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Anka Zhuravleva
Anka Zhuravleva
Anka Zhuravleva

Anka Zhuravleva

Country: Russia
Birth: 1980

Anka (born Anna Belova) was born on December 4, 1980. She spent her childhood with books on art and her mothers’ drawing tools, covering acres of paper with her drawings. In 1997 she entered the Moscow Architectural Institute deciding to follow in her mothers’ footsteps. But at the end of 1997 her mother was diagnosed with cancer and died in less that a year. Then her father died in 1999. After that Anka’s life changed dramatically. In attempt to keep sane, she plunged into an alternative lifestyle – working as a tattoo artist, singing in a rock-band, sometimes looking for escape in alcohol. In order to make a living while studying, Anka worked at several modeling agencies.

Thanks to the drawing lessons she wasn’t afraid to pose nude, and her photos appeared in the Playboy and XXL magazines and at the Playboy 1999 photo exhibition. But she was not looking for a modeling career – it was just a way to make some money. In 2001 Anka was working in the post-production department at the Mosfilm StudiosThat same winter one of her colleagues invited her to spend a weekend in Saint-Petersburg with his friend, composer and musician Alexander Zhuravlev. In less than a month Anka said farewell to Moscow, her friends, her Mosfilm career and moved in with Alexander in Saint-Petersburg. Living with her loved one healed her soul, and she regained the urge for painting. She made several graphic works and ventured into other areas of visual arts.

In 2002 Gavriil Lubnin, the famous painter and her husband’s friend, showed her the oil painting technique, which she experimented with for the following several years. During that period she made just a few works because each one required unleashing of a serious emotional charge. All those paintings are different as if created by different people. Anka’s first exhibition took place on a local TV channel live on the air - the studio was decorated with her works. Several exhibitions followed. Private collections in Russia and abroad feature her paintings and sketches.

In 2006 Anka noticed that her inspiration often came from photos and decided to take up photography.

Since that time Anka took part in numerous projects - magazine publications and covers, book and CD covers, exhibitions. She is engage in digital photo art and analog film photography as well.

In 2013 Anka with her husband moves to live in Porto, Portugal.

Source: anka-zhuravleva.com



Interview With Anka Zhuravleva
All About Photo: When did you realize you wanted to be a photographer?
Anka Zhuravleva: "I always was about visual arts so I can't name exact date or year.. But I turned to photography completely in 2010."

AAP: Where did you study photography?
AZ: "I am self-educated. I took some individual workshops dedicated to analog processes but it was technical things."

AAP:Do you have a mentor?
AZ: "No."

AAP: Do you remember your first shot? What was it?
AZ: "I was 6 years.. I shot horses with small film lomo-camera."

AAP: What or who inspires you?
AZ: "Life, everything I got around me, my dreams, interesting people, my husband's music."

AAP: How could you describe your style?
AZ: "I have no special style. Different series in different styles."

AAP:Do you have a favorite photograph or series?
AZ: "No, I love them all!"

AAP: What kind of gear do you use? Camera, lens, digital, film?
AZ: "A lot... And they are changing all the time. Digital 35mm, film medium format, vintage cameras and cameras made by my husband. About 20 different lens, modern ones and vintage brass ones as well."

AAP: Do you spend a lot of time editing your images? For what purpose?
AZ: "It depends. I always edit digital a lot to reach exactly that tone and mood wich I need. And I also do analog process in darkroom without any computer at all."

AAP: Favorite(s) photographer(s)?
AZ: "This is a difficult question..."

AAP: What advice would you give a young photographer?
AZ: "To keep eyes wide open."

AAP: What mistake should a young photographer avoid?
AZ: "I don't know... Everybody make mistakes. I suppose it's important not "not making" mistakes, but learn after doing mistakes."

AAP: The compliment that touched you most?
AZ: "When people telling me that my pictures bring their mind, fantasy and soul to childhood or let them think about miracles.. Or making a good mood..."

AAP: If you were someone else who would it be?
AZ: "Hum... Maybe a baker? Just joking, I don't know..."

Websites

anka-zhuravleva.com

Youtube Channel

 

