With a kindness and a disarming simplicity, Salgado rebuilds its path, exposes his beliefs, makes us sharers of his emotions. It turns out that his talent as a storyteller and the authenticity of a man who knows how to combine activism and professionalism, talent and generosity. In the book the photographer tells us the story of his most famous reportages.
Get closer to the beauty and power of sharks with award-winning National Geographic photographer Brian Skerry as he illustrates their remarkable evolutionary adaptations and their huge importance to marine ecosystems around the world.
For decades, acclaimed underwater photographer Brian Skerry has braved ocean depths and the jaws of predatory giants to capture the most remarkable photographs of sharks around the world. In this collection of the best of those pictures, Skerry draws on his growing personal respect for these animals to share intimate stories of their impact. Focusing on four key species-great white, whitetip, tiger, and mako sharks-Skerry's photographs span from his early work, photographing them from cages, to his recent unencumbered scuba dives. With additional text by top National Geographic writers, Skerry's images and stories encourage a change in attitude toward these top predators, ultimately showing how they are the keys to the healthy balance of nature underwater.
In the summer of 1971, Michael Lesy and a friend found most of the snapshots in Snapshots 1971–77 in a dumpster behind a gigantic photo-processing plant in San Francisco. The photos were in the trash because the machines that printed them made them so fast — duplicates, triplicates, quadruplicates — that the people on the processing line couldn't stop them.
Week after week, Lesy took home thousands of snapshots from the dumpster. He studied them as if they were archeological evidence. By the end of the summer, he'd formed his own collection of images of American life.
He took that collection with him when he returned to Wisconsin to finish his graduate work in American history. His understanding of the snapshots from California as reflections of the troubled state of American society influenced the PhD research he was doing in Wisconsin - research that became the American classic Wisconsin Death Trip (1973).
Over the next six years, Lesy added to his collection of California snapshots with hundreds of snapshots that had been left unclaimed and then discarded by a photo processor in Cleveland. While Lesy looked through other people's lives in pictures, the world was coming apart at the seams. The Vietnam War, the murderous rampage of the Manson Family, and the Attica State Prison uprising filled news headlines — and the general public carried on their lives, with hope and abandon and everything in between: chaos, cruelty, familial bonds and breaks, materialism, lawlessness, unwitting humor.
Lesy's collection of snapshots from the 1970s is a time capsule of things familiar and alien. Now, fifty years later, everything and nothing about our lives has changed.
In Wisconsin Death Trip Lesy pulled back the curtain of "the good old days" to reveal the stark reality of American life from 1890 to 1910. The anonymous images in Snapshots 1971-77 serve as prophesies of present-day broken dreams, toils, and tribulations.
An exquisite photo collection showcasing awe-inducing moments from around the world, including the aurora borealis, cities made of neon lights, a great wildebeest migration, a contortionist on display--and more.
In life, there are certain sights that are as beautiful as they are unforgettable--from a majestic supercell to the secrets of a deep blue ice cave to the world's largest library. These fascinating spectacles shock us in their diversity, their complexity, and their epic scale, bringing us the miraculous beauty of our planet. Featuring more than 200 color images, including acclaimed photography from the National Geographic Image Collection, this volume presents a dazzling array of natural and manmade wonders, unusual phenomena, and amusing curiosities. Each page will enlighten and inspire, presenting our world at its best.
On the occasion of Blondie’s fortieth anniversary, Chris Stein shares his iconic and mostly unpublished photographs of Debbie Harry and the cool creatures of the ’70s and ’80s New York rock scene. While a student at the School of Visual Arts, Chris Stein photographed the downtown New York scene of the early ’70s, where he met Deborah Harry and cofounded Blondie. Their blend of punk, dance, and hip-hop spawned a totally new sound, and Stein’s photographs helped establish Harry as an international fashion and music icon. In photos and stories direct from Stein, brilliant writer of hits like "Rapture" and "Heart of Glass," this book provides a fascinating snapshot of the period before and during Blondie’s huge rise, by someone who was part of and who helped to shape the early punk music scene—at CBGB, Andy Warhol’s Factory, and early Bowery. Stars such as David Bowie, the Ramones, Joan Jett, and Iggy Pop were part of Stein’s world, as were fascinating downtown characters like Jean-Michel Basquiat, Richard Hell, Stephen Sprouse, Anya Phillips, Divine, and many others. As captured by one of its greatest artists and instigators, and designed by Shepard Fairey, this book is a must-have celebration of the new-wave and punk scene, whose influence on music and fashion is just as relevant today as it was four decades ago.
