Washington Depot - 2 Titus Road - CT 06794
KMR Arts, founded by Kathryn McCarver Root in Washington Depot, Connecticut in 2007, has established itself as a vital destination for collectors and admirers of fine art photography. Unlike traditional white-box spaces, the gallery was conceived as a welcoming environment where photography can be experienced in a more personal and intimate setting. This philosophy has helped KMR Arts attract both first-time buyers and seasoned collectors, while also expanding its reach across the United States and internationally.
Photography has always been at the heart of KMR Arts. The gallery’s program spans the entire history of the medium, from 19th-century pioneers to contemporary innovators. Over the years, McCarver Root has brought to her audience masterworks by legendary figures such as Ansel Adams, Elliott Erwitt, Saul Leiter, Sally Mann, Paul Caponigro, Lillian Bassman, and Horst P. Horst. In 2012, the gallery marked its fifth anniversary with a landmark exhibition of vintage prints by Diane Arbus, reaffirming its commitment to presenting photography of the highest caliber.
McCarver Root’s deep experience as a photography editor in New York City—working on books for Bulfinch and Rizzoli, as well as editorial roles at Esquire, US Weekly, and InStyle—provides her with a strong curatorial foundation. At KMR Arts, she combines this expertise with a highly individualized and service-oriented approach. Clients not only acquire works of art but also gain insight into the photographer’s vision, the technical qualities of the print, and the cultural context in which the image was created.
The gallery also offers comprehensive services including framing, archiving, delivery, and installation, ensuring that photography is both beautifully presented and properly preserved. By cultivating close relationships with artists, private dealers, and auction houses, McCarver Root secures exceptional works for her clients. KMR Arts stands today as a gallery where photography is celebrated not only as an art form but as a profound record of human experience.
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