Tips & Technique Books / W

Spending between 24 and 72 hours documenting each family, Lewis's intimate black and white photographs capture caught moments within the homes of a variety of families as the project unfolded over 14 years. The images explore the fullness of parenting, from the unexpected chaos to the quiet shared moments.

The Enchanted Ones, a new photo book by Stephanie Pommez, is a visual tale that drifts between reality and myth, inspired by the legends of the Brazilian Amazon. Shot entirely on 35mm black-and-white film, the book moves beyond documentary into the realm of the imaginary, capturing a world where the seen and unseen coexist.

Soumoud In Dark Times is a new photobook by Rehab Nazzal. Featuring 41 color photographs taken between October 2023 and November 2024, the book presents a diaristic record of everyday life across the West Bank during a year of intensified military and settler violence.

If you’re looking for a photography magazine that does more than showcase beautiful images—one that actually invites you to think, feel, and connect—PhotoED Magazine’s Issue #73 is something special. The theme for this edition is MELD, and it really lives up to that name. It's all about merging: ideas, identities, histories, and creative practices. And the result is a thoughtful, moving, and surprisingly hopeful collection of work.

On 15 May, Amsterdam-based photographer Jackie Mulder releases her first artist book. Known for her unique approach to photography and mixed media art, Mulder presents Thought Trails, a visual fusion of present and past. The book showcases her signature style, where self-made photographs are transformed into dreamlike compositions.

Photographer Hannah Altman’s new book, We Will Return To You, considers how Jewish storytelling is translated and transformed through photographs by evoking the enigmatic, ritualistic, and multi-layered world of folklore. The 71 color photographs in the book, often portraits, are illuminated by Altman’s distinctive use of natural light. An excerpt from the book forms the foundation for her upcoming exhibition, As It Were, Suspended in Midair, in the Kniznick Gallery at the Hadassah-Brandeis Institute at Brandeis University, running February 13–June 12, 2025.

Born in Madagascar and raised in Kenya, celebrated documentary photographer Guillaume Bonn has dedicated over 20 years to exploring and chronicling wildlife conservation practices, vanishing landscapes, and the implementation of landscape and wildlife preservation in East Africa.

First appearing in the English language in the sixteenth century as an adjective meaning “strange,” “odd,” or “peculiar,” queer was used to refer to nonnormative behavior, dress, and lifestyle. It was only in the mid-twentieth century, and mainly in the United States and Europe, that a generalized notion of a shared identity began to cohere in a way that we might recognize today, inclusive of men, women, and trans people who saw their sexuality and gender identity as constitutive of their sense of self. The advent of photography as a medium and its power to capture a subject—representing reality, or a close approximation—has inherently been linked with the construction and practice of identity. Since the camera’s invention in 1839, and despite periods of severe homophobia, the photographic art form has been used by and for individuals belonging to dynamic LGBTQ+ communities, helping shape and affirm queer culture and identity across its many intersections.

In her latest book, I Still Speak Southern In My Head, Nancy Richards Farese creates collages that incorporate threads, beads, buttons and cloth with family archive images and recent photographs to create a complex visual memoir in which Farese reexamines her childhood growing up in the South in the 60s. Some of the cultural tropes resonating with the Southern experience that she considers and questions include the culture of segregation, views on female-gendered roles, and the intersections between what we experience as children and what we learn about those experiences and memories of place, home, and family once we've grown.