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Oliver Curtis
Oliver Curtis
Oliver Curtis

Oliver Curtis

Country: United Kingdom
Birth: 1963

Brought up in the Cotswolds, Curtis began his photographic education studying photography at the renowned course at Filton Technical College in Bristol. He went on to study film and television at the London College of Printing and has been balancing work in stills and moving image ever since. Curtis continues to produce stills portraiture for major broadcasters as well as generating his own projects for exhibition and publication. He sites as key influences William Eggleston, Saul Leiter and Paul Graham.

He continues to plough a distinctly idiosyncratic path as Director of Photography on feature films as diverse as Clare Kilner's The Wedding Date, Frank Oz's Death At A Funeral and Joanna Hogg's Unrelated as well as experimental gallery-based installations such as Gideon Koppel's Borth. He remains in great demand worldwide shooting commercials for high profile clients such as Pantene, L'Oreal, La Perla, Ferragamo, Palmolive, Rimmel, Coca Cola, Sony, Guinness, Canon and Cadbury's.

About Volte-Face:
On visiting the Pyramids of Giza in Cairo in 2012, Oliver Curtis turned away and looked back in the direction he had come from. What he saw fascinated him so much that he has since made a point of turning his back on some of world's most photographed monuments and historic sites, looking at their counter-views and forgotten faces.

Taken over a period of four years, Volte-face is an invitation to turn around and see a new aspect of the over-photographed sites of the world - to send our gaze elsewhere and to favour the incidental over the monumental...

Curtis feels that despite the landmark not being present in the photograph, the images are still suffused with the aura of the construction. The camera lens effectively acts as a nodal point and, by giving the photograph the title of the unseen partner, this duality becomes a virtue.

Volte-face will be published by Dewi Lewis featuring an essay by Geoff Dyer: https://www.dewilewis.com/collections/new-titles/products/volte-face

The first exhibition of the Volte-face project was held at the Royal Geographical Society in London, Sept 2016. The collection has received a great deal of acclaim worldwide and has featured in the Financial Times Magazine (UK), NPR Radio New Hampshire (USA), Liberation (France) Wired.com and BBC World Update amongst many others.

Selected Books on Available on Amazon
Volte Face
Volte Face
Oliver Curtis

Website

www.olivercurtisphotography.co.uk

 

Selected Books

Volte Face
Volte Face
Oliver Curtis

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Lucianio Gerini
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Gulnara Samoilova is a Russia-born American photographer, living in New York City. Her work in New York City after the September 11 attacks won a World Press Photo award and is held in the collection of the Museum of Fine Arts, Houston. Samoilova is the founder of the website, social media platform and travelling exhibition Women Street Photographers, and edited a book of the same name. Samoilova was born and grew up in Ufa, Bashkortostan, Russia. After school she worked in a photo lab, then became a portrait photographer, and later a photojournalist for a local newspaper. She gained a diploma in photography from Moscow Polytech College. In 1992 Samoilova moved to New York City and studied at the International Center of Photography. She worked for the Associated Press and photographed the aftermath of the September 11 attacks in New York City in 2001. In 2017 Samoilova launched the website, social media platform, and travelling exhibition Women Street Photographers, to show street photography by women. In 2021 a book of the same name was published, which she edited, containing the work of 100 photographers.Source: Wikipedia
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Jolana Havelková (1966, Kolín, Czech Republic) graduated from the Institute of Creative Photography at the Silesian University in Opava, Czech Republic. In addition to photography, she uses a number of other means of expression in her work, including video and music. Her work includes conceptual, site-specific projects, and socio-artistic events. She has exhibited in many places in the Czech Republic as well as abroad. She also works as a teacher and curator of exhibitions (in 1993, she became one of the founding members of the Festival of Photography Funke's Kolín).
Gregory Spaid
Gregory Spaid
United States
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Gregory Spaid (born, 1946) is an American artist who works in many modes and styles of photography, which are linked by a common thread of illuminating the commonplace. Whether it is the daily movement of pedestrians on the streets of New York City or the leaves that fall in his yard in rural Ohio, it is photography’s potential to transform our common experiences to reveal meaning and beauty that is the hallmark of his work. Spaid’s recent work includes a photography project that explores the importance trees play in our lives and for the health of the planet titled Reading Trees. His work on trees includes Cliché Verre photographs that incorporate actual leaves and other materials on negatives he makes by hand. For this project he traveled throughout the United States and has been awarded artist residencies at the Brush Creek Foundation in Wyoming, Mesa Verde National Park in Colorado, Congaree National Park in South Carolina and the Sonoran Arts Residency in Ajo, Arizona. During the Covid-19 pandemic, he focused on the natural world much closer to home, within footsteps of where he lives, to produce a series of videos to share with friends, titled The Machine in the Garden, that take a close look at nature for the beauty and inspiration still to be found there. Since 2009, Spaid has photographed the dance-like movement of people on the street of New York City for a series of abstract images titled Pedestrians. His photography on the changing landscape of rural America was included in a major group exhibition at The J. Paul Getty Museum in Los Angeles titled Where We Live. As well as the Getty Museum, his work is in other major collections including the Museum of Modern Art, the International Museum of Photography at the George Eastman House, and the Smithsonian American Art Museum. He received a Fulbright Research Fellowship to Italy and is the recipient of eight grants from the Ohio Art Council. Spaid has published two monographs: Grace: Photograph of Rural America and On Nantucket. In 2010, the Getty Museum published his work in an historical survey titled The Tree in Photography. Spaid taught studio art at Kenyon College where he served for nine years in academic administration including six years as the college’s provost. About Leaf Cutting Series "Leaves occur in such abundance where I live in rural Ohio as to seem worthless, and yet each one is astoundingly complex and beautiful both in its form and function. I think of the leaves in this series as visual representations of wildness, while the alterations I make to them -- the cutting -- is a form of rational human intervention. These images from my leaf cutting series are camera-less photographs made from negatives I make by hand -- a process known by the French term Cliché Verre. Cliché Verre is one of the earliest uses of light-sensitive, photographic materials. In the mid-19th century, it was used by a few French landscape painters, including Corot, Delacroix, Millet and Rousseau, to reproduce drawings they made on glass plates. My process is a hybrid one and an experimental contemporary version of that early process. After making a negative by hand, I scan it, process it digitally, and then print it as an archival ink jet print. Because there is no right or wrong way to make Cliché Verre images, I invent my technique as I work and let chance and discovery shape my approach. The subject of this work is leaves that I collect, make translucent, cut in unique shapes, and then combine with other materials (including maple syrup, blueberry juice, glue, India ink) to make hand-made 'negatives.'” -- Gregory Spaid
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