Gagosian Gallery Beverly Hills

Margarita Mavromichalis and I will offer our New York City Neighborhood Workshop on May 2-4 with a fourth day (perhaps two weeks afterwards) for discussion and critique of the images made during the weekend. This fourth day will be agreed upon by all the participants.

Without emptiness, matter does not exist. But what if the void itself contains all the meanings we seek? In her book Atlas of Void, German artist Kathleen Alisch offers us a tangible and hypnotic proof of how space—interior, exterior, and other—is synonymous with infinite possibilities. The ninety-six page book, published by L’Artiere in 2022, collects images that seem to come from our everyday world and at the same time from places we swear we’ve seen in a dream, or perhaps in other dimensions. Black, silver, present, absent: each photograph draws us into the boundary between reality and perception, creating a silent rhythm that does not need words—and gives viewers the time to find their own. A map of the void was possible all along.

2024– CPW, an arts non-profit dedicated to engaging audiences and fostering conversation around critical issues in photography, is thrilled to announce the grand opening of its newly renovated building on January 18, 2025. Located in the midtown arts district of Kingston, a historic city in the heart of the Hudson Valley 90 miles north of New York City, the 47-year-old community-based museum and school has been undergoing a renaissance since relocating from Woodstock in 2022. The opening marks a pivotal moment for CPW as it unveils a state-of-the-art center dedicated to photography and related media. The renovation, directed by the architectural firm Lopergolo + Bartling Architects, represents the first phase in a larger transformation of the 40,000 square foot former cigar factory. In this phase, the first two floors of the factory will now house 6,000 square feet of exhibition space, an expanded Digital Media Lab, a theater, workshop spaces, offices, meeting rooms, a visitors’ lounge, and CPW’s photo library.

All About Photo proudly presents an exclusive online exhibition featuring the work of Spanish photographer Mischa Lluch. On view throughout January 2025, Fading by Mischa Lluch delves into the quiet poetry of suburban disconnection and the fading dreams of American life.

Ikon presents a solo exhibition, What Did You Want To See? by British artist Mahtab Hussain (20 March – 1 June 2025). Hussain explores the fine line between photographic documentation and surveillance culture, addressing the intelligence sites established by the media and the state to monitor the Muslim community in Britain

The Fondazione culture e musei (FCM) and the Museo delle Culture di Lugano (MUSEC) announce the winners of the 2024 edition of Unpublished Photo (UP), an international competition created to promote new trends in art photography among young talents from around the world. The initiative, originally conceived by the Milanese gallery 29 ARTS IN PROGRESS, is now a major event on the international art scene, consolidated by the FCM and MUSEC from 2020 to ensure its institutional framework and medium-to-long-term development perspective.

All About Photo proudly presents an exclusive online exhibition featuring the work of the American photographer Ghawam Kouchaki. On view throughout December 2024, this captivating showcase includes twenty street photographs from his acclaimed series ‘Tokyo No-No’

Fotomuseum aan het Vrijthof in Maastricht proudly presents 'Between the Sea and the Sky', an impressive exhibition by renowned photographic artist Jimmy Nelson, running from 9 February until 21 September 2025. The exhibition debuts analogue large-format portraits as part of a collection of 65 photographs and two videos, capturing twenty Dutch communities in traditional costumes. Set against the picturesque backdrops of fishing villages, polder landscapes, and fortified towns, each image is bathed in the iconic Dutch natural light. With his colourful work, Nelson celebrates the beauty, cultural richness, and authenticity of humanity.

David Zwirner is pleased to present The Last Dyes, an exhibition of new dye-transfer prints by William Eggleston opening at the gallery’s 606 N Western Avenue location in Los Angeles. Eggleston pioneered the use of dye-transfer printing for art photography in the 1970s, and—as the title suggests—these photographs will be the final prints ever made of Eggleston’s images using this inimitable analog process. The presentation itself constitutes one of the last major groups of photographs ever to be produced using this printing method, making it a unique opportunity to see a number of works by Eggleston in the format in which he originally presented them