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García De Marina
García De Marina
García De Marina

García De Marina

Country: Spain
Birth: 1975

Born in Spain in 1975. Since the year 2012 uses the object like expression way. This Poet of the Prosaic made the leap from social networking to the galleries in a few months' time. His creativity has not gone unnoticed in Spain as well as the foreign media, having his work published in several countries in the world. He has made a number of individual exhibitions and taken part in different collective exhibits, in addition to diverse art fairs. His lens is profoundly irreverent with the real: it seeks to transform and stamp objects with new identities; it challenges the obvious, and pays heed to the grandeur of the everyday. The bareness of his photography endows objects with a leading role, while they are stripped of their essence to be reinvented. The artist does not carry out any photographic manipulation on the images. From the minimalist perspective, the inventiveness of his gaze lays claim to another reality.

In 2015 the artist was one of the chosen ones, by the Spanish Embassy, to participate in the "Photo Week Washington D.C.". In 2017, the Contemporary Art Museum of Castilla León in Spain (MUSAC) selected three of his pieces for the "Constellations" exhibition, experimental poetry in Spain (1963-2016), where for the first time, the presence of visual and experimental poetry in Spain from the 1960s to the present is addressed.

During last years the artist has participated in some Festivals of photography, in Spain and abroad as Photo Week D.C. in Washington (2015), Photo Romania Festival (2015), Photometria Festival in Greece (2016), Festival of the light in Argentina (2016), Bucharest Foto Week (2016), Addis Foto Fest in Ethiopia (2016), Uppsala Foto Festival in Sweden (2017) and Yangon Photo Festival in Myanmar (2018).

In 2018 presented his exhibition "Diálo2" in the Barjola's Museum in Spain together with one the most important visual poets of the 20th century in Spain, Joan Brossa."

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All about Garcia de Marina

 

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More Great Photographers To Discover

