Photography Technique Books, Photo Learning Books, for Beginners

For the past 3 years, photographer Tim Franco based in Seoul, South Korea has been documenting the incredible tales of women and men fleeing the North Korean dictatorship in search of another life. This exclusive project composed of portraits and testimonies of the defectors, as well as landscapes retracing the roads of their exile will be published as a photo book by the Magenta Foundation.

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We are Santa by Ron Cooper

I'm a portrait, travel and documentary photographer based in Denver, Colorado. I travel overseas extensively in pursuit of images that reflect local cultures and people. My most recent project, We Are Santa, was produced a bit closer to home, specifically in photo shoots in eight cities across the United States.

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Personal History by Carole Glauber

For thirty years, photographer Carole Glauber pointed her Brownie Hawkeye camera at her children as they did what children do -- played outside with the hose, dug in the sand, twirled a hula hoop and as time goes by have a bar mitzvah, graduate from high school, marry. Presented chronologically in the book, the photographs capture the two boys growing up before the viewer's eyes. But the utilization of the Brownie year after year producing images with the camera's signature, ephemeral look, provides a consistent emotional content overlay, even as the sons change and mature.

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The Locusts by Jesse Lenz

Charcoal Press is pleased to announce The Locusts, the first major monograph by photographer and publisher Jesse Lenz. After a few years of living and traveling North American in an airstream with his family, Lenz settled down in a farm in rural Ohio. He began photographing his children as they ran wild in fields, built forts in the attic, and fell asleep surrounded by lightsabers and superheroes.

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Then and There: Mardi Gras 1979 by Harvey Stein

Inspired by the Polaroid SX-70 instant photographs taken by the great Greek American artist, Lucas Samaras, the well-known photographer Harvey Stein, in the mid 1970's bought an SX-70 camera and for the rest of that decade used it to shoot in his signature style, intimate portraits of strangers in the street. This in addition to his major work of street photography in which he simultaneously confronts and collaborates with strangers using his two Leica M-4 film cameras.

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Thierry Clech: Indian Lights

India is a strange country. You come back without being fully aware of what you really saw. Everything that seems real is not. And everything that appears as imbued with supernatural well and truly exists. This doubtful situation is in fact the uncertainty of street photography: everything goes too fast, constantly appears and disappears in the viewfinder as visions we try to capture, following the impulses of our unconscious. Nothing is more beautiful than the apparent banality, behind which we sometimes discover another world, invisible if we don't take the time to look at it, to open our eyes to detect its mysteries and symbols that move out of the shadows into the limelight for a moment, before vanishing.

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No. Superhero by Ole Marius Joergensen

No superhero is a series of work by the acclaimed Scandinavian artist, Ole Marius Joergensen. The work features meticulously staged, cinematic photographs that depict seemingly ordinary situations which are then infused with a juxtaposed narrative. This unlocks an unexpected and unique world that feels both old and new.

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The Ameriguns by Gabriele Galimberti

Of all the firearms in the world owned by private citizens for non-military purposes, half are in the United States. Numerically they exceed the country�s population: 393 million for 372 million people. This is no coincidence, nor a matter of market alone: but of tradition and Constitutional guarantee. It is the history of the Second Amendment, ratified in 1791 to reassure the inhabitants of the newly independent territories. Two hundred and fifty years later, it is still entrenched in all aspects of American life. This book frames its current status through what are seen as four fundamental American values: Family, Freedom, Passion, Style.

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Loving: A Photographic History of Men in Love 1850s-1950s

LOVING. A Photographic History of Men in Love portrays romantic love between men in hundreds of moving and tender vernacular photographs taken during the 100-year period between the 1850s and 1950s. This visual narrative of astonishing sensitivity brings to light an until-now-unpublished collection of hundreds of snapshots, portraits, and group photos made in the most varied of contexts, both private and public. Some are formal studio portraits, others were shot at the beach, in suburban settings, in the countryside, and at home. The range of individuals shown is extensive, covering nineteenth-century working class men, fashionably dressed businessmen, university students, and soldiers and sailors of all ages-spanning the time between the Civil War and World War War II, and into the 1950s.

Tips & Technique Books / W

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