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Beth Moon
Beth Moon
Beth Moon

Beth Moon

Country: United States
Birth: 1956

San Francisco Bay Area artist, Beth Moon, has gained international recognition for her large-scale, richly toned platinum prints. Since 1999, Moon’s work has appeared in more than sixty solo and group exhibitions in the United States, Italy, England, France, Israel, Brazil, Dubai, Singapore, and Canada. Her work is held in numerous public and private collections, including the Museum of Fine Arts, Houston, the Museum of Photographic Arts in San Diego, and the Fox Talbot Museum in Wiltshire, England.

In 2013, Between Earth and Sky, the first monograph of her work, was published by Charta Art Books of Milan. In 2014, Abbeville Press published, Ancient Trees: Portraits of Time, with a third book to follow that same year from Galerie Vevais, La Lange Verte. Moon studied fine art at the University of Wisconsin before moving to England where she experimented with alternative photographic processes and learned to make platinum prints.

Source: www.vervegallery.com


Beth Moon was born in Neenah, Wisconsin and studied fine art at the University of Wisconsin. Classes in painting, life drawing, sculpture, and design would set the groundwork for her work in photography, which was to come years later. Moving to England, a country with a love for all things arboreal, gave her a fresh look at a land that boasts the largest concentration of ancient trees. Inspired by these trees she decided to make a series of their portraits. Unhappy with the photographic tonality and stability of ink-jet printing, she started to experiment with alternative printing processes, learning platinum/palladium printing, an ideal process for her vision. She concentrated on mastering this printing technique, doing all of her own printing.

“By using the longest lasting photographic process, I hope to speak about survival, not only of man and nature’s but to photography’s survival as well. For each print I mix ground platinum and palladium metals, making a tincture that is hand-coated onto heavy watercolor paper and exposed to light. There are many steps involved in creating the final print and these are as important to me as the capturing of the image," said Moon. A platinum print can last for centuries, drawing on the common theme of time and survival, pairing photographic subject and process.

Source: www.josephsaxton.com

 

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Bunny Yeager
United States
1929 | † 2014
Linnea Eleanor "Bunny" Yeager was an American photographer and pin-up model. She was born in the Pittsburgh suburb of Wilkinsburg, Pennsylvania, to Raymond Conrad and Linnea (née Sherlin) Yeager on March 13, 1929. Her family moved to Florida when she was 17. She adopted the nickname "Bunny" from Lana Turner's character Bunny Smith in the 1945 movie Week-End at the Waldorf. The nickname has also been attributed to her portrayal of the Easter Bunny in a high school play. Bunny Yeager graduated from Miami Edison High School and afterward enrolled at the Coronet Modeling School and Agency. She won numerous local beauty pageants including in rapid succession Queen of Miami, Florida Orchid Queen, Miss Trailercoach of Dade County, Miss Army & Air Force, Miss Personality of Miami Beach, Queen of the Sports Carnival and Cheesecake Queen of 1951. Yeager became one of the most photographed models in Miami. Photos of Yeager appeared in over 300 newspapers and magazines. She also designed and sewed many of the outfits she and her models wore, at one time boasting that she never wore the same outfit twice while modeling. She designed and produced hundreds of bikinis when the two-piece swimsuit was a new fashion item and is credited with its popularity in America. Bruno Banani, the German fashion company, has developed a line of swimwear based on Yeager's designs from the 1950s. Yeager entered photography to save money by copying her modeling photographs, enrolling in a night class at a vocational school in 1953. Her career as a professional photographer began when a picture of Maria Stinger, taken for her first school assignment, was sold to Eye magazine for the cover of the March 1954 issue. She became a technically skilled photographer noted for, among other things, her early use of the fill flash technique to lighten dark shadows when shooting in bright sun. Yeager was one of the first photographers to photograph her models outdoors with natural light. Matt Schudel wrote in the Washington Post that her images were vivid and dynamic, going on to say, "She favored active poses and a direct gaze at the camera lens, in what could be interpreted alternately as playful innocence or pure lust." She met Bettie Page in 1954, and took most of the photographs of her that year. During their brief collaboration, she took over 1,000 pictures of Page. Along with photographer Irving Klaw, Yeager played a role in helping to make Page famous, particularly with her photos in Playboy magazine. American Photo magazine described Yeager's work with Page as "a body of imagery that remains some of the most memorable — and endearing — erotica on record" in a 1993 article. The most famous images of Page by Yeager include the January 1955 Playboy centerfold in which she kneels wearing only a Santa hat while hanging a silver ornament on a Christmas tree and a series of photographs with a pair of live cheetahs. Yeager was a very prolific and successful pinup photographer in the 1950s and 1960s, so much so, that her work was described as ubiquitous in that era. She continued to work extensively with Playboy shooting eight centerfolds in addition to covers and pictorial spreads. She discovered Lisa Winters, the first Playmate of the Year. Yeager also appeared in the magazine as a model five times. One appearance with the headline, "Queen of the Playboy Centerfolds", was photographed by Hugh Hefner. Her work was also published in mainstream magazines including Cosmopolitan, Esquire, Pageant, Redbook and Women's Wear Daily. The famous still images she took of Ursula Andress emerging from the water on the beach in Jamaica for the 1962 James Bond film Dr. No are probably her best-known bikini photographs. She discovered many notable models. In the 1970s as men's magazines became more anatomically graphic Yeager largely stopped photographing for them, saying they were somewhat "smutty" and that, "They had girls showing more than they should." In 1998 she stated, "The kind of photographs they wanted was something I wasn't prepared to do." An exhibition titled Beach Babes Bash in the early 1990s at the Center for Visual Communication (at that time located in Coral Gables, Florida) featured photographs by Yeager of models from Miami on the beach from the 1950s. Another exhibit at the same gallery featuring Yeager's work was titled Sex Sirens of the Sixties. In 1992 Playboy published a retrospective of her work titled The Bettie Boom. Since 2002, Yeager's work has been exhibited in contemporary art galleries. In early 2010, The Andy Warhol Museum held the first major museum exhibition of Yeager's work. The exhibit, The Legendary Queen of the Pin Up, featured her self-portraits, some from her book How I Photograph Myself published by A.S. Barnes & Co. in 1964. The Fabulous Bunny Yeager an exhibit in 2011 at the Harold Golen Gallery in Miami also featuring self-portraits by Yeager was of photographs that had not been exhibited previously. Also in 2011 Helmut Schuster curated an exhibition for Art Basel at the Dezer Schauhalle in Miami titled Bunny Yeager: Retrospective to the Future featuring over 200 of Yeager's photos. Included were some images that had not been shown before of models including Bettie Page. In 2012 Bunny Yeager had two exhibitions in Germany, Funland at Gallery Schuster Potsdam and Femme Fatale in December 2012 at Gallery Schuster Berlin. The Museum of Art Fort Lauderdale held a 2013 exhibit, Bunny Yeager: Both Sides of the Camera featuring her photographs of herself, Page, and model Paz de la Huerta. The exhibit also included some of Yeager's first new pictures in twenty years. Yeager had a show at the Sofia Vault in Sofia, Bulgaria in October 2013. The Gavlak Gallery in Palm Beach, Florida put on an exhibit, Bunny Yeager: Selections from How I Photograph Myself in 2014. The Sin City Gallery in Las Vegas held a posthumous exhibit, Bunny's Bombshells, from June 5 to July 20 2014. She had her own studio in the Wynwood Art District of Miami, part of the Center for Visual Communication. There is a "Bunny Yeager Lounge" in Berlin which is open to the public and shows photos, memorabilia and movies. Yeager was also founding editor and publisher of a trade magazine for entertainment professionals, Florida Stage & Screen. As of 1998 her 24 books had sold over 1 million copies. Bunny Yeager was married twice, first to Arthur Irwin who died in 1977 and then to Harry Schaefer who died in 2000.[5] She had two daughters, Lisa and Cherilu. Yeager died on May 25, 2014 of congestive heart failure at age 85 in North Miami, Florida.Source: Wikipedia
