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Leslie Tonkonow Artworks + Projects, established in 1997, has built a reputation for presenting rigorous exhibitions that weave together contemporary practices with significant historical narratives. The gallery’s inaugural exhibition, *Critical Images*, set the tone by bringing together pivotal conceptual and photographic works from the 1960s to the present, featuring artists such as John Baldessari, Dan Graham, Vito Acconci, and Bernd and Hilla Becher. From its earliest programming, photography has been central—not as a secondary medium but as a foundation of inquiry into image, perception, and meaning.
Over the years, the gallery has exhibited an impressive range of photographic practices, from the Bechers’ typologies to the experimental approaches of James Welling. By doing so, it has illuminated how photography operates both as documentation and as a conceptual framework for broader artistic exploration. The gallery’s attention to artists who challenge conventions of representation has helped place its photography program within the wider conversation of contemporary art.
In addition to solo shows, Leslie Tonkonow organizes thematic exhibitions that often highlight the intersections of photography with other media such as sculpture, performance, and works on paper. Historical depth is a hallmark of its programming, with exhibitions dedicated to artistic dialogues across decades and cultures, such as *Process/Reprocess: Japan and the West*, which explored exchanges between postwar Japanese and Western artists.
The gallery’s commitment to photography extends beyond its walls, with works placed in leading institutions including MoMA, the Centre Pompidou, the Whitney Museum, and the Art Institute of Chicago. These placements affirm the gallery’s influence in shaping institutional photography collections and scholarship.
Through publishing catalogues, collaborating with museums, and participating in major art fairs, Leslie Tonkonow Artworks + Projects continues to be a vital platform where photography is honored as a field of experimentation, innovation, and historical resonance.
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