All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Get Featured in Our November 2024 Solo Exhibition - Deadline: October 22, 2024
Get Featured in Our November 2024 Solo Exhibition - Deadline: October 22, 2024

Modern Photographers / Y

Peter Ydeen
United States
1957
Peter Ydeen currently lives in Easton, Pennsylvania and works in New York City. He studied painting and sculpture at Virginia Tech, under Ray Kass, (BA), Brooklyn College under Alan D'Arcangelo and Robert Henry and Phillip Pearlstien, (MFA Fellowship) and at Skowhegan School of Painting and Sculpture (Scholarship) with visiting artists, Francesco Clemente, Judy Pfaff, William Wegman, Mark Di Suvero and others. After his studies were completed, Peter made his way in a variety of jobs, including set construction, lighting, illustrations, architectural modeling working in architecture, stage, advertising and film. Later, after marrying his wife Mei li, they opened a gallery in New York City selling African, Chinese and Tibetan sculpture. Over the last several years Peter has concentrated on photography where he is able to use the many years spent learning to see. Easton Nights Easton Nights is a story which grew from the unique and uncommon valley in which the city lies; and is told with the images of unpeopled landscapes taken at night. Here, in the small hours, the world we see as mundane, cascades into dream. Like a surreal scene from a Guillermo del Toro film, trash bins and Toyotas, stop signs and doorways; all become animated. They lean; they stretch, and emanate, all with umbrageous hues, which seem to exhale from the nights own personal color wheel. Scattered signs give the words, marking our place in time, while the geometries show our relentless effort to arrange our world in a box. These are our stages, with the houses our beehives, the machines our toys, and the doors our portals. Complete they are a mimesis of our daily life, as can only shown in the mystical emptiness of night. Then with the dawn comes the beginning, where we all wake, then act; all while these magical and romantic worlds return to sleep. Commuter Motions Traveling from the industrial town of Easton, Pennsylvania, through sparsely populated western New Jersey, and into the cacophony of New York City, Commuter Motions is a photography series that develops from the experiential capture of an eighty-mile commute. By opposing the usual fixity of photography, the series attempts to capture the energy and movement of that commute using an almost Bergsonian approach, which, through time-lapse, builds images from segments of a continuous dynamic. These photographs are not about the specificity of a “decisive moment” but are more in line with the thoughts and theories of late 19th and early 20th-century artists, who were immersed in the concepts of perpetuity, fleeting moments, change, chance and dynamism. Time surfaces as a fourth verity, adding to Robert Adam’s three: geography, biography and metaphor. It is that fourth that which gives us not a moment in time, but instead, a cross-section of a continuum. The usually narrow focus of our memory is substituted with an accumulation of peripheral vision, which creates an image reflecting the gestalt of these movements, a gestalt we perceive and experience but do not visually remember. Through this unusual form of capture, Commuter Motions frames the labyrinth of oscillating movements of our highways, bridges, and cities into photographs that reflect the élan vital of our daily commute.
Torrance York
United States
1966
This Fall Torrance York published her monograph, Semaphore, with Kehrer Verlag and exhibited her Semaphore project in a solo show at Rick Wester Fine Art, NYC. She earned a BA from Yale and an MFA in photography from RISD. York's recent awards include: selection for Atlanta Photography Group's Portfolio 2022 exhibit; Lenscratch 2021 Art & Science Awards, Honorable Mention; Critical Mass 2021 finalist; and semifinalist and Olcott award winner from The Print Center 95th ANNUAL International competition (2020). The monograph was recently awarded 1st place/book/monograph by the Lucie Foundation's International Photography Awards. Her work is in private and public collections, including AllianceBernstein, New York, NY; John & Sue Wieland Collection at the Warehouse, Atlanta, GA; and RISD, Providence, RI. York has had solo shows at Silvermine Galleries, New Canaan, CT; New Canaan Museum & Historical Society; and Southport Gallery, Southport, CT, among others. Her work has been exhibited at Littlejohn Contemporary, New York, NY; Griffin Museum of Photography, Winchester, MA; TILT, Philadelphia, PA; Schelfhaudt Gallery, University of Bridgeport, CT; Aldrich Contemporary Art Museum, Ridgefield, CT; and Center for Photography at Woodstock, NY. She was a resident artist at Anderson Ranch Arts Center in Snowmass Village, CO, and received a Connecticut Artist Fellowship grant in 2010. Semaphore Semaphore examines the shift in my perspective after having been diagnosed seven years ago with Parkinson's disease. Through images, I consider what it means to integrate this life-altering information into my sense of self. What does acceptance look like? Post diagnosis, everyday items and experiences take on new meaning. As I look around me, the branches of trees become networks of neurons or resemble tendons in my wrist imaged by an MRI. Simple tools now present a challenge. Acknowledging these signals facilitates the process of adaptation. Optimism holds the key for me right now. Connection inspires. Light, always an inspiration, illuminates a path for me to follow. And I go. Parkinson's disease is the world's fastest growing brain disorder. Currently, over ten million people live with Parkinson's worldwide. While this project is relevant to the Parkinson's community, it also connects with others whose journeys require growth, patience, and perseverance to move forward. Published by Kehrer Verlag, Semaphore has 96 pages, includes 67 images, and an essay by Rebecca Senf, PhD, Chief Curat
Kimiko Yoshida
Kimiko Yoshida is a Japanese visual artist who was born in 1963 and lives in Europe since 1995. Subtle, fictional, paradoxical, Kimiko Yoshida’s Bachelor Brides form an ensemble of quasi-monochromatic self-portraits, fragments of an intimate web, elaborating on a singular story: the feminine condition in Japan. Her images are large format, luminous squares, underlining her fantasy-bio epic. While still very young, Kimiko Yoshida was struck by the story of her own mother, who met her husband for the first time on her wedding day. Kimiko Yoshida’s own story is compelling. Born in Japan, she left to France in 1995, where she adopted a new language, a new way to live, to create. She studied photography at the Ecole Nationale at Arles, later she went to Le Fresnoy Studio at Tourcoing, France. Kimiko Yoshida has been concentrating on this series of intangible self-portraits which can be read as a quest for the hybridization of cultures, for the transformation of the being, and perhaps even as a deletion of identities. The metamorphosis of her own identity into a multiplicity of identifications expresses the fading of uniqueness, the "deconstruction" of the self. Source: Gallery 51 Kimiko Yoshida was born in Tokyo, Japan in 1963. Feeling oppressed as a woman, she left Japan in 1995 and moved to France to pursue her artistic ambitions. She studied at the École Nationale Supérieure de la Photographie in Arles and the Studio National des Arts Contemporains in "Le Fresnoy". Since gaining her artistic freedom, Yoshida has been working prolifically. Her work revolves around feminine identity and the transformative power of art. In her most recent project, Painting. Self-Portrait she wears elaborate costumes and paints her skin in a monochrome color that matches the background. The monochromatic elements accentuate the fashion of Yoshida’s costumes. For the artist, the costume is "the field of diversion, detournement, and deflection." The visual elements, coupled with the titles’ reference to artists and paintings of the past (Ophelia by Delacroix, The Torero Bride with a Black Suit of Lights, Remembering Picasso), are meant to come together to challenge conventional notions and traditions of art and cultural identity. "I want an image that tries to rethink its own meanings and references." For her self-portraits, Yoshida received the International Photography Award in 2005. She continues to exhibit worldwide, and her work is found in the permanent collections of the Museum of Fine Arts of Houston, the Israel Museum, the Kawasaki City Museum, and the Maison Européenne de la Photographie in Paris. Source: Holden Luntz Photo Gallery
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.
Advertisement
Win a Solo Exhibition in November
AAP Magazine #44: Street
Photographer of the Week

Inspiring Portfolios

Call for Entries
AAP Magazine #44 Street
Publish your work in AAP Magazine and win $1,000 Cash Prizes

Related Articles

Vulnerable Valiance by Natalia L Rudychev
I was born queer, mildly autistic and afflicted by multiple autoimmune conditions. I started "Vulnerable Valiance" project during suicide prevention month. It is dedicated to all those who have lost the ability to express themselves due to prejudices and stigma associated with difference.
Mother and Daughter by Anna Tut
The problem of an aging population is one of the most pressing issues of our time. Nowadays, older people increasingly find themselves lonely and without support from their loved ones. One typical situation is the story of an elderly woman who does not want to leave her village home due to attachment to the place and memories, while her daughter is unable to take her in due to a lack of space. Find out more on All About Photo.com
Halloween Underground by Seymour Licht
Halloween Underground is the culmination of twenty years of photographing people dressed up in fantastical, outlandish costumes against the backdrop of the drab, gritty reality of the New York subway.
Bijou Thoughts by Ave Pildas
When I arrived in Los Angeles in 1971, the urban landscape was totally different from Philadelphia, where I had been living previously, and, for that matter, anywhere else that I had lived. There was art deco everywhere and it was bright and sunny even in the winter. The box offices welcomed you (attracted me) and stood out like jewels surrounded by deco entrances and terrazzo sidewalks.
The Portrait: Art Form, Not Format
Not so many photographers load cameras anymore, but we all still aim them and shoot pictures. I get a bang out of describing my own photographic pursuit as hunting for big game, portraits in particular. I bag my quarry with a four-by-five instead of a thirty-aught-six. But I still hang their heads on a wall to admire like trophies
Transcending Vulnerability: A Photographic Journey through Rural Khakassia (2015-2023)
In the delicate tapestry of human existence, vulnerability weaves its intricate threads, exposing us to the caprices of fate and the relentless march of time. This vulnerability is often accentuated by the chasm that exists between the raw immediacy of lived experiences and the filtered veneer of their representation through media and technology. Nowhere is this divide more pronounced than in the contrast between the serene rhythms of rural life and the tumultuous currents of global events. As I found myself immersed in the tranquil embrace of countryside existence, I was struck by the palpable disconnect between the intimate realities of communal living and the distant spectre of world affairs. Here, amidst the verdant fields and time-honoured traditions, the fragility of human existence stood juxtaposed against the enduring resilience of community bonds.
Legacy by Mary Presson Roberts
In the spring of 2022, my mother passed away after a long illness. I was her primary caregiver for two and a half years. While she was ill, my mother advised me to get a storage unit so that I could take my time in making decisions regarding letting go of her things. I followed her advice and stored treasures from my mother's house for over a year. I kept boxes of books, buttons, knitting needles, empty envelopes, wooden stools, and cut-out squares of green paper, which meant something to my mother thus meant something to me.
Allegories of Melancholy by Maureen Ruddy Burkhart
In the 3+ years since I began photographing birds in earnest, I have seen so many changes, the loss of habitat being the most dramatic and devastating.
Manfred Baumann Calendar 2025
The long-awaited calendar by renowned photographer Manfred Baumann for the upcoming year promises once again to captivate the world of photography. In this current edition, Baumann has captured twelve internationally leading top models in his lens, showcasing their beauty and elegance in an impressive manner.
Call for Entries
Solo Exhibition November 2024
Win an Online Solo Exhibition in November 2024