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Oliver Curtis
Oliver Curtis
Oliver Curtis

Oliver Curtis

Country: United Kingdom
Birth: 1963

Brought up in the Cotswolds, Curtis began his photographic education studying photography at the renowned course at Filton Technical College in Bristol. He went on to study film and television at the London College of Printing and has been balancing work in stills and moving image ever since. Curtis continues to produce stills portraiture for major broadcasters as well as generating his own projects for exhibition and publication. He sites as key influences William Eggleston, Saul Leiter and Paul Graham.

He continues to plough a distinctly idiosyncratic path as Director of Photography on feature films as diverse as Clare Kilner's The Wedding Date, Frank Oz's Death At A Funeral and Joanna Hogg's Unrelated as well as experimental gallery-based installations such as Gideon Koppel's Borth. He remains in great demand worldwide shooting commercials for high profile clients such as Pantene, L'Oreal, La Perla, Ferragamo, Palmolive, Rimmel, Coca Cola, Sony, Guinness, Canon and Cadbury's.

About Volte-Face:
On visiting the Pyramids of Giza in Cairo in 2012, Oliver Curtis turned away and looked back in the direction he had come from. What he saw fascinated him so much that he has since made a point of turning his back on some of world's most photographed monuments and historic sites, looking at their counter-views and forgotten faces.

Taken over a period of four years, Volte-face is an invitation to turn around and see a new aspect of the over-photographed sites of the world - to send our gaze elsewhere and to favour the incidental over the monumental...

Curtis feels that despite the landmark not being present in the photograph, the images are still suffused with the aura of the construction. The camera lens effectively acts as a nodal point and, by giving the photograph the title of the unseen partner, this duality becomes a virtue.

Volte-face will be published by Dewi Lewis featuring an essay by Geoff Dyer: https://www.dewilewis.com/collections/new-titles/products/volte-face

The first exhibition of the Volte-face project was held at the Royal Geographical Society in London, Sept 2016. The collection has received a great deal of acclaim worldwide and has featured in the Financial Times Magazine (UK), NPR Radio New Hampshire (USA), Liberation (France) Wired.com and BBC World Update amongst many others.

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More Great Photographers To Discover

Raghu Rai
India
1942
Raghu Rai (born in December 1942) qualified as a civil engineer, started photography at the age of 23 in 1965. He joined The Statesman newspaper as their chief photographer (1966 to 1976), and was then Picture Editor with Sunday—a weekly news magazine published from Calcutta (1977 to 1980). In 1971, impressed by Rai’s exhibition at Gallery Delpire, Paris, the legendary photographer Henri Cartier Bresson nominated him to Magnum Photos, the world’s most prestigious photographer’s cooperative which Rai could start only in 1977, Rai took over as Picture Editor-Visualiser- Photographer of India Today, India’s leading news magazine in its formative years. He worked on special issues and designs, contributing trailblazing picture essays on social, political and cultural themes of the decade (1982 to 1991). He was awarded the "Padmashree" in 1972 for the body of works he produced on Bangladesh refugees, the war and its surrender. In 1992 he was awarded “Photographer of the Year” in the United States for the story “Human Management of Wildlife in India” published in National Geographic. In 2009 he was conferred Officier des Arts et des Lettres by French Government. His photo essays have appeared in many of the world’s leading magazines and newspapers - including Time, Life, GEO, Le Figaro, Le Monde, Die Welt, The New York Times, Sunday The Times-London, Newsweek, Vogue, GQ, D magazine, Marie Claire, The Independent and The New Yorker. He has been an adjudicator for World Press Photo contest, Amsterdam and UNESCO’s International Photo Contest for many times. Currently, Raghu Rai lives in New Delhi and is working on his 57th book.Source: raghuraifoundation.org Rai has specialized in extensive coverage of India. He has produced a lot of books, including Raghu Rai's Delhi, The Sikhs, Calcutta, Khajuraho, Taj Mahal, Tibet in Exile, India, and Mother Teresa. His photo essays have appeared in many magazines and newspapers. For Greenpeace, he has completed an in-depth documentary project on the chemical disaster at Bhopal in 1984, which he covered as a journalist with India Today, and on its ongoing effects on the lives of gas victims. This work resulted in a book, Exposure: A Corporate Crime and three exhibitions that toured Europe, America, India and southeast Asia after 2004, the 20th anniversary of the disaster. Rai wanted the exhibition to support the many survivors through creating greater awareness, both about the tragedy, and about the victims – many who are still uncompensated – who continue to live in the contaminated environment around Bhopal. In 2003, while on an assignment for Geo Magazine in Bombay City, he switched to using a digital Nikon D100 camera "and from that moment to today, I haven't been able to go back to using film." In 2017, Avani Rai, his daughter followed her father on one of his trips to Kashmir to get an insight into his life and know him better. She documented this journey and released a documentary on it called Raghu Rai: An Unframed Portrait. It depicts a historical narrative through Raghu Rai's photographs through time, as he tells some of his unique experiences that not only affected him deeply but also important landmarks in the young yet crucial history of India. It was executive produced by Anurag Kashyap.Source: Wikipedia Rai was awarded the "Padmashree" in 1971, one of India’s highest civilian awards ever given to a photographer. In 1992, his National Geographic cover story Human Management of Wildlife in India won him widespread critical acclaim for the piece. Besides winning many national and international awards, Rai has exhibited his works in London, Paris, New York, Hamburg, Prague, Tokyo, Zurich and Sydney. His photo essays have appeared in many of the world’s leading magazines and newspapers. He has served three times on the jury of the World Press Photo and twice on the jury of UNESCO’s International Photo Contest. Raghu Rai lives in Delhi with his family and continues to be a correspondent of Magnum Photos.Source: Magnum Photos
Charles Nègre
France
1820 | † 1880
Charles Nègre (French: 9 May 1820 - 16 January 1880) was a pioneering photographer, born in Grasse, France. He studied under the painters Paul Delaroche, Ingres and Drolling before establishing his own studio at 21 Quai Bourbon on the Île Saint-Louis, Paris. Delaroche encouraged the use of photography as research for painting; Nègre started with the daguerreotype process before moving on to calotypes. His "Chimney-Sweeps Walking", an albumen print taken on the Quai Bourbon in 1851, may have been a staged study for a painting, but is nevertheless considered important to photographic history for its being an early instance of an interest in capturing movement and freezing it forever in one moment. Having been passed over for the Missions Héliographiques which commissioned many of his peers, Nègre independently embarked on his own remarkably extensive study of the Midi region. The interesting shapes in his 1852 photograph of buildings in Grasse have caused it to be seen as a precursor to art photography. In 1859, he was commissioned by Empress Eugénie to photograph the newly established Imperial Asylum in the Bois de Vincennes, a hospital for disabled workingmen. He used both albumen and salt print, and was known also as a skilled printer of photographs, using a gravure method of his own development. A plan commissioned by Napoleon III to print photographs of sculpture never came to fruition, and in 1861 Nègre retired to Nice, where he made views and portraits for holiday makers. He died in Grasse in 1880.Source: Wikipedia
Kathryn Nee
United States
Kathryn is an Fine Art/Freelance Photographer/Food Photog/Urban Explorer living in Atlanta. A Georgia native, she has been photographing life as art for over 15 years. Kathryn finds incredible beauty in old, decaying, and forgotten places and objects and loves all things vintage, weird, macabre, dark, whimsical, unusual, and strange. When she's not photographing abandoned and vacant structures, Kathryn steps into the land of the living and captures the beauty of people. Kathryn works as a freelance photographer for Sports Gwinnett Magazine and is the director of photography for the Urban Mediamakers Film Festival. All about Kathryn Nee: AAP: When did you realize you wanted to be a photographer? I knew I wanted to be a photographer when I was in elementary school. I'd rummage through National Geographic magazines in the library, mesmerized by the images. I knew that one day, after working several lousy jobs that I hated, I'd become a photographer. Where did you study photography? I am self taught. I learned through trial and error, years of studying, and practice. Do you remember your first shot? What was it? I remember