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Win a Solo Exhibition in August! Juror Ann Jastrab, Executive Director, Center for Photographic Art
Win a Solo Exhibition in August! Juror Ann Jastrab, Executive Director, Center for Photographic Art
Justyna Neryng
Justyna Neryng
Justyna Neryng

Justyna Neryng

Country: Poland
Birth: 1981

Born in Poland in 1981, Justyna Neryng spent much of her childhood playing with her father’s cameras and dark room while roaming the forests of Chelmsko on the Czech boarder. As an adult, a mother and an immigrant to Britain, her photography has flourished into a substantial body of portraiture. Perhaps the most evocative of her works are her exquisitely emotive self-portraits that seem to carry the dark spirit of the forest from her childhood as well as potently baring the scares of modern womanhood. They show vulnerability and intimate eroticism as well as a deep sense of isolation and alienation. It is these portraits that have been most published and exhibited in both in her polish homeland and in the UK. More recently Justyna has begun to collaborate with her daughter Nell, on a project called Childhood Lost. Justyna currently produces her works in her adopted home town of Brighton and Hove, where she lives with her daughter.

Artist Statement:

Childhood Lost is an autobiographical ,self portrait in a different body, ongoing project exploring the nature of portraiture and memory. As a single mother I have found myself exploring notions and representations of childhood. I see my daughter’s experiences of growing up in urban England conflicting with my own experiences of growing up in rural Poland.
I must confess that my own childhood is not a source of many happy memories, perhaps the most resonant of which are the times I escaped to a world of fantasy played out in the forests surrounding my home village of Chelmsko. Watching my daughter grow up has in a sense held a mirror to my own memories of the past while experiencing her childhood dreams enacted through play, and story telling. I find myself in a strange place where I can experience my own memories as well as see my daughter’s childhood through my adult eyes. It is these notions I am seeking to explore with the Childhood Lost project. Interweaving childhood nostalgia with the stories and myths of my Polish childhood and those that I share with my essentially British daughter. The project is using these ideas to produce a series of portraits that evoke characters that populate this world we know as childhood. A court of characters from myth and dreams. The images are aesthetically inspired by portraiture from the Golden Age of Dutch painting. By drawing on paintings as inspiration I am hoping to give a timeless feel to the final images. Also key to the project is also the painstaking styling and prop building, which I am using to evoke these different persona played out by my daughter. I want to develop the series in to a substantial set of portraits of my daughter playing the characters of childhood, as well as producing more elaborate set pieces embracing a theatricality that would take the project to the next level. Subject to funding it would also be a dream of mine to be able to revisit the forests of my own childhood and produce work there.

Justyna Neryng is a multi-award winning self-taught photographer born in Poland and now living and working in the United Kingdom. She spent much of her childhood playing with her father’s cameras and dark room while roaming the forests of her hometown. She specialises in portraits and nudes, her photography has flourished into a substantial body of portraiture. She is mainly known for her enchanting theatrical portraits of her daughter, a gallery of triumphal characters, captured on a neutral and undefined background, with their fantastic ‘uniforms’ and imperious look . These images are aesthetically inspired by portraiture from the Golden Age of Dutch painting. And her exquisitely emotive self-portraits that seem to carry the dark spirit of the forest from her childhood as well as potently baring the scars of modern womanhood. They show vulnerability and intimate eroticism as well as deep sense of isolation and alienation.

Source: justynaneryng.com

 

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Jack Delano
United States
1914 | † 1997
Jack Delano (August 1, 1914 – August 12, 1997) was an American photographer for the Farm Security Administration (FSA) and a composer noted for his use of Puerto Rican folk material. Delano was born as Jacob Ovcharov in Voroshilovka village, Podolie Governorate, near Vinnytsia, Russian Empire and moved, with his parents and younger brother, to the United States in 1923. The family arrived at New York on July 5, 1923 on the boat SS Homeric. Between 1924 and 1932 he studied graphic arts/photography and music (viola and composition) at the Settlement Music School and solfeggio with a professor from the Curtis Institute in Philadelphia, Pennsylvania. After being awarded an art scholarship for his talents, he attended the Pennsylvania Academy of the Fine Arts (PAFA) where, from 1928 until 1932, he studied illustration and continued his musical training. While there, Delano was awarded the Cresson Traveling Scholarship, on which he chose to travel to Europe, where he bought a camera that got him interested in photography. After graduating from the PAFA, Delano proposed a photographic project to the Federal Art Project: a study of mining conditions in the Schuylkill County, Pennsylvania anthracite coal area. Delano sent sample pictures to Roy Stryker and applied for a job at the Farm Security Administration Photography program FSA. Through the help of Edwin Rosskam and Marion Post Wolcott, Stryker offered Delano a job at $2,300/year. As a condition of the job, Delano had to have his own car and driver's license, both of which he acquired before moving to Washington, D.C. Before working at the FSA, Delano had done his own processing and developing but did neither at the FSA. Other photographers working for the FSA include Walker Evans, Dorothea Lange, and Gordon Parks. In 1943 FSA was eliminated as "budget waste" and subsumed into the Office of War Information (OWI). He travelled to Puerto Rico in 1941 as a part of the FSA project. This trip had such a profound influence on him that he settled there permanently in 1946. Between 1943 and 1946 he served in the U.S. Army Air Forces. With his wife Irene (a second cousin to fellow photographer Ben Shahn) he worked in the Community Division of the Department of Public Education producing films, for many of which Delano composed the score. Delano also directed Los Peloteros, a Puerto Rican film about poor rural kids and their love for baseball. The film remains a classic in Puerto Rican cinema. Jack Delano's musical compositions included works of every type: orchestral (many composed for the Puerto Rico Symphony Orchestra), ballets (composed for Ballet Infantil de Gilda Navarra and Ballets de San Juan), chamber, choral (including Pétalo de rosa, a commission for Coro de Niños de San Juan) and solo vocal. His vocal music often showcases Puerto Rican poetry, especially the words of friend and collaborator Tomás Blanco. Blanco, Délano and his wife Irene collaborated on children's books. The most prominent of these remains a classic in Puerto Rican literature: The Child's Gift: A Twelfth Night Tale by Tomás Blanco, with illustrations by Irene Delano and incidental music (written on the margins) by Jack Delano. His score for the film "Desde las nubes" demonstrates an early use of electronic techniques. Most of his works composed after he moved to Puerto Rico are notable for using folk material in a classical form.Source: Wikipedia
Dougie Wallace
Dougie Wallace, also known as 'Glasweegee', is a Scottish street photographer, based in east London. He was born and raised in Glasgow, lived in Blackpool for a couple of years in the 1980s before enlisting in the army, and has lived in Shoreditch, east London, for 15 years. For two-and-a-half years beginning in October 2010 Wallace made 30 trips to Blackpool to complete his first book Stags, Hens & Bunnies: A Blackpool Story (2014), photographs of the stag and hen parties that visit the town, "lads and lasses on their worst behaviour, partying away in a bawdy sea of L-plates, handcuffs, blow-up dolls and uniformed fancy dress in various states of undress and drunkenness; revelling in bars, puking in the street, refuelling at chip shops." Wallace spent 15 years photographing in the Shoreditch area of East London, a series published in his second book, Shoreditch Wild Life (2014). 