Ada Trillo
United States
1976
Ada Trillo is a photographer based in Philadelphia, PA, and Juarez, Mexico. Trillo holds degrees from the Istituto Marangoni in Milan and Drexel University in Philadelphia. Trillo's work is concerned with human rights issues facing Latin America. Trillo has documented forced prostitution in Juarez, Mexico, the infamous La Bestia train, the migrant caravans of 2018 and 2020, and the struggles of asylum seekers directly affected by Trump's Remain in Mexico policy. Trillo has exhibited internationally at Saint Josephs University in Philadelphia, The Photo Meetings in Luxembourg, The Passion for Freedom Art Festival in London, Festival Internazionale di Fotografia in Cortona Italy and at the Anya and Andrew Shiva Gallery at the John Jay College in New, York. In 2017, Trillo received a Leeway Foundation Art and Change Grant. Her work has been featured in The British Journal of Photography, The Guardian, and Smithsonian Magazine. Trillo was recently awarded a CFEVA Fellowship by The Center For Emerging Visual Artists and was named the Visual Artist-in-Residence for Fleisher Art Memorial in Philadelphia. Her work is included in the permanent collection of the Philadelphia Museum of Art and The West Collection. Trillo was awarded First Place in Editorial Photos with the Tokyo International Foto Awards. She was recently awarded the ME&Eve grant with the Center of photographic arts in Santa Fe. Statement I was born in El Paso, Texas but I was raised in Juarez, Mexico. As a teenager, I traveled back and forth between the two cities so I could attend school in the states. Witnessing life on the border as a young adult had a strong influence on my worldview and art practice. After years of working as a painter, I picked up a camera and started making pictures. For the past four years, I've been documenting the journey migrants take to reach the US-Mexico border. In 2017, I photographed aboard the infamous La Bestia, a dangerous journey by a freight train that migrants from Mexico and Central America ride every year to reach the border. In 2018 & 2019 I photographed overpopulated migrant shelters in Juarez and Tijuana. I also traveled with the migrant caravans of 2018 and 2020, from Honduras, through Guatemala, and into Mexico. In 2019, I photographed asylum seekers who were barred entry into the US under Trump's, Remain in Mexico Policy. While the media often covers what is happening at the border, they all too often overlook the individual trials, struggles, and humanity of those seeking to escape violence in pursuit of a better life. Spending countless days and nights living alongside those I photograph, I hope to present an honest, unadulterated view of migrant life. I photograph exclusively with a 35mm camera and fixed lenses. My process of making pictures is about creating real connections with my subjects in search of depth and intimacy in my work. My goal is to humanize their struggle and share their stories with the world.
Christopher Makos
United States
1948
Christopher Makos is an American photographer and artist. He apprenticed with photographer Man Ray in Paris and collaborated with Andy Warhol, whom he showed how to use his first camera. He introduced Warhol to the work of both Jean-Michel Basquiat and Keith Haring. Makos's work has been in the permanent collections of more than 100 museums and major private collections, including those of Malcolm Forbes, Pedro Almodóvar, and Gianni Versace. His photographs of Warhol, Haring, Tennessee Williams, and others have been auctioned regularly at Sotheby's. Warhol called Makos the "most modern photographer in America". Chris Makos was born in Massachusetts, but grew up in California before moving to Paris, to work as an apprentice with Man Ray. Since the early 1970s he has worked at developing a style of boldly graphic photojournalism. His photographs have been the subject of numerous exhibitions both in galleries and museums throughout the United States, Europe and Japan and have appeared in countless magazines and newspapers worldwide. He has been a seminal figure in the contemporary art scene in New York. His book, Warhol: A Photographic Memoir, published by New American Library, chronicles his close friendship and extensive travels with Warhol. Makos' photographs have been published in Interview, Rolling Stone, House & Garden, Connoisseur, New York Magazine, Esquire, Genre and People, among others. His portrait of Warhol wrapped in a flag was featured on the front cover of the Spring 1990 issue of the Smithsonian Studies, the academic journal of the Smithsonian Institution. Makos' Icons portfolio is a collection of silkscreen portraits of Andy Warhol, Elizabeth Taylor, Salvador Dalí, John Lennon, and Mick Jagger.Source: Wikipedia Christopher Makos is one of the best and most-known photographers in the world, having photographed New York’s art scene since 1970, the punk and rock scene of the 1980s and 1990s in America, as well as the architecture and artistic scene of European cities. He became famous, making portraits sculptured with the immediacy that characterized the bohemian stream that cheered diversity and urged people not to fear to show what they were. At the age of 66, he still retains his youthful, artistic charm and intense energy, and he never stops preferring to live in the moment and follow his instinct. Chris Makos was born in Lowell, Massachusetts, in 1948, by