture and eccentricity in Bangkok.

Swahili is Gilles Nicolet's first book, a personal, melancholic, sometimes contemplative vision of a world which is dear to him but slowly disappearing.

Allen Wheatcroft's first monograph, Body Language (Damiani) explores the delicate balance between connection and dislocation, which he keenly observes while roaming city streets in the U.S. and Europe, with his Leica camera on hand. Taken from 2014-2018 in Chicago, Los Angeles, Berlin, Paris and Stockholm and Uppsala, Sweden, the photographs emphasize gestures, movements, and expressions - a visual language without words. These pictures prompt the viewer to wonder about, and empathize with, the bankers and doormen, loners and gym rats, tourists and sun bathers - eager, perplexed, hurting - who inhabit our modern cities. With a focus on tension, loneliness, and synchronicity in contemporary life, this project artfully captures the universal language of the body in the street.

Atlantic City, at one time known as "The World's Playground" with its glittering casino hotels and night clubs, and legendary boardwalk and beach, looms large in the American imagination. It has been the subject of many movies, including the 1980 Louis Malle classic "Atlantic City" starring Susan Sarandon and Burt Lancaster, and the hit HBO series "Boardwalk Empire" set in the era of Prohibition. Historically the city was a refuge for those fleeing Prohibition. The casinos offered the unsleeping promise of redemption at the pull of a lever or roll of the dice.

Origini edizioni is proud to show you the third book born from the collaboration with Leporello, from projects selected by Call launched in March 2019, on theme "Terra" (in the sense of earth, land, matter).

William Earle Williams: Party Pictures is dedicated to the American photographer's acclaimed series of the same name. Williams' insightful photographs taken in the 1970s and 80s revel in the details of a particular moment and the unspoken cues of class, race and gender. In Party Pictures, you will find blue-blood doyennes in starched lace and society upstarts dripping with jewels alongside A-list celebrities and blue-collar wait staff.

In a very short space of time, Geert Broertttes lost the most important women in his life. His aunt, grandmother and mother passed away. He shared his grief with his girlfriend, who became a recurring theme in this series. But even this relationship ended, a couple of months after his mother passed. Broertjes photographed the process instinctively. It was only afterwards that he noticed the coherence of his work. It became a poetic story about love, loss and grief.

I communicate with the world by creating visual narratives of composited photographs, often illuminating that in-between moment in time. It is how I explore dreams deferred, connections to prior generations, the natural world and our place within it. Making art is my psychological release, my obsession and my salvation.

In Lost Venice (Damiani, April 2020) photographer Sarah Hadley presents an alluring and haunting portrayal of this majestic city as distilled through her personal lens of loss and nostalgia. By contemplating the temporal beauty of Venice, Hadley examines our own impermanence and the uncertain future of this unique city.