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Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Beth Moon
Beth Moon
Beth Moon

Beth Moon

Country: United States
Birth: 1956

San Francisco Bay Area artist, Beth Moon, has gained international recognition for her large-scale, richly toned platinum prints. Since 1999, Moon’s work has appeared in more than sixty solo and group exhibitions in the United States, Italy, England, France, Israel, Brazil, Dubai, Singapore, and Canada. Her work is held in numerous public and private collections, including the Museum of Fine Arts, Houston, the Museum of Photographic Arts in San Diego, and the Fox Talbot Museum in Wiltshire, England.

In 2013, Between Earth and Sky, the first monograph of her work, was published by Charta Art Books of Milan. In 2014, Abbeville Press published, Ancient Trees: Portraits of Time, with a third book to follow that same year from Galerie Vevais, La Lange Verte. Moon studied fine art at the University of Wisconsin before moving to England where she experimented with alternative photographic processes and learned to make platinum prints.

Source: www.vervegallery.com


Beth Moon was born in Neenah, Wisconsin and studied fine art at the University of Wisconsin. Classes in painting, life drawing, sculpture, and design would set the groundwork for her work in photography, which was to come years later. Moving to England, a country with a love for all things arboreal, gave her a fresh look at a land that boasts the largest concentration of ancient trees. Inspired by these trees she decided to make a series of their portraits. Unhappy with the photographic tonality and stability of ink-jet printing, she started to experiment with alternative printing processes, learning platinum/palladium printing, an ideal process for her vision. She concentrated on mastering this printing technique, doing all of her own printing.

“By using the longest lasting photographic process, I hope to speak about survival, not only of man and nature’s but to photography’s survival as well. For each print I mix ground platinum and palladium metals, making a tincture that is hand-coated onto heavy watercolor paper and exposed to light. There are many steps involved in creating the final print and these are as important to me as the capturing of the image," said Moon. A platinum print can last for centuries, drawing on the common theme of time and survival, pairing photographic subject and process.

Source: www.josephsaxton.com

 

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More Great Photographers To Discover

Yusuf Sevinçli
Turkey
1980
Sevinçli’s images are highly personal, subjective and dreamlike, in which place and time are uncertain, redolent instead of a deeply felt vision of the world. His fleeting images of everyday life have an air of timelessness about them. Aesthetically and formally they manifest Sevinçli’s respect and deep engagement with the history of photography. Yusuf Sevinçli earned a bachelor’s degree in communications at Marmara University (Istanbul) in 2003, and attended a Masterclass dedicated to documentary photography in Sweden in 2005. From that moment on, he started building his own work through different series which include Good Dog (2012), Marseille (2014), Walking (2015) and exhibited in several solo and group shows in Le Botanique (Brussels, Belgium), Galerie Les Filles du Calvaire (Paris, France), Arter (Istanbul, Turkey), Angkor Festival (Angkor, Cambodia), Istanbul Modern (Istanbul, Turkey), Gallery Boavista (Lisbon, Portugal), Atelier de Visu (Marseille, France), Elipsis Gallery (Istanbul, Turkey), Rencontres d’Arles (Arles, France). One of his latest series ‘Dérive’ has been presented in several places in France, such as La Filature in Mulhouse, Le Château d’Eau in Toulouse, L’Atelier, Nantes as well as in Moscow during the city’s Biennal of Photography in 2016. He lives and works in Istanbul. Published books; Good Dog (Filigranes Editions, 2012), Marseille (le bec en l’air, 2014), Walking (Filigranes Editions, 2015), PUT (Fail Books, 2017). Source: Galerist Discover Oculus
Polly Gaillard
United States
1965
Polly Gaillard is a fine art photographer, writer, and educator. She is part-time Professor of Art at Furman University and has taught photography workshops and college courses for more than ten years including summers abroad teaching American students in Prague, Czech Republic, and Cortona, Italy. Polly received a Master of Fine Arts in Visual Arts from Vermont College of Fine Arts in 2010. She has exhibited her fine art photographs nationally and published a limited edition artist book, Pressure Points, with a foreword by actress Jamie Lee Curtis. Polly's photographic skills traverse contemporary art, documentary, portrait, and traditional photographic practices. She lives in Greenville, SC with her daughter. You, From a Distance Making portraits in a pandemic is challenging if you like to get closer than six feet to your subject. Frustrated by an inability to work at close range, I began to make portraits on my computer screen via FaceTime and Zoom by photographing friends, family, acquaintances, strangers, and my daughter at her father's home. This collaboration with others is particularly rewarding, especially when I've put the camera down, and we sit screen to screen discussing the changes in our collective worlds while checking in to make sure the other is okay. Each person has been generous in showing me around their homes to find the right background and light. They move furniture, take pictures off the wall, change clothing to create the right contrast, and position their laptops or phones so that I can take their picture at just the right angle. I sit behind my screen watching them do the work that I so desperately want to do as I experience a heightened sense of ambivalence, the love of "seeing" others, the distaste for lack of physical control over the situation. At times, the process calls for a third person to hold the camera phone, sometimes that assistant is a six-year-old girl, a father, a husband, or a cousin. During the awkwardness of the portrait session, there are moments of laughter when cats photobomb the sitting, a mother walks in the room wanting to reclaim her office space, a dad saunters by with a laundry basket, a sibling or grandchild screams from an adjoining room, and many phones crash to the floor from their perch of prime picture-taking position. We laugh together across connected distances about the absurdity of the situation and that I am trying to make a meaningful portrait amid unpredictability. Strangely, I find the absurdity satisfying; everything feels peculiar at this moment in time. For a more technically astute photographer than myself, the lack of technical command over making screen portraits would be unnerving. In essence, the image is blurry if the Wifi connection isn't clear. There are uncontrollable color shifts due to monitor calibrations; a moire pattern may appear because the screen is refreshing, and the perspective of the body can distort if the phone isn't perfectly parallel to the subject. I won't elaborate on how the highlights and shadows clip. The image noise and pixelation can drive you mad if you don't accept it as divine intervention. I find myself wanting to jump into the scene and move things and bodies, hold reflectors, close blinds, and refrain from making my subject do the heavy lifting. However, I sit behind the computer giving direction to "look to the right, chin down, eyes up, come closer to the camera" and then I embrace every technical flaw as if it's a gift. The power I have over the subject and the limitation I command over the image humbles me. The vulnerability I feel in putting these imperfect images into the world is tempered by the realization that we are all powerless in the face of this pandemic. You, From a Distance reflects the way I have experienced life during the Covid-19 pandemic- a personal feeling of distance and loss but with a desire to hold onto normalcy of making pictures, albeit without influence over the outcome. I am interested in these new ways of seeing each other and being together without being together - I look at you on my computer, in return, you look back at me through a phone or laptop while you can also see yourself in the frame. Who are we looking at - ourselves or others? The intersection of gazes is countless at times; it excites and confuses me. The process of looking and seeing divided by screens changes everything I have learned about image-making. The portraits become my memory of shared moments across time zones with distant faces; the four walls of my house expand into the space of others' homes. The intimacy I feel with the subject ironically is far greater than the portraits I make in-person in a time before social distance. 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Rodney Smith
United States
1947 | † 2016
