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Last Call to Win a Solo Exhibition this February. Juror: Harvey Stein
Last Call to Win a Solo Exhibition this February. Juror: Harvey Stein
Erin Mahoney
Erin Mahoney
Erin Mahoney

Erin Mahoney

Country: United States

"I am a photographic educator and fine art photographer interested in creating photography through digital capture and historical photographic printing processes. I currently teach photography courses in San Francisco, CA."
 

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All About Photo Awards 2026
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More Great Photographers To Discover

William Castellana
United States
1968
William Castellana is an award-winning photographer whose images have been published internationally in periodicals such as Silvershotz (The International Journal of Contemporary Photography), Rangefinder, Creative Quarterly (The Journal of Art & Design), Newsweek, Time, New York, and others. His photographs reside in the permanent collections of over 40 museums in the US including the Hood Museum of Art, Museum of the City of New York, Museum of Modern Art Library, Yale University Library, New Britain Museum of American Art, Southeast Museum of Photography, and the Hunter Museum of American Art. About the Series Street photography, in terms of the "unposed," is a practice that serves the compelling need to distill the ebb and flow of visually complex interactions into static form - forever fixed and with meaning. It is this desire to understand more deeply the rhythms of humanity that takes me to the streets in search of clarity. In their simplest sense, the images in this series form a social document of a people and a place; namely, a sect of Hasidic Jews known as the Satmars. This sect of Hasidic Jews was founded in Satu Mare, Romania by Rabbi Joel Teitelbaum in the early 20th century. After WWII, Teitelbaum settled in Williamsburg, Brooklyn to lay the groundwork for a religious ideology that would launch one of the largest Hasidic movements in the world. Since Teitelbaum's death, the Satmar community has grown exponentially and continues to thrive economically and spiritually through closely observed traditions and social mechanisms. Between the fall of 2013 and 2014, I set out to photograph my neighbors in the one-half square mile area below Division Avenue, which demarcates the religious from the secular communities of Williamsburg, Brooklyn. The photographs in this book are constrained to the "neighborhood view," since my outsider status made access to a more privileged look impossible. As an outsider, what I witnessed through my camera during that period was forever new and unique compared to my everyday routine and what the rest of the city's inhabitants were pulsing to. For me, street photography is about the preservation of time and place - a kind of poetry that distills both in equal measure.
Lu Nan
China
1962
Lu Nan is a contemporary photographer who was born in Beijing, China in 1962. After working for National Pictorial for 5 years, he decided to become an independent photographer. From 1989 to 1990, he shot a series of images of the living conditions of patients in Chinese mental hospitals. From 1992 to 1996, he shot a series of images about Catholicism in China. From 1996 to 2004, he shot a series of images of the daily life of Tibetan farmers. Lu Nan is known as "the most legendary photographer in China". He is also the only Chinese contemporary photographer chosen by Aperture magazine as a topic colon. Lu Nan is constantly invited to participate in numerous exhibitions; however, he is extremely selective about the exhibitions he is involved with. Lu also refused to have his portrait taken by others, so it’s very rare to see any photo documentations of him. For fifteen years, Lu has been leading a life that is almost like a monk, spending his time working and studying, as he believes that “good stuff comes out of reticence.” Since 1989, Lu Nan has spent 15 years completing his trilogy of photographic series: The Forgotten People, China's Catholicism and Four Seasons in Tibet. These images have allowed Nan to place himself in the international spotlight. But perhaps more importantly, he became one of the first people who exposed another side of Chinese society; people often considered outcasts. “I just respect them and care about them… They are the same as us,” said Lu as a reminder that all human beings are equal and deserve dignity. His black and white photographs depict people within their own environment by using a rather straight glance, which is yet associated with delicate contrasts and elegant compositions.Source: Wikipedia Correspondent for the prestigious international cooperative Magnum Photos since the 1990s, Lu Nan 呂楠 (born in 1962 in Beijing) is an independent photographer who has been documenting marginalized people in China. His pivotal series started in 1989 with The Forgotten People: The Condition of China’s Psychiatric Patients. Pursing his intentions to document Chinese people from the margins of society, his subsequent series captured members of the Catholic Faith (On The Road: The Catholic Faith in China, 1992-1996), peasants’ life in Tibet (Four Seasons: Everyday Life of Tibetan Peasants, 1996-2004), and prisoner’s conditions (Prisons of North Burma, 2006).Source: photographyofchina.com “In 15 years, not a day went by when I didn’t question my own work,” says Chinese photographer Lu Nan, in an interview included in his new book Trilogy. “That’s why I scrutinize what I was doing by means of reading. This mode of assessing action