Peter Harlow
Peter Harlow
Australia
1948
Peter was born and educated to first degree standard in the UK. He gained a private pilot license in 1970. His career spans aerial photography, corporate communication and management development. After emigrating to Australia in 2001 he ran his own company providing small light aircraft to farmers, flying schools and private clients. Recently he took up commercial drone flying – which combines his love of photography and views from the sky. He currently lives in Melbourne with his artist partner. As a photographer, I have always been fascinated by the interplay of light, shadows and shapes that exist in both the natural and human-made world. For many years, as a pilot I saw the landscape from a small aeroplane. With the advent of drone technology, which enables the camera platform to remain static and fly much closer to the surface, I can now explore the landscape from new angles and perspectives, capturing images that were impossible from an aeroplane. Artist statement: One of the key elements of abstract art is the process of abstraction, where artists take familiar objects and break them down into their essential components. Similarly, my photographs capture landscapes from above, abstracting the natural world into a series of shapes, colours and textures that are sometimes quite different from their original form. By removing the context of the wider landscape, I want to encourage the viewer to see the world in a new light, as a collection of abstract forms that are both beautiful and intriguing. In abstracting the landscape, my aim is to create a body of work that challenges your perceptions and invites you to see the beauty and charm that exists all around us.
Taisuke Sato
Taisuke Sato
Japan
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Taisuke was born in Nagoya, Japan in 1969. After graduating from the Department of Sociology at Ritsumeikan University, Kyoto, Japan, he worked in housing sales and management for a major Japanese housing company. When he turned 50, he chose to spend his life exploring arts, photography and its philosophy, then turned to be a photographer. He takes pictures in the style of street photography. They have some feelings, lonely, surreal, and humorous. He also has a unique sensitivity to the distance between society and people, and the perspective from which he views them. This is because when he was a boy, he moved every three years due to his father's job transfer. As a result, he learned how to blend in quickly and get along with the existing community by observing closely and understanding the distance and atmosphere between people. This is because in Japan's collectivist and relationship-oriented society, it is difficult to join an existing group. In addition, the fact that he himself is an existence that "Appears one day and disappears the next" has given him a subjective and objective perspective and thinking, but even so, in Japanese society dominated by the exclusivity of the community and "the Atmosphere of the place", his identity without a hometown or geographical ties is very uncertain and unstable. For this reason, his works are photographed with a unique sensibility, and their atmosphere reflects his worldview. His main theme is the relationship between himself, people, and society. In his work, he presents a methodology that takes a multifaceted view of human life and society and transforms it into a "Acceptance of impermanence". And more, he has deep insights into social behavioral psychology, social science, mental health, social class, Japanese organizational philosophies, housing and family, which are largely reflected in his work.
Sasha Maslov
Sasha Maslov
Ukraine
1984
Sasha Maslov was born in Ukraine in 1984. Inspired and taught by his father, photographer Guennadi Maslov, and later his teacher and mentor, Oleg Shishkov, he developed into an aspiring young photographer. Later Sasha became known for his social documentary projects around Eastern Europe, especially in his native country. He started pursuing career as a portrait photographer in New York city, where he moved at the age of 24 in 2008. Since then he has been working for leading publications around the Globe and pursuing work on his personal projects. Statement "I believe in the efficacy of photography as a visual art medium. We are living in age where visual stimuli in a variety of mediums populate the waking moments of our lives. Our memories are inhabited by fragments of life – experiences from around the globe, products, familiar faces – all intricately tied together in a complex web of associations. This visual overload has polluted our minds, made our tastes less discerning, and ultimately devalued the standards that qualify impactful and meaningful photography. Instead of reveling in a complex photo that enjoys intense visual engagement and reflection, viewers now expect to devour and digest imagery in one gulp. While I do believe that evolving for adaptation is vital, however, it is also important to me that every image I take embodies a sense of purpose and meaning, provokes thought and sparks dialogue."
Pierre De Vallombreuse
Pierre De Vallombreuse
France
1962
Pierre de Vallombreuse was born in Bayonne in 1962. In twenty-five years of travel to all continents, he made a photographic collection of 41 indigenous peoples, with more than 130,000 photographs, paying tribute to their diversity.In contact with Joseph Kessel, a French author and traveler, de Vallombreuse felt a very early desire to be a witness of his time. In 1984, he entered the École Nationale Supérieure des Arts Décoratifs in Paris with the idea of becoming a cartoonist. A trip to Borneo the next year, though, changed the course of his life. He shared his daily life with the Punans, the last nomads of the jungle. Normally a sedentary artist, de Vallombreuse decided to become a nomadic witness, and photography became his mode of expression. While still a student at the Arts Décoratifs in Paris, he took multiple trips to the Philippine jungle to stay with the Palawan people. In total, he lived with them for over two years. The first part of his work on this tribe was presented at the photographic festival Les Rencontres internationales de la photographie in Arles.De Vallombreuse was Secretary General of the Association of Anthropology and Photography (association Anthropologie et Photographie, Paris Diderot University). Since then, he has regularly collaborated with leading international magazines: GEO (France, Russia, Germany, Spain, South Korea, Japan), Sciences et Avenir, Le Monde 2, Le Figaro Magazine, Newsweek, El Mundo, El País, and La Stampa.About The Origins of Man (Hommes Racines)Encompassing five years of work, this project represents the commitment of a photographer with eleven indigenous peoples spread across the globe. Its main purpose is to show the intimate relationship between man and his environment. De Vallombreuse presented his work as a testament to the diversity of lifestyles, practices, and traditional knowledge that are embedded in very different environments. These cultures are repositories of knowledge essential to the preservation of biodiversity. De Vallombreuse aimed to promote a reflection on humanity sustainable whose corollary is the protection of nature.Whenever linked to a specific people, the project emphasizes the multiplicity of responses to living conditions imposed by nature and history. It is in this context that de Vallombreuse addresses this root concept. By meeting people entrenched in their territory and those who have been subjected to the test of uprooting, de Vallombreuse analyzed changes in life affecting our modernity. He worked to show how indigenous peoples are often the first victims of environmental disasters: food shortages, deforestation, global warming, pollution, and water war, crucial questions that, far from being local concerns, affect our mutual humanity.Since 2007, this project has resulted in 12 exhibitions and numerous publications.Souce WikipediaAbout SouverainesIn the West, feminists fight for equality with men. But elsewhere? In some traditional societies, women have a predominant social and spiritual part to play. There is equality, mutual respect and freedom for both genders. Amongst these people, women are recognized for their uniqueness and their skills.Pierre de Vallombreuse traveled to four South East Asian cultures where women play a crucial part in the family and in governance itself.In the matrilineal and matrilocal tribe of Khasi in the North-East part of India, children are given at birth the name of their mother and the youngest daughter inherits all the land and family properties.In the nonhierarchical tribe Palawan in the Philippines, men and women live in perfect equality, while emphasizing values such as goodwill, generosity and mutual assistance.In the southwestern part of China, status of women is unique in Moso, a population that practices all forms of matriarchy as children's education is entrusted with their maternal uncles.Finally in Malaysia, the Badjao abolish all forms of hierarchy and advocate for an egalitarian and libertarian civilization that is prominently in favor of women.
