All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Last Call to Win a Solo Exhibition this February. Juror: Harvey Stein
Last Call to Win a Solo Exhibition this February. Juror: Harvey Stein
Erik Johansson
Erik Johansson
Erik Johansson

Erik Johansson

Country: Sweden
Birth: 1985

Erik Johansson (born 1985) is a photographer and visual artist from Sweden based in Prague, Czech Republic. His work can be described as surreal world created by combining different photographs. Erik works on both personal and commissioned projects with clients all around the world. In contrast to traditional photography he doesn't capture moments, he captures ideas with the help of his camera and imagination. The goal is to make it look as realistic as possible even if the scene itself contains impossible elements. In the end it all comes down to problem solving, finding a way to capture the impossible.

To Erik it's always important with a high level of realism in his work. He want's the viewer to feel like they are part of the scene. Although his work consists of a lot of work in post-production and combining photogaphs he always tries to capture as much as possible in camera. "No one can tell you that it doesn’t look realistic if you actually captured it for real."

Light and perspective are crucial parts when combining images in a realistic way and if some parts are not possible to shoot on location, a similar scene has to be built up in a controlled environment. Having an understanding of both photography and post production is very important to make everything come together seamlessly. Every photograph and part has its purpose.

Erik always do all the post production himself to be in complete control of the end result. The idea, photography and post production are all connected. The final image doesn’t become better than the photographs used to capture it. Just like the photographs don’t become stronger than the idea.

There are no computer generated-, illustrated- or stock photos in Erik's personal work, just complex combinations of his own photographs. It's a long process and he only creates 6-8 new images a year (excluding commissioned work).

Artist Statement

"My name is Erik Johansson, I was born in 1985 outside a small town called Götene in the middle of Sweden. I grew up on a farm with my parents and two younger sisters. For as long as I can remember I have liked drawing. Probably because of my grandmother who was a painter. Early I also got interested in computers, escaping to other worlds in computer games. At the age of 15 I got my first digital camera which opened up a new world. Being used to drawing it felt quite strange to be done after capturing a photo, it wasn’t the process of creating something in the same way. Having an interest in computers made it a quite natural step to start playing around with the photos and creating something that you couldn’t capture with the camera. It was a great way of learning, learning by trying. But I didn’t considered it as a profession until years later.

In 2005 I moved to Gothenburg to study Computer engineering at Chalmers University of Technology. During my time studying I took up my interest for retouch once again. I had a lot of ideas that I wanted to realize and I saw it as problem solving trying to make it as realistic as possible. After publishing some of my images online I started to get requests about commissioned work from some local advertisement agencies. I started out freelancing in parallel with my studies while still working on personal projects. I got more and more jobs and at the time I finished my studies with a master in Interaction Design I felt like I rather wanted to try out the photography path. I moved to Norrköping in the eastern part of Sweden to start working full time as a freelance. I made new friends and got to work on interesting projects, both local and abroad.

In early 2012 it was time for something new as I moved to Berlin, Germany. A very artistic city with lots of inspiration. Today I work with both personal and commissioned projects and I also started doing photography street illusions."

Source: www.erikjo.com/

 

