All about photo: photo contests, photography exhibitions, galleries, schools, books and venues.

Famous Photographers / Z

Georgi Zelma
Russia
1906 | † 1984
Georgi Zelma was born in Tashkent in 1906. The family moved to Moscow in 1921 and Zelma eventually found work at the Proletkino film studios. Later he joined the Russfoto Agency and from 1924 to 1927 was their correspondent in Uzbekistan, Afghanistan, Iran and Central Asia. A large number of his photographs appeared in Pravda. Zelma served in the Red Army (1927-29) before working briefly in Tashkent. In 1930 Zelma joined Souizfoto Agency and his assignments included taking photographs of collective farms and military exercises. His pictures often appeared in the propaganda magazine, USSR in Construction. During the Second World War Zelma worked for Izvestia and took photographs in Moldova, Odessa and the Ukraine. He also covered the battle of Stalingrad. After the war Zelma worked for the magazine Ogonek and the Novosti Press Agency. Georgi Zelma died in 1984. Source: Spartacus Educational Born in Tashkent, Uzbekistan, in 1906, Georgii Anatolevich Zelma moved to Moscow with his family in 1921, where he began taking pictures with an old 9 x 12 Kodak camera. His first experiences as a photographer took place at the Proletkino film studios and during theater repetitions for the magazine Teatr. He soon joined the Russfoto agency. From 1924 to 1927, he returned to his homeland as a correspondent for Uzbekistan, Afghanistan, Iran and Central Asia in order to document Islamic culture being reformed by Soviet socialist reconstruction. This work was published in Pravda Vostoka. In 1927, Zelma was enlisted in the ranks of the Red Army, serving in Moscow. After the demobilization in 1929, he returned to Tashkent and worked briefly for the Uzbek cinema chronicles. In Moscow, he entered the team of Soiuzfoto and received a Leica. Through the 1930s, he was sent on assignment to the mines and factories in the Donbass region, to Collective Farms in Tula province and to the Soviet Military maneuvers in the Black Sea region. He worked with Roman Karmen on the stories The USSR from the Air and Ten Years of the Soviet Socialist Republic of Iakutia, which were published in the propaganda magazine “USSR in Construction”. For this magazine he also collaborated with Max Alpert and Aleksandr Rodchenko. During World War II, he was a correspondent for Isvestiia stationed at the front-line campaigns in Moldova, Odessa, and Ukraine. His most memorable photographs are of the Battle of Stalingrad, where he spent the severe winter of 1942-43. After the war, Zelma worked for the magazine Ogonek and from 1962 for the Novosti press agency. He died in 1984. Source: Lumiere Gallery
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.
Advertisement
POTW
Leica
Ilford

Inspiring Portfolios

Related Articles

Silver Lining and a Pandemic Semester
Have a safe spring break, I said to my photo students at Furman University on a Wednesday in early March 2020. Then I said something like, Please don't bring that virus back into our classroom when you return, at which point most of us chuckled because it seemed so farfetched, even to me. One week later, I began to plan for my black and white film/darkroom class and digital photography to go online due to the Coronavirus; my students weren't returning to campus.
Saving Orangutans
Indonesia's Sumatran orangutan is under severe threat from the incessant and ongoing depletion and fragmentation of the rainforest. As palm oil and rubber plantations, logging, road construction, mining, hunting and other development continue to proliferate, orangutans are being forced out of their natural rainforest habitat.
A Tribute: Jose Zurita  January 18, 1981 - June 19, 2020
Jose Zurita was a photographer's photographer - he was more interested in making images than exhibiting his work or the attention that comes with publication. Originally from Bolivia, he settled in Greenville, SC, where he worked as a Rehabilitation Specialist for adults living with mental illness. Most days, when Jose left his job at 5 PM, he directly hit the streets with his camera making portraits of strangers he encountered along his path – poignant images of underserved populations. That's how Jose was – someone who wanted to validate others that frequently go unnoticed.
The women of Rebibbia. Walls of stories
The common imagery of the prison life is fed by the photographic and cinematic depiction that nearly always represents the male population. In the era of the #MeToo movement and of a resurgence of the female voice I have decided to investigate what incarceration is like for a woman: the maternity, the relationship with family and partners, the harsh condition with other cell-mates of different countries and cultures
Earth prints: feel the power of the Earth
Photography is a powerful visual art medium. It can convey emotions, sensations, deep perception of the moment. Now, imagine that the photo is made from the air and shows an absolutely breathtaking view? Wouldn't it inspire and energize even more? Breathtaking, inspiring and energizing - that is exactly how our planet looks from above! And that is the kind of aerial images I look for, when I am on my photo trips.
Who will save the Rohingyas?
The Rohingya Muslim minority of Myanmar, who are subjected to discrimination and human rights violations and have been stripped of all rights including citizenship, are now living in IDP or internally displaced person camps.
Award-winning Canon photographers capture Ramadan in the time of a pandemic
To capture this religious practice taking place under lockdown, Canon has partnered with Jordanian Canon Ambassador and two time Pulitzer prize winner, Muhammed Muheisen and Dubai-based photographer Reem Falaknaz
Upside Down by Lorenzo Biffoli
This photographic project has been inspired by the events that followed the rapid spreading of the COVID-19 among the Italian population, which started at the end of February 2020.
A world without latitude and longitude
In a place called White Sands, New Mexico, you can get lost in no time on a cloudy, windy summer day as your footsteps are erased nearly as quickly as your bare feet make them. With no sun to guide you, it's like being on another planet. The pull of places like that might be the same as the emotional grip that the tip of Mt. Everest has on champion climbers, or in the photographs of Ivan Murzin, the magnetic pull of a national park in Siberia where multitudes flock in winter to tempt gravity off the surface of an infinite tabletop of ice.