Simona Bonanno
Simona Bonanno
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Arthur Leipzig
Arthur Leipzig
United States
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Mario Testino
Mario Testino
Peru
1954
Mario Testino is a Peruvian fashion photographer. His work has been featured in magazines such as Vogue and Vanity Fair. His career highpoint came when he was chosen by Princess Diana for her Vanity Fair photoshoot in 1997. Testino has been regularly employed by the British royal family ever since. Aaron Hicklin of The Observer described him as "the world's most prolific magazine and fashion trade photographer". His persistence in shooting Gisele Bündchen is widely credited with elevating her to supermodel status. Testino was born and grew up in Lima, the eldest son of a businessman. He was one of six children in a middle class family. When he was young he wanted to be a priest. Testino studied economics at Universidad del Pacífico. In 1976 he went to London to study photography. Living in an unconverted floor of a hospital, without much money, he funded himself by working as a waiter. He had his hair dyed pink which helped him get noticed as a photographer. He is one of six children born to an Italian father and an Irish mother. He attended the Catholic school Santa Maria Marianistas. Testino attended the Universidad del Pacifico, the Pontificia Universidad Catolica del Peru and the University of San Diego. In 1982 Testino moved permanently to London. Testino has become one of the world's most well known and celebrated fashion photographers. His work has been featured across the globe in magazines such as Vogue, Vanity Fair and V, and he has crafted and contributed to the imagery of leading fashion houses such as Burberry, Gucci, Versace, Calvin Klein, Dolce & Gabbana, Salvatore Ferragamo, Estee Lauder and Michael Kors, among others. As well as having published seven books of his work and edited one other dedicated to contemporary art and artists from his native Peru, Mario Testino has had many successful exhibitions in galleries and museums around the world. In 2002, The National Portrait Gallery in London staged the landmark exhibition “Portraits” by Mario Testino that to date remains its second most successful exhibit. For ten years it had the highest attendance of any exhibition ever to be held there. Over the next four years the exhibition went on tour to Milan, Amsterdam, Edinburgh, Tokyo, Mexico City, and Boston. Testino has also received royal commissions, including The Prince of Wales, The Duchess of Cornwall, Prince William, Prince Harry, The Duchess of Cambridge, Diana Princess of Wales, The Duke of Kent, Prince and Princess Michael of Kent, Prince Nikolaos of Greece, Prince Willem-Alexander and Maxima of the Netherlands, Prince Haakon Magnus and Princess Mette-Marit of Norway and Her Majesty Queen Rania al Abdullah of Jordan.Source: Wikipedia Mario Testino OBE is widely regarded as one of the most influential fashion and portrait photographers of our times. His photographs have been published internationally in magazines such as Vogue, V Magazine and Vanity Fair. He has contributed to the success of leading fashion and beauty houses, creating emblematic images for brands from Gucci, Burberry, Versace and Michael Kors to CHANEL, Estée Lauder and Dolce & Gabbana. Alongside his 40-year practice as a photographer, Testino has realised a body of work as a creative director, guest editor, museum founder, art collector/collaborator and entrepreneur. In 2007, at the request of his clients to provide full creative direction services, he formed MARIOTESTINO+ which today is a growing team of individuals who support Testino to realise the breadth of his creative output.Source: www.mariotestino.com
Nirav Solanki
Nirav Solanki
Zambia/United States
1980
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Eugene Ellenberg
Eugene Ellenberg
United States
1983
I'm an interdisciplinary artist and writer based in the southeast. My practice navigates acceptance, contention, and failure with what it means to be present. I shift between using a large-format view camera for documentary style storytelling and a wooden pinhole box camera exposing film for the duration of a gesture, ritual, or natural occurrence. My non-photographic media sometimes incorporates ready-made, labor related objects such as parachutes, flashlights, and reflectors to explore parallels of search and rescue with mental illness and recovery. As someone who has lost loved ones to substance abuse, and who is personally now on my own path of recovery, I embrace my art practice as a means of self inquiry, healing, and reconciling with the human condition. When I’m not making new work, or spending time with my animals, I split my days between teaching, volunteering at recovery treatment centers, and working on a second masters degree in Art Therapy. These days I’m grateful for good rest, the light that finds us, and shared time with others. In My Father’s House: While visiting my parents during my college years, I photographed a napkin on which my father had written two Elvis song titles, ‘In My Father’s House’ and ‘I Was the One.’ This small note along with others gave me insight to the private introspections of my father, the intimacy of which motivated me to investigate our relationship through the medium of photography. I expounded upon this by documenting various elements of our home and eventually asking others in my family to sit for portraits and to participate in constructed narratives. The majority of these images were captured using a large-format camera, requiring a slower, more meditative process of photographing my family members while also conveying the quiet tone of our relationships at that time. I had unknowingly started a project with an ending already in motion. Three years later, my father would be diagnosed with terminal cancer of the liver and lungs which had already spread to his bones. He was with us for seven days after the diagnosis. In his last days of consciousness, my father began to lose touch with the world and as a family we leaned into a rare embrace of vulnerability and affection. We played his favorite songs on the radio and whispered words in his ear we hadn’t said in such close proximity before. In those final hours, I grappled with my own disconnect as I slipped between the roles of active participant and documentarian. These images blur the lines of what I recall, what I want to admit and perhaps what I wanted to see.
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Latest Interviews

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Interview
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
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Exclusive Interview with Marijn Fidder
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Exclusive Interview with Josh S. Rose
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Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
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Exclusive Interview with Julie Wang
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Exclusive Interview with Ghawam Kouchaki
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Exclusive Interview with Tommi Viitala
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