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Win a Solo Exhibition in April 2026!
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Fang Tong
Fang Tong
Fang Tong

Fang Tong

Country: China/Canada

Fang Tong is an awarded-winning photographer based in Vancouver Canada. In 2015, she won first prize in the Nikon International Photography Competition. She had an interview with Canada Broadcasting Corporation CBC Arts in 2019. Fang Tong had solo and group shows in cities such as Paris, Sicily, Budapest, Barcelona, London, Shanghai, and Vancouver.

Fang Tong is a cinematic-style photographer, as a spectator of life. Her works are embedded with an implied narrative, which is left to the viewer to resolve over time with their own imagination. Reflecting her background in classical art, photography is carefully planned to control the frame and the expression of details, giving her work an ethos of a painter. As a bystander, Fang Tong captures the potential that photography can embody pieces with an eternal quality, thereby creating a slightly fictional world that resembles reality but transcends consciousness. Fang Tong’s passion is for her work to border on the surreal, yet hold back enough to keep it firmly in the real world. Her photos provoke audiences to create a narrative out of cinematic pictures. There may be no clearly defined story behind the scene, but there is a strong mood and atmosphere throughout the whole image. The imaginary world is strangely familiar while the narrative arc takes audiences on a hyper-visual ride through people's subconsciousness. She nurtures the balance between the real and the surreal that pulls her audiences into the world she created, but she also allows the audience to discover their own answers.
 

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More Great Photographers To Discover