through thought and assessing thought through action helped me to complete these projects." “The trilogy is concerned with human beings. I hope that by looking into real life, I’ll find something fundamentally and enduringly human.” Lu Nan isn’t well known outside China but this book, his first in English, should change all that. It collects together three projects he shot over 15 years – The Forgotten People, a look at the lives of Chinese psychiatric patients, shot from 1989-1990; On the Road, a look at the lives of Catholics in China, shot from 1992-96; and Four Seasons, a look at the lives of rural Tibetans, shot from 1996-2004. These microcosms are apparently very different and yet, to Lu Nan, they’re intimately interrelated. Inspired by image-makers such as Josef Sudek and Sebastiao Salgado and extremely well-read, Lu Nan says the three projects represent the three states of life – The Forgotten People is about suffering and adversity, On the Road purification, and Four Seasons about a blessed, serene state.Source: British Journal of Photography
Ken Hermann
Based in Copenhagen, Ken Hermann possesses a natural urge to explore photography and world alike. He has traveled extensively, from secluded regions of India and Ethiopia to modern metropolises like New York. From every location, no matter how small or large, Hermann draws energy and inspiration; exploration of people, culture, and life is a central facet to his work, which is full of texture, volume, and atmosphere. From these experiences, he applies a cosmpolitan aesthetic to his commercial and editorial work. He is the winner of Hasselblad Masters 2012 for his City Surfer work.About Survivors:The true face of a victim.Every year people in Bangladesh are disfigured beyond recognition by acid attacks. The victims are literally scarred for life. Stigmatization follows, and rebuilding life and setting new goals for the future require both determination and strength. Most acid attacks are directed against women and children. Since 1999, more than 3,100 people in Bangladesh have been disfigured by acid. Thanks to the advocacy work done by the Dhaka-based NGO Acid Survivor Foundation only 71 cases was recorded last year – a reduction by almost 85% from just 10 years ago. The vast majority of victims are young women under the age of 35 who are mutilated by men they already know. Typically, attacks are motivated by suspicions of infidelity, rejection of marriage offers, demands for dowry, and disputes over land. One in four victims is a child.SURVIVORS is a story about people, not victims.
Stanley Greene
United States
1949 | † 2017
During the early years of his career, Stanley Greene (USA, 1949-2017) produced The Western Front, a unique documentation of the San Francisco’s punk scene in the 1970s and 80s. An encounter with W. Eugene Smith turned his energies to photojournalism. Stanley began photographing for magazines, and worked as temporary staff photographer for the New York Newsday. In 1986, he moved to Paris and began covering events across the globe. By chance, he was on hand to record the fall of the Berlin Wall. The changing political winds in Eastern Europe and Russia brought Greene to a different kind of photojournalism. He soon found himself photographing the myriad aspects of the decline of communism and the break-up of the Soviet Union. Stanley was a member of the Paris-based photo agency Agence VU from 1991 to 2007. Beginning in 1993, he was based in Moscow working for Liberation, Paris Match, Time, The New York Times Magazine, Newsweek, Le Nouvel Observateur, as well as other international news magazines. In October 1993, Stanley was trapped and almost killed in the White House in Moscow during a coup attempt against Boris Yeltsin. He was the only western journalist inside to cover it. Two of his resulting pictures won World Press Photo awards. In the early 1990s, Stanley went to Southern Sudan to document the war and famine there for Globe Hebdo (France). He traveled to Bhopal, India, again for Globe Hebdo, to report on the aftermath of the Union Carbide gas poisoning. From 1994 to 2001, Stanley covered the conflict in Chechnya between rebels and Russian armed forces. His in-depth coverage was published in the monograph Open Wound: Chechnya 1994-2003 (Trolley 2003) and in the 1995 publication Dans Les Montagnes Où Vivent Les Aigles (Actes Sud). The work also appeared in Anna Politkovskaya’s book, A Dirty War: A Russian Reporter in Chechnya (2001). In 1994, Stanley was invited by Médecins sans Frontières to document their emergency relief operations during the cholera epidemic in Rwanda and Zaire. He has covered conflict and aftermath in Nagorno-Karabakh, Iraq, Sudan, Darfur, Afghanistan, Kashmir, and Lebanon. Stanley was awarded a Katrina Media Fellowship from the Open Society Institute in 2006. In 2010, to mark the fifth commemoration of Hurricane Katrina - together with Dutch photographer Kadir van Lohuizen - Stanley made “Those who fell through the cracks”, a collaborative project documenting Katrina's effects on Gulf coast residents. The same year, Stanley’s book Black Passport was published (Schilt). In 2012, Stanley was the guest of honor of Tbilisi Photo Festival and began his project on e-waste traveling to Nigeria, India, China and Pakistan. Stanley has received numerous grants and recognitions including - the Lifetime Achievement Visa d’Or Award (2016), the Aftermath Project Grant (2013), the Prix International Planète Albert Kahn (2011), W. Eugene Smith Award (2004), the Alicia Patterson Fellowship (1998) and five World Press Photo awards. Stanley presented the Sem Presser