Photographs by: Ghaith Abdul-Ahad, Lynsey Addario, Martin Adler, Richard Butler, Francesco Cito, Gary Calton, Chris de Bode, Donna De Cesare, Miquel Dewever Plana, Tiane Doan na Champassak, Colin Finlay, Riccardo Gangale, Cedric Gerbehaye, Jan Grarup, Tim A. Hetherington, Rhodri Jones, Bob Koenig, Roger Lemoyne, Zed Nelson, Peter Mantello, Heather McClintock, Olivier Pin Fat, Giacomo Pirozzi, Q. Sakamaki, Marcelo Salinas, Dominic Sansoni, Guy Tillim, Sven Torfinn, Ami Vitale, Vincent van de Wijngaard, Tomas van Houtryve, Kadir van Lohuizen, Alvaro Ybarra-Zavala, Francesco Zizola
Essay by: Jo Becker, Jimmi Briggs, Dick Durbin, Emmanuel Jal, Michael Wessells
Salt prints are the very first photographs on paper that still exist today. Made in the first twenty years of photography, they are the results of esoteric knowledge and skill. Individual, sometimes unpredictable, and ultimately magical, the chemical capacity to 'fix a shadow' on light sensitive paper, coated in silver salts, was believed to be a kind of alchemy, where nature drew its own picture. Salt and Silver brings together over 100 plates drawn from the Wilson Centre for Photography, accompanied by two roundtable discus- sions with curators, academics, historians and collectors from world renowned institutions.
Shooter is a visual portrait of war--the perseverance, heroism, and survival--narrated through stunning photographs and powerful essays from a female combat photographer.
Jeff Brouws and Wendy Burton have been collecting vernacular railroad photographs for many years, poring through disorganized boxes of snapshots at train shows and swap meets. With a keen editorial eye they have sought out the unusual, the lyrical, the pastoral, and the urban, ultimately assembling a collection that includes railroad landscapes, locomotives, bridges, and people primarily during the age of steam. This fascinating assemblage will appeal to fans of vernacular photography and rail fans alike. It is accompanied by an essay that includes a brief discussion of the aesthetic evolution of railroad photography in the early to mid-twentieth century and the phenomenon of the International Engine Picture Club, which acted as a clearing house and swapping mechanism for rail fans. 250 duotone photographs.
n Sports Photography: From Snapshots to Great Shots, author and sports photographer Bill Frakes shows you how to capture the key elements of sports photographs–motion and emotion, style and scene, place and purpose–whether you’re at a baseball tournament, a track meet, or a professional football game. Starting with the basics of equipment, camera settings, and exposure, Bill covers the fundamental techniques of sports photography–understanding lighting, handling composition and focus, and timing peak action. He explains how to choose a shooting position on the field of play, identify the defining moments away from the action, and learn the etiquette of covering live sporting events. He then breaks down the shooting processes of specific sports, outlining the challenges and demands of each and showing how to isolate individual athletes in action.
Alfred Stieglitz (1864–1946), Edward Steichen (1879–1973), and Paul Strand (1890–1976) are among the most famous photographers of the 20th century. This handsome volume showcases for the first time the Metropolitan Museum’s extraordinarily rich holdings of works by these diverse and groundbreaking masters.
A passionate advocate for photography and modern art promoted through his “Little Galleries of the Photo-Secession” (also known as “291”) and his journal Camera Work, Stieglitz was also a photographer of supreme accomplishment. Featured works by Stieglitz include portraits, landscapes, city views, and cloud studies, along with photographs from his composite portrait of Georgia O’Keeffe (selected by O’Keeffe herself for the Museum). Steichen—perhaps best known as a fashion photographer, celebrity portraitist, and MoMA curator—was Stieglitz’s man in Paris, gallery collaborator, and most talented exemplar of Photo-Secessionist photography. His three large variant prints of The Flatiron and his moonlit photographs of Rodin’s Balzac are highlighted here. Marking a pivotal moment in the course of photography, the final double issue of Camera Work (1915–17) was devoted to the young Paul Strand, whose photographs from 1915 and 1916 treated three principal themes—movement in the city, abstractions, and street portraits—and pioneered a shift from the soft-focus Pictorialist aesthetic to the straight approach and graphic power of an emerging modernism. Represented are Strand’s rare large platinum prints—most of them unique exhibition prints of images popularly known only as Camera Work photogravures.
The rarely exhibited photographs gathered in Stieglitz, Steichen, Strand are among the crown jewels of the Metropolitan’s collection.
Here are forty-six contemporary image-makers who are noted for their candid depictions of life on the streets and in the subways, at shopping malls and movie theaters, on beaches and in parks. Included are luminaries such as Magnum members Bruce Gilden, Martin Parr, and Alex Webb (who are still “seeing what is invisible to others,” as Robert Frank put it), along with an international group of emerging photographers whose individual biographies illuminate the stories behind their pictures of New York, Tokyo, Delhi, or Dakar. Four thought-provoking essays and a global conversation between leading street photographers explore the compelling and often controversial issues in the genre. A select bibliography and a resource section for aspiring street photographers complete the book.