Cole Weston
United States
1919
Cole Weston, born on January 30, 1919 in Los Angeles, was the fourth and youngest son of famed 20th Century photographer, Edward Henry Weston. Cole received his first camera, a 4 by 5 Autograflex, from his brother Brett in 1935. Cole graduated with a degree in theater arts from the Cornish School in Seattle in 1937 and then served in the Navy during World War II as a welder and photographer. After his discharge from the Navy in 1945 Cole worked for Life Magazine. In 1946 he moved to Carmel to assist his father Edward. During this time Eastman Kodak started sending their new color film, Kodachrome, for Edward to try out. Cole took this opportunity to experiment with this new medium and eventually became one of the world’s great masters of fine art color photography. In 1957 Cole began shooting his first color photographs of the magnificent Big Sur coast, Monterey Peninsula and central California. At this time he carried on his own portrait business while assisting his ailing father, who passed away in 1958. Edward had authorized Cole to print from Edward’s negatives after his death, so Cole continued printing Edward’s work while pursuing his own fine art photography. In 1975 Cole began lecturing and conducting workshops on his father’s photography as well as his own. With his work in the theater arts Cole was a natural when it came to teaching and lecturing and his many students still comment on what a great workshop he gave. He traveled throughout the United States, England, Europe, Russia, Mexico, New Zealand and the South Pacific photographing and inspiring others with his characteristic enthusiasm and charm. In 1988 after three decades devoted to printing his father’s work, Cole at last set aside his responsibility to Edward’s legacy and refocused on his own photography. Cole had his first solo exhibition in San Francisco in 1971. Since then, his work has been featured in more than sixty exhibitions worldwide and has been collected by museums throughout the United States and Europe. His work has been featured in numerous gallery shows and publications with three monographs and numerous articles having been published on his exquisite photography. Michael Hoffman from Aperture Publications once quoted, “In the history of photography there are but a few masters of color photography, Cole Weston is assuredly one of these masters of the medium whose dramatic powerful images are a source of great joy and pleasure”. Cole passed away from natural causes on April 20th, 2003. Like Cole, who once carried on the legacy of his father’s photography, his children have decided, as a tribute to their father, to carry on printing and offer Trust prints of Cole’s fine color photographs. Cole Weston was a dedicated artist and master of fine photography. Hopefully the availability of modern prints will make it possible for photographic enthusiasts everywhere to continue to enjoy his life’s work.
Laura Pannack
United Kingdom
1985
Laura Pannack is a London-based, award-winning photographer. Renowned for her recognizable portraiture and social documentary artwork, she often seeks to explore the complex relationship between subject and photographer. Her work heavily focuses on the youth. She was educated at the University of Brighton, Central Saint Martins College of Art and LCP. Pannack's work has been extensively exhibited throughout the UK and abroad, including at The National Portrait Gallery, Somerset House, the Royal Festival Hall and the Houses of Parliament. Driven by research-led, self-initiated projects, Pannack seeks to fully understand the lives of those she captures on film in order to portray them as truthfully as possible. Perceiving “time, trust and understanding” to be the key elements to achieving this, many of her projects develop over several years, helping her achieve a genuine connection between herself and her sitter and allowing her to capture the intimacy, shared ideas and shared experiences of this relationship. Pannack chooses to shoot with analogue film on her personal projects. By using traditional methods of working from negatives, as well as shooting with Polaroid, she finds beauty in the mistakes that come from working with unpredictable material. Her artwork has received much acclaim and won numerous awards, among which are the John Kobal Award , Vic Odden prize,World Photo Press Awards and the HSBC Prix de la Photographie prize In addition to her own practice, Pannack lectures, critiques and teaches at universities, workshops and festivals around the world, and in 2015, judged the portrait category in World Photo Press Awards in Amsterdam. Pannack has also been widely published, both commercially and as a photographic artist, with work appearing in The British Journal of Photography, Hotshoe International, TIME, The Guardian Weekend, The Telegraph, The Sunday Times, Creative Review. Her monograph 'Against the dying of the light' was published by Acts de Suds in 2016 and YOUTH Vol 1 was released in 2018 by Polite company
Chris Rainier
Canada
1958
Chris Rainier is a National Geographic Society EXPLORER and documentary photographer/filmmaker - who is highly respected for his documentation of endangered cultures and traditional languages around the globe. In 2002 he was awarded the Lowell Thomas Award by the Explorers Club for his efforts on cultural preservation, and in 2014 he was elected a Fellow of the Royal Geographic Society of London/UK -specializing in cultural preservation He is the Director of The Cultural Sanctuaries Foundation - a global program focused on preserving Biodiversity and Traditional Cultural Knowledge. During his continued tenure with the National Geographic Society he has been the co-founder and co-director of both the Enduring Voices Language Project and Director of the All Roads Photography Program, designed to support indigenous groups with modern technology desiring to document their traditional culture and create sustainable solutions to preserve the planet in the 21st Century. In addition as a NG Fellow he was an Editor for NG Traveler focused on documentation of traditional culture. Rainier has completed photographic projects for the United Nations, UNESCO, Amnesty International, Conservation International, the Smithsonian Institution, Time Magazine, the New York Times, LIFE Magazine, and the National Geographic Society. Rainier has photographed global culture, conflict, famine, and war in such places as: Somalia, Sarajevo/Bosnia, Sudan, Ethiopia, Rwanda, Cambodia, and Iraq for TIME Magazine, - and for NPR Radio. In the early 1980's Rainier was Ansel Adams last photographic assistant- during his tenure with the noted photographer- he worked with Mr. Adams to amplify the use of Art Photography as a social tool - helping to preserve threatened wilderness areas and National Parks. Rainier went on to collaborate with UNESCO and IUCN on a Global Project using photography to preserve endangered wilderness areas around the world. Rainier's photography and books have been widely shown and collected by museums around the world, including the Australian Museum in Sydney, the Bibliothèque Nationale in Paris, the International Center of Photography in New York, the George Eastman House International Museum in Rochester, New York, The National Geographic Society, and the United Nations.