keynote lecture at the 2017 World Press Photo Award Festival. Stanley Greene is a founding member of NOOR. Stanley passed away in Paris, France on May 19th, 2017. Source: NOOR Greene was born to middle class parents in Brooklyn. Both his parents were actors. His father, who was born in Harlem, was a union organizer, one of the first African Americans elected as an officer in the Screen Actors Guild, and belonged to the Harlem Renaissance movement. Greene's father was blacklisted as a Communist in the 1950s and forced to take uncredited parts in movies. Greene's parents gave him his first camera when he was eleven years old. Greene began his art career as a painter, but started taking photos as a means of cataloging material for his paintings. In 1971, when Greene was a member of the anti-war movement and the Black Panthers, his friend, photographer W. Eugene Smith offered him space in his studio and encouraged him to study photography at the School of Visual Arts in New York and the San Francisco Art Institute. Greene held various jobs as a photographer, including taking pictures of rock bands and working at Newsday. In 1986, he shot fashion in Paris. He called himself a "dilettante, sitting in cafes, taking pictures of girls and doing heroin". After a friend died of AIDS, Greene kicked his drug habit and began to seriously pursue a photography career. He began photojournalism in 1989, when his image ("Kisses to All, Berlin Wall") of a tutu-clad girl with a champagne bottle became a symbol of the fall of the Berlin Wall. While working for the Paris-based photo agency Agence Vu in October 1993, Greene was trapped and almost killed in the White House in Moscow during a coup attempt against President Boris Yeltsin. He has covered the war-torn countries Azerbaijan, Georgia, Iraq, Somalia, Croatia, Kashmir, and Lebanon. He has taken pictures of the genocide in Rwanda in 1994 and the US Gulf Coast in the aftermath of Hurricane Katrina in 2005. Since 1994, Greene is best known for his documentation of the conflict in Chechnya, between rebels and the Russian armed forces, which was compiled in his 2004 book, Open Wound. These photos have drawn attention to the "suffering that has marked the latest surge in Chechnya's centuries-long struggle for independence from Russia". In 2008, Greene revealed that he had hepatitis C, which he believed he had contracted from a contaminated razor while working in Chad in 2007. After controlling the disease with medication, he traveled to Afghanistan and shot a story about "the crisis of drug abuse and infectious disease". Greene has lived and worked in Paris since 1986. He said: "My wife has left me but instead of becoming an alcoholic, I would go and shoot war." Source: Wikipedia Wars and Victims February 18, 2008 "It remains essential for journalists to scour the ground, unimpeded, using the only weapons we know. Our cameras, notebooks and voices make us the unwelcome pests of aggressors around the world. Witnesses are inconvenient. Yet as most of my colleagues will agree, countries such as Irak, Chad, The Caucasus, and Chechnya, are becoming harder to cover. In the world of spot news, publications don't want to pay for long engagements in complicated zones because its getting much harder to afford it. Authorities block access. And the lack of access, infrastructure and personal security makes logistics a nightmare. Despite the odds, sometimes the effort can make a difference, and those rare moments never cease to satisfy in a profession that is otherwise lonely, demanding and thankless. Journalism rewards you with long days and even longer nights. There is no such thing as taking pictures from a place of safety, and you often pack your feelings in a suitcase until you can return to ‘reality.’ Some colleagues living in this perpetual emotional yo-yo are able to maintain a relationship, money in the bank, and perhaps even their sanity. If you're like the rest of us not born under that star, you never stop trying to find it. For the last fifteen years I have bore witness to long histories of invasions, mass migrations, conflicts, wars and destructions. This group of images is to provide a body of work that is about war and victims but also, it's about photojournalism and the importance of those photo-correspondents that are passionate about shining the light in dark places. The resultant series of black and white and color photographs are more than a mere documentation of the darkness which exists in the world. Journalists today are like disaster tourists going from one hot place to the next. It has never been my intention to be such a photographer. I think it is better to build a full body of work which demonstrates the longevity of a working photojournalist, today and yesterday. I think that this should be taken into consideration when looking at this work. It is a fragment, taken from longer and larger photo-essays." -- Stanley Greene (Sometimes We Need Tragedies) Source: fragments.nl
Dean West
Australia
1983