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Followed Harrodsburg, which won the inaugural 'Magnum Photography Award 2016'. Well Heeled (Dewi Lewis, 2017) is an observation about the cultural shift among dog owners (Dewi Lewis, 2017). Goan to the Dogs is to be published by Dewi Lewis in 2020. East Ended is a reflection on gentrification and its ambiguous and fraught relationship with street art and local communities. Newly published by Dewi Lewis. Dougie is sought after for opinion, project assignments, editorial features and ad-hoc opportunities. His work has been featured in assignments and publications for magazines and newspapers, including, The Sunday Times Magazine, D Repubblica, The Economist, Le Monde, The New Yorker, Stern, The Guardian, New York Times, The Independent, International New York Times, Observer, GQ, Dazed, Hunger, Vice, BBC, CNN, Itsnicethat, Marie Claire, Die Zeit, Süddeutsche Zeitung, El País, Der Spiegel, Macleans, NZZ, Die Tageszeitung, Neon, dS Magazine - De Standaard. As well as numerous photography magazines, BJP, GUP, Amateur Photographer, Professional Photographer, F2, Fotografia Magazine, Lens Culture, Leica LFI, L’Oeil, Fotomagazine, European Photography and Photo International. Dougie continues to shoot fashion for the likes of Tatler, Balenciaga and Dazed. Dougie Wallace has conducted workshops both in the UK and overseas. He regularly donates his work to his chosen charities each year.Source: www.dougiewallace.com
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France
1813 | † 1879
Charles Marville, the pseudonym of Charles François Bossu (Paris 17 July 1813 - 1 June 1879 Paris), was a French photographer, who mainly photographed architecture, landscapes and the urban environment. He used both paper and glass negatives. He is most well known for taking pictures of ancient Parisian quarters before they were destroyed and rebuilt under "Haussmannization", Baron Haussmann's new plan for modernization of Paris. In 1862, he was named official photographer of Paris. Marville's past was largely a mystery until Sarah Kennel of the National Gallery of Art and independent researcher Daniel Catan discovered that Marville's given name was Charles-François Bossu. That newly-found association allowed them to discover a variety of biographical information, including photographs of his family, that had been considered lost to time. Bossu was born in 1813 in Paris. Coming from an "established" Paris family, he trained as a painter, illustrator and engraver. He assumed the pseudonym Charles Marville around 1832, and began working in his field. After 17 years, as an illustrator, he took up photography around 1850. He had no family, but a long-time companion was included in his will. He died in 1879 in Paris.Source: Wikipedia Charles Marville was commissioned by the city of Paris to document both the picturesque, medieval streets of old Paris and the broad boulevards and grand public structures that Baron Georges-Eugène Haussmann built in their place for Emperor Napoleon III. Marville achieved moderate success as an illustrator of books and magazines early in his career. It was not until 1850 that he shifted course and took up photography - a medium that had been introduced just 11 years earlier. His poetic urban views, detailed architectural studies, and picturesque landscapes quickly garnered praise. Although he made photographs throughout France, Germany, and Italy, it was his native city - especially its monuments, churches, bridges, and gardens - that provided the artist with his greatest and most enduring source of inspiration. By the end of the 1850s, Marville had established a reputation as an accomplished and versatile photographer. From 1862, as the official photographer for the city of Paris, he documented aspects of the radical modernization program that had been launched by Emperor Napoleon III and his chief urban planner, Baron Georges-Eugène Haussmann. In this capacity, Marville photographed the city’s oldest quarters, and especially the narrow, winding streets slated for demolition. Even as he recorded the disappearance of Old Paris, Marville turned his camera on the new city that had begun to emerge. Many of his photographs celebrate its glamour and comforts, while other views of the city’s desolate outskirts attest to the unsettling social and physical changes wrought by rapid modernization. Haussmann not only redrew the map of Paris, he transformed the urban experience by commissioning and installing tens of thousands of pieces of street furniture, kiosks, Morris columns for posting advertisements, pissoirs, garden gates, and, above all, some twenty thousand gas lamps. By the time he stepped down as prefect in 1870, Paris was no longer a place where residents dared to go out at night only if accompanied by armed men carrying lanterns. Taken as a whole, Marville’s photographs of Paris stand as one of the earliest and most powerful explorations of urban transformation on a grand scale.Source: Howard Greenberg Gallery
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United States