Michael Ernest Sweet
Michael Ernest Sweet is a Canadian photographer and arts writer. He is the author of two photography monographs, The Human Fragment and Michael Sweet's Coney Island, both from Brooklyn Arts Press in New York. Michael is best known for his gritty black and white images of people composed at odd angles, which often omit people's faces. His work has been praised by such master photographers as Roger Ballen, Martin Parr, and Jay Maisel. A recipient of many awards, Michael holds both a Prime Minister's Award and a Queen Elizabeth II Medal from Canada for significant contributions to education and the arts. In 2018, Michael appeared in the film, Garry Winogrand: All Things Are Photographable, and again in 2021 in the film, Fill The Frame. Michael is a senior contributing writer for Photo Life Magazine and a former writer for HuffPost. He holds several degrees including a Master of Liberal Arts from The Johns Hopkins University. Michael lives and teaches in New York City. Statement: My photography is about pleasing myself. I do not photograph for an audience. Quite frankly, that would be too hard for me. I make photographs of things that interest me. I like weird angles and odd compositions because they tend to tell a better story. As a writer, I look for the story, not just the image. Photographs need to be able to be read from left to right, all across the frame, just like a good book. Everything in the frame matters. Everything that is not in the frame matters. Most people don't get my work. They don't try hard enough. My photos cannot be consumed in 10 seconds on an iPhone. Those who put in the effort get to see what I saw, get to feel what I felt, and, most importantly get to enjoy the moment as I did when I made the image. For me, a photo that is easy to look at and quick to understand is a boring, pedestrian photograph. I am not here to photograph aunt Betty's Birthday party.
Claudio Allia
Italy
1962
Claudio Allia (1962), is an Ophthalmologist, jazz and classical music producer, and an amateur awards-winning photographer living in Sicily. Music and photography have always been his main passions that he has cultivated all his life since childhood. Fascinated by fine art and conceptual photography, at early 90's Claudio began to devote himself to the creation of photographic projects and series trying to transfigure and filter most disparate social themes, even the most crude and brutal, through his personal sensitivity and imagination. Since 2005, started to experiment with new visual and creative approaches into his photographic world, exploring and developing as well his knowledges in the digital editing field and spacing his body of work from fine art to surrealistic or conceptual photo collections/series up to pure social/documentary photography. Slum Glam series Despite the harsh living conditions I have recognised the high level of dignity shown by the Mathare residents and my Slum Glam series attempted to depict this. A hand painted, makeshift wooden chair rests in front of a multi coloured shack wall that the women have decorated using brightly coloured designs wearing their best clothes to pose for my camera. Flower Pots series (Mathare Valley Slum - Nairobi) "Now we go into the vulnerable realm of an impossible privacy, constantly threatened and modified by all that's happening outside; rooms as decorated trenches of a never-ending battle; 9 square meters where to try a claustrophobic but worthy independence, where to keep dignity at low cost. Now focus in the flowerpots; the picture is a transparent flowerpot allowing you to check every corner of these rooms... look again: the dwellers are the flowers." --Claudio Torres Remote Control series (Mathare Valley Slum – Nairobi) For the Remote Control series some of the children of Mathare joined me on a photo shoot, turning up well dressed and carrying a favourite, or only toy. As they walked through the area of corregated dwellings I handed them a remote control i had brought withme in preparation and they instinctively grasped the significance and started pointing it towards areas that they wished to see change to improve their existence.
Bruce Davidson
United States
1933
Bruce Davidson began taking photographs at the age of ten in Oak Park, Illinois. While attending Rochester Institute of Technology and Yale University, he continued to further his knowledge and develop his passion. He was later drafted into the army and stationed near Paris. There he met Henri Cartier-Bresson, one of the founders of the renowned cooperative photography agency, Magnum Photos. When he left military service in 1957, Davidson worked as a freelance photographer for LIFE magazine and in 1958 became a full member of Magnum. From 1958 to 1961 he created such seminal bodies of work as “The Dwarf,” Brooklyn Gang,” and “Freedom Rides.” He received a Guggenheim fellowship in 1962 and created a profound documentation of the civil rights movement in America. In 1963, the Museum of Modern Art in New York presented his early work in a solo show. In 1967, he received the first grant for photography from the National Endowment for the Arts, having spent two years witnessing the dire social conditions on one block in East Harlem. This work was published by Harvard University Press in 1970 under the title East 100th Street and was later republished and expanded by St. Ann’s Press. The work became an exhibition that same year at the Museum of Modern Art in New York. In 1980, he captured the vitality of the New York Metro’s underworld that was later published in a book, Subway, and exhibited at the International Center for Photography in 1982. From 1991-95 he photographed the landscape and layers of life in Central Park. In 2006, he completed a series of photographs titled “The Nature of Paris,” many of which have been shown and acquired by the American Academy of Arts and Letters. Davidson received an Open Society Institute Individual Fellowship in 1998 to return to East 100th Street His awards include the Lucie Award for Outstanding Achievement in Documentary Photography in 2004 and a Gold Medal Lifetime Achievement Award from the National Arts Club in 2007. Classic bodies of work from his 50-year career have been extensively published in monographs and are included in many major public and private fine art collections around the world. He continues to photograph and produce new bodies of work.Source: Magnum Photos
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