Dean West “one of the world’s best emerging photographers” (AFTER CAPTURE MAGAZINE), has a highly conceptual and thought-provoking style of contemporary portraiture. His body of work has been featured in top photography magazines, art galleries, and received numerous international awards.Born in small-town rural Australia in 1983, Dean’s love for photography began in his high school’s darkroom- one of the largest darkrooms in the country at the time- and blossomed at the Queensland College of Art, Griffith University, Brisbane, Australia. After graduating in 2007 with a Bachelor of Photography with majors in visual culture and advertising, Dean formed a partnership, Berg+West, which won nationwide acclaim as a high-end photography and post-production studio. Through clients like the QLD Government and SONY, Dean quickly learned to transform stick figure sketches into intricate composited photographs with immense detail and clarity.In 2008, Dean was included in Saatchi & Saatchi’s collection of the world’s top 100 emerging photographers and went on to win Advertising Photographer of the Year at the International Aperture Awards. With success in advertising and a growing list of collectors- Dean decided to dedicate more of his time to the world of art. In the following years, his series ‘Fabricate’ received worldwide recognition from top photography competitions, including: the International Colour Awards, the Lucie Awards, the Loupe Awards, and in 2009, Dean was the winner of the IV International Arte Laguna Prize, Venice, Italy. This final award being the most prestigious for emerging artists with over 5,000 applicants gunning for the top prize in photography, sculpture and painting. Zoom Magazine quickly nominated Dean in the ‘New Talent’ issue of 2010 and the Magenta Foundation awarded Dean an emerging Photographer of Canada.
Sarah  Ketelaars
United Kingdom
Sarah Ketelaars is a British photographer from Brighton, UK. She has a BA and an MA degree in English Literature from Jesus College, Cambridge, an MSc in Social Science from the Robert Gordon University in Aberdeen and a Diploma in photography from City College, Brighton. She began her career as a journalist and her images have appeared on book, CD and magazine cover. Her work has been exhibited nationally and internationally and is represented by Trevillion Images & Getty, and by 35 North Gallery in Brighton. In 2021 she was selected as one of the Lensculture Critics’ Choice winners for her project ‘Windows’ shot during lockdown in Houston, Texas and in 2024 she was selected as a finalist for her project ‘The 544’ in the Lensculture Art Photography Awards. The 544 This ongoing project is a memorial to 544 psychiatric patients murdered by the Nazis in 1941 in Latvia. The figurative images I’ve made are all cyanotypes. Eventually there will be one for each man, woman and child killed. My grandmother was working at the hospital from where the patients were taken. I have visited the hospital and found that although the story is known no memorial exists. The only official record seems to be a short paragraph in the Nuremberg report. So far I have found no record of the names. Using a historic photographic process feels fitting for a project examining a historical event. An ancient pagan Latvian folk symbol is drawn on by hand in gold ink to each piece. It is impossible for me to look at these images without thinking about how the lives of these people ended. However, the project is primarily intended as a memorial. I wanted the images to hint at some more celebratory moments, to remember the lives lived before these people entered the hospital; before they died. Not knowing anything about the identities of the dead, I have tried to imagine each one as a unique, precious being, and give each back a little of the character stripped from them when they were murdered and reduced by history to a number on a list of nameless victims. The project is the second in a trilogy looking at my family history, examining themes of cultural inheritance, identity and intergenerational trauma.
Ernst Haas
Austria/United States
1921 | † 1986
Ernst Haas was born in Vienna and began studying photography at the Graphische Lehr und Versuchsanstalt in Vienna six years before acquiring his first camera in 1946. After several photography-related jobs, he was offered a position at Life, and his first feature article, "Returning Prisoners of War," was published in both Heute and Life in 1949. This prompted Robert Capa to invite Haas to join the Magnum agency, the international cooperative founded by Capa, Henri Cartier-Bresson, George Rodger and Chim (David Seymour). Also in 1949, Haas purchased a Leica and began experimenting with color photography, the medium in which his work is best known. His "Magic Images of New York," a twenty-four-page color photo essay, which appeared in LIFE in 1951 was both his and LIFE's first long color feature in print. Throughout the 1950s and 1960s, Haas worked in both black-and-white and color, contributing to LIFE, Look, Vogue, and Holiday. He also worked as a still photographer for films, among them The Pharaohs, The Misfits, and Little Big Man. Haas served as president of Magnum in 1959-60, and as second director for The Bible (John Huston was first director) in 1966. The Creation (1971), a book of his photographs, eventually sold more than 300,000 copies. Ernst Haas pioneered the use of color photography at a time when it was considered inferior to black-and-white as a medium for serious creative photographers. His innovative use of the slow shutter speed, which gave many of his pictures the illusion of movement, and his emphasis on audiovisual presentations (works involving sound, poetry, and pictures) opened many possibilities in color photography and in multimedia art. Although he is famous for his color photography, Haas's black-and-white images are among the most incisive, evocative, and beautiful images of postwar Europe and America, as was demonstrated in ICP's exhibition of his work in 1993. Source: ICP
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All About Photo Awards 2026
Win a Solo Exhibition in February
All About Photo Awards 2026

Latest Interviews

Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry