Miscellaneous Photo Books / V

Using rarely accessed photographic archives and private collections, inspired by her family history, Nichelle Gainer has unearthed a revealing treasure trove of historic photographs of famous actors, dancers, writers and entertainers who worked in the 20th-century entertainment business, but who rarely appeared in the same publications as their white counterparts. Alongside the familiar images and stories of renowned performers such as Eartha Kitt, Lena Horne and Aretha Franklin are those of less well-remembered figures such as Bricktop, Pearl Primus, Diana Sands and many, many more. Vintage Black Glamour is a unique, sumptuous and revealing celebration of the lives and indomitable spirit of Black women of a previous era. Although talented, successful and ground-breaking, many of the women in these pages were ignored by mainstream media, but their life's work and attitude stand as inspiration for us still, today. With its stunning photographs and insightful biographies, this book is a hugely important addition to Black history archives.

118In the 1960s and 1970s, the artist Ed Ruscha created a series of small photo-conceptual artist's books, among them Twentysix Gas Stations, Various Small Fires, Every Building on the Sunset Strip, Thirtyfour Parking Lots, Real Estate Opportunities, and A Few Palm Trees. Featuring mundane subjects photographed prosaically, with idiosyncratically deadpan titles, these "small books" were sought after, collected, and loved by Ruscha's fans and fellow artists. Over the past thirty years, close to 100 other small books that appropriated or paid homage to Ruscha's have appeared throughout the world. This book collects ninety-one of these projects, showcasing the cover and sample layouts from each along with a description of the work. It also includes selections from Ruscha's books and an appendix listing all known Ruscha book tributes. These small books revisit, imitate, honor, and parody Ruscha in form, content, and title. Some rephotograph his subjects: Thirtyfour Parking Lots, Forty Years Later. Some offer a humorous variation: Various Unbaked Cookies (which concludes, as did Ruscha's Various Small Fires, with a glass of milk), Twentynine Palms (twenty-nine photographs of palm-readers' signs). Some say something different: None of the Buildings on Sunset Strip. Some reach for a connection with Ruscha himself: 17 Parked Cars in Various Parking Lots Along Pacific Coast Highway Between My House and Ed Ruscha's. With his books, Ruscha expanded the artist's field of permissible subjects, approaches, and methods. With VARIOUS SMALL BOOKS, various artists pay tribute to Ed Ruscha and extend the legacy of his books.

In this stunning updated edition of the successful Vogue: The Covers, Vogue continues to pay tribute to its tradition of beauty and excellence with a compilation of even more spectacular cover art. In addition to featur­ing classic covers from the magazine's 125-year history, this updated edition features every cover since 2010, with each cover displaying the magazine's cutting-edge takes on style, fashion, and culture. Unforgettable new covers feature such celebrated subjects as Michelle Obama, Kim and Kanye, Lena Dunham, and more. This lavish, beautifully illustrated book even includes five new frameable Vogue cover prints that can be removed from the back of the book. Vogue: The Covers (Updated Edition) is a must-have for every fashion lover and collector.

The Visual Dictionary of Photography provides clear definitions of key terms and concepts, backed up by hundreds of illustrative examples. Covering practical terms such as Lens Hood and Sheet Film as well as movements and styles such as Pictorialism and the Photosecession, it deals with the terminology of both digital and traditional photography.

From the street photographs of the 1950s and 1960s to the postmodern imagery of the 1980s, from photography that addressed identity politics in the early 1990s to the new imaging technologies of the last decade, photography has been at the forefront of artistic innovation in America. As this work demonstrates, its capacity for personal expression, for telling stories, and for documenting facts, makes it a medium of eloquence, relevance and lasting power. The Whitney Museum of American Art, which possesses a comprehensive collection of 20th- and 21st-century American art, has concentrated on expanding its photography collection. Representing the work of more than 40 artists, this volume of over 160 photographs highlights the Whitney's collection and provides photographic visions made by artists living and working in the United States from 1940 to 2000. Accompanying an exhibition at the Whitney, this catalogue offers portraits, landscapes, streetscapes, and genre subjects from both emerging and well-known photographers, including Diane Arbus, Harry Callahan, William Eggleston, Lee Friedlander, Nan Goldin, Mary Ellen Mark, Joel Meyerowitz, Cindy Sherman, Joel Sternfeld, Brett Weston and Garry Winogrand.

Never in human history has there been an event more horrifying than the Holocaust—the human loss inconceivable, the aftershocks felt for generations. But in the midst of the misery was forged a strength of spirit and humanity that shows in the faces and stories of survivors. Captured here with clarity and truth are fifty images of survival, portraits of the men and women who actually lived through the brutality. The tales of survival vary: the misery of day-to-day existence in the camps; the luxury and guilt of passing as a non-Jew; the ever-mounting dread of having a hiding place raided by the SS; the chaos of families fleeing, broken and scattered. Punctuating the narratives throughout the book are impassioned essays by Abe Foxman, Yaffa Eliach, Anne Roiphe, Rabbi Arthur Hertzberg, Eva Fogelman, and others. An introduction by National Book Award–winner Robert Jay Lifton opens the text. Taken together, this powerful collection of words and images forms a moving testimony to human dignity and a record of history that must never be forgotten.