Erik Johansson's Video

Selected Books

Inspiring Portfolios

Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

F. Bessma Rhea
United States
2002
F. Bessma Rhea is her father’s second-born daughter (first-born son), her mother’s last line of defense at the dinner table, and her sister’s favorite fun house mirror. She is the first person to speak in a crowded elevator and the last person to get a word in edgewise. Bessma has always been a big talker, but her preferred method of communication is using the visual language of photography. F. Bessma Rhea graduated from Montana State University in 2025, achieving a Bachelor of Fine Arts in Integrated Lens Based Media from the School of Film and Photography. Although Bessma spent the last four and a half years in Bozeman, Montana, Bessma was born, raised, and is now currently residing in San Diego, California. Her photographic journey has encompassed an exploration of various mediums, ranging from silver gelatin prints and digital flash photography, to alternative process and chromogenic printing in the color darkroom. From this exploration she learned to cultivate her aesthetic, her relationship to photography, and to refine and utilize her voice. In her own reflection, she sees herself as a detective and a scientist, but to the outside world, she is an artist and a photographer. With her camera she will continue to investigate and theorize about the world she’s a part of, and where she fits in. But in the moments she’s not photographing, she enjoys filthy explicit music – and classic literature. Gutter Dutchess: I organize my environment in the frame and listen to when the world tells me I am a woman. I consider questions like, “How do I photograph a homewrecker?” and “What is inherently aggressive about a haircut?”. I desperately follow curiosity like the north star. GUTTER DUCHESS is a punk portrait series represented by twenty color film images of friends, best friends, my sister, my mother, myself, and moments in between. From doctor’s appointments to dumpster diving, I comprehend a women’s world through a lens that is candid, impulsive, crude, jovial, contrite, and desperate to reject assimilation to any one characteristic. As I photograph, I find myself constantly fighting with my images because I am a pessimistic, hotheaded, angry little person. However, in these photographs, I am continuously confronted with an abundance of love from the women in my life, who are proof of the untamable female spirit. This work is messy, unglamorous, and a raw exploration of womanhood. Favoring emotional truth over aesthetic polish, my series sprinkles clues of the fallacy of attempting feminine definition. Artist Philosophy Photography is a method of comprehension, I want to understand what is here. I have always been intrigued by the surreal but perhaps that comes from a bigger desire to turn the psyche outward, to make the invisible visible. I am driven by the ability to push the boundaries of sensation through the uncanny, visceral, and provocative. Visual arts is my language to answer life’s biggest questions. Every series is a conversation and if photography is to speak then a camera is the tongue. I have completely fallen in love with the medium, and without the tongue there is no voice.
Debe Arlook
United States
Debe Arlook is an award-winning American artist working in photography. Since her first camera at 8 years old, she has been a curious observer of her surroundings. Degrees in filmmaking and psychology inform her narratives involving the landscape, relationships, personal growth, and existential inquiry. At the end of a 20-year marriage with three teenagers to raise, Arlook's spiritual awareness practice deepened. Still photography became an expressive outlet and tool for self-discovery. In addition to her studio practice, Arlook is an educator, contributing editor, and digital printer for fine art photographers. Based in Santa Monica, California, U.S.A., her work is exhibited and published globally Statement I've often described myself as having grown up from behind the lens. During my 40s and 50s, my role as a parent and spouse dwindled as my kids became teenagers and my marriage fell apart. As painful as these petites morts were, they were catalysts for self-discovery and rebirth. My mind quieted and the curious child I once was returned. My senses magnified and I could now see what had been overlooked. I became introspective and so did the work. It took time to understand the underlying messages each photograph held for me. I didn't realize they reflected my deep-seated thoughts and emotions. I had to step outside my ego in order to see I was photographing aspects of myself. And this was street photography! I had no idea each photograph is in some way a self-portrait and still, I often forget. Photography is the conduit in my attempt to understand human nature, my surroundings, and the big existential questions. With each project, I alter the visual language using diverse photographic processes specific to each narrative. In Foreseeable Cache, I create alternate worlds using sublime southwestern landscapes to evoke transcendent feelings of meditation. My latest body of work and first documentary, one, one thousand…, is a different kind of love story. It exposes the hidden impact a rare brain disorder has on the lives of a mother and son, focusing on their individual and shared experiences of life-long care. I continue to massage this work and watch it reveal itself to me, as my work does at some point. ARTICLES Exclusive Interview with Debe Arlook All About Photo Presents 'one, one thousand' by Debe Arlook
Kurt Markus