my first roll of film with my first 'real' camera, a Nikon N60. I was a teenager who would sneak into Atlanta clubs and bars on weekends. I'd roam around photographing graffiti. I found the mess to be beautiful. What or who inspires you? Decaying, forgotten, and unloved places. I have a vivid imagination that runs wild all day, every day. I can call a friend and say, "I need you to suffer through a long, strenuous shoot in an abandoned building. It will be weird, but I have a vision" and they trust me enough to go through with it. It works out well. What kind of gear do you use? Camera, lens, digital, film? I use all Canon equipment. Do you spend a lot of time editing your images? I actually don't. I like my photos the way I like my food: organic. I try not to over do it with editing or manipulation. What advice would you give a young photographer? Break rules to get the shot you want. Don't waste money on art school. What mistake should a young photographer avoid? Please don't HDR all of your work. An idea, a sentence, a project you would like to share? I'm currently working on a new series that will be a visual expression of how work, domestic home life, parenting, and society can beat us down physically and mentally. It sounds depressing but it's actually the most fun I've ever had shooting. Your best memory as a photographer? Being published by National Geographic twice in one month. I couldn't believe it. If you could have taken the photographs of someone else who would it be? I'd give just about anything to photograph Régine Chassagne of Arcade Fire.
Don McCullin
United Kingdom
1935
Don McCullin is one of our greatest living photographers. Few have enjoyed a career so long; none one of such variety and critical acclaim. For the past 50 years he has proved himself a photojournalist without equal, whether documenting the poverty of London's East End, or the horrors of wars in Africa, Asia or the Middle East. Simultaneously he has proved an adroit artist capable of beautifully arranged still lifes, soulful portraits and moving landscapes. Following an impoverished north London childhood blighted by Hitler's bombs and the early death of his father, McCullin was called up for National Service with the RAF. After postings to Egypt, Kenya and Cyprus he returned to London armed with a twin reflex Rolleicord camera and began photographing friends from a local gang named The Guv'nors. Persuaded to show them to the picture editor at the Observer in 1959, aged 23, he earned his first commission and began his long and distinguished career in photography more by accident than design. In 1961 he won the British Press Award for his essay on the construction of the Berlin Wall. His first taste of war came in Cyprus, 1964, where he covered the armed eruption of ethnic and nationalistic tension, winning a World Press Photo Award for his efforts. In 1993 he was the first photojournalist to be awarded a CBE. For the next two decades war became a mainstay of Don's journalism, initially for the Observer and, from 1966, for the Sunday Times. In the Congo, Biafra, Uganda, Chad, Vietnam, Cambodia, Israel, Jordan, Lebanon, Iran, Afghanistan, Northern Ireland and more, he time and again combined a mastery of light and composition with an unerring sense of where a story was headed, and a bravery that pushed luck to its outermost limits. He has been shot and badly wounded in Cambodia, imprisoned in Uganda, expelled from Vietnam and had a bounty on his head in Lebanon. What's more, he has braved bullets and bombs not only to get the perfect shot but to help dying soldiers and wounded civilians. Compassion is at the heart of all his photography. Away from war Don's work has often focused on the suffering of the poor and underprivileged and he has produced moving essays on the homeless of London's East End and the working classes of Britain's industrialised cities. From the early 1980s increasingly he focused his foreign adventures on more peaceful matters. He travelled extensively through Indonesia, India and Africa returning with powerful essays on places and people that, in some cases, had few if any previous encounters with the Western world. In 2010 he published Southern Frontiers, a dark and at-times menacing record of the Roman Empire's legacy in North Africa and the Middle East. At home he has spent three decades chronicling the English countryside - in particular the landscapes of Somerset - and creating meticulously constructed still lifes all to great acclaim. Yet he still feels the lure of war. As recently as October 2015 Don travelled to Kurdistan in northern Iraq to photograph the Kurds' three-way struggle with ISIS, Syria and Turkey.Source: donmccullin.com Photography has given me a life… The very least I could do was try and articulate these stories with as much compassion and clarity as they deserve, with as loud a voice as I could muster. Anything less would be mercenary. -- Don McCullin
Vassi Koutsaftis
Vassi Koutsaftis has explored the globe for over 30 years, specializing in travel photography – of the extreme kind, especially in the mountainous regions of Himalayan, the Karakoram, Hindu Kush and other very remote areas of Asia. Born in 1952 in Athens, Greece and crossed the world’s oceans working on cruise ships and freighters. That was just the beginning for he continued to examine our planet traveling to remote areas on his own, then from the air, when he went on to study aeronautics and became a pilot in the U.S. He leads treks and exploratory tours in Afghanistan, Mongolia, Tibet, Nepal, Pakistan, Iran, Bhutan, Burma, Turkey and India, and he contributes essential research to unusual and remote itineraries for Geographic Expeditions one of the best and most respected expedition companies in the US. Vassi’s photographs have been published in a number of magazines including Geo (European edition), Photografos, USA Today, Asia Week, National Geographic Traveler, and Marin Magazine. He serves as Conde Nast’s Tibet expert and is well known for his compelling images of the Dalai Lama. His photographic and travel expertise has been instrumental in scouting for films including productions by CBS, PDI and Dreamworks and a number of independent filmmakers. Vassi’s work is included in the collections of U.C. Berkeley’s Blum Center, Steve Wynn Casinos, Stanford University’s Center for Buddhist Studies. Vassi has exhibited his work widely in a number of galleries in the United States and Overseas including The Hellenic American Union in Athens, Greece and enjoys giving presentations of his photographs while sharing stories of extensive travels around the world.
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Call for Entries
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