Rising Photographers / W

Between Rubble, Dust, and Balloons is a long-term documentary project about women in Antakya three years after the devastating earthquake of February 6, 2023. While global attention has faded, the consequences of the disaster continue to shape everyday life. The project follows three women of different ages and social backgrounds as they rebuild their homes, livelihoods, and sense of stability.

Silent Witnesses: Fukushima 2011–2026 is a long-term photographic project documenting the aftermath of the Great East Japan Earthquake, tsunami, and Fukushima Daiichi nuclear disaster over fifteen years.

In this series, I explore the deep rainforests of the Mentawai Islands in Indonesia, a place where survival and daily life are closely tied to old traditions. I have always been drawn to indigenous cultures and how they keep their true identity in a fast changing world. The Mentawai people live in close harmony with nature. Their tradition of titi ( sacred tattoos ) is not just ink on skin, it is a spiritual language to link to their ancestors

The birth of an auteur collective dedicated to a sensitive inventory of the world, where the rigor of visual storytelling honors the standards of historical foundations.

A Nursing Home in Prague 3 provides a safe environment, professional care, and a true sense of home for seniors who are no longer fully self-sufficient. In later life, it is especially important to stay connected with others, nurture relationships, and find meaning in everyday moments. For this reason, caregivers and nursing staff create a stimulating and welcoming atmosphere through a wide range of shared activities - from social gatherings with music and dance, to meetings with children, educational programs, physical exercise, and simple moments of shared joy and entertainment.

Going Places is a photographic series that explores individuality within the flow of public space. Each work is constructed from multiple photographs taken at the same location. Passersby are photographed individually against a fixed background and later assembled into a continuous strip, creating an invented procession of movement. Although the figures appear to share the same moment and direction, each person was captured separately—walking through their own private narrative.

This series observes the physical and quiet discipline of winter sake brewing. I focus not on the finished product, but on the gestures, processes, and sincerity behind them.

For me, Christmas has always seemed like the time of the year when making photographic imagery takes a holiday. Perhaps it's the dark or just the over-the-top schmaltz that had put me off. It wasn't until I began to appreciate the humorous oddities of the season that I began to see what is so easy to overlook.

''The Garden of My Tenderness'' is a personal reflection on vulnerability, inner growth, and the quiet strength that exists within sensitivity. The series was born in winter - a season when the world feels stripped back, and the longing for warmth, flowers, and tenderness becomes especially acute. It is within this contrast between external cold and inner need that the garden began to take shape.