Anka Zhuravleva's Video

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Mark Coggins is a crime-fiction novelist and photographer. Five of his six award-winning novels are illustrated with images taken by him. His photos have been exhibited in galleries across the country and have been featured in books of other authors, notably Red Mist by Patricia Cornwell and A Lover's Discourse: Fragments by Roland Barthes. He has written about photography for View Camera magazine and is a contributor to Getty Images.All About Photo: When did you realize you also wanted to become a photographer?Mark Coggins: I've been interested in photography for a long time. I had a darkroom with a friend in grade school where I developed and printed pictures I took with an old 35mm Bolsey rangefinder camera my father gave me, but didn't really get serious about it until my mid-30's when I took a view camera class with Mark Citret. All About Photo: Where did you study photography? With whom? Mark Coggins: I've taken a number of classes and workshops with Mark Citret. While Mark is primarily a large-format photographer and I was initially interested in large format as well, I've evolved into more of "street photographer" using digital 35mm equivalents. However, I believe the training in large format has given me a deeper appreciation of composition, depth of field and exposure that is quite beneficial in making my images. All About Photo: Do you take photographs between books or at the same time? Mark Coggins: I move fluidly between writing and photography, doing both pretty much at the same time. When I photograph to illustrate my novels, of course, the two are yoked together in the service of the same goal. All About Photo: Does your writing influence your photography or vice versa? Mark Coggins: A bit of both. Originally, I was using photography to document street scenes I wanted to describe in my books. Then I hit upon the idea of including the photos I was taking in the books. Later I began to alter the plot of my books to have an excuse to include photos I liked that I had taken without reference to a particular scene. All About Photo: What lead you to photography and why? Mark Coggins: In the very beginning, it was the photos my father had taken during the Korean War with the 35mm Bolsey camera he eventually gave me. My mother recently found a box of his old negatives and slides, and several images-particularly of Korean children-are quite good. All About Photo: Do you remember your first shot? What was it? Mark Coggins: I don't remember the first photo I took, but I do remember the first one I developed and printed (around the age of 12). It was a snapshot of a large toy rubber beetle of my brother's. Not great art! All About Photo: What was your first paid assignment/job? Mark Coggins: The first print I sold was the photo of two chess pieces on a board that was used for the cover of my first novel, The Immortal Game. Several bookstores carried prints of the photo to sell to collectors who had enjoyed the book. All About Photo: What or who inspires you? Mark Coggins: I photograph street scenes from cities throughout the world. What inspires me most is capturing groups of people interacting or engaged in a common activity, rather than simply taking street portraits of individuals, although I have plenty of those in my portfolio. All About Photo: How could you describe your style? Mark Coggins: I like sharply focused images with a full tonal range, pulling in as much detail as I can in the shadows. Most all my work is black and white with a colder toning. All About Photo: Do you have a favorite photograph or series? Mark Coggins: "Geisha Confidential." It was taken one evening in Kyoto, Japan. I was walking down a back street in the older part of town when a cab with a geisha pulled up. The cab driver went in to an adjacent building to retrieve a second geisha. The photo documents the moment when the second joined the first and they began an urgent conversation.I like the image both because I was so extraordinarily fortunate to be in a position to take it and because I did a fair amount of editing to achieve the nourish atmosphere (I believe) it conveys. All About Photo: What kind of gear do you use? Camera, lens, digital, film? Mark Coggins: I mostly use Fujifilm rangefinder digital cameras, which is perhaps appropriate since my first camera was the Bolsey rangefinder. I also have a full-frame Nikon DSLR that I use for non-street photos. All About Photo: What is the influence of digital technology on your photography? Mark Coggins: Although my serious interest in photography began with my involvement with large format film photography, I was never that good a printer. It wasn't uncommon for me to like the Polaroid proof I took of a particular shot more than I did of the final print. If, as Ansel Adams said, the negative is the score and the print is the performance, I was blowing it during the performance. Digital has made me a better performer. All About Photo: Do you spend a lot of time editing your images? For what purpose? Mark Coggins: I do a fair amount of editing. I often crop, convert to black and white, dodge and burn where necessary and try to make sure I've gotten as much detail in the shadows as I can. I also tone my images on the colder range of the scale. All About Photo: How do you choose your subjects? Mark Coggins: I look for interesting people interacting in interesting ways on the street. All About Photo: Favorite(s) photographer(s)? Mark Coggins: Oh, there are so many. Mark Citret, of course. From there, in no particular order, Sally Mann, Edward Weston, Ruth Bernhard, Eugène Atget, Diane Arbus, Robert Frank, Henri Cartier-Bresson. All About Photo: What advice would you give a young photographer? Mark Coggins: I can't tell you how to do this, but I do believe it is important: to develop one's own style. It took me a long time to do it, and I only realized I had done so long after the achievement. It's not a paint-by-numbers type goal. All About Photo: What mistake should a young photographer avoid? Mark Coggins: Although I've been guilty of it myself, I see a lot of photographers over-manipulating images. Perhaps it's the influence of Instagram filters. All About Photo: What are your projects? Mark Coggins: I shot continuously in my home city of San Francisco, but for some reason, my best photos seem to come during travel to foreign countries. I'm planning a trip to several new (to me) European cities this summer. All About Photo: Your best memory as a photographer? Mark Coggins: When the Patricia Cornwell's publisher contacted me about using my photo of Savannah's Colonial Park Cemetery for the endpapers of her novel Red Mist. All About Photo: Your worst souvenir as a photographer? Mark Coggins: Over-exposed 4x5 negative of what I was certain to be a great shot when I didn't properly seat the bag bellows of my large format camera. All About Photo: The compliment that touched you most? Mark Coggins: When my mother hung one of my (really not very good) photos in her living room next to a watercolor by very accomplished artist. All About Photo: Your favorite photo book? Mark Coggins: Along the Way by Mark Citret. All About Photo: An anecdote that comes to your mind? Mark Coggins: I lived next to Ruth Bernhard in San Francisco for several years. I'm embarrassed to admit that I didn't really understand her importance to the photography world until I met her at a party. All About Photo: Anything else you would like to share? Mark Coggins: Another anecdote: when I shut down my darkroom, I sold my sink to music photographer Tom O'Neal, who photographed the cover of Crosby, Stills, Nash and Young's Deja Vu album.
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Interview
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
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Exclusive Interview with Robert Mack
Interview
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
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Exclusive Interview with Alan Schaller About Irys
Interview
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
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All About Photo Awards 2026
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© Fernando Morales Roca
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