Street photography is perhaps the best-loved and most widely known of all photographic genres, with names like Cartier-Bresson, Brassai and Doisneau familiar even to those with a fleeting knowledge of the medium. Yet what exactly is street photography? From what viewpoint does it present its subjects, and how does this viewpoint differ from that of documentary photography? Looking closely at the work Atget, Kertesz, Bovis, Rene-Jacques, Brassai, Doisneau, Cartier- Bresson and more, this elegantly written book unpicks Parisian street photography's complex relationship with parallel literary trends -- from Baudelaire to Soupault -- as well as its more evident affinity with Impressionist art. Street Photography reveals the genre to be poetic, even "picturesque," looking not to the type but to the individual, not to the reality of the street but to its "romance."
By Peter Pfrunder, Fotostiftung Schweiz, Martin Gasser and Sabine Münzenmaier
Publisher : Lars Muller
2011 | 640 pages
Swiss Photobooks from 1927 to the Present is the first comprehensive, trilingual, overview of the major publications that influenced Swiss photography in the 20th century. Seventy historic photographic books are introduced alongside numerous images, interpreted by expert specialists. The selected works offer a framework for a fresh look at the development of photographic styles and forms of expression, from the beginnings of modern photographic books in the 1930s to their ascendance in the present day. In-depth summaries covering the various epochs as well as a bibliography complement the chronologically laid-out essays on the individual publications.
Alongside an exploration of Bayard’s decades-long career and lasting impact, Hippolyte Bayard and the
Invention of Photography (J. Paul Getty Museum, $65) presents—for the first time in print—some of the earliest
photographs in existence. Among the Getty Museum’s rarest and most treasured photographic holdings is an
album containing nearly 200 images, 145 of those by or attributed to Bayard. Few of these prints have ever
been seen in person due to the extreme light sensitivity of Bayard’s experimental processes, making this an
essential reference for scholars and photography enthusiasts alike.
For seven years, American photographer Barbara Peacock crisscrossed the United States photographing people in the spaces they defined as their bedrooms. The bedroom is an inherently personal space where humans are perhaps at their most vulnerable. Whether a room in a house, a camper, or an outdoor space, Peacock presents a body of work that invites the viewer to consider the stories we each carry, and how those unify us all.
SINK / RISE is the third chapter of The Day May Break, an ongoing global series portraying people and animals that have been impacted by environmental degradation and destruction. This third chapter focuses on South Pacific Islanders impacted by rising oceans from climate change. The local people in these photos, photographed underwater in the ocean off the coast of the Fijian islands, are representatives of the many people whose homes, land and livelihoods will be lost in the coming decades as the water rises. Everything is shot in-camera underwater.
The passing of time has a way of adding context and layers of meaning to any story, and photographer Lisa McCord's expansive and nuanced project and book, Rotan Switch, (Kehrer Verlag, May 2024) reflects the dedication of over 40 years of observation and documentation of her rural southern family farm and community.
I discovered Michael Joseph's work in 2016, thanks to Ann Jastrab. I was immediately captivated by the power of his beautiful black and white photographs from his series 'Lost and Found.' His haunting portraits of young Travelers have stayed with me ever since.
Through conceptual imagery, intimate portraits, and reflections in writing from a wide variety of women and girls ages 13-81, artist and former actor and model Jamie Schofield Riva presents an in-depth exploration of what it's like as a girl trying to navigate a world full of "preconceived notions of what it means to be a woman." Her selection of images presents an assessment between generations of the intersections between cultural and social conditioning and messages about the female gender, and considerations of the implication of the stereotypes of femininity.
Renowned photographer Brice Gelot is proud to announce the release his first Archives book. This stunning volume offers a captivating journey through his lens, showcasing his unique perspective and profound artistic vision, featuring a carefully curated selection of his most iconic works,
In January 2020, North Korea officially closed its borders. But even
before that date, photographing the enigmatic landscapes of North
Korea posed immense challenges due to the regime's strict control
and prohibition of unauthorized photography. However, from a vast
archive of images captured painstakingly over two years, in this book
Tariq Zaidi curates a selection of more than 100 remarkable photographs that offer a wider perspective on a society often misunderstood and overshadowed by stereotypes.
In his debut photobook 'Hong Kong' (Kehrer Verlag, April 2024), Finnish photographer and New York Times' photo editor Mikko Takkunen captures one of the world’s great metropolises in the aftermath of political protests and on the brink of a pandemic. Inspired by New York School masters like Louis Faurer and Saul Leiter, he presents Hong Kong in a new light, exploring hidden perspectives and moods. His photographs, balancing between documentary and subjective, are accompanied by an essay by Geoff Dyer. Amidst the city's uncertainties in 2020 and facing the impending relocation of his family overseas, Takkunen felt an urgent need to document the city while he still could. 'Hong Kong' is a poignant farewell, encapsulating his love for the city and concerns about what might be lost as it undergoes irreversible changes.
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