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Win a Solo Exhibition in July 2026 + An Exclusive Interview!
Win a Solo Exhibition in July 2026 + An Exclusive Interview!
Oliver Curtis
Oliver Curtis
Oliver Curtis

Oliver Curtis

Country: United Kingdom
Birth: 1963

Brought up in the Cotswolds, Curtis began his photographic education studying photography at the renowned course at Filton Technical College in Bristol. He went on to study film and television at the London College of Printing and has been balancing work in stills and moving image ever since. Curtis continues to produce stills portraiture for major broadcasters as well as generating his own projects for exhibition and publication. He sites as key influences William Eggleston, Saul Leiter and Paul Graham.

He continues to plough a distinctly idiosyncratic path as Director of Photography on feature films as diverse as Clare Kilner's The Wedding Date, Frank Oz's Death At A Funeral and Joanna Hogg's Unrelated as well as experimental gallery-based installations such as Gideon Koppel's Borth. He remains in great demand worldwide shooting commercials for high profile clients such as Pantene, L'Oreal, La Perla, Ferragamo, Palmolive, Rimmel, Coca Cola, Sony, Guinness, Canon and Cadbury's.

About Volte-Face:
On visiting the Pyramids of Giza in Cairo in 2012, Oliver Curtis turned away and looked back in the direction he had come from. What he saw fascinated him so much that he has since made a point of turning his back on some of world's most photographed monuments and historic sites, looking at their counter-views and forgotten faces.

Taken over a period of four years, Volte-face is an invitation to turn around and see a new aspect of the over-photographed sites of the world - to send our gaze elsewhere and to favour the incidental over the monumental...

Curtis feels that despite the landmark not being present in the photograph, the images are still suffused with the aura of the construction. The camera lens effectively acts as a nodal point and, by giving the photograph the title of the unseen partner, this duality becomes a virtue.

Volte-face will be published by Dewi Lewis featuring an essay by Geoff Dyer: https://www.dewilewis.com/collections/new-titles/products/volte-face

The first exhibition of the Volte-face project was held at the Royal Geographical Society in London, Sept 2016. The collection has received a great deal of acclaim worldwide and has featured in the Financial Times Magazine (UK), NPR Radio New Hampshire (USA), Liberation (France) Wired.com and BBC World Update amongst many others.

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More Great Photographers To Discover

Denis Church
United States
1949
I grew up on an Iowa (USA) farm and drove trucks, tractors, and heavy machinery at a very young age. I loved being out in the weather and open-air fields. One of my earliest memories is riding with my parents when they took a drive to look at area agricultural crops freshly planted and growing in the springtime. These trips inspired my current desire to make car trips to see the world. I studied psychology and sociology in college and was planning a career as a counseling psychologist. These experiences formed my inclination to photograph in public outdoor areas and investigate how the world is “painted and put together”. I acquired a very good expensive camera on a total whim a long time ago, and something radical shifted for me. I left graduate school six credits shy of a master’s degree to pursue the art of photography, which I intuitively felt was my path to truth, instead of the science. I have held many jobs: farm hand, gas station attendant, auto dealer parts manager, car salesman, government employee in two different states, free-lance commercial photographer, real estate investor, landlord, property developer, and photography instructor. Photography has been my main energizing activity for fifty years, for both commercial clients and for myself, pursuing and refining my personal vision of the world. My photographic aesthetic is based on observational street/documentary photography. I currently have several self-assigned documentary projects that I am pursuing. My interest is producing photo-books as a depository for my work, that have availability to future generations. AMERICOLOR - Exploring Urban Color Fields The series or project is a retrospective look at my work from 2007 to 2024. I saw a large exhibition of Color Field painters in early 2024 at The NSU Art Museum Fort Lauderdale, Florida. A painting by Frank Stella particularly enthralled me and I was puzzled why it had such a strong hold on me. A few days later while I was editing photographs I came across my photograph, Bonita Springs, Florida 2012, and I immediately felt a connection and the reason why the Stella painting was so entrancing. I found that many of my photographs have a similar feel with layered subjects and a planar feel: some more, some less. I decided to edit a group of photographs into a book paying homage to the color field painters, therefore my title, AMERICOLOR: Exploring Urban Color Fields. Recently in 2024, I published this book in collaboration with Palm Beach Atlantic University where I also presented an exhibition of about one third of the 116 photographs in the book.
Manuela Federl
Germany
1981
Manuela Federl has worked as a journalist for more than 15 years. She studied languages, economics and cultural area studies with a focus on Romance studies at the University of Passau in Germany and the Universidad de Concepción in Chile. Her Thesis about the indigenous people in Chile Mapuche. Gente de la tierra sin tierra is also available as a book. After graduating, she worked as a journalist for an private broadcaster for five years. In 2016, she founded her company bergjournalisten. Since then she has been working as an independent documentary film director and journalist for different TV stations and for cinemas. In 2016, she received the Short Plus Award for her feature film "100 Hours of Lesbos". In 2021 she got several prices for her documentary "THE GAME. Gambling between life and death" about the situation of refugees at the EU border. Since two years she is travelling through different countries to document in picture and text social topics. The Roma Princesses ''Once upon a time there was a princess in the Roma ghetto. Society's racism and discrimination trapped her in the slum. Nevertheless, a brave prince tried to free her from the clutches of poverty and place the world at her feet.'' A dream that many girls in the Roma settlements probably have. The girl from this fairy tale lives in Trebišov, one of the largest Roma ghettos in Slovakia. Around 7,000 people live here under precarious conditions in cobbled-together barracks or run-down tenements. Most apartments have no sewage system, no showers, no toilets and no kitchen. There is one single well for all residents. Trebišov, in eastern Slovakia, is one of around 800 settlements that exist, according to the 2019 Atlas of Roma Communities. Around 450,000 Roma live in Slovakia. At around ten per cent, they are the largest minority in the country. But already children have a difficult start. According to a 2022 study by the European Union, 2/3 of Roma children go to schools where only Roma are taught. The girl from the fairy tale also attends an all-Roma school in the settlement. The children often speak Romani, the language of the Roma, with their parents at home. Since there are no kindergartens for them, their Slovak language is often poor when they start school. They are enrolled in special schools that only Roma attend. The school material in nine years corresponds to the content that Slovak children learn in four years. Because of this, attending secondary school is almost impossible. Discrimination and poor access to education prevent young Roma from breaking the vicious circle of poverty. According to the Slovak Interior Ministry, 48 per cent of Roma are unemployed. Mostly they get day labour jobs. They have no regular routine and no hope for improvement. These prospects make life difficult to bear. Hopelessness has led many young people to become addicted to alcohol or drugs. No population group in Europe has to live in more inhumane conditions. On average, they die ten years earlier than other Slovaks.(...)
Caterina Bernardi
I was born in a town called Orkanger on the north-west coast of Norway, the land of the northern lights and long winters. This is where I draw a lot of my inspiration from, with its incredibly dramatic scenery and landscapes, and fairytales I grew up with; stories of moody and mystical Nordic environments brimming with depictions of trolls, princesses and nature.My connection with photography first blossomed in Rio de Janeiro, Brazil where I lived in the very early 1990’s. There, I learned Portuguese, encountered very passionate people and discovered my own passion for photography. A friend had found a producer to make her first CD, and I took pictures of her recording music with famous Brazilian artists in the studio. It was an incredible experience that compelled me to pursue photography, which eventually led me to San Francisco, a magnificent city to go to live and work. There, I got my Bachelors of Fine Arts and ventured out on my own to shoot.In the past decade I have created images for clients such as Merck, Genentech, Reebok, The Times of London, Pasolivo, Gilead, Bristol-Myers Squibb, KQED TV., Yoga Journal, Vodafone, and Warner Bros, while my work has appeared in photo publications such as Communication Arts, PDN, Graphis, APA Shows, and Graphic Design USA. Currently I am located in San Francisco, CA, but once a year the northern winds call upon me and I go back home and visit Norway, to feel the breeze and see the midnight sun. Artist StatementI think artists in general have an innate appetite for life, and speaking for myself, I find that curiosity and passion drive me to explore and create, to be mesmerized by life and it’s constant flux of magical encounters, fears and achievements; my vehicle of expression is the art and craft of photography. In this process I aim to intimately connect the subject and me and ultimately the viewer to a dialogue and to linger, to inspire and to create, and to preserve intense moments of emotion and beauty and mystery.What I strive for in an image is to get genuine emotion and expressions from the subject. Sometimes it happens very naturally, and sometimes it is a real challenge to put a person at ease, to make them feel comfortable and enjoy having a camera pointed at them. It is a sensitive moment I share with my subjects while photographing, and establishing a connection with the talent is very important in order to capture striking images, and I work hard to make them comfortable and excited so they give their best. With great collaborations everyone wins and walks away with a sense of achievement.Photography gives my life a purpose and a meaning, to further explore and discover myself, the arts and science, and our mysterious existence.
Margo Ryan
United Kingdom
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For this interview, we wanted to focus specifically on The Face of the Mundari and the wider Pastoral Peoples and Practices series. We spoke with Trevor about his long-term work among the Mundari, what continues to draw him back to their cattle camps, and the experience of documenting a culture whose identity remains deeply connected to livestock, tradition, and the natural environment.
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Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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