an Italian mother and a Greek father. His Greek grandparents settled in Lowell in the 1920s and became laborers at the factory in the area, which was the occasion for their acquaintance and the creation of their family – the name “Economacos” became “Makos” after the installation of the family in the US. Little Chris grew up in California and moved to New York after high school in the late 1960s, with no plans or ambitions. He studied architecture in Paris, but not photography. His love for that art was created when he received a camera on his birthday. It was then the beginning, followed by an apprenticeship under Man Ray, who taught him to trust the “original impressions”. New York, in the 1970s, was the scene of a unique creative explosion with Chris Makos fitting easily into it because of his open mind, as he says, and immortalizing “a visual manifesto of the time” and its relationship with the “crude naivety” of the decade. Makos photographed the “madness” of New York clubs, including the famous frequenters of Studio 54, including Liz Taylor, Salvador Dali, Jean-Michel Basquiat, John Lennon, David Bowie and Mick Jagger, who left their signature on the stunning creativity of the Greek photographer. He himself was the starting point for many developments on the scene of modern American art and one of those who narrated the history of punk.Source: www.ellines.com
Cole Weston
United States
1919
Cole Weston, born on January 30, 1919 in Los Angeles, was the fourth and youngest son of famed 20th Century photographer, Edward Henry Weston. Cole received his first camera, a 4 by 5 Autograflex, from his brother Brett in 1935. Cole graduated with a degree in theater arts from the Cornish School in Seattle in 1937 and then served in the Navy during World War II as a welder and photographer. After his discharge from the Navy in 1945 Cole worked for Life Magazine. In 1946 he moved to Carmel to assist his father Edward. During this time Eastman Kodak started sending their new color film, Kodachrome, for Edward to try out. Cole took this opportunity to experiment with this new medium and eventually became one of the world’s great masters of fine art color photography. In 1957 Cole began shooting his first color photographs of the magnificent Big Sur coast, Monterey Peninsula and central California. At this time he carried on his own portrait business while assisting his ailing father, who passed away in 1958. Edward had authorized Cole to print from Edward’s negatives after his death, so Cole continued printing Edward’s work while pursuing his own fine art photography. In 1975 Cole began lecturing and conducting workshops on his father’s photography as well as his own. With his work in the theater arts Cole was a natural when it came to teaching and lecturing and his many students still comment on what a great workshop he gave. He traveled throughout the United States, England, Europe, Russia, Mexico, New Zealand and the South Pacific photographing and inspiring others with his characteristic enthusiasm and charm. In 1988 after three decades devoted to printing his father’s work, Cole at last set aside his responsibility to Edward’s legacy and refocused on his own photography. Cole had his first solo exhibition in San Francisco in 1971. Since then, his work has been featured in more than sixty exhibitions worldwide and has been collected by museums throughout the United States and Europe. His work has been featured in numerous gallery shows and publications with three monographs and numerous articles having been published on his exquisite photography. Michael Hoffman from Aperture Publications once quoted, “In the history of photography there are but a few masters of color photography, Cole Weston is assuredly one of these masters of the medium whose dramatic powerful images are a source of great joy and pleasure”. Cole passed away from natural causes on April 20th, 2003. Like Cole, who once carried on the legacy of his father’s photography, his children have decided, as a tribute to their father, to carry on printing and offer Trust prints of Cole’s fine color photographs. Cole Weston was a dedicated artist and master of fine photography. Hopefully the availability of modern prints will make it possible for photographic enthusiasts everywhere to continue to enjoy his life’s work.
Laurent Kronental
He lives and works in Paris (France). Self-taught photographer, he discovers photography in China during a stay of several months in Beijing. He has been captivated by the big metropolises there and by the variety of their architectures, their inhabitants, the way they tame the space and their personal stories. He has developed from 2011 to 2015 his first artistic series, 'Souvenir d'un Futur', on the elderly living in the large estates of the Paris region. The photographer intends to question us on the condition of seniors in these places in highlighting a sometimes neglected generation. He pushes forward another look on often underestimated suburban areas whose walls seem slowly get older and carry with them the memory of a modernist utopia. "Souvenir d'un Futur" was nominated and distinguished in international photographic prizes. In 2015, this series allowed Laurent Kronental to win "la Bourse du Talent" in the category landscape. He has been then exhibited at the Bibliothèque Nationale de France which has integrated his images into its photographic collection. The photographer has been selected and rewarded in 2016 to the Festival Circulations (Festival of young European photography) where he received the audience award. He was also finalist of the Lens Culture Exposure Awards in the same year. His work has been exhibited in Paris, Moscow, London, Athens, Seoul and published in numerous magazines in France and abroad including The Washington Post, The British Journal of Photography, The Guardian, National Geographic, Wired, CNN, Le Monde, L'Obs. Articles: La Cité Oasis by Laurent Kronental and Charly Broyez Souvenir d'un Futur
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