United States
1947
Kurt Markus, self-taught American photographer, was born in rural Montana. Markus is a nationally and internationally published photographer of "unique vision." He has won major awards for his editorial, advertising, and personal work. His photographs demonstrate “extraordinary vision and focus” and are critically renowned. Markus’s personal work began with a focus on American West Cowboys, which is perhaps his most acclaimed subject to this day. "His timeless photographs explore the rugged yet romantic spirit of the cowboy... Markus reveals an era that is all but forgotten today. In his photography, Markus documents a life style of solitude and difficulty, yet to the viewers, a sense of romance; a hard life of plain food, plain surroundings, horses, and exposure to the elements, and yet a simple life free of inherent stress... [He is] a truly amazing photographer of the fashion and travel industry". Since then, he has lived various lives as a photographer, making his mark in landscape, figure study, celebrity, fashion, sports, travel, and more. "Whatever the theme, he is most known for his sense of realism and his decidedly direct and not the least bit artificial approach". Although most of his career has been devoted to photography, he has also created music videos and films. In 1994, Kurt Markus was one of five photographers to participate in a special 25th anniversary edition of Rolling Stone presenting the living legends of rock-n-roll. In 1999, Markus won a Life Magazine Alfred Eisenstaedt Photography Award for his Rolling Stone "Sports Hall of Fame" shots of triathlete, Peter Kotland. In 2003, Markus filmed a music video and photographed the album art for Tori Amos's Scarlet's Walk. "Tori felt that Kurt's love for America went hand-in-hand with the theme." In 2006, Markus filmed Jewel's music video Goodbye Alice in Wonderland spontaneously, after a photo shoot at her Texas ranch. "The homegrown clip beautifully reflects both the song's organic, intimate sound and its powerfully autobiographical story." Markus shot the video entirely with a classic Super 8 camera. The New Yorker praises Markus's photographs in the Staley-Wise exhibition America the Beautiful (March 6 - May 9, 2009). "If anyone steals the show, it’s Kurt Markus, whose six photographs (many of cowboys) are quietly, unfailingly artful". In 2009, David Roberts published The Last of His Kind a biography about famous mountaineer Bradford Washburn. The biography features Markus's portrait of Bradford Washburn at age 93. Roberts says, "Kurt Markus's deft profile of Brad in 'Outside' remains the definitive assessment of Washburn as a master photographer." On July 2, 2009, Kurt Markus again set out with the classic Super 8 camera, this time with his son, Ian Markus, to create a documentary of John Mellencamp's 2009 summer tour and recording, called It's About You. While Kurt shot in 8mm, His son and assisting cameraman, Ian Markus, filmed digitally and captured sound. In 2010, Kurt Markus wrote his screenplay Deep Six. It has gone on to win Los Angeles Cinema Awards' "Merit Award" and Los Angeles Movie Awards' "Honorable Mention." Kurt Markus lives in Kalispell, Montana with his wife Maria. His sons, Weston and Ian, have both assisted him on major shoots and are currently continuing along their own paths in film and photography. "Both of his sons are interested in the world of photography and are following in their father's footsteps."Source: Wikipedia In his book Buckaroo, Markus reflected on himself and his profession, saying this: "I was not born to ranching. I was born a daydreamer, and I know of no slot for one of those on any ranch. At times I am saddened that I am not what I photograph. Always the observer, seldom the participant, what I am made of remains unanswered. My distance protects me, physically and emotionally; from getting as busted up as I ought to sometimes. Which is why you're not going to get the whole truth from me. I have entered into an unspoken, unwritten and generally inscrutable pact with the people I have photographed and lived among: if I promise not to tell all I know about them, they will do the same for me. In most cases, I have more to hide. My consolation is a simple-heartedness I would not exchange. The greenest cowboy alive has my respect, and I have no problem whatsoever photographing people who are possessed with the determination to do what I cannot. The awful truth is that I love all of cowboying, even when everything has gone wrong and it's not looking to get any better. Sometimes I especially like it that way."
Daniel Sackheim
United States
1962
Daniel Sackheim, born in 1962 in Los Angeles, California, is a photographer and film and television director and producer living and working in Los Angeles. As a director, Sackheim is best known for his work on multiple highly acclaimed television series. Some of his directorial credits include: Game of Thrones, True Detective, The Americans, The Walking Dead, Jack Ryan, Servant, Better Call Saul, The Leftovers, The Man in the High Castle, Ozark, and more recently Lovecraft Country. He has received multiple Emmy nominations, more recently in 2017 for directing the Ozark episode "Tonight We Improvise," which is a category he won in 1997 for an episode of NYPD Blue. In addition to his television work, Sackheim directed the Sony feature film, The Glass House, starring Leelee Sobieski, Diane Lane, and Stellan Skarsgard, and he produced the film, The X-Files: Fight the Future, for 20th Century Fox. Alongside fellow HBO alum Tony To, Sackheim is the co-founder of Bedrock Entertainment, which produces prestige