Siân Davey, Matthew Finn
Nik Roche, Alex Schneideman
Jem Southam, Alys Tomlinson
Vanessa Winship
Pictures from the Garden is a collection of powerful photographic essays made by seven leading UK photographers in response to Paddy Summerfield’s influential book, Mother and Father.
Summerfield’s 2014 publication, set mainly in his parents’ north Oxford house and garden, is a poignant and durational examination of his relationship with his parents as their lives together faded. On publication Summerfield received wide praise with the Guardian’s Sean O’Hagan describing Mother and Father as “a profoundly sad and beautiful book”.
In Pictures from the Garden the photographers, each of whom has drawn inspiration from Mother and Father, travelled to Summerfield’s house in Oxford to discover a personal route to explore the emotions and themes that were evoked in the book. By photographing in the same space that set the scene for Summerfield’s original work about his parents, the photographers imbued themselves in the physical and psychological world depicted in its pages.
The relationship that connects us with those that brought us into the world is universal and yet unique in every instance. Pictures from the Garden represents seven independent journeys taken to discover the nature of the most complex relationship that is common to us all.
THE SPECIAL EDITION
A special edition is available at a pre-launch price of £85.00 (increasing to £95.00 from March 31st). Limited to 25 copies per photographer, this comprises the book and a signed and numbered 10 x 8 giclée print by your selected photographer. The selection of photographs available from each photographer is shown on the wbsite.
A special portfolio edition including the book and signed and numbered prints from all seven of the photographers is also available. This portfolio set is limited to 5 sets (plus 2 presentation sets) and is available at a launch price of £480.
An exhibition of the work from Pictures from the Garden will be shown at the North Wall Gallery, Oxford, between 19th April and 10th May 2023. The exhibition is supported by The Photographers Gallery and Photo Oxford 23.
An expanded chronology charting Todd Hido's career, with ten years of new work.
Well known for his photography of landscapes and suburban housing, and for his use of detail and luminous color, acclaimed American photographer Todd Hido casts a distinctly cinematic eye across all that he photographs, digging deep into his memory and imagination for inspiration. Newly revised and expanded, Intimate Distance: Over Thirty Years of Photographs, A Chronological Album includes ten years of new work since the book's first publication, including breathtaking new images from his travels to Iceland, Norway, and Japan, where he brings both a familiar eye and an expansive new vision.
Though Hido has published many smaller monographs of individual bodies of work, this gathers his most iconic images, along with many unpublished works to provide the most complete and comprehensive monograph charting his career. The book is organized chronologically, showing how his series overlap in exciting ways. David Campany introduces the work and looks at the kind of cinematic spectatorship the work demands. And Katya Tylevich muses on the making of each of Hido's major monographs, "The photographs lead as far as human-made roads go. They reach the periphery of utility wires, footprints, and paths already taken." From exterior to interior, surface observations to subconscious investigations, from landscapes to nudes, from America and beyond, this midcareer collection reveals how his unique focus has developed and shifted over time, yet the tension between distance and intimacy remains.
The fourth chapter of the celebrated series The Day May Break by the renowned photographer Nick Brandt, featuring Syrian refugee families, displaced by climate change in water-scarce Jordan
This is the fourth chapter of The Day May Break, photographer Nick Brandt's global series portraying people and animals impacted by climate change and environmental degradation. The series was photographed in Jordan, one of the most water-scarce countries in the world. It features rural Syrian refugee families currently living there, whose lives have been seriously impacted by droughts intensified by climate change. Living lives of continuous displacement, they are forced to move their homes up to several times a year, moving to where there is available agricultural work, to wherever there has been sufficient rainfall to enable crops to grow. The photographs show the families' connection and strength in the face of adversity, that when all else is lost you still have each other. The boxes on which the families gather aim skyward, pedestals for those in our society that are typically unseen and unheard.
Photographer Ed Kashi’s passion is long-term documentary projects that immerse him in issues that need attention or people’s lives whose struggles warrant concern. He has had a lengthy and varied career with National Geographic and other major magazines, traveling around the world to tell visual stories.
Kashi’s archive, now housed at the Briscoe Center for American History at the University of Texas at Austin, houses many of his personal memories and the experiences attached to the creation of those images. More than a simple repository of images, the archive is a growing, thriving, and continually evolving organism, a living library with immense value.
Through his photography, Kashi has had an intimate, front-row seat to witness and record major events in history. His work has been a passport to worlds unseen, unveiling issues that need illumination, documenting history in the making, and capturing the human experience and the many awe-inspiring places in our fragile world. A Period in Time is a testimony to some of Kashi’s most memorable stories—people he has been privileged to observe and learn from and the places and narratives that have shaped his life, all captured one moment at a time.
An essential introduction to the complexities of visual representation, this book offers a critical new framework for understanding and practicing photojournalism in a global digital context.
Critical Photojournalism guides readers through a variety of ethical, technical and business skills, plus the mental health, self-care and safety considerations necessary to thrive in the field. Drawing on their extensive industry and teaching experience, the authors provide real-world advice on how to navigate the demands of the profession while addressing the impact that photojournalism has on society and ways that photojournalists can mitigate harm. Consideration is given to understanding and disrupting implicit bias and power structures in newsrooms, as well as issues around access, working in breaking news environments and balancing informed consent with varying media laws around the world. In accessible language, this book highlights the importance of collaboration and community engagement in contemporary photojournalism and encourages students to adopt a decolonial approach to their work. Readers will learn to balance the needs for accuracy and thoughtfulness with the priorities of a global, social-media-engaged audience.
This is a key textbook for those seeking a nuanced introduction to visual journalism and/or a fresh approach to their craft. This book is supported by a website which can be accessed at www.criticalphotojournalism.com. The website includes a full-length bonus chapter on video and photojournalism, interviews with professional visual journalists, further tips and tools, and a glossary of key terms.
