By Charlotte Cotton (Editor)
Publisher: Hatje Cantz
Publication date: January 2026
Print length: 176 pages
Language: English
Price Range:
Femxphotographers.org: Love offers a layered and quietly radical meditation on intimacy as seen through feminist eyes. This black-and-white publication gathers a wide range of voices who approach love not as a fixed ideal, but as a lived experience shaped by power, vulnerability, memory, and care. Here, love unfolds slowly, resisting spectacle in favor of presence, honesty, and emotional depth.
Across its pages, intimacy appears in many forms: between partners, within families, toward the self, and in moments of longing or loss. Some images are carefully constructed, others fleeting and instinctive, yet all share a commitment to reclaiming the act of looking. By placing womxn and non-binary perspectives at the center, the book gently but firmly disrupts inherited visual conventions, offering alternatives to the dominant narratives that have long framed desire and affection.
Photography in this volume functions as both witness and participant. The camera becomes a space of trust, where subjects are neither idealized nor reduced, but allowed to exist in their complexity. Love is shown as resilient and fragile, political and personal, tender and unresolved. The inclusion of poetry and written reflections deepens this experience, allowing images and words to resonate together, much like memory itself.
As the third publication by femxphotographers.org, Love continues the collective’s commitment to solidarity and shared authorship. Rather than presenting a single curatorial voice, the book embraces multiplicity, honoring differences in culture, generation, identity, and lived reality. This openness gives the work its strength, reinforcing the idea that love cannot be contained within one definition or visual language.
Rooted in feminist practice yet forward-looking in spirit, Femxphotographers.org: Love is both a visual archive and a quiet manifesto. It reminds us that photography, when guided by care and intention, can become a tool for connection rather than consumption. In returning to love as something slow, attentive, and deeply human, the book reclaims intimacy as an act of resistance and a shared ground for imagining more equitable ways of seeing.