content programming streamers and premium cable platforms. Sackheim's photographic practice translates the filmic league of his career into still photography that explores the nature of mystery, urban environments, and narrative ambiguity. His attraction to spaces dominated by shadows stems from his love of film noir and its predilection for heightened reality. A member of a number of photography centers, he is also a curator for www.streetfinder.site which is a growing community for street photography. Statement A camera is like a keyhole through which one can peer into dark spaces in search of a hidden narrative I've come to define as the unknown. Using photography, I am endeavoring to shine a light on that narrative, bringing it into sharper relief. My work occupies a space dominated by shadows. This attraction to the dark and ambiguous stems from my love of film noir and the heightened reality this filmic language personifies. Like noir, my photography aims to access the subconscious, exploring a world of omnipresent solitude and alienation. Article Exclusive Interview with Daniel Sackheim
Martin Stranka
Martin Stranka was born on Friday April 13, 1984 in Most, Czech Republic, where he lived with his parents and older sister until the age of three. For the next twenty years, family then moves to Litoměřice, where he attends elementary school and the Josef Jungmann Gymnasium. He went on to study economics in Prague, where he has lived and worked ever since. He never studied art, but after the loss of a close friend in 2007 he turned to photography as therapy to regain his balance in life. After completing his university studies, he worked as a human resources manager while continuing in his pursuit of photography which later became his passion. In December 2010 his passion became his profession when he accepted commissions from New York publishing houses Sterling Publishing and HarperCollins. In his seventeen-year career, Stranka won more than 90 international awards, and honorary mentions in photography, of which the most significant include Special Photographer of the Year from the International photography Awards in New York in 2022, and 1st place in the Sony World Photography Awards that he won in 2018 and 2019 in London. His works were exhibited and auctioned at Christie’s in London in early 2023. Martin Stranka exhibited his work in New York, Miami, London, Paris, Prague, and Shanghai, in galleries including Christie’s London, Saatchi Gallery, SNAP! Orlando, Somerset House in London, or the exhibition hall of Prague’s Mánes. His works already attract the attention of art collectors and can be seen on the covers of books published by HarperCollins, Sterling Publishing, and Penguin Random House. Martin has also created several photographic visuals for the National Theater, the National Theater Ballet, and the National Theater Opera. He has published four monographic books the last of which was published the retrospective book for the exhibition at the Danubiana Meulensteen Art Museum. Statement Martin wrote about his work: ''I’m always searching for beauty, but to me, the sort of beauty that is obvious seems uninteresting and empty. To the contrary, a flaw in something that is seemingly perfect adds vital meaning to the captured scene and catches my often-distracted attention. At least a small wobble of emotion to contrast the calmness of mind in a piece of art makes sense to me. As an artist, I need to strip both myself and the viewer of certainty in order to create space for the necessary multitude of questions. I look for form and content that harmonizes with people and provides them with a quiet visual refuge. At first glance, the images I capture are calm, yet under the surface, they rage and roar. I plant a sense of dismay into the same artwork, be it only with the slightest hint of something sinister lurking beneath the surface. And it never ceases to amaze me that such seemingly incompatible contrasts can be combined into one image. I constantly return to the narrative of the relationship between mankind and nature, as well as the exploration of human existence itself. Loneliness and isolation – such relevant topics today – seem to me like an endless line of poetry that I stitch through every photograph, even if only marginally. I can’t let go of the feeling that it is in isolation that I find a much-needed dialogue. A dialogue with myself, within myself, into myself. The visible silence in a photograph is contrasted by hectic thoughts that I’m unable to resist. And after all, I don’t want to defy them, I just need to accept everything as an observer. Observation and voyeurism become the best ways to learn. I repeatedly try to discover the connection between visual beauty and dramatic reality. What connects the state of oversaturation of human relationships and the state of one’s own loneliness? I need to know the answer. In my work, I continue to experiment with the portrayal of personally experienced intimacy contrasted against the more ephemeral feelings of closeness between strangers. I try to give meaning to situations and objects beyond how they are perceived. I’m driven to tear down traditional contexts, to give states and objects different meanings, and thus place ordinary experiences in extraordinary contexts. Although this process may seem complicated, to me it comes completely spontaneously every step of the way. The medium of photography allows me to materialize all these external happenings and flickering events onto paper.''
Carolyn Hampton
United States
Jérôme Sessini