Rodney Smith was a New York-based fashion and portrait photographer. Smith primarily photographed with a 35mm Leica M4 before he transitioned to a 120/6x6 (medium format) Hasselblad with an 80mm lens. He preferred natural light to illuminate his subjects, but occasionally used continuous lighting. Smith shot predominantly in black and white, until 2002, when he first began to experiment with color film. His work is commonly referred to as classic, minimalistic, and whimsical. Rodney Smith was born December 24, 1947 in Manhattan, New York. His father, Sanford Smith, was president of fashion industry giant. Smith recalls, "A sense of style, a sense of proportion and a sense of beauty and a sense of grace – all of those things were very important in my upbringing." After he studied English Literature and Religious Studies at University of Virginia in 1970, Smith went for his graduate degree in Theology at Yale University in 1973. Smith said in an interview with Kodak, "I absolutely knew I wanted to be a photographer, but I didn't feel that studying in an art school or a photography department full time was the way to address the issues that were interesting to me – so I sort of entwined the two." While at Yale, he also studied under photographer, Walker Evans. In 1976 Mr. Smith spent 100 days photographing the people of the Holy Land, in Jerusalem. From the 88 Rolls of film shot, Smith ended up compiling two portfolios, which later became his first book: In the Land of the Light: Israel, a Portrait of Its People (1983). Published by Houghton Mifflin Company in Israel. After returning from Jerusalem, Smith spent a short time as an adjunct professor of photography at Yale University. As Smith continued his career into the nineties he slowly shifted from corporate executives to fashion photography. "My feelings about photography are exactly the same today as when I was 20. That is, I have a love/hate relationship with making pictures." Looking at pictures is one thing, he qualifies, "But making pictures – making pictures for me is hard, hard work." Rodney Smith's work has been featured in The Wall Street Journal to Martha Stewart, from Time to Bloomingdales. In addition to his work as a photographer, Smith lectured and gave workshops. Rodney Smith lived and worked in New York City, with his wife, Leslie Smolan, and daughter, Savannah, and son Jonah Smith. His wife, Leslie, is co-founder of graphic design and branding firm, Carbone Smolan Agency. He is currently represented by a number of galleries both in the US and internationally; acte2galerie of Paris, France, The PhotoGallery AB of Halmstad, Sweden, FOST Gallery of Singapore, Fahey Klein Gallery of Los Angeles, California, Galerie Greenwich of Greenwich, Connecticut, Galerie Sono of Norwalk, Connecticut, Gilman Contemporary of Ketchum, Idaho, and Staley-Wise Gallery of New York, New York. In the past 25 years, Smith received 50+ awards including First Prize for his book The End from International Photography Awards (IPA). He has also received several Communication Arts and Photo District News (PDN) awards. Smith died in his sleep on December 5, 2016 at the age of 68.Source: Wikipedia
Désirée Dolron
Netherlands
1963
Désirée Dolron is a Dutch photographer and filmmaker. Her oeuvre ranges from documentary photography and still lifes to portraiture and film.Throughout her career, Dolron has been investigating themes such as the passing of time, the relation between finite and transcendent and the complexity and impermanence of the human condition. Dolron was awarded the 1996 Laureate Prix de Rome (Amsterdam, NL). Her work is represented in numerous international public and private collections including the Solomon R. Guggenheim Museum in New York, Collection H&F in Barcelona, Museo Nacional Centro de Arte Reina Sofia in Madrid, Gemeentemuseum in The Hague, Stedelijk Museum in Amsterdam, la Collection Neuflize Vie in Paris and the Victoria and Albert Museum in London. Désirée Dolron lives and works in Amsterdam. Source: desireedolron.com The meticulous attention to production details characterizes her body of work, and elements such as sound (or its absence –silence) are often used as important tools of narration, helping the viewer to enter into the conceptual depth of Dolron’s works. Both moving and still images are composed by the artist and manage to recreate a reality that is a-temporal, undefined yet extremely present. Desirée Dolron (1963 Haarlem, NL) was awarded the 1996 Laureate Prix de Rome (Amsterdam, NL), and her work is part of major international collections such as the Solomon R. Guggenheim Museum in New York (US), the Museo Nacional Centro de Arte Reina Sofía in Madrid (SP), the Stedelijk Museum in Amsterdam (NL), and the Victoria and Albert Museum, London (UK). Source: GRIMM Gallery
William Klein
United States
1928 | † 2022
William Klein (born in New York, New York, USA, on April 19, 1928) is a photographer and filmmaker noted to for his ironic approach to both media and his extensive use of unusual photographic techniques in the context of photojournalism and fashion photography. He was ranked 25th on Professional Photographer's Top 100 Most influential photographers. Trained as a painter, Klein studied under Fernand Léger and found early success with exhibitions of his work. However, he soon moved on to photography and achieved widespread fame as a fashion photographer for Vogue and for his photo essays on various cities. Despite having no training as a photographer, Klein won the Prix Nadar in 1957 for New York, a book of photographs taken during a brief return to his hometown in 1954. Klein's work was considered revolutionary for its "ambivalent and ironic approach to the world of fashion", its "uncompromising rejection of the then prevailing rules of photography" and for his extensive use of wide-angle and telephoto lenses, natural lighting and motion blur. Klein tends to be cited in photography books along with Robert Frank as among the fathers of street photography, one of those mixed compliments that classifies a man who is hard to classify. The world of fashion would become the subject for Klein's first feature film, Who Are You, Polly Maggoo?, which, like his other two fiction features, Mr. Freedom and The Model Couple, is a satire. Klein has directed numerous short and feature-length documentaries and has produced over 250 television commercials. Though American by birth, Klein has lived and worked in France since his late teens. His work has sometimes been openly critical of American society and foreign policy; the film critic Jonathan Rosenbaum once wrote that Klein's 1968 satire Mr. Freedom was "conceivably the most anti-American movie ever made." Klein was born into an impoverished Jewish family. Klein graduated from high school early and enrolled at the City College of New York at the age of 14 to study sociology. Klein joined the US Army and was stationed in Germany and later France, where he would permanently settle after being discharged. In 1948, Klein enrolled at the Sorbonne, and later studied with Fernand Léger. At the time, Klein was interested in abstract painting and sculpture. In 1952, Klein had two successful solo exhibitions in Milan and began a collaboration with the architect Angelo Mangiarotti. Klein also experimented with kinetic art, and it was at an exhibition of his kinetic sculptures that he met Alexander Liberman, the art director for Vogue. In 1966, Klein directed his first feature film, Who Are You, Polly Maggoo? He has since directed many others, including the cinéma vérité documentary Grands soirs et petits matins, the 1964 documentary Cassius the Great, re-edited with new footage as Muhammed Ali, The Greatest in 1969, and the satires Mr. Freedom and Le Couple Témoin. A long time tennis fan, in 1982 he directed The French, a documentary on the French Open tennis championship at Roland-Garros. He was awarded The Royal Photographic Society's Centenary Medal and Honorary Fellowship (HonFRPS) in recognition of a sustained, significant contribution to the art of photography in 1999. In 2012, Klein received the Outstanding Contribution to Photography Award at the annual Sony World Photography Awards in recognition of his work in the field of photography.Source: Wikipedia
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AAP Magazine #56 Shadows
Win a Solo Exhibition in April
AAP Magazine #56 Shadows

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