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Erwin Blumenfeld
Germany/United States
1897 | † 1969
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Michael Wolf
Germany/United States
1954 | † 2019
The focus of the German photographer Michael Wolf’s work is life in megacities. many of his projects document the architecture and the vernacular culture of metropolises. Wolf grew up in Canada, Europe, and the United States, studying at UC Berkeley and at the Folkwang School with Otto Steinert in Essen, Germany. He moved to Hong Kong in 1994 where he worked for 8 years as a contract photographer for Stern Magazine. Since 2001, Wolf has been focusing on his own projects, many of which have been published as books. Wolf’s work has been exhibited in numerous locations, including the Venice Bienniale for Architecture, Aperture Gallery, New York; Museum Centre Vapriikki, Tempere, Finland, the Museum for Work in Hamburg, Germany, Hong Kong Shenzhen Biennial, the Museum of Contemporary Photography, Chicago. His work is held in many permanent collections, including the metropolitan museum of art in New York the Brooklyn Museum, the San Jose Museum of Art, California; the Museum of Contemporary Photography, Chicago; the Museum Folkwang, Essen, Germany and the German Museum for Architecture, Frankfurt, Germany. He has won first prize in the World Press Photo Award competition on two occasions (2005 & 2010) and an honorable mention (2011) In 2010, Wolf was shortlisted for the Prix Pictet photography prize. He has published more than 13 photo books including Bottrop Ebel 1976 (Peperoni Press, 2012), Tokyo Compression Three (Peperoni Press / Asia One, 2012), Architecture of Density (Peperoni Press / Asia One, 2012), Hong Kong Corner Houses (Hong Kong University Press, 2011), Portraits (Superlabo, Japan, 2011), Tokyo Compression Revisited (Peperoni Press / Asia One, 2011), Real Fake Art (Peperoni Press / Asia One, 2011), FY (Peperoni Press, 2010), A Series of Unfortunate Events (Peperoni Press, 2010), Tokyo Compression (Peperoni Press / Asia One, 2010), Hong Kong Inside-Outside (Peperoni Press / Asia One, 2009), The Transparent City (Aperture, 2008) and Sitting in China (Steidl, 2002). Source: photomichaelwolf.com Michael Wolf’s work examines life in the layered urban landscape, addressing juxtapositions of public and private space, anonymity and individuality, history, and modern development. In a diverse array of photographic projects, from street views appropriated from Google Earth, to portraits capturing the crush of the Tokyo Subway, and dizzying architectural landscapes, Wolf explores the density of city life. Wolf currently lives and works in Hong Kong and Paris. His photographs are in the permanent collections at the Metropolitan Museum of Art, New York; the Folkwang Museum, Essen, Germany; The Brooklyn Museum; the Cleveland Museum of Art; the Nelson-Atkins Art Museum, Kansas City; and the Museum of Contemporary Photography, Chicago among others, and have been exhibited at the Museum of Photographic Arts, San Diego (2011), Goethe Institute in Hong Kong (2010), Fotographie Museum, Amsterdam (2010), Museum of Contemporary Photography, Chicago (2008), Victoria and Albert Museum, London (2008), and the Massachusetts Museum of Contemporary Art (2008), among others. Wolf was awarded First Place in the 2010 World Press Photo Award contest in the Daily Life category, and was shortlisted for the 2010 Prix Pictet. Wolf's numerous monographs include Tokyo Compression Revisited (Peperoni Books, 2011), Real Fake Art (Peperoni Books, 2011), Tokyo Compression (Peperoni Books, 2010), Hong Kong: Inside/Outside (Peperoni Books, 2009), The Transparent City (Aperture and MoCP, 2008), Hong Kong: Front Door/Back Door, (Thames & Hudson, 2005), and Sitting in China (Steidl, 2002). Source: Robert Koch Gallery Michael Wolf was born in 1954 in Munich, Germany. He grew up in the United States, Europe, and Canada, and studied at UC Berkeley and at the Folkwang School in Essen, Germany. In 1994, Wolf moved to Hong Kong and worked for eight years as a contract photographer for Stern magazine, until he left to pursue his own projects. Wolf's photographic work in Asia focuses on the city and its architectural structures and follows on from his interest in people and human interaction. He has published seven photobooks to date. Wolf's work has been exhibited extensively in galleries and art fairs throughout the world since 2005 and is held in permanent collections across the US and Germany. Wolf has won previously won a World Press Photo award, the first prize in Contemporary Issues stories in 2005. Source: World Press Photo
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