Canon Ambassador Jérôme Sessini is a Magnum photographer who has covered some of the most significant events of the past 20 years. He also takes on long-term projects, studying the drug cartel wars on the Mexican/US border, the crisis in Ukraine and America's ongoing battle with opioid addiction. Through his lens, Jérôme has shot political upheaval, social rebellion and human struggle. His move to reportage came in 1998 when he was asked by the Gamma photo agency to cover the conflict in Kosovo. He's since been immersed in some of the most significant events of recent years, including the Iraq War, the fall of Haitian President Jean-Bertrand Aristide in 2004, the seizure of Somalian capital Mogadishu by Islamic militias, the war in Lebanon in 2006 and the ongoing conflict in Syria. His photographs have one common thread – they seek to dig below the news to capture scenes representing wider issues. Born in Vosges, France in 1968, Jérôme was inspired by the works of the great American street documentary photographers Diane Arbus, Lee Friedlander and, in particular, Mark Cohen. He came to photography late, at the age of 23, and is now a leading photojournalist in his own right, joining Magnum in 2012 and becoming a full member in 2016. Photographing the victims of war has long been a driving force for Jérôme. "Ever since I was a kid, I've been interested in images, and when I was a teenager I also became fascinated by history," he explains. "Plus, I remember sitting with my parents and watching the wars of the time on the news. So photography seemed like the best way for me to be an artist on the one hand and a journalist on the other." As well as his 'day job', Jérôme photographs people around his hometown in eastern France, shifting between their daily lives and the landscapes around them. He also takes part in longer-term projects, such as his So far from God, too close to the USA series, which focused on the impact of violence from the war between drug cartels in Mexico. Sessini reveals that although each visit to a conflict zone has been challenging – with the time he spent in Syria in 2012 being particularly notable for how tough it was, both emotionally and in terms of danger – it has been the stories that he has followed in Mexico that have been most emotionally involving. So far from God, too close to the USA received a number of awards and was published in a book, The Wrong Side, in 2012. Since 2014, Jérôme Sessini has been regularly covering the conflict in eastern Ukraine. Jérôme's work has also been published in distinguished publications such as Time, De Standaard, Le Monde and Stern, and he has exhibited at the Visa pour l'Image International Festival of Photojournalism in Perpignan, France, at the Rencontres d'Arles festival, and the French Ministry of Culture. His photographs are more than photojournalism, as he is keen to point out: "I don't like rigid categories. Sometimes there is art in journalism and journalism in art. Conscience, heart, beauty, balance and loss of balance are essentials for me." Jérôme Sessini has also been nominated for a number of prestigious awards throughout his career, including the news category of the Visa d'Or awards for his work on Libya. His coverage of the crash site of Malaysia Airlines Flight 17, which was taken out of the sky by a surface-to-air missile over the Ukraine in July 2014, saw him receive honours at the World Press Photo Awards 2015 (first prize, Spot News, Stories) and The Olivier Rebbot Award from the Overseas Press Club of America. Remarkably, Jérôme also won second prize in the same category at the World Press Photo Awards 2015 for his harrowing Final Fight for Maidan image. Sessini believes in the strength of photographs more than video when it comes to pricking the conscience of people, and he has led workshops designed to help a new generation of photographers to develop their own visual language for documentary and social photography.Source: Canon Europe Jérôme Sessini is one the world’s most prolific and respected names working in the sensitive field of conflict zones and has been dispatched to war-torn countries like Palestine, Iraq, Lebanon, Syria and Libya for international publications. As well as reporting on the frontlines, he has covered social issues such as the drug-related violence on the streets of Mexico, the anti-government protests in Ukraine and indigenous minorities in Cambodia facing forced eviction. Through his work, he is constantly learning, adapting and evolving. Since 2018, Sessini has been documenting the opioid crisis in the United States, where he has travelled to Ohio and Philadelphia to create intimate portraits of the people and places ravages by drug misuse. In 2017, Sessini travelled to remote villages in Cambodia with Samrith Vaing, documenting the life of indigenous minorities facing forced eviction. In 2016, Sessini documented the Kurdish Peshmerga offensive against Islamic State (IS) in the city of Bashiq before crossing the region to cover Iraqi forces pushing towards Mosul. His work has been published by prestigious newspapers and magazines, including Newsweek, Stern, Paris-Match as well as Le Monde and the Wall Street Journal. It has been shown in multiple solo exhibitions around the world including the Visa Photo Festival in Perpignan, at the Rencontres d’Arles, the Bibliothèque Nationale François-Mitterrand, as well as with the French Ministry of Culture. Sessini become Magnum Photos nominee in 2012 and a full member in 2016.Source: Magnum Photos
Cédric Gerbehaye
Advertisement
All About Photo Awards 2026
Win a Solo Exhibition in February
All About Photo Awards 2026

Latest Interviews

Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry